I forgot to include my Natasha Denona cheek products in my initial photo, but this post will cover everything I own from the brand!
Bloom Blush and Glow Palette
I use the Glow Cream Base as a subtle wet looking highlighter. I also mix it with the dark red Cream Blush to create a medium pink shade, since I don’t like the tone of the blush on its own. Because of the texture and how quickly it sets/stops being as blendable on the skin, I apply a layer of the Cream Base first to my cheek, then I add one tap of the blush on top and swirl it around with my finger until the adequate amount is laid down. I wipe the excess blush off my finger before continuing to blend until I’m satisfied with the look. I’ve tried the Glow Extreme several times but the sparkle level is too glittery for my taste. On the flip side, the Duo Glow is stunning! I imagine this could be a blush on some people but it is a stunning duochromatic highlighter. Being able to utilize so much of a face palette is uncommon for me, so I’m very happy I bought this. Also, I’ve had this for ten months and the creams haven’t dried out. This palette is meant to last 18 months, so that’s also a pleasant surprise!
Blush Duo
I bought this from a Boxycharm subscriber. The main blush shade is called Golden Coral and is described as a, “champagne peach shimmer and warm pink with slight champagne sheen.” This is not to be confused with the Duo Glow shade in the Bloom palette which is a combination of a, “vibrant coral with golden champagne.” The TouTou shade is meant to blend out the edges. On my skin tone, it’s too stark and just makes the edges look ashy. When I look forward, Golden Coral is a bit too bubblegum pink, and when I turn my face to the light it looks like I applied highlighter all over my cheek instead of a glowy blush. I think if I had a different shade, I would still not be a fan of the way it looks on my skin or its satin texture. MAC and Nabla are the two brands I trust to make a shimmer blush I will like. I haven’t had quite as much luck with shimmer blushes from other brands.
I think I will be decluttering this one from my collection since I doubt I will use it again. It looks pretty in the photo, but in person there’s just something about this color that I don’t care for. Despite the warmth from the gold shimmer, the base color of the blush itself is too cool toned for my liking.
The Mini Lila Palette
I purchased this palette when it was on sale and being discontinued about two and a half years ago. I haven’t noticed any changes in the quality because these shades were always very pigmented, but not the easiest to blend. Although Poison Berry (the dark red-toned purple) and Raisin (warm reddish-brown purple) are pretty colors, they look nearly interchangeable on the eye and I have plenty of shades like them. I wanted this palette for the Blue Dahlia shade, which was more unique in my collection when I originally bought it, but I have many duochrome blue-purples in my collection now, such as Nocturnal from Clionadh and Fierce from Sydney Grace. Linen is pretty, but I typically only use that kind of shade to highlight the inner corner of the eye and under the brow arch. Flint is only good for highlighting under my brow (though it barely shows) and blending out the edges of Poison Berry and Raisin.
I’ve tried to use this many times and to love it, but I think it’s best if I declutter it to allow other palettes I’m more excited by to get my attention.
My Revised Lila Palette
The Lila palette is an older one from Natasha Denona’s brand, but I purchased mine from Beautylish in November 2019. Some of these shades from the original palette are so beautiful, but I felt it wasn’t purple enough, which is why I rearranged this palette using six additional purples from the 28 Purple-Blue palette: Calypso Blue, Nina’s Orchid, Aubergine, Electric Violet, Smoky Plum, and Maroon. I am much happier with the results! The colors are mainly midtones and darker shades, so I don’t have anything to give a true pop of brightness in this one, but I tend to just use whatever highlighter I have for inner corner and brow arch highlights anyway.
As a purple lover, if I didn’t have the ability to add more purples to this palette, I honestly think I would have been more disappointed with this purchase and felt it wasn’t worth buying, even though I got it during one Beautylish’s infrequent sales. I still don’t use this palette as much as I should, but it’s aesthetically pleasing to me and I get joy from knowing it’s there in my collection.
The Mini Gold Palette
I purchased this shortly after it was released, which is rare for me to buy anything at full price. However, the color story was calling to me so strongly that I didn’t have the self control to wait for a sale. Lodge hardly shows on my eyes, but I love all the other shades! Dark Sepia is a much needed deepening up shade, even though I typically reserve that task for mattes. I found that it looks great in the outer corner but I can also use it in the crease with Bia on top to give that grungy olive green depth that I need if I want it to look like more than just a soft wash of green. I originally didn’t like the flaky texture of D’OR, but now that I’ve worked with many different glittery shadows for the past year, my experience makes using this shade much easier now. I thought the green would be my favorite shade, but D’or really elevates the eye looks I create with this palette. Antheia is a beautiful duochrome olive-brown with gold and green shimmer. That shadow’s tone doesn’t pop as much on my eyelid as I think it would on someone else, but it’s still pretty and I prefer how it looks as an inner corner highlight.
If I ranked my Natasha Denona palettes in their non-revised forms, this would be tied with the Bronze palette for second place. It’s also a favorite palette in my eyeshadow collection overall.
My Revised Gold Palette
This is another palette that is older, but I purchased it late in 2019. Although I liked the blue shades, I wanted to have all my blues in the 28 Purple-Blue Palette instead. I kept 8 of the original shades and added 4 from Lila (Magnolia, Layla, Helio, Cyclone) and 3 from the Purple-Blue (Rosewood, Golden Rose, and Oxide). This palette holds one of the most amazing nearly-glowing greenish gold shades called Lime Chrome. It’s possibly my favorite eyeshadow color from Natasha Denona! It’s hard to justify the price when I got this palette for a few specific shades, but I can at least attest to the shimmer quality being amazing! The mattes weren’t very well suited for me.
When it comes to doing eye looks, my version of the Gold palette is better for simpler eye looks if used alone or as a companion palette. If I wore Brass one day and Oro the next, I doubt anyone would notice I was wearing a more yellow-toned gold shade that day. Or if I wore Brass one day and Alchemist the next, I don’t think anyone would wonder if the eyeshadow suddenly became less glittery than the previous day. So, really, the differences in gold shades is for the wearer’s knowledge and benefit. Although I don’t mind repetitive golds, there were quite a few light shades that were going to look pretty much the same on my eyes, so that’s why I removed most of those.
For the eye looks, I added Python, Sparks, and Aria back, although I had to use the very pale Anastasia Beverly Hills primer in order for Aria to show at all on my eyes. The last two eye looks were created using the pink shades in my revised palette, which were not part of the original Gold palette, but I included them in this section anyway.
My Revised 28 Purple-Blue Palette
This is the oldest ND palette in my collection, as I received it from my 2018 Lucky Bag. These have under performed for a while now, but I am not ready to put them on the shelf of retired makeup products kept purely for collector purposes. Although this palette has been rearranged, the majority of the shadows are still here. I mainly removed the purple shades to spruce up the Lila palette. This one currently holds all the colors I like the least or would seldom use in my ND collection, which are mainly cool tone shades. Some of the yellows and golds are beautiful, but I wanted to minimize the amount of similarly toned shadows in the other palettes, which is how those ended up here. 19 are from the original palette, 2 are from Lila (Juneau and Per Se), and 7 are from Gold (Cava, Sandstone, Sparks,Aria, Teak, Aurora, Python).
The Metropolis Palette
I love the greens and blues, plus I enjoy enjoy orange shades, so this palette has a lot to offer me. On a lighter skin tone, the subtle nuances and differences in texture and undertone is enough to keep this palette from being repetitive, but I acknowledge a lot of these colors look similar on me. My favorite shimmer from Metropolis is Orium, a duochromatic “coral with light greenish reflects,” which goes well with everything in this palette. That being said, I still haven’t used Metropolis as much as I wanted. I know the shades are arranged in a way that can be complimentary if used in adjacent quads or by rows and columns, but I am unused to these color combinations, so I tend to not know what to do and I reach for something else instead. I was happy to discover that the pans in Metropolis are the same size as the medium 15-pan $65 palettes, so I decided to swap some of my least use shades and replace them with Suntan, Magma, High Degree, Alloy, Gloaming, and Bliss from the Bronze palette. Then I organized them in a way that makes it easier for me to visualize how to pair the colors together on my eyes!
Metropolis launched in September 2019, but I’ve only had this palette for 13 months. I can happily say that the cream shadows have not dried out, although Symbol did feel less creamy than Enigma from the very start. They’re all still blendable and such a pleasure to use. This palette is labelled to be good for 2 years after opening, which is fantastic.
I already reviewed this palette, mini Lila, and mini Gold in my 2020 Eyeshadow Tag post, which included eyeshadow looks, so I wanted to expand on that by creating new looks using different shades for this one.
This is my favorite Natasha Denona palette and a favorite in my collection overall!
The Bronze Palette
This is the newest addition to my collection. I kept telling myself I didn’t need this and that the color story is repetitive, but I caved and bought it. When I looked at this next to Metropolis and saw all the neutral browns and oranges, I was reminded even more how much I didn’t need this palette. It’s so pretty though! Bliss is an amazing dark pink shadow with gold and green sparkle. Deep Dive has the cream to powder formula that’s present in the Metropolis palette which works well to smoke out any look or add a unique twist to any shadow that’s patted on top of it. Gloaming is a stunning, “burnt umber with a light bronze reflect.” Magma is the perfect crease shade for all these bronze and orange tones. The shadow quality is fantastic. They are all pigmented, even if most of the lighter mattes are the same depth as my natural lid shade and they just blend into my skin and become hard to see. The other shadows more than make up for it. Even Rhodium, my least favorite shade because it doesn’t have enough sparkle to stand out on my eye, looks amazing when paired with the more sparkly shades in this palette. What helps differentiate this palette from Metropolis is the fact that the similar orange shades lean more on the pink and brown side of bronze. The oranges in Metropolis lean more yellow and gold. Although I removed the most fun six shades and put them in Metropolis, I’m happy to say that what I have leftover in my revised Bronze palette still looks pretty and I can see myself reaching for it to use True Copper, True Bronze, Sundown, Deep Dive, and possibly even Rhodium again.
I left Bronze as a workable and still cohesive palette, unlike my revised 28 pan Blue-Purple one filled with shades I wouldn’t miss. Although I wanted to put Deep Dive in my Metropolis palette, I needed to keep it here as my main deepening up shade.
COMPARISONS
When it comes to specific categories like inner corner shades, browns, golds, bronzes, and blues, Natasha Denona’s shades are without question very similar. At the same time, I thought a lot of shades were more similar than they ended up being. For example, in my mind I thought Bia and Lethal were similar because they’re both light greens. However, Bia is on the grassy pastel side and Lethal is a more grungy yellow-green. I also thought about the fact that Golden Rose is a duochrome pink shadow with gold shimmer, and the same can be said of Bliss. In swatching them, I realized Bliss is more of a coral than a true pink. So, Natasha Denona’s use of different undertones and levels of glitter really helps shades that would ordinarily be similar look quite different when swatched.
That’s everything! I’ve been wanting to do a post like this for a long time, so I’m happy it’s complete now. Thank you for taking the time to visit my blog!
I don’t always post about it, but every December I compile a list of my favorite beauty products of the year. I had a first draft completed for, “Products I loved in 2020,” but I decided to scrap that idea. Although I tested more makeup in 2020 than ever before, calling something a favorite has more impact when it’s compared to the twenty or more other products I had at my disposal, as opposed to just a handful.
‘Shopping my Stash’ has become increasingly important to me. I believe I will purchase fewer things if I am more familiar with the products I already have. I also want to feel the satisfaction of using up a product until it is empty. At the same time, there’s no need to keep the products I know I won’t use due to an incorrect shade match, being too heavily fragranced, not meshing with my skin type, etc. So, I will be disciplining the inner makeup hoarder in me and condensing my collection as well!
I also decided that in the swatch portion, I’ll include some foundation sample cards in case anyone is curious about additional shade matches from other brands!
Nars Sheer Glow in Macao – Nars Sheer Glow unseated the Make Up For Ever Ultra HD, which was my favorite foundation for 3-4 years. I love this product and whenever I wore foundation in 2020, at least 80% of the time, I was using Sheer Glow. I use the tiniest amount for light coverage and utilize concealer to cover the areas where my hyperpigmentation shows through. When I use a normal amount, which gives me medium-buildable coverage, I tend to skip concealer everywhere except under my eyes. I love the natural finish it leaves on my skin and it works amazingly with any tool I use, whether I use my fingers, a brush, sponge, or Blendiful. It lasts all day until I’m ready to remove it. My only complaint is about the packaging. This comes in a screw cap jar, which from experience, the exposure to air from frequently opening and closing the bottle will start to cause the foundation to get darker well before the expiration date or open canister number. So, I bought the pump that’s made specifically for this foundation in order to keep it as airtight as possible. However, when you put the pump cap on, the original bottle cap no longer fits. So you have to keep it as shown in the photo without a cap. Considering the $47 price tag and $6 pump, it’s a bit ridiculous that Nars doesn’t provide a pump cap with it, so I can store it like a normal foundation. Expensive items shouldn’t be poorly packaged.
It has been about 13 months since I bought this, and I have felt that the color is a little darker than before, so I may be getting rid of this foundation soon. However, I’m not fully ready to part with it, even though the PAO date has passed.
Cover Girl Clean Fresh Skin Milk Foundation in 600 and 620 – I can talk at length about this foundation because I started working on a post for it when it was released in December of 2019. It gave me so much trouble that I ended up abandoning the project. First, was the issue of the shade match; which 600 looked much darker in the original promo photos. 620 is still a bit light for me but it’s workable as this foundation is intended to give sheer to light coverage. It leaves a veil over the skin, like a tinted moisturizer, and it feels like a moisturizer in texture as well.
In the beginning it doesn’t feel greasy at all. It leaves a nice dewy finish at the start. I have normal-dry skin, leaning more on the dry side. The fact that within 2 to 5 hours this foundation turns me into a oily mess is shocking. I found that whatever primer I paired it with effected how quickly it took before my face would freak out and start producing oils at a rate I’d never seen before. I tested this foundation about seven different times and the end consensus was that I don’t recommend using any primer with it, and to set it heavily with powder after applying. Perhaps a mattifying primer would work. I can’t test that theory out since I have dry skin, so I don’t own any mattifying or oil controlling primers. The best result I had was mixing 600 with my Lancome Teint Idole Foundation (which was too dark and very matte) in a ratio of 75% Covergirl and 25% Lancome, in order to have enough pigment to lighten the Lancome shade. However, I still couldn’t get a decent look past 5 hours. There’s something in the Cover Girl foundation that causes my skin to produce an alarming amount of oils. Even still, it’s not worth the hassle for the low coverage this product provides.
