I shocked myself that I “only” bought three blushes and two eyeliners from the Solmane 2 Collection. The palette was quite beautiful, but not unique enough to add something different to my large eyeshadow collection. The highlighters are iridescent, sparkly, and pale, which isn’t flattering on me. However, I noticed that the shade Sienna Lustre in the shimmer blush formula seemed perfect for me to use as a highlighter. So, I feel like I’m still getting to experience a highlighter from Oden’s Eye that just happens to be in orange packaging instead of the purple ones. As for the eyeliners, I only added them to my cart so I could qualify for free shipping after using an influencer code to lower the price total. The brush came free and is one I already have and reviewed before, so I will not be reviewing that one here today.
Sunlight Love Blushers in W102 Peach Gleam, W103 Sienna Lustre, and B103 Orange Sunny
Other than the eyeshadows from Oden’s Eye, their blushes have always been my second favorite category of makeup from the brand. I’ve raved about the Alva blushers in the past and always wished they would expand the range, so I am very happy that they have, especially in this updated beautiful packaging.
Because the Alva Flower blushes are among my top favorite shimmer blush formulas, I’m happy to see that the Solmane II shimmer blushes are just as great. The Solmane II mattes are even better than their matte Alva Fruit blushes since they are softer and less powdery.
Peach Gleamshows more true to color with a white background.
The shimmer in this is ultra refined, to the point that it looks closer to a satin formula with a golden sheen. The larger size glitters on the right side of the pan don’t really stay on the face, which is something I’m grateful for as I love the sheen-like shimmer finish. It looks like a satin head on except where the light directly catches it, giving it such a beautiful gentle radiance rather than a harsh metallic reflect that some brands opt for in their shimmer blushes. Peach Gleam is what I wished Taj Mahal from Nars would be like on my cheeks!
I struggled trying to decide between Peach Gleam and Orange Sunny, which is how I ended up just choosing both. Their finishes aside, the main difference is that Peach Gleam is a red-leaning orange. Because it has that golden shimmer though, it works with both red-warm looks and golden looks. Orange Sunny is a yellow leaning orange and I only liked it when paired with gold, neutral eye, or other eye looks that compliment yellow. When I wore it with a red toned eye look, Orange Sunny didn’t look as pretty to me as Peach Gleam did. So those are some things to consider.
Sienna Lustreshows truer to the pan color with a white background.However, this blush on the skin is a medium tone peach, which looks more similar to the photo with the colorful background.
There are simply “shimmer” and “matte” categories for the Oden’s Eye blushes, but I can see a textural difference between Peach Gleam and Sienna Lustre, which are both considered shimmer blushes. Sienna Lustre clearly looks more shimmery in the pan and in swatches, but I can see and feel the extra slip it has to it more than Peach Gleam.
This is a close up of Peach Gleam (left) compared to Sienna Lustre (right).
Silver in highlighters rarely look flattering on me, but I am happy to see that Sienna Lustre just takes on a peachy golden look on my skin and all that visible silver sparkle doesn’t show on my cheeks. The silver is basically an overspray, but without impacting the color overall. Admittedly, whenever I use this blush/highlighter, I try to avoid picking up product from the right side of the pan, but I did thoroughly rub my finger on that right side for the swatches and it still didn’t look silvery on my arm.
Because this has visible shimmer particles, I prefer to use Sienna Lustre as a highlight. I also prefer using it on top of Orange Sunny instead of Peach Gleam, since I personally believe the peachy tone looks better as a highlighter over a yellow-orange blush than a red-orange one. It still doesn’t look that bad together, as seen in the face photo above.
One other thing I noticed is that although I have no longevity issues with Peach Gleam and Orange Sunny, Sienna Lustre starts to dull down and disappear from the skin as the day goes on. I still have most of it on by the end of the night, but sometimes I’ve noticed missing sections where I assume I must have touched my face at some point in the day.
Orange Sunnyshows true to the compact color with a white background.However, the photo on the left is still relevant in revealing the yellow-orange tone of this blush as opposed to the terracotta orange-brown I expected.
As I mentioned already, I believe the matte formula in the Solmane line is even better than the Alva blushes because it’s richer in pigmentation, softer, not as powdery, and blends better into the skin. I hope Oden’s Eye continues to expand on their blush line to include even more shades and darker ones as well. The ones I have are as deep as they go. In my photo wearing Orange Sunny, I could have applied a little more product, but it doesn’t get much deeper than what is already shown.
Although I think the matte formula from Oden’s Eye has improved, I am still the most impressed with Peach Gleam. The brand’s shimmer formula continues to rank among the best in my substantially large blush collection with Peach Gleam, Little Jasmine, and Sweet Tulip being the ones I use.
Gel Liner Pencils in 002 Orange and 012 Golden Brown
These pencils are creamy and a bit on the soft side. I accidentally broke off the tip of Golden Brown while trying to swatch it on my arm, and I wasn’t even being rough with it. It’s nice that they included a sharpener at the other end of the pencil. I discovered that as I accidentally tugged off the back.
I’ve tried both of them in my waterline and they don’t last. My eyes are just too watery. They last quite well as liner for my upper lash line, as well as an all over shadow for the lids.
Even though I added these to my cart solely for the free shipping minimum, I’m not upset at getting them. I feel like I would have been more impressed with these if I hadn’t just used the Amor y Mariposas gel liners from Melt Cosmetics, which have phenomenal staying power and remain intense, sparkly, and shiny. There is a huge gap between the retail price of Melt’s liners versus the ones from Oden’s Eye though. I can also say I like these more than the pencil liners I’ve purchased in the past from Colourpop.