I would say perhaps this foundation would work better for someone else, but as time went on more YouTubers started trying it out and two of the ladies I watch had strong allergic reactions to this foundation. In addition, I think this has a bit of a bread-like smell combined with milk or lite cream. However, I’ve seen some reviews where other people found the smell to be repulsive. So, I don’t even recommend giving it a try. I kept the bottles in case I ever did want to make a post about them, but now that I have the photos I need, they are in the garbage.
Shiseido Synchro Skin Self-Refreshing FoundationSPF30 in 440 Amber – I purchased this shade based on my Sephora Color IQ number, the complexion product matching system. Based on the initial color that comes out of the bottle, it looks like a good match. However, once it settles into my skin I can see a grey cast. I initially thought it was because the product was too light for me, but I believe it’s due to the addition of sunscreen in this.
The product claims sounded amazing and the beauty gurus were raving about this when it was first released. When I used it myself, I was impressed with how it wore around my smile lines. I have one specific crease that a lot of foundations settle into. However, this foundation really did keep that area looking smooth and covered up better than any other I’ve tried. With all that being said, I still hardly use this foundation purely because the grey tinge makes my skin look so dull and lifeless. Instead, I use a different foundation everywhere on my face but I will occasionally blend in the Shiseido foundation just onto my smile line. Since it’s such a tiny area, there isn’t much of a color differentiation. My bottle is going to expire in March 2021, so I will hold onto it until that date. SPF in makeup is notoriously an issue for those with darker skin tones, so if you have a lighter complexion where it wouldn’t be as much of an issue, I would recommend this one.
Laura Geller Filter FirstFoundation in Pecan – I bought this foundation when it was 90% off (only $3.80) at Ulta because they were dropping the brand from their stores. The shade match is a little more golden-orange than I liked, so I only wore it once. Based on that first impression, I believe it could be a decent foundation if I had a closer shade match, but there weren’t many other shades available for purchase. This foundation’s time has run out though, and I’ve disposed of it.
Clinique Even BetterMakeup SPF 15 in WN 124 Sienna – As one of my Diamond Rewards from Ulta, I was able to redeem a free Clinique foundation. I was color-matched by a store associate, but Sienna is still a bit too light and not golden enough. Out of the 56 shades in the line, there are only 3 darker than my shade. The next one up was too dark, so I went with Sienna and figured it might work better in the winter months, which unfortunately it does not. I’ve had it for nearly a year, so I’m getting rid of it.
Tarte Face Tapein 53S Deep Sand 54G Deep Golden – I had help from an Ulta associate getting shade-matched to Deep Sand, which tends to be my closest match in Tarte’s foundations. I really loved the finish and coverage. I still felt like the tone was slightly off, but there wasn’t anything better suited for me in the range. So, I wore this a few times and went back to my other foundations.
Because I bought this in-store and can’t see past January 2020 in my account records, I’m not sure when I purchased this. I remember at some point the color seemed even more different than I remembered, which led me to purchase the travel size version online in Deep Golden in January 2020. I realized this shade was a bit too golden and didn’t look better on me than Deep Sand, so I never used it more than once.
I know there are a lot of people who don’t throw foundations away immediately after the PAO date. They continue to use them until it starts to be too long (going on two years), change in smell/consistency/performance, or until the bottle is used up. I try to be good about disposing of my liquid products, but sometimes I hold onto them for longer too. I bring this up because my older Face Tape foundation developed an extremely sticky consistency. I was a bit repulsed by that, so I checked the bottle and realized it only has a 6-month period-after-opening. That’s pretty shocking considering the price point and the amount of product you get. Foundations are usually good for at least one year. My newer one is 11 months old and hasn’t changed its texture, but I’ve thrown it out as well. Purely based on the PAO issue, I don’t recommend this foundation.
Make Up For Ever Ultra HD in Y505 – I finally let this one go. I’ve been a fan of the original MUFE HD when my shade was originally 177 Cognac. When the Ultra HD version came out, I went through 2 other bottles of that. I loved the coverage and how beautiful my skin looked on camera. It had a nice natural/soft matte finish. If powdered, it was fairly transfer-resistant. My shade was a little more neutral than yellow/warm, but it still looked great on me. It was the shade I always referenced as my perfect skin tone before using Macao from Nars. For some reason, Y505 was discontinued, and that is what led me on the hunt to find a different “holy grail” foundation. When my color was discontinued, MUFE introduced Y508. I’m not sure if it was supposed to replace mine or how similar it is to what I used. What I do know is that Y505 in some of MUFE’s other foundations are slightly different across the board. I may try to investigate this further, but for now, I’m happy with Nars foundations.
Nyx Born to Glow Naturally Radiant Foundation in Nutmeg – This gives me a grey cast because the one I bought was too light for me. I didn’t try to buy another shade because Nars Sheer Glow feels lighter on the skin than this, while simultaneously giving more coverage, so I prefer that. This foundation also does not dry down as much as I’d like. This one definitely isn’t bad. It’s just a preference thing. January marks 12 months of having this foundation, so I removed it from my collection.
Beautyblender Bounce Liquid Whip Longwear Foundationin 4.10 and 4.35 – In June, using the same Sephora Color IQ, I ordered shade 4.10 even though it said “cool olive” and I’m always “warm golden” or “warm yellow.” I thought perhaps the matching system was intended to be like MAC with NC being my shade range instead of NW. I was wrong.
In November 2020, the foundation went on sale and since I did enjoy how the foundation looked on my skin, I decided to get a darker color to mix with. Without being able to see or test it in-store, or decipher in photos online, I didn’t want to try to and guess at a shade that was still too light for me and be unable to use yet another one. In the photo below, I was able to compare them to shade 4.30 thanks to a foundation sample card that I got with one of my online orders. It’s not too far off from my skin tone, just a touch too dark. As I already have two bottles though, I’m not going to buy a third.
If someone is able to find their match, I do recommend this foundation, although I think they may be discontinuing it considering the severe price drop. The formula is a bit thick, but I think that makes it perfect for using with the Beautyblender, since the damp sponge will give it a slightly thinner consistency. I’m keeping both.
L’Oreal Infallible Fresh Wear Foundation in Hazelnut and Copper – I bought this based on Tati’s rave review. I did really enjoy the beautiful dewy finish. I wasn’t satisfied by the shade matches, as I felt like they oxidized towards the end of the day. I also felt like they didn’t dry down as much as I liked. Also, this foundation smells a bit like perfume. I kept using them initially but eventually I grew tired of how long it took before I could no longer smell it on my face. Ironically the newer bottle I bought, Copper, expired a few months ago. The first bottle, Hazelnut, expires soon. I went ahead and got rid of both.
Uoma Beauty Say What Foundation in Brown Sugar T1W – I absolutely love how lightweight this is and the gorgeous finish it leaves on my face! Despite being thin, it can be built up to full coverage. It feels so hydrating to my dry skin! The brand calls the finish a “vibrant matte” but on me, it still has a glow. Although the Brown Sugar and Bronze Venus categories cite oily/combo skin as the most common skin type, which would lead me to believe this formula wouldn’t be as nice on someone like me, it still somehow feels like there are oils in it even though it’s a water-based product. If I’m able to find a less orange shade match that better suits me, this could potentially become my new favorite foundation! It’s my understanding that the Brown Sugar shades tend to have a lot of orange in them in order to correct hyperpigmentation, which is a common issue for those within this skin tone range. This makes me wonder if getting the neutral T1N might still be too orange, or if that shade might be too dark for me. I’m within the Bronze Venus range for the contour and highlighting stick, but the Bronze Venus T3W and T3N looked like it might be too light for me based on photos. I’m waiting for a sale before I try to pick up a second bottle, which will likely be Bronze Venus T3N. My local Ulta doesn’t carry this brand in-store, so I will have to guess blindly. Shade matching in-store doesn’t always work for me anyway.
Because this foundation is the runniest one I have (even thinner and more watery than Dermablend drops), I dispense it directly onto my face before strategically dotting it in other areas with my finger. Then I either use my fingers or a brush to blend it in. The Blendiful soaks up too much foundation if you apply it directly onto its surface before putting it on the face. However, if the foundation is applied to your face already, the Blendiful works well to smooth it out. I do not recommend using a damp sponge, for fear of further diluting the product, unless you plan to use extra pumps of foundation with it.
*NOTE: At the time of posting, this is currently 40% off at Ulta! I ordered Bronze Venus T3N. Wish me luck!
Dermablend Flawless Creator Lightweight Foundation in 70W – This foundation has the closest consistency to the Uoma Beauty one, however, it doesn’t give the same finish and doesn’t have quite the same texture. It also looks light in the swatches above but when it fully dries, the color darkens to a very close skin tone match for me. Although I can use this all over my face, my favorite use for this is as a lightweight but full coverage concealer with a natural/semi-matte finish. I got the idea from Marlena Stell, Makeup Geek founder, who frequently uses this foundation as a concealer in her live makeup videos on Youtube. Once I bought the Pat Mcgrath concealers, I stopped using this for a few months, but now I’m using it again to cover my dark circles and hyperpigmentation. A little goes a very long way and if the tiniest amount isn’t used, it can look almost mask-like. They weren’t kidding about this being full coverage, which is why I prefer to use this as a spot concealer. 1-4 drops can be mixed with moisturizers, serums, sunscreen, etc to create a sheerer complexion product but I haven’t done that yet. I like the formula as is.
I think it may be time for me to toss my bottle of 70W, due to some perceived changes, but I’m not ready to let it go yet. Ulta had this for 50% off a week ago, but they don’t carry 70W. I still bought 72N hoping it could work for me, and it does as an under eye concealer, but being slightly darker and slightly more orange is enough to be mismatched for the rest of my face unless I use one of my light yellow setting powders (such as the Laura Mercier Honey shade) to balance it out. However, it looks too drying if I set it with powder. Unlike other complexion products I own which aren’t intended to be mixed, the Dermablend drops are a multi-use product. I’ve only had 72N for a few days, so I will experiment with it some more to find out the best way to utilize this shade in the future.
Milani Conceal + Perfect 2 in 1 Foundation and Concealer in Amber – Because the shade match was off, I honestly didn’t give this product enough of a chance to be able to review it. I’ve had it for 16 months, so it needs to be tossed out.
Lancome Teint Idole Ultra Wear 24H Long Wear Foundation in 500 Suede W – This is the oldest foundation I have in my collection and it survived multiple declutters because I kept saying to myself I was keeping it to mix with any foundations that were too light. How often did I actually do that? Less than a handful of times! I’m absolutely getting rid of it, though it’s such a shame that I didn’t use it enough. It was part of my 2000 point redemption order via Ulta, and I heard doing exchanges on items purchased with points is a hassle, so I didn’t try to get a different shade. It was supposed to match me based on my Sephora Color IQ, but I only have a 50% success rate with Sephora’s recommendations. Based on my limited experience with this, I can say that I like how full or near to full coverage it was. However, it didn’t impress me enough to repurchase when I had MUFE and Nars foundations in my possession.
Kosas Tinted Face Oil in Tone 7.5 – I mentioned in the Uoma Beauty section that the Say What foundation felt as though it had some oils in it. This foundation is actually oil based and feels very similar to that one. The finish is nice and because it gives light coverage, the imperfect shade match is more forgiving. I believe Tone 8 is my actual shade. I’ve enjoyed this sample so much that I’ve been tempted to purchase the full size ever since. However, I’ve held back because I prefer the Uoma formula a little more. Considering the similar price points and how they look on my skin, I would rather get a buildable foundation that I can have at full pigmentation or sheer out, as opposed to one that only provides low coverage.
Nars Soft Matte Complete Foundationin Macao – Considering my skin type, I’m so surprised how much I love this foundation! I like how smooth this looks on my skin and the consistency is watery (but not as thin as Kosas or Uoma), yet it provides full coverage. It appears lighter and more neutral than the Macao version in Sheer Glow, but I still like how it looks on my skin (and especially in photos). It also sets without needing powder. It isn’t completely transfer-proof but if I press a napkin to my skin, it is minimal. It settles into my deeper smile line, so this may not be a great foundation for someone with mature skin. I still like it though and it is so smooth everywhere else. This foundation is the reason I have no plans to repurchase Sheer Glow. If I buy another one, it will likely be this. I’m still going back and forth on it.
Pat Mcgrath Sublime Perfection Foundation – I only had this foundation in the form of a sample card, so I can only say from my single sample use that it looks pretty on the skin and is on the light to medium side. I think I would like this foundation, but not for full retail price. Even 30% off would be too steep for me, so I don’t think I’ll ever be adding this one to my collection.
Fenty Pro Filt’r Soft Matte Longwear Foundation in 420 – I still don’t know my correct Fenty shade. I’m supposed to be 420 based on the color IQ, but 420 pulls a little darker and noticeably orange on me. When the foundation initially launched, I went to Sephora to get samples of 390, 410, and 420. I could not tell a difference between 410 and 420. 390 looked like a better shade, even though it looked a little on the pink side to me (despite the description). I didn’t investigate further because I did not like how this foundation looked on my skin. It looked very drying and showed texture and lines I didn’t know I had. When the hydrating version launched, I went to my local JCP-Sephora and tried those same three shades again. In the hydrating formula, 390 was lighter than the matte version, but once again, I couldn’t tell a difference between 410 and 420. I didn’t investigate further this time because I still didn’t like how the foundation sat on my skin. Despite being a “hydrating” formula, it was still too drying on me and looked like it was just sitting on my skin. Now that there’s a powder version, I am tempted by it. However, my local Sephora isn’t getting them and I will not blindly buy a powder foundation when they are notoriously tricky to shade match as they often don’t match the color in the pan. I have a hard enough time purchasing the right shade of liquid online, let alone a pressed powder foundation. Plus, I imagine it would be even more drying on my face, so I will skip it. Fenty Foundations just aren’t suitable for me.