That’s everything for this review! I didn’t have a ton to say because there wasn’t much to critique. I really like the products I bought from Oden’s Eye’s newest collection and I definitely recommend them.
I normally post reviews exclusively on Mondays, but this post is more of a show-and-tell. I consider it a bonus!
Clionadh Cosmetics Fruitlighter in Tropico
This highlighter, or fruitlighter as it is cutely called, is part of the collaboration Dragon Fruit Collection between Clionadh Cosmetics and Emily Violet Marie. Although I’m not following Emily on any social media, I have seen some of her videos discussing Clionadh products and I think it’s fantastic that the brand liked the concept she came up with long ago and decided to work with her. The entire collection is fun and summery, but I’m on a low-buy and a bit of a neutral phase, so I decided I would just get the two most unique items: the Fruitlighters. Unfortunately, the shade Pitaya sold out as I was checking out, but I still managed to get Tropico. I don’t think I can pull off duochrome and multichrome highlighters on my face, but I plan to use Tropico exclusively on my eyes.
I am very happy with this purchase and I know I will get some use out of it because I transferred it from the compact to my custom magnetic palette with my other Clionadh multichromes. When I was swatching Tropico, I observed the pan spin around and I figured out that it wasn’t glued in the compact, just stuck there via a magnetic bottom. So, I’m able to lift it out (gently with a thin object) and put it anywhere I want.
Tropico is in the palette on the bottom right.
In terms of longevity, I have no issues using Tropico on my eyes, nor the cheeks. It lasts all day wherever I put it. Clionadh highlighters in general are a bit glittery, which is why I prefer using them as eyeshadows, if it all. Part of why I was drawn to this shade, as can be seen in the swatch video, is that at a sharp angle you can get a partial rainbow colored shift of yellow, green, blue, and purple. I cannot recreate that effect indoors on my eyes, but it’s gorgeous all the same.
Clionadh Cosmetics Britt’s Birthday Trilogy Eyeshadow Trio Set
Leigh (aka Britt) and Maggie are the two Founders of Clionadh, and it was for Leigh’s birthday that this eyeshadow trio was created. I really wanted the green shade, and when I read that Nightmare was similar to Gum Tree (one of my favorite Clionadh shadows), I planned on purchasing the set whenever I had a bigger order to make. Somehow, I missed the part about Nightmare also having a similar vibe to BrittBritt, another shade that I also already own. So, the reason I haven’t swatched it with the others above is because I decided I won’t be keeping this shade.
The main differences between the three is that BrittBritt is a little more on the bronze and plummy side, Gum Tree is closer to a gunmetal dark-grey, and Nightmare is essentially just like Gum Tree but much darker in tone. So, I gave an example below of what Nightmare could potentially look like by combining the shadow Koala as a base, which is a dark grey-black, and putting Gum Tree on top. BrittBritt, Gum Tree, and Koala are all discontinued eyeshadows that were sold to contribute to various charities. If I did not already have all of those, I would have happily kept Nightmare. This Birthday Set is still limited edition, so it won’t be around forever!
It’s very important for me to not just keep makeup for the sake of keeping them. I really want to ensure I get more use out of my products, which is why I made the decision to just keep the Clionadh products I will actually use. I’ve barely made dents in my shadows despite how often I’ve used them because a little goes such a long way and I’ve calculated that even if I used a different shade every day, between the Stained Glass Collection and Clionadh’s standard shadows, I’d only be able to use them 5 times at most per year.
Below are the comparisons to the darkest greens and deepest reds in my collection with the new shades. One thing that really stands out with Mythology is that it has a lot more sparkle to it than the other greens. As for Bratty, it’s different enough from the others to want to keep, but between the reds and pinks I do have, it’s part of the reason I opted out of the Dragon Fruit palette. I do have a lot of those kinds of shades.
Per usual with Clionadh, these shadows remain opaque and pigmented on my eyes all day.
That’s everything! Thank you so much for reading! If you’d like to check out more of my Clionadh reviews and other indie brands, I have several of them categorized alphabetically here.
*DISCLAIMER: All products in this post were purchased by me with my own money.Non-highlighted links in bold blue font (Example) are non-affiliate links that will not generate commission. Links marked in bold black font with a light blue background (Example) are affiliate links. Affiliate links allow me to get a commission if purchases are made directly using my links.There are no affiliate links in this post.
I typically post once a week (Mondays) and if I ever have a bonus post it usually goes up on Thursday, however, posting on 2/22/22 at 2:22 EST was too poetic to skip.
This quick review is an update to my Devinah Cosmetics Collection. They have released plenty of new formulas of eyeshadows, but I held off on buying all the ones I wanted since I know Clionadh is expanding their Stained Glass Collection. I want to see what Clionadh releases first before snapping up some of the recent duochromes and multichromes that have launched from other indie brands.
The first of the three newest Devinah Shadows I bought is called Fairy Fire. It’s listed as a pressed pigment, but I’m not sure if it belongs to any particular collection of theirs. It looks yellow in the pan but on my eyes it’s this intense glowing green, or at certain angles it’s more of a blue or pink. There is nothing subtle about a shade like this! On camera, the pink and blue are easier to see. The intense green could only be captured when out of the direct light and partly dark.
The next two, Zombi and Seance, are from the Laveau Collection. There are four shadows in total in that collection, but Zombi and Seance looked the most duochromatic of the bunch. I am a little disappointed in Zombi because the base color is so dark that the deep aqua/green it’s supposed to have barely shows through and the cool deep purple just looks black on my eyes when used alone. I’m happier with Seance, although the blue and purple are prettier and pop more in person than in my photos.
One more thing to note is that I stopped using Glitter primer as often and lately I can’t be bothered to spray my brush before applying shimmers, but with these shadows you definitely want to use something to help them stick. There is so much fallout! Devinah has some shadows that are on the flakier and chunkier side, like the Xploders and Sugar Drops, that are obvious that they need something to keep them in place. I find these three new shadows (more specifically Zombi and Seance) to be much smoother than those, which led me to believe they didn’t need the extra help. I was wrong! Fallout gets worse throughout the day and with these particular colors it is extremely obvious that it’s not supposed to be all under the eyes and all over the cheeks. I looked crazy the two times I wore them and I will not use them again in the future without some kind of aid to keep the fallout to a minimum. I’ll leave the glitter under eyes look to Ed Sheeran.
Well, that’s it for the review! Short and sweet! Thank you for reading.
Today I’ll be reviewing the full trio of Deep palettes in the collection, as well as the single eyeshadow called Dear Reader. I will also swatch the best comparisons I have between the shades Temptalia chose to the other 103 Sydney Grace shadows I own, previously swatched here. I purchased this collection on launch day, so this is definitely not a first impression review.
Each palette consists of multiple types of finishes and textures: mattes, metallics, shimmers, duochromes, creamy shades, stiffer packed colors, grittier shadows, etc. Regardless of these differences, they are all highly pigmented shadows. Sydney Grace products always give great color payoff, but I find that these are even more intensely pigmented. Good eyeshadows will have staying power on the lid, but these looked practically the same from the start of the day to the end of the day. There’s no fading or dulling down of the shine.
There is a bit of a tradeoff though regarding the boost in pigment. The mattes give me saturated color right away, but it can look patchy initially if I don’t give a little extra blending time. It isn’t significantly more time, but it was enough to make me notice, particularly with the deeper shades like Interstellar, Sublime Reverie, Midnight Courage, and Umbra. Those blue-green mattes especially give me more kickup in the pan despite my efforts to be gentle and pick up a small amount at a time. With the shimmers, one may want to do the eyes first before the face because I get fallout during the application process, though there isn’t too much extra fallout throughout the day (at least not unless I happen to rub my eyes more than usual).
Quintessence has my favorite color story of the three and it’s the one I knew I absolutely had to get. Ironically, I had the most difficult time creating looks I liked that weren’t monochromatic, so I sought inspiration from Temptalia’s website. For swatches, eye looks, details of the shades, etc. there is no better resource than Christine herself, so I will link the blog here and recommend giving it a look if you need additional help and information.
The last two looks were the ones I attempted to recreate (but tweak the tiniest bit) from Temptalia.
A color guide to the swatches is that yellow font = Temptalia collection, orange = the Chase Your Dreams palette, blue = individually sold eyeshadow, and green = the Tiny Marvels palette.
This palette had a few similarities (pictured above), but Temptalia mentioned that the shade called The Greatest Gift is the one she specifically wanted to keep as is, but make it more intense and shimmery.
I initially wrote off the comparison of The Greatest Gift and The Mielke Way when I was seeking dupes because the silvery shimmer in The Mielke Way gives it a completely different look. I’m not the biggest fan of icy shades, so I prefer having just the gold shimmer with the raspberry base over the added metallic sparkle. This highlights an important aspect though, which is that there are other shades from Sydney Grace’s line that I decided not to post as similarities because the intensity of the shimmer in the Temptalia collection gave it a different effect. Or if the shadows shared the same base color, the shimmer additions were different enough justify having both in my collection. I also estimate I probably have less than half of the Sydney Grace singles (at least before many were discontinued) so there may be other shades that are close. However, I don’t think many have the exact undertone or as much sparkle. I believe Temptalia owns the full collection of Sydney Grace eyeshadows, so she probably made sure that hers were different enough as well.
On the Horizon Palette
The outer packaging for this palette was too beautiful to skip. I knew instantly (and I did end up doing it) that I was going to transfer all of the Quintessence shades into this packaging so I’d have my favorite color story in my favorite palette artwork. Between the three palettes, the On The Horizon color story was the one I didn’t like and felt like I could skip. So, imagine my surprise when I ended up loving every look I’ve created with this! It opened my eyes to new color combo possibilities.
These colors are a little more subdued, but Temptalia described the intention for these to be almost like neutrals with a twist. And because I mentioned these are not the kind of shades I typically go for, it makes sense that I was unable to find similarities in my collection. I did compare it to the Dear Reader shade that was part of the collection but sold as a single because her followers seemed to love it in the sneak peek of it, but Lunar Illumination was already chosen in its place as a better compliment to the other shades in the palette.
I actually put Dear Reader with the OTH shades and moved Lunar Illumination into my custom palette with the rest of my Sydney Grace collection. I prefer it too!
Radiant Reflection Palette
Radiant Reflection reminds me so much of the Coloured Raine Cheers to the Beauty Palette because both of them possessed shades I tend to like, but the tones weren’t as appealing as I imagined once I saw them in person. I love greens, but not quite like those in Radiant Reflection. I like golds and blue-purples, but not quite like the ones in this either. Then the other shades in the palette were similar to others shadows I already have many times over in my eyeshadow collection, and not just among Sydney Grace shades. So, I ended up selling this palette. I knew I wouldn’t reach for it again because that’s exactly what happened to my Cheers to the Beauty palette which I depotted and sold most of the shades from it. I don’t regret buying Radiant Reflection because I needed to be certain I didn’t want it, as odd as that sounds. The Our Starry Night shade was so unique, Dearest Constant deep version is my type of orange eyeshadow, and Forget-Her-Not had me curious to see it in person. Once that happened, I could put the curiosity to rest.