Make Up For Ever Matte Velvet Skinin Y505 – This shade looked even lighter and more neutral in the swatch than the Nars Soft Matte foundation. However, when it has time to sink into the skin, it becomes a little warmer and matches my skin tone very well. It’s a bit on the thicker side in terms of consistency, so it doesn’t blend as easily or smoothly across my face, and powder products don’t blend as easily on top of the foundation, but once it’s blended it looks great. The coverage provided is medium-buildable to full. I prefer the Nars Soft Matte a little more than this one. I will give it credit for not settling as deeply into my smile lines. That factor is what keeps me waffling a bit about how I feel, but the blending issue is why I will ultimately not purchase a full-size of this product.
YSL All Hours Foundation in Warm Mocha and Warm Hazelnut – YSL has an option on their website to try 2 deluxe sample sizes of their foundation for $10. One was too light and one was a touch too dark. There are no shades between BD70 and BD75, so I never bought the full size and didn’t want to mix. I can’t find a date for when I purchased these, but I’m certain they are too old. I remember that when I initially tried them (mixing the two shades to get a wearable color), I liked the formula. However, it’s not worth $54 and I wasn’t even excited enough to continue using the samples.
Now we’ve reached the section that are purely foundation sample card swatches. The only points I can make about these is that the Too Faced Dew You Fresh Glow Foundation has fragrance in it. None of those ABH foundations match me, and I was surprised by how dark the Estee Lauder 6W1 Sandalwood shade looked on my arm. A few years ago I used to wear that shade in the Double Wear formula.
REVISED FOUNDATION COLLECTION
This is what I’m left with at the beginning of 2021! I don’t have swatches of the MAC foundation stick because I don’t want to open it yet. I bought it to test as an eye primer because the ingredients are so similar to the Makeup by Mario Eye Prep and Set in Deep (and I’m darker than NC45 right now).
If I remove the three shades that need to be tossed at some point this year due to age, and the products I’m still holding onto as shade references as well as foundations used for other purposes, I would only be left with the Uoma Beauty Foundation, Beautyblender foundations, my Nars Sample, and MUFE sample! I can’t remember the last time I’ve had such few foundations at my disposal, but it’s a bit exciting to me! I only want to keep products that work for me and a reduced collection will allow me the satisfaction of finally being able to use up more products!
My goal is to end 2021 with no more than five full-size foundations in my possession (multiple shades of the same foundation formula just counts as one). We’ll see how well I stick to that!
In order to get more use out of my Viseart shadows, I depotted them from their smaller palettes, then placed them in one custom magnetic palette, and lastly sold the remaining shades I didn’t want in my collection. Muse Beauty Pro sells some shades individually, so I ordered a few of those as well during various sales.
Most of these do not have names, but I labeled some of those according to their positions in the palettes.
The shadows from my Viseart Dark Mattes palette are exactly five years old. I can see the changes in texture, even though they still perform nearly the same way. The oranges and reds were always the best shades in the palette. The blues and the olive shade were always the patchiest in swatches. I honestly only kept the blues because the shades are pricey and many years too old to sell. Since I still love the oranges and purples, but I feel like I need to toss them, I have considered purchasing the Viseart Dark Edit Eyeshadow Palette which has those shades as minis (minus the blue), plus a few additional pretty shimmers. The only reason I haven’t yet is because I won’t allow myself to purchase anymore Viseart shadows unless I prove to myself I’m going to use the ones I currently have even more.
The Pastis shade had to be built up many times. I have a hard time getting that shade to stay vibrant and visible on my eyes. Clover and Forrest don’t look the best in swatches, but they perform better on the eyes. I mentioned the Dark Mattes shades are old, but all my other Viseart shadows were purchased in 2019.
I was a little annoyed when I purchased Bougainvillea as a single shadow and found out how similar it looked to the Lavender shade I already had. The only difference between the two is that Bougainvillea is slightly brighter. It has a more vibrant purple pigment in it.
I didn’t purchase any of Viseart’s new palettes in 2020 because they always mixed light neutral shades I never wear with a few pops of interesting colors I want. The Étendu Violette Palette has some stunning purples, but out of the four shades I want, one looks like Bonbon and one looks like Lavender in certain photos. So, the Viseart no-buy continues.
That’s everything I have for now. Have a fantastic day!
Besides the few other lip products I reviewed earlier in the year, the items I’m discussing today are the only other lip products I purchased in 2020! It wasn’t even a matter of having to wear a mask in public being the deterrent. I’ve just always been more of a balm girl. I’ve purchased many lipsticks and lipglosses in the past, only to let them go no more than 25% used because I’m always reaching for balms instead. Last year, I decided to go on a serious lippie low-buy and it nearly worked! However, in November and December, those holiday deals were what got me!
PROPA BEAUTY
Propa Beauty is a new brand that received a ton of attention in 2020 within the indie beauty community. I heard nothing but positive things about their satin lipstick formula, so when I saw their Black Friday deal, it was too tempting to resist. At the time I’m writing this, the satin lipsticks are the only products they have available, but one of the Youtubers I watch said they have another lipstick formula in the works.
Victress – This shade has, “deep rose petal tones.” It is one of the two lightest colors available, and in the first photo taken with flash on, you can see the color that will actually show on the lips. Because it is so light, I didn’t expect it to work for me, but the brown tones keeps this wearable. While people of every skin tone can use these lipsticks, they were formulated with darker skin tones in mind and that really shows with this shade. It’s lighter than the lip colors I normally wear, but it has just enough pink to keep it from looking like ‘concealer lips.’
Limitless – The, “toasted pumpkin-tones,” in this shade are so pretty! This is one of the most obviously orange shades I’ve ever had in my collection, but the brown tones keep it grounded and prevent it from being too bright for my comfort level. I’m so glad I bought this and I intend to utilize this shade a lot when pairing it with my orange and Fall-inspired eye looks.
Her Magic – This shade is described as having, “deep rose-tones.” The other lipsticks tend to lean brown or orange, but this is one of the few pink toned lipsticks currently in Propa’s collection. I almost bought the full-size Rare Beauty lip balm I discussed a few months ago, but I’m glad I waited because I like the tone of this shade even more!
I was very pleased with all three shades. Her Magic and Limitless are my favorites, but I easily recommend any that might catch your eye.
TOWER 28
I have the ShineOn Milky Lip Jelly Gloss in Cashew. This is another brand whose lip glosses I heard nothing but good things about. I was so excited when it finally arrived but the first few times I used it, I hated it! This formula feels like a combination of a sticky humectant with a lot of oils. I am used to applying lip gloss from edge to edge without fear of it moving. This gloss feathers, so I kept getting a dripping sensation on my lips and would have to wipe the edges, even though I remained within the lines upon the initial application. By the third time, I figured out where I have to apply so that when it spreads, it will stop exactly where I want it to. Also, I kept hearing everyone say this gloss is more lightweight than the Fenty Gloss Bombs and that it’s not sticky at all. I don’t think there’s much of a difference in terms of thickness. The Tower 28 gloss has a different feel because of the oils. And while it doesn’t feel sticky if you apply the initial layer, as time goes on and the oils start to wear away and I’m left with an incredibly sticky layer. I realized this when I tried to combat the dripping feeling by dabbing the excess product off my lips. The napkin removed the oils but what was left behind was the stickiest gloss I’ve ever had!
Tower 28 applicator on the left. Fenty Gloss Bomb applicator on the right.
I was so tempted to buy the mini set of 4 glosses initially, but I’m glad I did not. On my pigmented lips, the amount I will texturally be comfortable using isn’t enough to add significant color to my lips. I have enough sheer glosses from Fenty, I definitely don’t need additional ones from Tower 28.
Now that I know the right amount of gloss to use (slightly less than the amount on the wand from one dip in the tube), I will get more uses out of this product because it’s still hydrating. I can ignore the stickiness. It does have a very pleasant scent that I wasn’t able to easily identify, but I suspect it is from the apricot oil.
FENTY BEAUTY
All the Gloss Bombs currently in my collection.
Fenty Gloss Bomb Cream Color Drip Lip Cream in Honey Waffles– This is the newest lip product release from Fenty. The cream version has more pigment, no glitter, and is a bit thicker in texture than the traditional Gloss Bombs. Those also have a sweet fruity/Starburst candy type of smell. The Cream Bombs are supposed to smell like peaches and cream/vanilla. It was very nice at first, but after using it several times, my tube smells like peaches mixed with chemicals. It isn’t unpleasant, more of a ‘makeup smell,’ but it’s not the same as when I initially used it. I also noticed the scent faded in my other Gloss Bomb minis from December 2020, whereas my older holiday minis smell exactly the same as when I bought them. Those were created for Holiday 2019, but my purchase history shows that I didn’t buy them until April 2020, so they’re only eight months older. I’m guessing Fenty used less fragrance or a weaker fragrance in the Holiday 2020 batch. This isn’t necessarily a bad thing, just something I thought was interesting.
In the initial reviews I saw for this product, Honey Waffles was the prettiest shade on every person from light to dark. It wasn’t until I already made my purchase that I started to notice the reviews where Honey Waffles gave the ‘concealer lips’ effect on the ladies closer to my complexion. Even though Fenty Glow is my favorite Gloss Bomb shade, the cream version looked on the cool side of pink, so I picked Honey Waffles instead. Regardless of the shade, and despite how much I thought I wanted a product like this, I’ve realized it isn’t for me. The color looks patchy and gathers in the lines of my lips. I tried this with lip liner and still wasn’t thrilled with how it looked. The only way I can enjoy this is to use a thin layer. Normally, the amount I pick up on the tip of these applicators is the perfect amount to apply to my lips. With Honey Waffles, I have to wipe off a quarter to a half of the gloss back in the tube. Then I use what’s left to spread the gloss as evenly as possible onto my lips. As long as I continue to use this method, I will keep using Honey Waffles. I have tried to mix this shade with the other gloss bombs and aside from Ruby Milk, none of the other combinations helped. I will continue to experiment and see if there is a lipstick shade in my collection that I would enjoy putting on top of this gloss. Then again, I’d still have to watch out for the uneven pigmentation issue.
Fenty Glossy Posse Mini Gloss Bomb Set: Holo’daze Edition
I am missing Baby Brut because I gave that shade to a friend.
I am fairly certain in my review of the Holiday 2019 Mini Gloss Bomb set, I said I wasn’t going to purchase this one because the glosses are too sheer to look different on my lips. Well, look at me now!
Cake Shake – I didn’t expect to get much color out of this shade, but I wasn’t prepared for the ramifications of wearing the least pigmented Gloss Bomb: looking like I have random bits of glitter all over my lips! It looks accidental rather than intentional. You won’t catch me using this one again!
Taffy Tea$e – This shade is the main reason I couldn’t get this set out of my head. Something about the color in the tube is so alluring to me! It looks like there is no shimmer in the tube, but upon closer inspection there are light pink particles of glitter in there. Even though this shade looks completely different in the tube than Tower 28’s Cashew, they both have pink tones that are light and milky looking on me, so they look similar on my lips. I think a shade like this would look even more pink and stand out more on someone with a lighter lip color.
Ruby Milk – This is the most pigmented shade of all the gloss bombs. I like it much more than I expected. I thought it would have a metallic finish, but it just leaves some shine and glitter. This shade can be built up to slightly more opacity, but I like how a minimal application looks.
The verdict for the set is that I don’t think anyone is missing out by not buying it. I’m glad to have it because I needed to satisfy my curiosity. It’s unfortunate that I used my Sephora points on the Tower 28 gloss and Fenty Cream Bomb when those two aren’t my favorites, but at least I didn’t spend much out of pocket. I can also confirm that the regular Fenty Gloss Bombs keep their title as my favorite lip gloss formula!
In 2020, I went on a lip product low-buy. For 2021, I’m going to attempt a complete lip product no-buy (excluding my holy grail Nuxe Reve de Miel lip balm in the pot jar that finally became available on the Nuxe US website again)!
Those are all my thoughts for now! Thank you for reading!
It’s a bit late to post about last year’s holiday items, but as these products are still available and on sale, I really wanted to post my thoughts on them.
Pur x Barbie Palette
I received this palette as a birthday gift. Until this point, I hadn’t tried anything from PUR, but I heard mixed reviews about their eyeshadow formula. I was pleasantly surprised how much I enjoyed using this palette! The shadows have a decent amount of pigment, are smooth, and blendable. I am very happy that the orange mattes are distinctly different on my eyes and although the orange shimmers are similar, Trendsetter is actually a duochrome that shifts from the lighter orange in Dream House to a slightly darker red-orange. I’m not sure if I should even call them “shimmers” because they have a semi-flaky texture that reminds me of metallic foiled shadows. I don’t know if I’m a fan of the textured look when applied dry on the eye or even with my finger. In order to get them to look the smoothest, I apply them with a wet brush, which changes the texture, but then it becomes sheered out. That’s when I apply an additional layer on top using my finger. The wet shadow underneath meshes with the dry powder applied on top to keep it smooth yet have that extra layer of pigment. All of the “shimmers” are like this, excluding Icon which is more of a satin formula. The foiled shadows also leave a ton of glitter particle fallout as the day progresses. I recommend using something like a glitter glue/primer to help with adherence.
The shade Barbie Style is medium pink and Timeless is medium red. Although I can tell the difference when I use them separately, because they’re the same depth, I find them to be too similar to use together in an eye look. Motivate and Innovator are both dark brown shades, but I prefer to use Motivate for warmer looks and Innovator if I’m going for something cool-toned.
This palette is great for anyone who wants to dabble a bit into color eyeshadows. The shadows are colorful yet soft with enough neutral shades to keep the looks grounded. Although I love shimmers, I can see myself using this palette mainly for the matte shades.
Pur x Barbie Confident Glow Signature Illuminating Highlighter
Seeing the eyeshadow palette in person made me curious about the highlighter, so I bought it afterwards. I don’t believe it’s available at Ulta anymore, but at the time of writing this, PUR still has it for sale on their website. The formula of this highlighter is very soft and I was happy to see that whether I used exclusively the gold shade, the pink, or both swirled together they basically look the same on the skin. Since I tend not to like the look of pink highlighters on me, I was worried about keeping the shades separated when I apply them, but Pink Taffy has gold shimmer in it which keeps it looking warm toned and not much different from the Bubbly shade. The base color isn’t very strong in either shade, so it blends into my skin nicely.
All the Barbie highlighter swatches are over Kiko Milano’s blush in Candy Cane and Make Up For Ever Velvet Matte Foundation in Macao.
When I apply a heavy amount side by side to my cheekbone (as shown above), there is a minimal difference between them. It’s even less noticeable when I use my usual amount. Since I didn’t purchase this with the intention of having two different highlighters in one, I’m happy that they are similar so I can just swipe my brush in the pan and not have to worry about the shades mixing.
Pur x Barbie Glossin Boss Gloss
I received this as a free gift with purchase from Ulta. I had the option to choose between this shade or the lighter one called Girl Gloss. Boss Gloss has about as much pigment as a standard Fenty Gloss Bomb, plus noticeable glitter particles. The predominant glitter color is a hot pink/magenta that has an almost metallic affect on the lips. It’s a bit sticky, so I wouldn’t normally wear the amount that it takes to look a bit metallic (double layer). I’m happy to have this, especially at the low cost of $0.
KikoMilanoHoliday Gems Highlighter Palette
I really wanted this, even though I could clearly see in photos that the texture looked glittery. I was so happy when I got it in person and saw that after touching the powder, it looked like more of a wet sheen, rather than sparkly! That’s not to say it isn’t glittery, because it is, but it’s not at the level that would prevent me from wanting to use it (excluding the golden brown shade).
These highlighter swatches were all over the Kiko Milano Unexpected Paradise Aspirational Mauve blush. Kiko didn’t give them names, but they are numbered instead. Highlighter #2 was so subtle in my initial photo that I retook the picture. Although I applied a generous amount, the base color is so close to my skin tone that you can’t see it and all that shows are the sparkles.
As is common with highlighters on me, they look similar, especially on camera. However, there is a faint enough difference that I can say I like shade #1 and shade #3. #1 is my typical highlight color. #3 in person has a warm sheen that compliments my skin tone. #4 is okay, but I find it to be a touch ashy.
I’m happy to report this blush had no detectable scent! It’s supposed to smell like vanilla, according to Kiko’s website, but I don’t smell anything from the powder. Unlike the Unexpected Paradise blush, which is on the texturally softer side with some kickup, this blush has very little kickup. I wouldn’t say it’s hard-pressed, as I can pick up the product easily enough with any brush regardless of the bristle type, but it’s on the medium side and harder than my other Kiko blushes. Although this shade is a much brighter pink than I’d typically go for, I didn’t think the other two shades would show up on my skin tone (though it’s difficult to tell via online photos which is the only way I have access to these products) and the pretty packaging was a major factor in me purchasing this. I did get this on sale, which happened very quickly after being released on Ulta’s site.
After a little while, this blends into the natural oils of my skin and looks better than the initial application. For that reason, I definitely like it. Even when it first goes on it reminds me of winter wind-kissed cheeks!
I have mixed feelings about this blush. In warmer lighting, this blush looks extremely metallic. I like the color, but it’s as though I put a metallic eyeshadow on my cheek. In brighter and slightly cool lighting, it looks more like a shimmery eyeshadow instead, but in a somewhat nicer way. Regardless of the light, this does emphasize texture and accentuates my pores, which is normally not a problem for me. For those looking out for fragrance, this has a pleasant fruity scent. I don’t smell it once it has been on my cheek for a bit, but the smell lingers in my blush brush.
I don’t see myself using this again, but I wanted it for the Wonder Woman theme anyway. This is the only Wonder Woman collection I’ve seen within my price range (*cough*House of Sillage*cough*) that excited me. So, I’m holding onto it for collector purposes.
Kiko MilanoUnexpected Paradise Blush in 03 Aspirational Mauve
This blush smells a bit like coconuts and sunscreen or tanning oil. The smell is very artificial but it fades quickly on the cheek. There are three shades in total. I thought MAC was the only brand that could make mauve and plum blush shades I like on me, but after wearing this one, I’m beginning to accept that perhaps mauve is a generally nice color for me! Although it’s the darkest shade they had, it gives me a flush of color that I can’t overdo, even if I really pack this on. However, this will probably not work on someone more than a few shades darker than I am.
Here are all the blushes swatched together with flash off and on.
That’s everything! It was fun to try PUR and Kiko Milano for the first time. I don’t think any of these products will end up being holy grail status, but I’m happy to have and enjoy them.
Becca Cosmetics was initially known for having a very inclusive shade range of complexion products and making shades for the deepest of skin tones that few companies at the time were willing to create. But the main hype around the brand, what it’s best known for, are their shimmering skin perfectors. They became even more popular within Beauty Youtube after collaborating with Jaclyn Hill to make Champagne Pop.
In 2014-2015, my makeup obsession wasn’t as strong as it would later become. After swatching the Becca Perfectors in-store, I firmly believed they were the best highlighters on the market, but I wasn’t about to drop $38 on just one. During the holidays in 2015, Becca released the Champagne Glow and Afterglow palettes, which allowed me to have multiple shades for the same price. So, I’ve been using Becca’s highlighters ever since! Although Becca has dropped in popularity, and their place among the top highlighter makers is wavering, their formula is still in my top 3.
I acknowledge half of my Becca collection should be retired to my products-too-old-to-use shelf, but they’re still just as good as when I bought them. I threw out all my liquid and cream Perfectors, but I plan to use the oldest powders for a little longer.
For consistency, I am wearing MAC’s Pinch Me blush, Nars Sheer Glow foundation, and Tarte Shape Tape concealer in every photo. I did not use contour powders or bronzers in any of the pictures.
Pearl
Other than for testing purposes, I never use this color on its own. I only wear it mixed with Topaz. It’s described as a “soft luminous white,” which I expected to be incredibly stark and unwearable on its own because it’s the whitest shade of highlighter in my collection. However, this has a semi-transparent base that doesn’t leave a powdery white cast that other highlighters in my collection, which are technically darker, can have. I still prefer a warmer highlight, but it’s nice to know I could wear this if I wanted without it looking too crazy. Pearl was originally said to be a limited edition shade that Becca later made permanent.
Golden Mint
This is a website exclusive “minty green that transforms into a wearable gold.” It was supposed to be limited edition, but three years later it’s still for sale. On social media, Becca asked followers which shade between Smokey Quartz and Golden Mint they wanted to be produced. They removed those posts from their Instagram after later criticism, but I have screenshots other accounts reposted.
Smokey Quartz supposedly had the most votes and was released within days. Then three months later, Becca released Golden Mint anyway. It was very clear for everyone to see that both colors had been in production long before they asked anyone for opinions. This deceptive marketing move left a sour taste in my mouth, but no one explains it better than the ladies at Beauty News, whose video I will linkhere.
I was annoyed with Becca but still bought it anyway during a promotional discount event. I do absolutely love this shade. The slightly green-tinged white powder transforms into a peachy gold shimmer. For anyone curious, I have reviewed this shade in the past. It’s more pigmented than Pearl and can actually look harsh if I apply too much, so I typically use my Wayne Goss 15 Fan brush with this product.
Moonstone
Like Pearl, I only wear this if mixed with Topaz. It’s described as a “pale candlelit gold,” and is an extremely common shade for a highlighter, but I don’t have that many shades which are this light in my collection. Moonstone was part of Becca’s original launch of Shimmering Skin Perfectors.
Champagne Pop
This “soft gold with peachy-pink pearl” shade is the one that catapulted Becca to mainstream fame thanks to the collaboration with Jaclyn Hill. The previous highlighters I’ve mentioned can be applied lightly to give a more subtle glow. Champagne Pop was intended to have a strong beam, as is Jaclyn’s highlighter preference.
Prosecco Pop
Prosecco Pop was Jaclyn Hills’s second collaborating shade. It’s described as an “ethereal gold with rich golden bronze pearl” and that bronze is what makes this shade a bit better for my complexion than Champagne Pop. Although I don’t think this is quite as finely milled in terms of glitter particle size, I still like it.
Royal Glow
This is a limited edition, “bronzed opal shade infused with shimmering gold pearl,” but is still available for sale. I bought it mainly for the pretty crown embossing, and therefore, I don’t use it as often in order to preserve the imprint. This highlighter has the most subtle shimmer and reflectivity of the Skin Perfectors in my collection.
Rose Gold
This shade is a “rosy pink with warm gold pearl.” I usually dislike pink highlighters, and the same can be said of this one. The pink tone doesn’t show on my skin. It just looks slightly ashy (less ashy thanks to the addition of gold pearl) and cool on my cheek. It looks better in photos than it does in person. I don’t wear this shade and haven’t tried to mix it with any of the others.
Gold Lava
This limited edition “24k gold with light pink pearl” highlighter is still available. It is the most glittery of the Skin Perfectors that I have. In terms of color, this shade is similar to Champagne Gold and would be more “wearable” if the formula was smoother with smaller glitter particles. Because this shade isn’t as old as Champagne Gold, I was hoping this could be a nice replacement for when that highlighter goes bad, but I rarely use Gold Lava and I don’t see that changing in the future.
Champagne Gold
This limited-edition “soft warm gold” shade was released around October 2014 and I wanted it so badly! However, my frugal side refused to purchase it for the full price. I was waiting for a sale from Sephora or Ulta, but it never came. For an entire year, I was kicking myself for not getting it while I could. But in November 2015, Hautelook put it on their site for $30 and I finally got my hands on it! Champagne Gold was not a popular color. This was long before Fenty’s Trophy Wife, and there were a lot of complaints about how this particular shade of yellow wouldn’t work for a majority of skin tones. I don’t know how well it suits me, but I still used it a lot within the first year of having it (even though you can’t tell by looking at the pan). The base color is very pigmented, so I used it frequently but sparingly in the amount of product applied.
My theory is that Becca produced a small enough batch that rather than putting the rest of their stock on sale, which could lower the brand value for customers at their biggest retail partners, they unloaded their remaining inventory onto Hautelook, a much lesser-known website that still holds more prestige than TJMaxx because of its connection to Nordstrom. This shade might have even been sold at Nordstrom Rack, but I didn’t live near one to be able to confirm that.
The most telling indication that Champagne Gold didn’t do well is the fact that Becca never re-released it. Anything that sells well, Becca always brings back or adds it to the permanent collection. They were able to save face with Champagne Gold, but after that it was unavoidable. The Light Chaser Highlighters and Khloe Kardashian/Malika collection have been on sale for years now. The evidence of the brand’s dwindling popularity hasn’t been a secret for a long time.
Dreamsicle
Real Dreamsicles are a combination of orange and vanilla. I expected this shade to be more on the orange side, but this limited edition “soft tangerine shade infused with white gold pearls” appears more peach on me. As is the case with Champagne Gold, I don’t know if this shade is flattering or not, but I like it. I don’t use it often though because it has become more of a collector item in my eyes.
Topaz
I can’t remember if this, “warm bronze with gold pearl,” shade was part of the original highlighter launch with Moonstone and Opal. I do know that this was the first one created for those with darker skin tones. Many years ago, when I was several shades lighter, Topaz was just on the cusp of being too dark to highlight with. However, this color is perfect for me now. Either that or the top layer is lighter than it’s supposed to be due to the frequency in which I mixed Topaz with other shades.
There was a time when the only way I could get a highlighter as dark as this was to use a shimmery bronzer. When I see the highlighter offerings today, even from Becca who has made even darker shades like Chocolate Geode, it makes me happy.
Bronzed Amber
The only description I could find for this shade is “warm bronze.” It’s a little more on the pink side, which isn’t my preference, but it looks much better on me than Rose Gold. I bought this shade out of pure curiosity and although it doesn’t look bad, I wish I skipped out on getting this (along with Gold Lava).
Blushed Copper
This “warm copper” shade is categorized as a blush and has been discontinued. Even though it looks dark in the pan, it blends in very well on my cheekbone and paired with my very pink blush. For some reason though, I never wear this as blush or highlighter.
Own Your Light
I knew full well this highlighter wasn’t for me, but I wanted it anyway purely for packaging, so I bought it at a steep discount from a third party seller.
It’s hard to capture the shift on this “warm gold-infused [Perfector] with luminous peach and pink pigments.” The pink is less pronounced in these pictures, but in certain lighting, it is extremely strong. I can use this if I’m in the mood for an uncommon highlighter shade, but realistically I won’t touch it again. It’s purely a collector item for me because this is yet another limited edition item. I saw this for $22 at Ulta during the holidays, so if anyone is interested in this shade, you can probably get it on sale if you keep an eye out!
SWATCH COMPARISONS
As can be seen in the cheek swatches, although Becca makes a variety of distinctly different highlighter shades, they essentially look the same on the cheeks: whitish gold, yellow gold, or pink. Some of the colors are brighter and more intense than others, but there isn’t a need to have as many as I do. Out of the 14 Perfectors I own, the only shades I would miss are Golden Mint, Champagne Gold, and Topaz.
Although this is one of my favorite highlighter formulas, I’ve never thought these were worth $38 and I haven’t purchased a single one at full price. If you can get one in the $25-$30 range, or one of the mini sizes, then I could confidently recommend these Perfectors. However, Nabla’s Skin Glazing highlighter in Amnesia has become my most used highlighter for a year now and it’s $24. There are stunning highlighters at more affordable prices, which also adds to my hesitation recommending the Shimmering Skin Perfectors, despite how great they are.
Today’s review is about redemption! My first experiences with Milani and Clinique blushes were not very good, but I decided to give them another chance. With one brand it was worth the risk, but not so much with the other.
Milani Rose Powder Blush in Coral Cove
Coral Cove in varying amounts of sunlight.