I do feel like this trio of palettes all have similar sort of shades, but I still couldn’t talk myself into getting Quintessence only. I fell into the trap of wanting to possess all my favorite shades from the Temptalia collection and envisioning how I could mix and match the palettes with my other Sydney Grace singles. Funny enough, I only swapped three shades: Mango Tea for Sirius Starlight (placeholder and not a solidified decision), Dear Reader for Lunar Illumination, and Adore Me for Infinite Echoes (Deep). That last swap actually makes the palette more similar to the light version of On the Horizon!
Speaking of the light version, I find it amusing that my gripe with most eyeshadow palettes is when they have a disproportionate amount of light shades and mid-tone neutrals. When I used these palettes exclusively, which is how I prefer to do the testing process, I found myself actually wishing for a light matte to blend out edges and a medium brown. Temptalia intentionally left out brow bone and transition shades because it’s unlikely that anyone purchasing her palettes would not already have plenty of those types of shadows in their collection. So, in a normal situation this wouldn’t really be a problem except for those who like to have every palette being a complete palette.
As much as I think I don’t want palettes that are very similar in color story, I found myself not wanting to make any major changes to them, or even wanting to switch these around. I’m very satisfied with Quintessence and On The Horizon. The minor inconveniences for using the palettes, such as fallout and spending a little more time on my eye makeup, are fine with me because I know I will be able to make very impactful looks with phenomenal longevity. $40 per palette is a fair price, but the fact that I was able to use a promo code on top of the bundle discount made this all very reasonably priced. These palettes were even eligible for Sydney Grace’s sale/discount offerings during their annual Christmas in July sale. While I don’t recommend getting all of them purely for the sake of having a complete collection, I think they’re great quality and do recommend picking the one(s) that really speak to you.
Thank you for reading! I hope it has been helpful!
*Disclaimer: When it comes to collabs or creations from influencers or other public figures, I always disclose any affiliations I may or may not have with them. In this situation, I have no personal or public ties to Temptalia, but I am a frequent peruser of her blog. I consider her an invaluable resource within the beauty community as her dupes and comparisons feature on her blog has impacted a lot of my purchasing decisions as well as her reviews, which mostly tend to align with my own opinions. I respect her as a blogger, but I don’t know much about her specifically.
Clionadh is my favorite brand when it comes to duochromes and multichromes. Actually, it might be my favorite beauty brand period. In one of my previous reviews, I combined Kiln and Bloodline to create a gorgeous new shade and wondered what other exciting combinations could be made. Today, I’m showing a few that I experimented with and really like! I’ll also swatch the new Charity Bundle for 2021, along with the latest additions to my single shadow collection.
Royalty comes off as an icy purple on me, so I wanted to add more of a purple (with a little blue) tinge to my look. I ended up with more blue than purple, but I still thought it was quite pretty.
Crown Jewel is such a vibrant blue that I consider it a statement or occasion shade. It’s not something I’d wear on a regular outing. Spire is the dramatic opposite. It’s striking, but very dark, and also a bit much for daytime usage. So, I wondered if I could lighten up Spire and add an extra shift. I love how this turned out! It’s still not an everyday kind of shade but it’s gorgeous! I see myself creating this combination again in the future.
Opulent doesn’t do much for me besides being used as a highlight shade, so I thought if I could add Smoulder, I could perhaps get something a little darker and more pink. I hoped it would look closer to Bloodline, but the color it turned into reminds me of Weld or the Sextraterrestrial shade from Pat Mcgrath’s Divine Rose II (which is supposed to be a dupe for Forge but I don’t own Forge to compare).
Essentially, the most dramatic changes happen when I pair a shadow with one of the Jewelled Multichromes from the Stained Glass Collection. I tried many other combinations, but one issue I found is that some of them looked dramatically different on my arm, but on my eye there wasn’t a significant enough difference or the resulting combination looked too similar to one of the shadows already used.
Clionadh announced a shade extension coming to the Stained Class Collection, so I would be curious to see if any of them look like one of the Mixed shades I created!*
*Note: I completed this post months ago but kept pushing back the publish date. Clionadh originally announced a shade extension in time for Black Friday, but they decided to focus on restocking their current inventory in time for the sale and then afterwards fully focusing on building up the inventory of the new shades to be released in 2022. Their sale is still ongoing until December 3rd.
Left swatches were taken with flash off. Right swatches were alsotaken indoors but with flash on.
The Perfect Neutrals Collection Bundle
Other than Shani, these are not the types of shades I reach for because they rarely look nice on me. Baby pinks (or in this case rose gold) like Linny tend to look white or silver on my lids, but what makes this different is the gold they have running through it. On Clionadh’s website, Linny looks gold with a hint of rosiness, but the gold blends with my skin and lets the pink really pop. I’m left with a pale pink that actually looks pink on me, which is an unexpected surprise! It’s the same thing with Chelle that it’s supposed to be mauve, but it turns into the only lilac I’ve ever liked!
Although I’ve begun to appreciate neutrals again, I’m not interested in actively purchasing a ton of neutral shadows because they all look the same on the eyes. The reason I decided to add this bundle to my collection is because Clionadh does neutrals in a way that’s unlike the others on the market. The more intense shimmer neutrals tend to be a reflective metallic finish from other brands, rather than having this level of sparkle. The actual shimmer from others tend to be the standard gold or silver, but for instance, BrittBritt has pink, red, and gold glitter. Cookie has a pink shimmer that doesn’t translate as well on my camera but is very noticeable in person. I consider these shades to be spiced up neutrals, which is that much closer to the style of eyeshadow I’m into lately.
The other incentive for purchasing this set is that it’s Clionadh’s second charity bundle. According to their website, “100% of the profits will be split and donated to…True North Aid and The Black Queer Youth Collective.”