This was the first Milani blush I purchased, and it was almost my last. This brand is so hyped up when it comes to blushes. I’ve never heard a single criticism about them, so while I was in the midst of making my original MAC blush post, I decided to give Coral Cove a try to compare. This blush is shockingly chalky and gives a low color payout. I can build it up on my cheeks, but it’s not just a matter of the shade not being pigmented enough. I really dislike this formula. The rose imprint and the color are nice, but I will never reach for this again.
Milani Sunrise Serenità
This shade and Cocoa Felicita are the newest additions to Milani’s line of baked blushes. They are the reason I decided to give the brand another try. I figured it was possible that when everyone raved about their blush formula, they might have been talking about the baked ones. I can say that I do enjoy these. They are much better than the rose powder blushes.
This particular shade works more as a highlighter or blush topper on me.
Milani Cocoa Felicità
In Yours Colourfully’s review video, she mentions that the blushes in the original packaging (with gold bottoms) were made in Italy. I expected to see the two new ones with this packaging (black bottoms) but the Sunset Passione shade that I’ll discuss after isn’t a new shade but was sent to me in the new packaging and was made in the US too. So, perhaps the original packaging is being phased out and all of the newly produced baked blushes are being made in the US now. I’m mentioning this because although I like these blushes, they have an insane amount of kickup! I don’t know if these are meant to be like this or if there was a formula change. On all three blushes, the powder you see around the edges were like that when I opened the package. The blushes weren’t even used yet when I took the pictures. And once I did start using them with my goat hair blush brush, a ton of powder came up with it. It has the most kickup I’ve seen from a blush or any other baked/pressed powder! When I switched to a synthetic brush, it lessened the amount of powder picked up, but there was still a moderate amount of kickup.
This shade works the best for me as a blush. I really like it! It’s not as dark as I expected from looking at it in the pan, but it’s the darkest shade in the line. I would like to see other deeper toned blushes from Milani in the future.
Milani Sunset Passione
This shade is very similar to Cocoa Felicita, but a little lighter and a little more rosy toned.
It’s a little harder to see on camera. In person, it still looks subtle on my cheeks with the exception of the obvious shimmer.
CliniqueWarm Up Cheek Pop Palette 2019
I bought this holiday palette last year and barely used it. The shades Blush and Sorbet were limited edition, but Cola Pop is a permanent single blush in Clinique’s Cheek Pop Blush line. The reason I wanted this item was to try out Cola Pop and for the ability to mix the shades for additional color combinations, but I just didn’t like how any of them looked on me.
All 3 shades mixed together.
They brought back this palette with the same name but the only shade from the original is Cola. The two lighter blushes are different.
Clinique Holiday Cheek Pop Palette 2020
I told myself not to buy this year’s palette but my curiosity got the better of me. I knew the Black Honey shade would show up on me, based on another video from Yours Colourfully, and I really wanted the highlighter. I purchased this during Sephora’s Friends and Family sale, so the price was a great value. I like that this formula is more matte. The blushes from last year were more satin than matte. The packaging also feels sturdier and better quality, as this includes a mirror in the lid, unlike the one from last year. I like the highlighter, but unfortunately, I still don’t like how these blush shades look on me either.
The Gold Celebration shade is used as highlighter over a different blush (I forgot which blush I used).
I think I can officially say the Clinique blush formula just isn’t for me. They aren’t bad blushes at all, and if you like them already, these palettes are a fantastic deal. It comes down to a matter of preference for me and how they look on my skin in person.
Clinique Comparisons
Overall, my second chance blush experiment was a success because it helped me fine tune what my preferences are. I’m glad I could finally try Milani’s blushes in a formula that I can recommend. Although Cocoa Felicita is the only shade that I will use as a true standalone blush, at $7.99 each (I used a first time customer discount code so it was even less) these didn’t break the bank. Do I still recommend waiting for MAC to have another 30-40% blush sale and purchase from them instead? Honestly, yes. But this is a decent alternative for those who don’t want to wait.
I’ve never been one to fawn over brands. There are some companies whose products I really like, and I speak about them highly, but when it comes to Clionadh Cosmetics I fully acknowledge I am a Stan.
I respect the company so much because of their amazing customer service, social media presence, and support of customers, creators, and even other indie brands. The biggest reason is of course their phenomenal eyeshadows. Their standard eyeshadow collections are fantastic (and underrated) but their Stained Glass Collection is several tiers above the rest. Other brands can make multichromes and do a decent job, but no one has been able to replicate Clionadh’s “mirror” finish in their Jewelled multichrome formula. Leigh and Maggie have created truly extraordinary eyeshadows.
THE ORDERING PROCESS / DELAYS
When I first heard about Clionadh, they were already popular. It was just a two-person team handmaking everything. The processing time was 20 business days and it was not uncommon having to wait 1-2 months for an order to arrive from Canada where they are based. However, they had a huge boom on January 21st, 2020 with their belated Black Friday sale. They had a new workspace and hired a few employees, but the demand was so massive that things were selling out within minutes. In order to give everyone a fair shot, they turned the Stained Glass collection into a pre-order collection and on February 4th they made preorders available and honored the sale price for the first two days. This is the reason why what once took a few months turned into a 2-5 month wait. In one of their updates they explained, “In total, we received more orders from this single restock than we did the entirety of 2019.”
This process became a lesson in patience for me. For the January 21st restock, I checked out 14 minutes after the launch and received my order on February 18th. For the February 4th Pre-Order launch (planned to ship in April), I was better prepared and checked out two minutes after the launch. However, I combined that order with my later February 25th order. So, my package arrived on July 8th. My March 4th order was also part of the April pre-orders and arrived on August 4th.
The COVID-19 pandemic with social distancing restrictions caused a far greater delay than anyone could have anticipated. This is the reason Clionadh didn’t catch up with everything until November 30th. That included closing their store for a month in order to complete the pending orders, build up inventory to reopen, move to an even larger space, hire additional help, order two custom pressing machines, and transfer their website to a different e-commerce platform. They have since reopened and from December 18th – December 31st, their biggest restock/sale yet has been underway. My intention was to post this before the sale, but my final order did not arrive in time for that to be possible.
Regarding the current sale, they plan to ship the standard orders after the holidays (January 2021) for the current inventory they have in stock. All orders containing a pre-order item will begin shipping in late February. This is a reasonable amount of time considering how long it takes to create new shadows, so it appears they won’t be as backed up in 2021 as they were this year.
This post has been many months in the making. I kept debating whether or not to post considering I still had so many pending orders. Ultimately, I decided to work on this a little at a time, as my orders came in, so I could finally make a giant 2020 Clionadh Collection post all in one!
PRICING
One of my initial deterrents from the brand was the cost of a single eyeshadow. Prior to watching Lauren Mae Beauty’s video, which is when I decided to finally try out the brand during their next sale, I only knew of Clionadh from photos on Instagram. I thought those pictures had been photoshopped or enhanced in some way because I didn’t think eyeshadows could ever look like that in real life. The irony is that they look even more stunning in person! At the time, I didn’t want to spend $25 on a shadow when I’d already been a little disappointed by the $15 multichromes I purchased from Sydney Grace. What I didn’t take into consideration is that the prices listed were in CAD, which is higher than USD. It’s only the most expensive shades, the Jewelled multichromes, which are 25 CAD at full price and $19 USD. Their website now has a conversion changer, which makes things easier to calculate.
Terra Moons Extreme Multichromes are $17, Sydney Grace Pressed Multichromes are $15, and JD Glow Multichromes are $16. Devinah Cosmetics shadows in the Butterfly Kaleidoscope Collection are $10, but the shifts are a lot weaker than the multichromes from the other brands. Devinah now has Aurorae Flares for $16 which are comparable to Clionadh’s Jewelled multichromes. They are the closest in quality that I have seen, though Clionadh’s are still just a touch better in my opinion due to that mirror shine. However, they are nearly identical enough that I would suggest if you live in the US and don’t already have the equivalent Clionadh shades to the Aurorae Flare shadows, you’d be saving $3 per shadow going with the Devinah options.
Clionadh’s prices for multichromes within the Stained Glass collection range from $8-19 USD. The duochromes from their other collections, which still have strong shifts depending on the shades, range from $5-6 USD. Devinah’s Duochromes are $8 with regular shadows as low as $5. Terra Moons’ are $6-13. Lethal Cosmetics Duochromes are $6.50-7. Give Me Glow’s regular shimmers are $7. JDGlow’s regular shimmers are $7.50. So, Clionadh’s eyeshadows are on par or better price-wise than other indie brands. Other brands have more sales though and some are at deeper discounts, so it just depends.
The cost of shipping to the US is around $11 (15 CAD) but it is tracked and insured. My last Terra Moons order cost me $7.29 insured shipping (free if you spend $65). Considering Clionadh is based in another country whereas Terra Moons is based in Tampa about one hour from where I live, I think it’s a pretty good deal. In addition, Clionadh knows that it would be so disappointing to wait months and have anything arrive broken, so they pack them the most securely of any brand. It takes me quite a while to unpack the shadows from all the bubble wrap!
THE STAINED GLASS COLLECTION
I will be categorizing by formula and showcasing eye swatches. Arm swatches and other comparisons will be towards the end of the post. For eye swatches, I used Nyx Glitter Primer on shimmers and MAC Paint Pot for mattes. For arm swatches, I used Nyx Glitter Primer on the Stained Glass Collection and Urban Decay Primer Potion on the standard collection.
Series 1 Iridescent Multichromes
These appear white in the pan but have color shifts and a transparent base. They are recommended to be used as lid topper shades and highlighters for the eyes and face.
Umbra has “colour shifting reflects that go from blue-indigo-violet-pink.” This is the only one I have in this formula because although this kind of eyeshadow still works for me and is beautiful, it takes a bit of rubbing to make the white part of the powder disappear. It gets messy when I have to rub the shade rather than gently patting it onto my glitter-glue-primed eyes which I use to avoid fallout.
Series 2 Iridescent Multichromes
With Series 2, Clionadh says, “We don’t recommend using these on their own as a shadow because their formula is so thin and slippery, thus it doesn’t have the same adhesion a regular shadow would need on its own. But they certainly are perfect for the inner corner or brow bone.”
Of course, I still put them all over the lid for demonstration purposes. You can see a few sparse areas despite me building up these shades because they aren’t meant to be opaque. I currently have two shades and I was able to buy one more during the sale, which I will review in a future post.
Lux has “colour shifting reflects that go from yellow-lime-turquoise-violet with a slightly more glittery finish.” This shade is so reflective and beautiful that I literally gasped when I first swatched it. My camera doesn’t come close to doing it justice!
UV has “colour shifting reflects that go from violet-peach.” I can’t really see the peach on my skin tone but the shade of purple is beautiful and I’m happy with how it looks. It practically glows!
Overall, Series 1 feels a little more powdery and Series 2 does appear to have a more invisible base. With Series 2, I don’t have the same issue of needing to rub it in for the color to show. The regular application process is enough.
Deep Iridescent Multichromes
The Deep Iridescent Multichromes have a tan base which makes them easier for customers with medium to deep skin tones to wear without a white cast. They still look gorgeous on every skin tone though. I have 2 of 5 shades but I ordered two more during the restock. Clionadh mentioned plans to add new shades to the Stained Glass collection. I’m hoping they will expand the shades in the Deep Iridescent multichrome range, especially if they create a purple to top the ones I have from the Iridescent Series 1 and 2. A girl can dream!
These shadows go on easily and definitely don’t leave a cast. They look glittery but are super smooth in texture. Of all the iridescent formulas, this is my favorite!
Verte is an “emerald-turquoise-purple-pink shifter with a medium, cool tan base.” This is another shade that made me audibly gasp. It’s one of my favorite shades from Clionadh’s entire collection and just my eyeshadows in general. It completely exceeded my expectations. I have quite a few green to purple shifting shades, but these tones are unlike anything else I’ve seen before!
Vermillion has a “light, warm tan base that shifts pink-orange-gold-lime.” It’s not easy for me to be impressed by pink shades but this one is very pretty. It’s a smoother and shiftier version of Devinah’s Tocana.
Iridescent Glitter Multichromes
The Glitter-Type Iridescent Multichromes aren’t pressed glitters. They have larger particles than most of the other shadows though, so I highly recommend using a glitter primer/glitter glue. Clionadh recommends this as well, along with, “applying them with your finger or a shader brush sprayed with a setting spray. Don’t swipe.”
Gilding “has a translucent base that reflects bright gold-silver-green-turquoise.” The eyeshadows in this line are so incredibly beautiful, but because I prefer smaller sized glitter specks, this is the only one I intend to have in this formula. Also, I love how intense this is, but I wish the silver wasn’t there. On my complexion, the silver looks like unblended white powder in comparison to all the gold.
Glitter Multichromes
The Glitter Multichromes are once again not pressed glitters or plastic-based glitters. Clionadh says, “These have varying levels of opacity in the base colour and varying sizes of glitter particles. They are safe to use on the eyes.”
I have 19 out of the 23 currently in the collection. The missing shades are Corrosion, Ornamental, Kaleidoscope, and Engrave. From pictures alone, those four don’t look the most unique or shifty to me, so I decided not to buy them just for the sake of wanting to complete the set.
Abrasion “has a semi-sheer burgundy base with large glitter particles that shift turquoise-indigo-violet.” The color it looks in the pan is so similar to a multitude of duochromes I’ve seen before, even from mainstream brands, but when it’s actually swatched and put on the eyes, you can see how multi-dimensional it is. It’s so much more special than I thought!
Grisaille “has a semi-pigmented terracotta base with medium glitter particles that shift turquoise-indigo-violet-pink.” This shade looked similar to Abrasion in the pan, but the base color changes the look on the eyes. Abrasion has a stronger turquoise shift whereas the sparkle in this appears more minty green, even though it isn’t described that way on the website. Pavonine from Devinah Cosmetics is a bit similar to this shade.
Opulent has “a warm purple-brown base (almost rose gold) with medium glitter particles that shift orange-gold-green-turquoise.” Certain shades don’t shift the way it is described, and I thought it might be due to my darkly pigmented eyelids, but I couldn’t see the other colors on my finger either. When I wear this one, it shifts from dark rose gold to a lighter and brighter gold, but that’s about all I can see. Perhaps the others show in different lighting. As it stands, the tone still makes it unique when seen in person.
Enamel “has a semi-sheer lavender base with small glitter particles that shift blue-violet-pink.” This shade is gorgeous! I absolutely love the color, but I’ve discovered that thinking a color is beautiful doesn’t mean I’ll love how it looks on me. For my comfort zone, this one is a little too pastel-bright to be used all over the lid. However, when this is patted on top of other eyeshadows in strategic places, I absolutely love how it looks! If Clionadh makes a shade in 2021 that has a deeper purple base (similar to Stencil) with a blue-violet-lavender shift I would be all over it!
Chandelier has “a sheer pale mustard yellow base with small glitter particles that shift turquoise-indigo-violet-pink.” This shade surprised me. I typically don’t like shadows this light, but the shifts make this so wearable and flattering. It’s such a unique take on what could have been a typical goldish green, especially with how it looks so intensely turquoise at night. This is one of my favorites to wear alone or combined with other eye looks to give it extra oomph.
Glazed “Has a sheer lilac base with large glitter particles that shift pink-orange-gold.” I’ve learned that lighter purples are not my favorite and this pulls very white-gold/baby pink on me, which I also don’t like. Combine this with the larger glitter particles, and therefore added mess risk factor, and it becomes clear that this shade isn’t for me. Objectively speaking, it’s a pretty color though. On my eyelid, in this photo, it looks more strongly pink. At night, when the lighting shifts, the lilac is a bit more apparent and looks like the color on my finger.
Sunbeam “has a sheer pink base with small/medium glitter particles that shift pale gold-lime-turquoise.” I have a few pink shadows with gold shimmer in my collection that I think are actually quite pretty: Pinkleberry from Coloured Raine, Meadowhawk and Golden Rose from Sydney Grace, and Empress from Devinah. This shade is more like Devinah’s Pixy Stix Xploder where it looks pink on my finger and in swatches, but on my dark eyelids, it looks incredibly light in a way I couldn’t have predicted. I have an easier time seeing the gold lime and turquoise at night when the lighting is different.
Ciel “has a semi-pigmented sky blue base with large glitter particles that shift gold-green-blue.” Ciel and Ripple aren’t typically the kind of blues that I like, but I thought if anyone could make me like this kind of color it would be Clionadh. Although it isn’t my favorite, I still use it from time to time. In the daytime, the lighter sky blue is more visible whereas, at night, it looks closer to the pan color.
Ripple has “a sheer aqua-green base with large glitter particles that shift turquoise-indigo-violet.” This shade looks similar to Ciel overall, but the shifts are different. It’s not easy for me to detect that shift in person or in photos though. I’ve noticed that quite a lot of the lighter shades look deeper at night, but with this one there wasn’t much of a difference. At sharp angles, I can see the violet, but it’s still just not easy for me to see.
Carving “has a sheer, grungy, light brown base with medium/large glitter particles that shift turquoise-indigo-violet-pink.” I still haven’t decided if I like this shade or not. I’ve only worn it twice, so perhaps I’ll have a stronger opinion once I’ve worn it more. The pinkish turquoise gives it an interesting twist and I don’t recall having anything quite like it in my collection, though it gives me similar vibes to Grisaille and Abrasion.
Stencil “has a semi-pigmented deep blue base with medium glitter particles that shift violet-pink-orange-gold.” I have purple-pink eyeshadows but nothing with this exact tone. Wow! It is so beautiful. If you’re a purple lover, this is an absolute must-have!
Tracery “has a semi-pigmented purple base with large glitter particles that shift indigo-pink-orange.” The purple and pink in this shade are close in tone, so the shift isn’t as apparent in person or on camera. I can see the variances between the indigo and pink, but I’ve yet to see orange.
Spotlight “has a semi-sheer hot pink base with medium/large glitter particles that shift blue-indigo-pink.” I didn’t buy this shade based on the color in the pan. It was entirely based on how it looked in swatches where the hot pink takes on more of a purple tone. It still isn’t as purple as I had expected it to turn but, it’s an interesting shade. It’s not my favorite but I don’t hate it.
Translucency “has a sheer baby pink base with small glitter particles that shift blue-indigo-violet-pink, and tiny gold sparkles.” The way it looks in the daytime isn’t my kind of color, but how it looks at night is beautiful to me. It’s the kind of shade I prefer to use as a topper and not as a one-and-done eyeshadow.
Emboss “has a semi-pigmented salmon base with small/medium glitter particles that shift lime-turquoise-blue.” On my eyelids, this looks a bit similar to how Carving and Sunbeam looked in regular daylight lighting. At night, I have an easier time seeing the lime and turquoise. I think I prefer Carving over Emboss, but I like Emboss more than Sunbeam.
Blaze has “a sheer orange base with medium glitter particles that shift peach-gold-lime.” Blaze reminds me of Vermillion but with a less noticeable shift due to the peach, gold, and lime being all light tones and therefore harder to see without as much contrast in color. This is close to Devinah’s Tocana shade.
Torch has “a pigmented copper base with medium glitter particles that shift red-orange-gold.” This is very pretty but very hard to see a shift with indoor lighting. While outdoors, it was very easy to see orange and gold. This shade is like a toned-down version of Kiln.
Glazier’s Mark “has a sheer orange base with medium glitter particles that shift indigo-violet-pink-orange.” My brain keeps saying I’ve seen shadows like this before, but everything I’ve tried to compare this to isn’t similar enough. On Temptalia’s blog, Enigma from Lethal Cosmetics and Magenta Dreams from Sydney Grace are some cited dupes that I also thought about based on the color in the pan. The way they look on my eyelids is where the biggest differences between them are seen and why I don’t think I have a close enough dupe. I think the choice to use an orange base, yet maintaining the magenta look, is what makes it a bit more unique.
Foiling “has a pigmented warm gold base with medium/large glitter particles that shift orange-gold-lime.” This doesn’t show a shift easily. While outdoors, I can see the orange and gold, but still not the lime. I’m happy to have this because the glitter intensity and level of warmth in this gold shadow still make it stand out in my collection.
Hybrid Multichromes
The Hybrid Multichromes are supposed to be the middle ground between the Jewelled and Glitter Multichromes as they “behave more like the small/medium particle glitters, but with the tones of the Jewelled Multichromes.” They can be applied sheer for a wash of color or packed on for full opacity.
Because these are intended to be similar to my two favorite formulas in the Stained Glass collection, I had high expectations. I thought the shifts would be even stronger than the Glitter formula or essentially Jewelled shades without the black base. Shard, Embroidery, and Rose Line have lived up to that assumption but Medieval and Tapestry need particular lighting and a wet base to stand out like the others. It’s confusing because sometimes I wear those two and I’m amazed by their beauty but other times (again, due to lighting) they look dull and not as shifty.
I like that this collection has smaller particles and the fact that they still have visible shifts. I have five of the eight shades in this formula and while I’m constantly tempted to complete the collection, I keep thinking about my mixed feelings over Medieval and Tapestry, so it holds me back.
Medieval “has a warm brown base with medium glitter particles that shift indigo-violet-red-orange.” While Glitter Glue isn’t a necessity, I feel that it takes a tacky wet base to have a better shot at seeing all the color-shifting nuances in this shade. I like Abrasion more than Medieval, and that one is less expensive. This is still pretty. I just expected more from it.
Embroidery “has a grey base with small/medium glitter particles that shift lime-blue-purple. The shift is very clear to see on my finger. On my eyes, it’s just a hint, but it’s such a beautiful color that I don’t mind. You can see just a tinge of blue on the outer corner of my eye in the lid picture.
Shard “has a brown base with small/medium glitter particles that shift turquoise-indigo-violet-red.” Look how gorgeous it is on my finger! In some lighting this reminds me of Abrasion and in some lighting, it reminds me of Grisaille. This makes it different and interesting enough that I would probably still buy it if I knew at the time of purchase what I know now.
Tapestry “has a grey base with small glitter particles that shift blue-indigo-violet.” Like Medieval, I only like how this looks when applied wet and on a sticky base. It’s a pretty shadow, especially if you like blues with a tinge of purple, as opposed to purples with a tinge of blue. I am admittedly the latter.
Rose Line “has a brown base with medium glitter particles that shift rose-orange-yellow.” The rose and orange tones are very easy to see. I haven’t been able to see the yellow on my finger, but it’s faintly visible in the outer corner of my eye. Even with just the rose and orange, I’m happy with how it looks.
Jewelled Multichromes
These are the crown jewels of Clionadh’s collections and of the Stained Glass formula. They state, “The Jewelled Multichromes are finely milled, ultra rich pigments. They have a black base and intense colour shifting reflects. They’re packed with a high pigment concentration, so the end result is a saturated, vibrantly shifting shadow.” This is the bar which all other multichromes are compared to for me. They have yet to be surpassed and I have nicknamed them the Rolls Royces of eyeshadows!
I have 9 out of 20. Aside from buying some for my sister, I may get 1 or 2 more in the future. The oranges and yellows are where I have gaps in my Clionadh collection.
Gothic “shifts violet-pink-red-orange-gold.” This shade reminds me of an oil slick. It’s a beautiful warm purple and the shifts are very apparent in person. This isn’t a unique shade among multichromes, but from my research, this seems to be the best version of this color combo that anyone can buy.
Smoulder “shifts magenta-orange-gold-lime.” The magenta dominates this shade. I found it interesting that I could see the lime and orange on my eye, but I couldn’t capture the lime shade on my finger. The magenta, orange, and gold are very easy to see. It reminds me of Pat Mcgrath’s Sextraterrestrial shade, but replacing the magenta with pink. I’ve heard Forge is a closer dupe to Sextraterrestrial, which is why I didn’t buy Forge. Devinah’s Australis shade is very close to this.
Kiln “shifts red-orange-gold.” Green and purple have always been my favorite eyeshadow colors, so you can imagine my surprise that this shade became my most used shadow from the Jewelled formula. It reminds me of sunsets; which yellow, orange, and red tend to be one of my go-to color combos. This also reminds me of Autumn and beautiful changing leaf colors. The leaves stay green in Florida, so I’ve always been a little fascinated by that process in other parts of the world.
Weld “shifts grungy rose pink-antique gold-lime-teal-navy.” I bought this shadow specifically as a more neutral-leaning shade. I thought it would be cool to have that antique gold, which would look like a brown and blend in with my skin, which could also shift in different lighting to show an intense lime. When I wore this, I could see a little pink mixing in with the antique gold in the center of my lid, which again gave me Sextraterrestrial vibes, but it wasn’t strong enough for me to capture in the pictures.
Patina “shifts gold-lime-emerald-turquoise.” There is no doubt that this green is striking. In fact, it’s a little intimidating. I still have yet to use Patina to its full potential because I’ve been drawn to the other greens in this collection. I would say that simple eye looks are better with intensely shifting multichromes because nothing should detract from the beauty of each shade on its own. However, I want to reserve Patina as the surprise pop to a look; to elevate a look that might be otherwise boring.
Oculus “shifts turquoise-blue-violet-pink-red-orange-gold.” I can see why this is one of the most popular shades in the Stained Glass collection. It’s one of the most shifty shades of all of them and I could easily see all the colors described on the website!
Crown Glass “shifts teal-indigo-pink-red-orange-gold.” This shade and Oculus are very similar in their shifts, but I just could not decide between them. I chose Crown Glass first, but since I wasn’t totally satisfied and kept thinking about Oculus I decided to get that one as well. I thought this would be my favorite of the two because it leans more purple, however, with Oculus I still get purple and I think I favor the turquoise in that one over the teal in Crown Glass. I recommend getting at least one of the two because they are such standout shades in the collection.
Rosette “shifts indigo-violet-red-orange-gold.” I almost skipped out on getting this shade because I thought I had too many purples and didn’t want to get another one too similar to the others, but this is my favorite purple-dominating shade of them all! It’s what I wanted from the shade Spire, but with more shifts and leaning more purple than blue. I love it!
Spire “shifts royal blue-violet-red-orange.” This is actually the first Jewelled multichrome I purchased from Clionadh. Although the purple and blue are so close as to make the shift harder to see, I could still see the potential this collection had. I figured if I was pleased with this less obvious shifting shade, I would definitely love the others. This is great for dark dramatic looks, which I don’t do often, but it’s nice to have it available to me.
Pastel Multichromes
These “have a soft, sheer, grungy, grey base with bright, metallic coloured reflects.” They are a less intense version of the Jewelled multichromes. I like intense eyeshadows, so I honestly just bought one of the four in order to try out the formula in person to see what it was like for myself.
Turret has a “neutral grey base that shifts lilac-pink-orange-gold.” If I hadn’t read the description, I would have never known this was a multichrome. When I study the shade very hard, I can see a bit of a pink hue in the lilac, but the lilac color dominates. Despite this not being a favorite of mine, it still made me curious about the other pastel shades. However, I don’t see myself buying them when I know they aren’t intended to make a statement.
Vibrant Multichromes
Clionadh describes these best: “They behave more like the small/medium particle Glitter Multichromes. They have intense colour shifting reflects and colourful, saturated bases.“
These are extremely sparkly and glittery, even more than the glitter multichromes, despite these having just as small of glitter particles as them.
I have half of the collection, but I think that’s where I will stop. If I get another vibrant multichrome in the future, it would be Majesty.
Bloodline “has a burgundy-berry base that shifts gold-green-turquoise-blue-purple.” This is definitely my most used shade of the Vibrant multichromes, and among the top most used of the Stained Glass collection. In February’s preorder sale, this was the second shade to sell out. It’s definitely one of the favorites. The berry tones don’t show on me as much as I expected, but I still love this shade so much. When I’m looking to add a little more red/warmth, I pat a little bit of Kiln on top and it gives me exactly what I am looking for!
I have an example of this from a photo I uploaded to Instagram as seen above. Perhaps in the future I will make another blog post or a series of photos on Instagram showing new shades that can be created when combining two Stained Glass shadows together.
Royalty “has a grape purple base that shifts pink-gold-green-turquoise-blue-purple.” I wish the way it looked on my finger was how it looked on my eyelids. It’s more of a cool purple-blue than the vivid purple I had hoped for. However, this is a beloved shade and it was the first to sell out during the initial round of preorders. I may be able to create the shade I envisioned by patting one of the Stained Glass purples or blues on top, like Crown Glass. During the current sale that started December 18th, Clionadh released a very similar shade to this called Regal which has a blue base.