The previous charity bundle was limited edition, as is this one. When the Perfect Neutrals were released, the shadows were only available as a bundle, but were eventually listed individually. Some shades are already sold out and I believe I read somewhere that there will be no more restocks for it.
I should also note that the sparkle level of the shimmer shades in the bundle is similar to, but not as intense as Clionadh’s most glittery shadow options. They aren’t as flaky in texture as those and they aren’t as pigmented either. I wouldn’t call them topper shades, but the intensity lies in the sparkle level and not as much in the base pigment. It’s enough to give opaque results, but it’s not 100% opaque on the first swipe. The sparkle level and nuances of the shadows are what make this collection special, but in terms of color payoff and formula, I don’t consider them to be unique. The Stained Glass collection is where the special formula can be found.
Circle Pan Eyeshadows
Every time I think I’m finished buying non-matte circle pan shadows, I end up getting more! Ironically, I had this post completely finished and then Clionadh had a surprise anniversary sale, so the bottom three are those new additions!
Clionadh brought back four shades from their discontinued Valentine’s Day set. I purchased one, Amour, thinking it would be a deep red-orange. I like it anyway, even though it’s not as deep when compared to the rich coppery red of Poinsettia. I have been very much into rusty red shades like this lately and thought I might have dupes in my collection. They look similar in their pans, but they are definitely not the same as can be seen in swatches.
I am also very happy I picked up Wormwood because it’s the type of maroon-brown shadow with blue reflects I used to love in my early makeup days but haven’t worn in ages!
The anniversary sale shades I purchased are Toadstool, Yukon, and Vortex.
Toadstool is described as, “A rusty red-based duochrome eyeshadow with a bright green reflect. This is technically a tri-chrome shadow that will also shift up to red.” I’ve wanted this shade for a long time but finally took the plunge. Yukon is another one I’ve wanted for a long time, but I thought it might be too similar to Rune, so I didn’t get it until now. The two shades are about the same depth, but Rune has more of a yellow-olive tone whereas Yukon is a light golden green. Vortex is like Wormwood’s cousin. It has a brown base rather than a maroon one and it has green and aqua shimmer.
Stained Glass Collection Update
Majesty is described as having, “an orange base that shifts gold-green-turquoise.” I wish more of that orange would peek through on my eyes like it does on my finger and arm swatches. The gold and green are certainly visible though. Out of the five Vibrant Multichromes I have, only Heirloom and Crown Jewel look the way I expect them to on my eyes.
Sand Blast is the most orange in color of the Jewelled Multichrome category. It’s a dark orange with a gold and lime green shift. It’s not too far off from Smoulder (magenta-orange-gold-lime) and Kiln (red-orange-gold), which is why I figured I would like those two shades more. However, I couldn’t escape the feeling of missing an orange shade like this, so it is finally here!
The other Stained Glass addition I purchased is the mini palette! It’s so cute! Even though I have zero plans to travel with my Clionadh shadows, I wanted to be able to keep my Charity shadows separate from the rest of the collection, so I put them in it. Below is a photo showing the size difference.
On Clionadh’s Instagram, I recall seeing a comment about the possibility of a Jumbo size palette in the future, so of course I’d be interested in that as well. Even though I have plenty of Coloured Raine’s gigantic 96 pan palettes, Clionadh’s shadows are so special to me that I want to keep them in special packaging as well. As it stands, my one mini and two standard size palettes are pretty much full.
This is what my collection looks like now. I downsized the Stained Glass side by five shadows: Blaze, Sunbeam, Ripple, Spotlight, and Glazed. It was not easy to let them go, but I wanted to only keep shades I could happily use on their own without needing to mix them.
I think I’m finally set on the circle pan shadows unless Clionadh brings back the mattes. Parchment, Nectar, and Raspberry Fudge from the Harvest bundle are still on my wishlist. Halo is the only one left on the list from the Stained Glass collection. If I purchase any of the extended shadows in the future, I’ll make room by placing the highlighters in my custom face palette.
The last thing I want to mention is that Clionadh’s labels have changed since August at the latest, but likely before that. They now list the shadow type and removed the brand name.
Thank you for reading and Happy Shopping this Cyber Monday!
I’ve mentioned in a few posts that I tend to make impulse purchases in the early morning hours, especially when something flares up. This time it was TMJ that kept me awake at 5 am when I decided to place this order. I was less than two weeks away from flying to Germany when I came across an Instagram post, the second one I’d seen, showing the absolutely stunning highlighters and bronzers from Hatice’s brand. I admittedly don’t know much about Hatice, as her videos are in German and even with German closed captioning, my translation abilities aren’t good enough to follow very much of what’s being said. She’s the beauty influencer behind the Becca Berlin Girl collab several years ago, but I know very little else about her. Still, her extremely inclusive range caught my attention and I thought to myself, “Why not order and have it there when you arrive? It will be two less items you have to carry with you!”
So I did. Shipping within Germany is free, whereas shipping to the US is $16 (before the PayPal conversion fee). I watched Hatice’s launch video to help decide which shades to pick and I felt confident about my choices until Angelica Nyqvist posted her video five hours after I ordered and I saw how much lighter Medium looked than I thought. I didn’t want to get the Deep shade because the tone of it isn’t my preference in highlighters. It looked similar to the Lucent Jungle shade from Nabla’s Skin Glazing line, which I decluttered this year, so I didn’t want to take that chance and there was no option in between Medium and Deep.
The products arrived in two days and my boyfriend was able to show me what they looked like from his camera. The official website has several beautiful photos of the product on models of varying skin tones, including arm swatches, but it’s still difficult to guess how it would actually appear in person when you’re not used to that brand’s lighting and editing. At the time of my purchase, there were no tan and darker YouTubers showcasing the products.