Crown Jewel “has a bright blue base that shifts gold-turquoise-blue.” It’s gorgeous and serves as another example of an eyeshadow shade I don’t wear but bought anyway purely because I couldn’t resist that stunning blue hue!
Heirloom “has a teal green base that shifts gold-green-turquoise.” Green and gold is a classic combo, but the base color is what gives this shade a unique twist. It’s such a fascinating shade that I don’t utilize enough.
CLIONADH’S OTHER EYESHADOW COLLECTIONS
Before we get into the shades from the different collections, I wanted to mention the Koala Charity eyeshadows that Clionadh said, “100% of the proceeds will be donated. This time to Wires Wildlife Rescue & Wildlife Victoria Emergency Funds, which benefit the wildlife affected by the Australian bushfires.” They kept their word, and although these shadows are no longer available, Clionadh plans to have another charity to support in 2021.
What I also needed to say about the standard eyeshadows is that the mattes are incredibly fragile! One arrived partially broken and one arrived with cracks, two broke when I accidentally dropped my palette (those are on me), but the last one literally shattered apart when I was placing the shadow into my magnetic palette. The draw of the magnet on the pan was so strong it slipped from my fingers a touch too high and that did it. So, please use the absolute most caution when handling the mattes. Clionadh mentioned at one point debating whether or not to continue imprinting their logo into some of the shadows for fear it would make some of them more fragile and they ultimately decided to just skip imprinting the delicate ones. The nice thing about the mattes is they do press back easily and perfectly using the dry pressing method. The quality of them is really nice. Just use care. If your shadows break in transit, they will replace them for you, but I haven’t gone through that process myself. Considering how busy they are and the shipping cost, I didn’t want to give them the trouble, especially now that I know how to fix them to look brand new.
Lastly, Clionadh updated their Witchcraft vs Alchemy Bundle (the duochrome collection) to include all the shades in the range. The largest one used to be missing a few shades and some shadows in the collection weren’t part of the main bundle or the “Additional Shadows Bundle.” Now you can get all 26 in one bundle. I also saw an option to create your own custom bundle of 6, but it was taken down before the sale.
Prophecy – from Team Witchcraft. This is the pinkish gold type of shade I always want, but when some brands make this kind of color, it looks more white than pink on my lids. This one is the same as the pan color, which makes me very happy.
Panacea – from Team Alchemy. It’s a vibrant beautiful “grape purple with pink reflect” that I recommend to any purple shadow lover.
Wildfire – from the Woodlands collection. This is a very sparkly shade that gets most of the intensity from the gold glitter, though I was hoping more of that deep fiery orange base would look stronger on my eyelid. When my next order arrives, I could try putting Burnt Sienna on top to see if it will give me the intensity level I envisioned.
Crystalline – from Team Witchcraft. I normally wouldn’t be interested in this light of a purple shade, but the duochrome aspect made it so much more intriguing of an eyeshadow. The reflect color is lime green but on my lids, I thought it looked aqua.
Beehive – from the Woodlands collection. This is one of the prettiest yellow-orange shades in my collection.
Poison Ivy – also from the Woodlands collection. This color reminds me of the mossy green shade called Habitat from Lethal Cosmetics.
Hex – from the Dreamweaver collection and Team Witchcraft. It’s a beautiful, “mid-toned purple base with a gold reflect.” Hex is lighter and cooler toned than I expected based on swatch photos I saw around social media. It’s not my favorite on me, but the color in the pan is true to what you get on the eyelid.
Calx – from Team Alchemy. Based on swatches, I thought the blue would be at least a deep mid-tone, but the description as a cornflower blue is accurate. Although the reflect is pink, the glitter color over the blue makes it look a little more on the purple side, which I like.
Rune – from the Harvest Moon Shadows and Team Alchemy. It is described as, “a grungy base with a gold-green reflect. This shade pulls more moss green on the eye.” It is so beautiful! I love green-gold, olive-gold, and antique gold type of shades, so this is perfect for me.
Bon-Bon – from the Dreamweaver Collection. This is a stunning color that’s as vibrant on the lids as it is in the pan! Clionadh describes this shade as, “a rich berry metallic with a cool purple reflect,” which surprised me because the base color is so intense that I didn’t notice the reflect on the eyes. The shimmer is so fine that the particles are undetectable, but it’s visible when the light hits it.
Charmed – also from the Dreamweaver Collection. I bought this shade during a time when I was really into using peachy pink and blushy medium pink shades in my crease for my pink and purple eye looks. Although my obsession with that combo has nearly passed, I still use this shade quite a bit.
Wildberry – from the Woodlands Collection. I tend to pair with this Charmed to slightly deepen up the outer corner when I don’t want to go for full smoky look. It looks like a mauve-purple in the pan but it shows up dark pink on the eye.
Sky Lights – from the 66.5° N Collection. This is “a shimmery shadow with a royal purple base and purple, blue and pink sparkle.” This was part of my first Clionadh order and it’s one of my favorites from the brand. The multicolored sparkle in person is even prettier than my picture shows.
Nocturnal – from Team Witchcraft. This “indigo base with a blue reflect” was also part of my first order. I love bluish-purple eyeshadows but the tones of this seem special. I love vibrant blues and there is nothing subtle about this one!
Forest Heart – from the Woodlands Collection. It’s described as a metallic teal-green and I always thought it had a bit of a blue tinge, but it just looks like a medium-deep green on my eyelids. Sky Lights, Nocturnal, and Forest Heart remain my top three favorites out of the standard eyeshadows. It’s very easy to overlook the “regular” shadows when you have the Stained Glass collection available, so if it wasn’t for these three shades blowing me away, I wouldn’t have continued purchasing from the standard eyeshadow collections.
Ursa – from the 66.5° N Collection. This is a “blackened-blue shadow with a blue reflect and gold sparkle.” It’s not as dark on my lids as it looks in the pan, which makes me happy. I like the tone of it on me. The sparkles get a bit lost though and although I can see that lighter blue reflect, it didn’t wow me like some of the other shades. However, Clionadh set a huge bar for themselves and though I wasn’t as impressed, it’s still a beautiful shade.
Bramble – from the Woodlands Collection. This is a light yellow-green shade. For some reason, on my camera it comes off looking way more yellow than green. I can confirm that in person it does look more green, but still with a strong yellow tone to it. This is one of the few shadows I wouldn’t miss if it was removed from my collection (based on the color, not performance).
Koala – from the Koala Trio. It’s a charcoal grayish black color, which is typically a shade I don’t like, but my goodness this is amazing! It would be great if Clionadh brought this shade back to be sold individually and not have to be tied to the charity aspect. This is such a perfect shade for creating a smoky eye that isn’t too intense and dramatic, though I’m into that kind of look as well. This pairs so nicely with all the other Clionadh shadows, and for a few weeks straight I used this shade exclusively to deepen up all my eyeshadow looks when using other brands’ eyeshadows too!
Gum Tree – from the Koala Trio. I definitely don’t have another eyeshadow like this in my collection. It’s like a gunmetal or antique pewter with a bronze-red reflect. It is so beautiful and such a shame it’s discontinued.
Eucalyptus – the last shade from the Koala Trio. It looks just white on my eyelid, but when applied sheer, like a topper, it’s an iridescent shade with red, gold, and a little bit of green reflect. It’s a fun and unique color that amps up any eye look when patted on top.
Fog – from Team Witchcraft. I’ve mentioned before that light colors aren’t my favorite, but this blue has enough warmth from the sparkle that I think it looks so pretty! It’s described as, “a dusty, teal base that shifts golden-peach.” It instantly reminded me of the shade Narrow Path from Sydney Grace. They have the same base color but that gold glitter makes me like Fog more than Narrow Path.
Crucible – from Team Alchemy. It’s a deep purple with a subtle “purple shift and gold sparkle.” Sky Lights is my perfect purple, so it’s harder for me to get excited about this shade by comparison. That being said, Crucible is so beautiful that it still deserves appreciation. It’s a great color to use for a purple smoky eye.
Honeycrisp – from the Harvest Moon Collection. Something about this shade was so alluring to me, particularly around the time I bought it. I was still going through my phase of searching for a golden pink. Honeycrisp is described as, “a coral pink satin with a pearly reflect.” Sydney Grace has a lot of shades along this same vein like Meadowhawk and Golden Strawberry. Even Salamander looks similar, like a slightly more orange toned version, especially in the photo above where I combined Salamander with Eucalyptus. This doesn’t take away from the fact that this is a gorgeous shade and despite having similar colors, I’m still glad I have it.
Salamander – from Team Witchcraft. This is described as, “a coral base with a gold reflect,” which accounts for the similarities between this shade and Honeycrisp. It’s like a fiery golden tangerine. I really like it.
Gecko’s Tail – from Team Alchemy. This shade has an “apple green base with gold reflect.” It’s a lighter tone than a typical Granny Smith Apple shade. I think I would have liked it more if it was a touch deeper, but it’s a fun color.
Clairvoyance – from Team Witchcraft. I didn’t expect to like this color, but I couldn’t resist buying it anyway. It’s “a turquoise base with a light green reflect.” It reminds me of Blitz Aquamarine from Pat Mcgrath, but the green reflect is a different twist.
Amulet – from Team Witchcraft. This is a “a bright fuchsia that shifts blue.” This is a very popular type of duochrome shade. The base color is similar to Bon-Bon but Bon Bon is much deeper.
Merlot – This is a metallic plum shade from the Ultra Metals Collection. It looked a little grey in some of the swatches I saw online, so I was much happier with the actual color. It looks very rich in person. It also looks like a regular shimmer or satin shade when applied dry. With a wet brush, this shade looks much more metallic and pretty. This is currently the only shade I have from the Ultra Metals because I was using this shade as a tester before I considered buying more.
Honeycomb – from the Woodlands Collection. As, “a warm beige metallic with gold sparkle,” I bought this shade to use specifically as an intense inner corner highlight.
Dahlia – from the Woodlands Collection. It’s “a light peach-gold duochrome” that I thought would look a little more different on me than Honeycomb. Between the two, I think I like this shade slightly better for all over the lid because of the pinkish shift. As an inner corner shade, I would prefer a more neutral color like Honeycomb.
Hunter – from the Woodlands Collection. Hunter is described as a metallic mulberry. The base color is a dark purple but the lighter shimmer prevents it from being a traditional dark purple. It’s like a silvery purple mauve.
Permafrost – from the 66.5° N Collection. It resembles Hunter on the eye, when looking straightforward, because of the grey tone. However, this shade has a noticeable pink shift in person that gives it a grey pinkish purple look.
Tree Line – from the 66.5° N Collection. This “sage green metallic” shade looks a bit more blue-tinged on my eyes, though I was expecting a brownish-green. I still like it.
Alpine – from the 66.5° N Collection. This is, “a rich, blue-toned metallic green,” as opposed to the teal-green shade in Forest Heart. This shade is a lot brighter. It’s like a deeper toned version of The Shallows from Sydney Grace.
Necromancer – from Team Alchemy. It has a “blackened-blue base with a teal reflect and silver sparkle” that looks similar to Ursa in the pan, but the teal reflect makes it look brighter and more vibrant than Ursa.
STAINED GLASS SWATCHES
On Instagram, I have videos of the Stained Glass swatches in this post. You just need to scroll sideways to see more.
STANDARD COLLECTION SWATCHES
EYESHADOW SHADE COMPARISONS
The hardest parts about comparing multichromes are that the shades in the pans don’t necessarily correlate to how they will look on the eyes, especially depending on the lighting. Sometimes they look similar based on one shift at one angle, or in the dark, or in bright light, or in the pan, or the types of colors that they shift to. Sometimes it’s only the base color that is similar.
I tested out many more comparisons that didn’t make it into this post for the reasons above. Some of the dissimilar ones I kept in order to demonstrate how similar pan shades can differ from the swatch.
The duochromes were easier to find comparisons with other brands, but the level of glitter/sparkle in Clionadh’s shadows tend to be so intense that they ended up not looking the same, despite having similar base colors.
TOP RECOMMENDED SHADES AND EXTRA EYE LOOKS
If I had to pick my personal favorite shades they would be Lux, Verte, Abrasion, Stencil, Enamel, Chandelier, Embroidery, Shard, Kiln, either Crown Glass or Oculus, Rosette, Bloodline, Sky Lights, Nocturnal, and Forest Heart.
When it comes to this brand, there really aren’t duds in terms of quality. It’s just a matter of personal preference like colors and particle sizes. I’ve been able to create some gorgeous looks even using shades that aren’t my favorites.
Just one shimmer shade or multichrome patted on top of an existing look can really change the outcome.
My camera always picks up the green hue in Weld even though, in person, the whole lid looks like the antique pink in the center. That’s what gave me the idea to use a different shadow to tone down the green in the photo below.
That’s everything! I know this was another incredibly long post, but I wanted to be thorough.
I’m a big fan of Lethal Cosmetics for their quality products, fantastic customer service, fast worldwide shipping, and the importance they place on diversity and inclusion. My initial interest in the brand was for their eyeshadows. At the time of writing this, I own 72 out of their 90 individual shades released so far, and I reviewed most of them earlier this year.
Even though I’m trying to limit the number of face products I buy, I couldn’t resist ordering from Lethal on launch day. I purchased the Solstice palette, another highlighter, blush, bronzer, and the Lethal Cosmetics x Jolina Mennen eyeshadow palette. The same morning I began working on this post, the brand announced their new Velvet Dusk Collection and details about a Black Friday sale, so I delayed posting until those items arrived as well.
Face Powders
The Solstice Palette
This is one of the four premade palettes on Lethal’s website. It was created for those with dark tan/olive to deep skin tones. Lethal Cosmetics has six individual highlighters that have been available long before the bronzers and blushes, but the highlighters in the premade palettes are exclusive to those palettes. The exclusive shade from Solstice is called Gravity and it has a strong yellow base. The blush included is called Echinopsis and the bronzer is Caldera.