The highlighter comes in a white durable compact with a mirror inside. The bronzer comes in an identical compact but in black.
I ended up buying the Deep shade of Bronzer as well. This also took two business days to arrive.
The swatches on my arm were swiped twice, but gently each time with a finger. The swatches on the light arm were swiped once with a finger.
I find it fascinating that the Tan bronzer looks so warm on lighter skin tones, but on my skin it’s more of a neutral shade. When I was taking product photos, I could see that without flash, the bronzers looked much cooler toned in their pans than with flash on. I’ve included multiple photos throughout this post which demonstrates the differences I observed.
BRONZER in Tan and Deep
On the website, these are described as being silky, creamy, ultra blendable, and lightweight with a radiant finish. I could see in photos that the sheen on the product did indeed look like a combination of the Kosas The Sun Show Bronzer and the Nabla Skin Bronzing, which are my favorite bronzer finishes, so I had very high hopes. In Morbus Black’s video, she also compared the finish of Hatice’s bronzer to Nabla’s, though she made the point that Nabla’s bronzer is a little smaller for 22 euros versus 34 euros. For us in the US, we can usually get the Nabla Skin Glazing and Skin Bronzing products for 50% off during Ulta’s 21 Days of Beauty, so it’s an even larger price difference for similar quality.
Besides the price, the main differences between the two brands of bronzers is that the HSL is an even softer powder and is not hard pressed in the pan like Nabla’s, which means it’s much easier to use and layer. HSL’s Tan is a little lighter and not as warm as Nabla’s Profile shade, but Profile is the current darkest in Nabla’s range. HSL goes many steps forward with their shade Deep.
I bought a Korean sunscreen that came with what I thought was a mini version, but the mini did not contain SPF. I didn’t realize this when I took the mini on the trip with me, so I got darker as the trip went on. Tan became too subtle to bronze me enough to show much on camera, so I thought I would give Deep a try, even though it looked like it might be more of a contour for my skin tone. Deep looks like a delicious bar of dark chocolate and is indeed too dark for me to use in a normal application method. In my previous bronzer post, I mentioned that the Beauty Bakerie Brownie Bar contains the darkest bronzer/contour in my collection, but this Deep shade is even richer.
For the time being until my “tan” fades, I can apply a light layer of Deep with a small precise brush and go over it in a larger area with the Tan shade.
In the photos above, I chose to show a heavy application of Tan because it would not be seen on camera otherwise. I chose to use a light application of Deep to show it in the most wearable state on me and how I can make it work despite being too dark for me in a normal amount.
In terms of formula, all the product claims are correct. The powder is super soft, applies smoothly to the skin, has a nice sheen, and is easy to blend. It’s right up there with my top 5 favorite bronzers, though considering I have less expensive options, I can’t say it’s worth getting over the others. This is the second most expensive single bronzer I own, after the Charlotte Tilbury one. At this moment in time, I don’t mind having bought one because I will always associate this product with the memories of my trip. I will eventually declutter the Deep shade, but I’m definitely keeping Tan.
HIGHLIGHTER in Medium
Despite my resolve to no longer purchase highlighters, this one looked like it would give the glass-skin effect, which is my favorite type of highlighter shine. That’s why I lost the will to skip it. It’s described as being long-lasting and able to be worn as subtle or as intensely as someone wants. As quoted from the website, “The special formulation with the luminous finish of a liquid highlighter and the lightness of a powder sculpts, shapes and defines your skin.”
I do love this highlighter. It slightly edges above the Nabla Skin Glazing in Amnesia, which was my holy grail highlighter. I consider them both to be champagne shades, but Medium’s base color is a touch warmer than Amnesia, which makes it better suited to my skin tone. Medium’s shimmer particles are also slightly finer and more reflective. I don’t believe those minimal differences makes the Hatice highlighter hugely better than the one from Nabla, but since I have no other dupes for the Skin Glazing, I’m happy to have it. It was a better purchase than me getting two of the bronzers.
This is a beautiful formula and fans of Hatice Schmidt will likely be very happy with what they have, as well as those who enjoy luxury. The designs in the powder and sleek packaging exude a slightly edgy but high end feel to the products. The only aspect I question is the description as being changeable from subtle to intense. Unless I’m in a spot where the light will hit my face directly, it does not look as variable as that on my skin tone. Whether I use a lot or a little and dry or damp, I find it to be the same middle ground intensity because of the base blending so much in my skin (as if semi-transparent), which is one of the best features of the product. This helps make the highlighter look like a more natural glow, but without a lighter base color, the intensity is dependent on how much it reflects, which means it’s dependent on the lighting someone is in.
The damp brush makes it look a bit stark on my skin, so I prefer keeping it dry and recommend those who want more shine (regardless of the lighting) to layer the highlighter on top of a liquid illuminator. I love the way this highlighter looks on me when I apply a normal amount, so I’m happy with the formula as is and wouldn’t change a thing. On a rare occasion I like to be beaming, but otherwise the way it is now (subtle to nicely highlighted) is perfect for me. The shade looks a tiny bit icier now that I’ve gotten a “tan” but it will match better again when it fades.
The photos in the black shirt were taken during the trip. LED lights were far above with a small amount of outdoor light shining through a window onto my face. I am wearing the Tan bronzer built up heavily and the highlighter on the high points of my forehead, above the brow, in the brow arch, on the center of the eyelid, lightly on the nose, and on the tops of my cheekbones.
HSL has a few other products available, but the ones discussed today are the only products that grabbed my interest. This is a brand I will continue to be curious about, though I may not purchase anything else purely due to the price point. That isn’t to say it’s over-priced as there may be an upcharge due to custom formulas, being made in Italy, the packaging, the embossing in the powder, ingredients, etc. This quality is top notch, but at this point in my journey with makeup, I can always find something similar for a little less. However, I’m glad that I was able to support a company that chose to have an inclusive range.
I tend to post my newest purchases far in advance on my Instagram page, so if you’ve found me through there, you may have seen some of these already. However, the majority of these shadows I’m featuring today have not been posted on this blog until now. In addition to arm swatches, I’ve also tried to do eye swatches and some finger swatches as well. Certain multichromes and duochromes look different depending on the light, so the trickiest ones to capture have the most variety of photos. Lastly, unlike my in-depth Monday reviews, the intent of the Swatchfest is to just show how these look on me. I will of course still make mentions of things that I feel are important to note, and may be different from my past reviews of these brands.
Cosmic Blaze is one more pressed neon pigment I added to my collection. Purple Clouds is a duochrome. The rest of the shadows I purchased are part of the expanded range of Chameleon shadows.
In the comment section of my Hindash review, I offered to compare a few shades in this post today. It’s interesting to see the differences between all the blue-purples. JD Glow’s Anomaly does look a lot like Terra Moons’ Moon Tide depending on the angle and the light. The base color of Anomaly leans purple with blue/aqua shimmer. The base color of Moon Tide is like a navy and purple with very similar shimmer. Moon Tide just has additional colors of shimmers as well. One doesn’t really need both, though differences are more noticeable on the eyelids.
I said I wasn’t going to buy anymore JD Glow shadows, but I saw the words, “30% off sale,” and I couldn’t help myself. I always wanted the shade See Weed and even though the discount didn’t apply to this shadow, I still wanted it anyway. I’d like to say now I’m content with my JD Glow stash.
Anomaly is a Galaxy shadow. N-Sane is a Galaxy shadow I reviewed previously, but I wanted to show it again in comparison to Anomaly.
See Weed is a pressed multichrome. It also comes in a loose and liquid form too. Watermark is a Galaxy shadow.
Moscato is part of the shimmer formula. Plum is a Galaxy shadow.
At the time of me publishing this post, in one hour from now Devinah Cosmetics will be restocking most of their shadows and releasing their new Halo Moon Collection! I just wanted to let everyone know in case you’ve been waiting to get certain shades. I have a ton of duochromes and multichromes to go through, so I’m skipping the new launch for now.
Chromosphere and Australis are Aurorae Flares, the shadows most comparable to the Clionadh Cosmetics’ Jewelled Multichromes. I like the finish of Clionadh’s a tiny bit more, but the ones from Devinah are smoother in texture and easier to apply. I was tempted to get other shades but Australis is already supposed to be a dupe of Smoulder (which I have), Phenomenon to Weathered (also have), Magnetosphere is often compared to Rosette (another I have), Exosphere is like Trefoil (which I don’t feel I need), Hemisphere to Gargoyle (I also don’t need), Thermosphere and Spire (again, already have), Borealis to Castle, and Polaris to Oculus. Oculus and Crown Glass are similar enough, so I didn’t want a third similar shade. Chromosphere is similar to Clionadh’s Patina but apparently not an exact dupe. To see these similarities in action, I will link one of Millie’s videos a.k.a. badtothebrow a.k.a. the Queen of Multichromes.
Vela and Lynx are part of the Star Chasers Collection. On my skin, Vela does not look as yellow like the pan. Lynx looks how I expected Vela to look. It’s yellow with only a hint of warm orange that I hoped for. They’re still pretty but I would have skipped buying them if I knew.
Aquila is another Star Chaser. I was a lot more impressed with this shade. It reminds me of a more sparkly and more blue version of Verte from Clionadh. Fierce is a pressed pigment that may be discontinued as I can no longer find it on the website. It is the perfect copper-red-bronze shade I’ve been wanting!
Grinch and Patina are pressed mattes.
Meraki and Bambi are also pressed mattes.
Cryosphere is from the 66.5 N collection. Morgana is from Witchcraft vs Alchemy.
Ochre and BurntSienna are Deep Iridescent Multichromes.
Karat and Chocolate Orange are from the Ultra Metals collection.
Ray is from the Series 2 of Iridescent Multichromes.
Burnish is a Jewelled Multichrome.
Viseart had a spring sale, so I purchased directly from their website. It took nearly a month to arrive and one item was declared as sold out a week after I purchased it, so I’m not sure if they were overselling. It’s also a bit strange to me that they had everything available for purchase as single shadows, but after the sale they wiped everything. Muse Beauty Pro is once again the only place to buy Viseart singles as an authorized seller.
In addition to single shadows, I bought the Dark Edit Palette as a replacement for the shadows in my original Dark Mattes palette which were very old and not performing as well. I haven’t worn any of them on my eyes yet.
The last thing I bought was the BoxyCharm x Viseart version of the Neutral Matte palette because despite it not being my kind of color story, I could never shake my desire for this. It came in the old packaging (with the square edges). I had empty Viseart palettes I wasn’t using, so I transferred them into the nicer custom palette with the rounded edges. I cracked most of the shadows in the process, but I was able to save them as seen in the photo below!
Some of the browns look straight up grey, which I was not expecting. This isn’t a case of the shades getting mixed up together either. They just pull very cool and gray on me. I’ve started to appreciate greys a little more, but I don’t think I’ll get as much use out of this than I hoped. At least I can finally stop pining for it! Also, Viseart matte swatches look terrible, but I’ve tried these on the eyes and can confirm they blend far better than they look.
Anyway, those are all the swatches for today! The next post will be Monday as usual!