Although Lethal doesn’t have designated contour powders, within the bronzer line are three shades with cool undertones that I consider contouring-bronzers. I picked up one of them called Zenith.
Until Zenith, I had no real contour powder that I liked enough to wear regularly. The best one I have is actually a Colourpop eyeshadow called Cloud Nine. Because Caldera is warmer and I prefer to use bronzer around my forehead, while Zenith is cool-toned and I prefer that for cheek and jaw contouring, I have found uses for both powders in my collection. I actually replaced the Gravity highlighter with Zenith in my trio palette when I was on a brief trip for my birthday. The palette is magnetic with holes in the back and the pans are not glued in, so that makes it easy to mix and match face products.
Terrestrial is the newest addition to my face powders that I purchased with the launch of the Velvet Dusk Collection. I wanted to see if I could get a cool-toned contouring bronzer that was closer to my skin tone for times I might be in a rush and don’t want to have to be careful about how much I apply. Between Terrestrial and Zenith, I think Terrestrial is better for me.
I’m experimenting with daylight bulbs so the newest photo additions look different in terms of my skin tone for this reason. I’m trying to find a balance between being bright enough versus washing colors out.
I like these powders, but I should note that these are not beginner-friendly in the sense that using the wrong brushes can make these harder and more time consuming to blend. I found this to be the case for the bronzers and blushes, but not the highlighters. Also, when it comes to bronzers, I still prefer the Kosas Sun Show Moisturizing Bronzer and the Charlotte Tilbury Airbrush matte bronzers because of how they look on the skin and how they blend regardless of the tool. It should be noted that those two bronzers are 2-4 times more expensive than the ones from Lethal.
The texture and consistency of Lethal’s powder products remind me of MAC’s Satin blush formula but they are definitely matte and they perform like MAC’s brighter blush shades, such as Loudspeaker and Frankly Scarlet. What I mean by this is that wherever you first apply with the most pressure is where the powder mostly sticks. They’re still blendable, but using too small of a brush can concentrate the product in too small of an area that is time-consuming to smooth out. If the initial placement covers the entire area you want, it makes the blending process easy. This is why I recommend using a fluffy brush with these powders in order to disperse the product lightly and evenly.
Calyx was more orange than I expected. Echinopsis is more of a berry color, and darker, but it can be worn in a sheer layer as demonstrated in the photo above (a heavier application is in the Terrestrial section). Between the two, I think Echinopsis looks better on me.
As I mentioned before, Gravity has a strong yellow base, so I prefer to wear it only on days when my blush is on the more neutral, natural, and sheer side. This way, the highlighter doesn’t have to compete for attention, so to speak. If I use less, Gravity doesn’t look as strikingly yellow, but it’s still very apparent in person.
Gamma is an “elegant bronze with warm gold highlights.” It is everything I want in a highlighter! It can be subtle and look more shiny than glittery, but it can also be built up more intensely. I think it’s a better shade match for me as well.
Both highlighters are over Echinopsis and Terrestrial.
Gamma, Echinopsis, and Terrestrial is my new favorite trio palette pairing! I have a magnetic palette with depotted face products that I’ve taken on trips before, but this is the first time I’ve ever had a highlighter, blush, and bronzer/contour from the same brand that actually works for me and is kept in an aesthetically pleasing palette that looks like it was premade! Although I could pack a trio of Nabla Skin Glazing Products, I find carrying one palette to be easier with less chance of an accident than a stack of 3 compacts.
Eye Palettes
Lethal Cosmetics x Jolina Palette
I love the fact that these shimmer shades make beautiful new colors when mixed together. For example, Fck Me Eyes and (A)mar create a pretty turquoise blue. Loyalty is a red-based purple but when combined with (A)mar is makes a nice deep cool purple. For a white shade, Scandal is not stark on my skin tone and I can actually use it in the crease. This is probably the only white shade in my entire eyeshadow collection that I like! The only color in the palette I dislike is Cold Brew, and that’s because it’s the same color as my hyperpigmentation. When I use it, it looks to me like I missed a spot or that the eyeshadow faded, but it’s just the color of the shadow.
Overall, I find the quality of this palette to be consistent with Lethal’s single eyeshadows. With the exception of a few shades, there are close enough similarities to other Lethal singles that I don’t think this palette is a necessity for anyone with a large enough collection of their shadows. If your collection is on the smaller side, this is a great way to get a variety of neutrals with vibrant pops of color at a more affordable price. The pans in this palette are smaller than the individual shades, but I have still yet to hit pan on any eyeshadow in my collection, even with mini palettes.
Velvet Dusk Eyeshadow Palette
These pans are also available for purchase individually, which is why I counted them as part of Lethal’s 90 current shadows. What made the Velvet Dusk collection especially exciting is that for the first time, Lethal introduced two “triochrome” eyeshadows.
Lethal has had duochromes for a while, such as Aerial, Stargaze, and Mainframe. Apart from certain shades like Enigma and Lucid, I don’t consider a lot of them to be true duochromes because they don’t make as much of an impact as the duochromes from other brands. I’m also more impressed when a duochrome is one base color that either shifts to another shade or the glitter color very different, as opposed to a base color with plain gold or silver shimmer particles.
Keeping this in mind prevented me from expecting much from the triochromes, so they weren’t the selling point for me for this palette. I just loved the overall color story. It’s rare that I like even half of the shades in a palette. With this one, I was drawn to 10 of the 12!
As for the triochromes Revolve and Covet, they do have a shift but they aren’t easy to see. With Clionadh, you can see a change on the fingertips, the pan, the eyelid, and/or arm swatch. Revolve is a shade I can slightly see on the finger in very specific angles but Covet is extremely difficult. I cannot see a change on either of them in arm swatches. I can faintly see a shift on the lid while wearing Revolve if I’m in the proper light. However, the only time I could capture anything from Covet was on my palm. I included a photo below, but to see a 3-second video clip you can click here. I was unable to figure out how to change the video dimensions to be smaller and embed it to a reasonable height and width on this page.
There’s something that seems a little different about the formula of the Velvet Dusk shades (and even the ones from the Afterdark palette), but I can’t put my finger on what it is or how to explain it. They’re still pigmented like the others and long-wearing. Corrosion and Deceit took a bit of work to blend. Deceit specifically is a bit patchy but the sparse areas can be patched up if extra shadow is added on top and not manipulated too much. All of the shadows in this palette stuck to my arm fine in swatches, but these absolutely need a primer in order to stick properly to my eyes. There isn’t anything wrong with needing a primer, but my other Lethal shadows from the older collections still look great without it.
I’ve found that the mattes work better over MAC Paint Pot and the shimmers work better on the Urban Decay primer potion or a non-dry base, even though Lethal recommends a dry base for all of them.
This palette is another great mix of pops of color with neutrals, just with a grungy twist. It isn’t perfect, but I would still recommend this to anyone who likes the color story. I don’t recommend this to someone specifically wanting it for the duochromes and multichromes. For those kind of shadows with more impact, I suggest Clionadh, Devinah, and Terra Moons. Even JD Glow’s Galaxy Shadows have more sparkle and shine.
Additional Single Shadows
Besides the new Velvet Dusk Palette eyeshadows, I added Synth, Ephemeral, and Frequency to my collection. I kept updating my previous Lethal Cosmetics post with either arm swatches or eye swatches each time I got a new order. It looked a bit messy, so for the sake of consistency, I redid all 72 eye swatches here! I felt it was important to show how they look on my eyelids because what I expect from the pans isn’t always what I get on my lids.
I also redid all the arm swatches because I wanted to have similar shades from lightest to darkest next to each other for comparison purposes.
The only shadows I don’t have yet, plus the remaining face powders I’m curious about are in the photo below.
Light colors of eyeshadow are my least favorite, and I don’t need so many medium-toned browns, so that is why these haven’t made it to my collection. Due to the cost of shipping, I don’t intend on making another purchase just for two more face powders, so those won’t be reviewed unless another new release catches my eye from them in 2021. I’m also planning a low-buy for 2021, so perhaps I will skip them entirely.
That’s everything! Thank you for reading! If there are any swatch comparisons you’d like to see from Lethal or any of the products in my posts, just let me know!
I’ve been a Juvia’s Place customer for three years now, but it wasn’t until 2019-2020 that I actually started using what I purchased. Most of my experience with the brand is through their eyeshadow palettes. The quality is great but the color stories always threw me for a loop. I never knew how to pair colors together in a way that I felt was cohesive and made sense. Depotting the shadows helped because it was easier to have access to other complementary shades. Now, I’m actually getting use out of them!
Lip Products
I’ve heard amazing things about Juvia’s lipsticks and lip liners that were released this year. I’m not very adventurous when it comes to lip products, so I had no intention of possessing any, but due to an error on Ulta’s part, I wound up with a mini Lip Duo.
Wahala Mini Lip Duo
A strange but unimportant thing I noticed is that the lip gloss in the set came with a plastic shrink band but the liquid lipstick did not. I don’t know if it’s just mine that was like that or if all of them are supposed to be that way.
Shakara is a gorgeous color, but right on the cusp of being too pale for my preference. Using a lip liner is enough to make Shakara wearable for me, but my favorite combination is pairing it with a lipliner and gloss. Petty Betty isn’t the kind of pink I normally gravitate towards, but it pairs well with Shakara and is still nice on its own.
Juvia’s Place Eyeshadows
I used to have the Saharan palette, but I gave it to my sister. I even gave my unused/unswatched Tribe palette to her because I was uninspired by the color story after seeing it in person. It wasn’t until I watched LonDen Makeup Artistry’s video that I suddenly felt the urge to give it a chance and repurchased it. I’m so glad I did!
The only eyeshadow palette I haven’t depotted yet is The Chocolates, but I intend to soon.
Juvia’s Place currently has 11 mini six pan palettes. Other than the Mariposa collab, the minis don’t have shade names. Whenever I’m referencing them, I refer to them from left to right by row. I’m missing shade number 6 from the Violets palette. It broke when I was depotting it and I wasn’t interested in that color enough to try and salvage it.
The shade names in green are from the Tribe palette, which has been discontinued. Blue is for the Magic palette, Purple for Masquerade, and lilac purple for the Violets.
What I like most about Juvia’s Place eyeshadows is the level of pigmentation. I never have to worry about shades not showing up on me. They also last a long time without fading. The mattes and shimmers are equally easy to work with. There are frequent 30-40% off sales on their website, and even periodically at Ulta, so you can always snag their products at a discount. So far, Wahala and Wahala 2 are the exceptions to the discounts. They’re already a great price. The only reason I haven’t purchased them is, once again, due to the color stories. Another deterrent is that Juvia’s Place has been putting a lot of pressed glitters in their palettes this year, which I try to avoid.
Blushes
When I said Vivid Azalea from Wayne Goss was the most pigmented blush I’ve ever come across, I completely forgot about my Juvia’s Place Blush palettes. When I saw these in person, I realized right away that they were not going to work for me. Both palettes have the most unique blush shades I’ve seen, which is a great thing in terms of bringing something different to the makeup world. However, this does make them less wearable to the average consumer, as only a few of these will look natural and on someone and not everyone is into wearing avant-garde blush looks for the remaining shades that are too bright, light, dark, or too different of a tone to give a natural flush.
The Saharan Blush Palette Volume 1
When I realized these blushes were a bit too out there for me, I utilized the palette by scraping some of the powder out and combining them with other brands’ blushes to create custom blush shades for myself. I intended to get more use out of these by using them as eyeshadows and depotting them into my magnetic palette with Juvia’s Place shadows, but I typically break every pressed matte shade from Juvia. That’s the only reason I haven’t done so already. I can always press them back, but I’ve contemplated whether it’s worth the hassle.
Abywas clearly far too dark for me, so the best use I’ve found for that shade was as a contouring-blush. I used a fluffy blending eyeshadow brush to slowly and lightly build the color into the hollows of my cheeks.
Neo is the most “natural” shade for me in this palette, though I’ve struggled to use a light enough hand to apply that shade in a way that I would feel comfortable wearing it. In the second photo above, I applied with a light hand but it was still incredibly pigmented. In the third photo, I used a Makeup Eraser cloth to remove some of the color in order to tone it down a bit.
Lila and Zara look very similar in the pan, but Lila has much smaller shimmer particles, so it looks less glowy and a little more subtle.
Zane was the most difficult to apply to the cheek without looking patchy. I kept over applying in the process of trying to get it to look smooth.
Toby was the easiest to apply evenly. However, I’m not a fan of this color blush on me.
The Saharan Blush Palette Volume 2
I bought the Saharan 1 on August 2019, and even though those shades were not what I expected, I still bought the Saharan 2 in December 2019 because I was hopeful that this palette would suit me better. In some ways it does, because I prefer a blush that’s too light over a blush that’s too dark on me. However, these are cooler-toned blushes. Warmer tones look better on me. There’s also the issue of Yara being invisible on my skin.
Tau is the most natural-looking blush of the bunch on me. I tried to apply a subtle amount like I did with all the other blushes, but I could have built up this shade more heavily. It’s very unique for orange, as orange is typically warm, but this one is muted as though it has a cool pinkish undertone to it.
I was happiest with the way Bee and Sola looked on me, as I prefer to wear standard blush colors on my cheeks. I expect a shade like Bee to be too light for me, but because it is so pigmented, it definitely shows on my skin tone and without a grey cast! Unlike Zara and Lila from the previous palette, which I would never use as blush or blush toppers (just highlighter), Sola works as a highlighter, blush, and blush topper. The only potential issue is that it takes some blending when using Sola as a blush because the shimmer doesn’t spread evenly. It’s as if the shimmer is still moveable on the skin but the base pigment stays in place.
I’ve used these blushes as eyeshadows. The mattes are heavily pigmented for blushes, but they need a little building up on the eyes for full pigmentation. This does make for easy blending though. The shimmers in this formula are a slightly thinner version of the regular eyeshadow shimmer formula. They don’t require glitter glue or wetting them, but those methods can be used to intensify them. In the eye looks below, I only used MAC Paint Pot.
Juvia’s Place consistently has great quality products at affordable prices. I do recommend giving them a try!
Lili's Beauty Blog 