As a lover of mythology, and of course makeup, I’ve been drawn to this company from the moment I heard about it. When the Swedish brand first established themselves, they stated, “Oden’s Eye is inspired by ancient Nordic mythology, and our products and collections will also be built around this theme.” Their initial collections were very light and whimsical with eyeshadow palettes that reflected a too-light color story for my taste. I was so happy to see the release of the Norn’s Collection in their most beautiful palette artwork to date and color stories that have a better range of light, medium, and deep tones. I decided this was the time to place my first order. And second. And third. Then they released Mystery Boxes. I intended for this post to come out in March, but each new order required that I push this back to do further testing, reviewing, and rewriting. Now, it’s finally complete!
Before I get to the few products I bought out of the Norn’s Collection, I will start with their older products in my possession.
Oden’s Eye Blushes
Alva Flower Blushers in Sweet Tulip, Water Lily, and Little Jasmine
Oden’s Eye currently has three shimmer shades in the Alva Flower Blusher series. Most of the visible glitter specks is on that top layer and they disappears after a few uses. What remains is more of a satin finish with a natural looking sheen. However, the more I try to build up the color, the more radiant and reflective it becomes from the actual shimmer building up on my cheek. So for me, it’s best to stop at a medium amount of blush as building to the maximum payoff results in it looking lighter than before! For example, the shimmer in Sweet Tulip is a bit silvery and looks icier when I’ve packed it on.
I purchased Sweet Tulip first because it’s the deepest blush out of the original six and I wasn’t certain if that shade would even be dark enough to show on my cheeks. Sweet Peach is the darkest of the mattes, but I couldn’t tell if it was more on the mauve or cool toned side. If a shade is a little too light for me, I can sometimes pull it off if it’s mauve, but the cooler it is the less I like it. It was hard to tell the difference between the shades on their website versus Instagram.
Have I mentioned I have a very bad habit of doing 1-3 am shopping? The majority of my excessive spending happens during that time while I think I’m still capable of making rational spending decisions. Then, after I fall back asleep and wake up later, I realize that it wasn’t the smartest thing to do. This is how I ended up making a third order and then a fourth when they released Easter mystery boxes with free shipping. I purchased the 25 Euro box and was still able to use a discount code on top of that, but more on the mystery boxes later.
I love these blushes so much! In the Sweet Tulip photo on the left, I do have the tiniest amount of highlighter on my cheekbone, but I could have almost skipped it because I love the gentle glowy sheen that the shimmer in this blush provides. It’s long lasting, pigmented, and the tone is quite flattering! The blending is so quick that I can finish applying color to both cheeks in under a minute! I see the potential for this to be in my top favorite blush formulas. The Little Jasmine shade shocked me that it still showed on my skin tone despite how much brown there is to that shade. It’s my second favorite of the four, and maybe even tied with Sweet Tulip. Little Jasmine is the warmest one I bought and the shimmer shows more golden when built up. Water Lily is darker, yet it took a ridiculous amount of building up to make it visible on my skin. I don’t think it is an issue of the color match or hard pan. I can see the powder getting picked up on the different brushes I’ve tried. I believe there’s just less pigment in the formula of this specific shade. The blushes are good for 36 months after opening, but my Water Lily package was the only one with an actual expiration date printed on it (November 21st 2022). Because I have 18 months instead of 36, I wonder if the Water Lily shade is already performing differently. Regardless of the reason, I appreciate that there’s an actual date on that one so I know not to keep it around as long as the others.
Alva Fruit Blusher in Sweet Peach
There are three matte blushes in the Alva Fruit Blusher line but I purchased only one of them. The Sweet Peach shade looks much more mauve than peach on me. I was pleased to see it show up, but it looks a little ashy. I think this shade is a bit too light for my skin tone. This is the darkest of the Fruit Blushes, so the other two shades in the matte formula would not work for me either. I can at least say the matte formula is nice and if the brand releases dark colors, I would be interested in trying them.
Small Mystery Box
Oden’s Eye released a small (25 euro) and large (55 euro) mystery box in celebration of Easter and the company’s anniversary. Affiliate/Influencer codes worked on the deal, so I was able to get my small box for 22.50 euros with free shipping. The Norn’s collection was excluded, but nearly everything else was a possibility. I anticipated I would get a palette, lip product, and brush. I only hoped the shades would work for me and that I would not get a product I already own, so I was happy that all expectations were met. The brush that came with my order will be discussed in the brush section.
Solmåne Highlighter Palette
Ljus (light in Swedish) is a pale gold and has the smooth shimmer formula I like, but it’s too icy looking on me. Stjärna (star) is a beautiful iridescent shade that looks white in the pan but is blue with a tinge of purple. These two would make beautiful inner corner eyeshadow highlight shades. Sol (sun) and Måne (moon) remind me of the Kaleidos Space Age Highlighters, but with sparser glitter particles, which is not a feature I like in highlighters. I could use them as eyeshadow toppers, but I don’t know if this palette will survive an end of the year declutter. I’m still happy I received it because my curiosity about the formula would have led me to buy it eventually anyway.
Alva Matte Lip Stain in Ripe Papaya
The first thing I noticed about this lip stain was the strong but pleasant fruit candy smell. Then I realized the formula was not the typical watery texture of a stain that I was used to. The consistency is more similar to a liquid lipstick. I can get nearly opaque results with one layer, but I need a little more to cover the dark patches on my lips. One time I made the mistake of applying too many coats, which turned the smell from nice and fruity to an unpleasant cherry cough syrup smell. On the bright side, I discovered it layers up well. It’s definitely matte and makes my lips look and feel uncomfortably dry. I cannot wear this by itself, but it looks amazing under a thick shiny gloss. In matte form, it’s transfer-proof but comes off with an oil based remover or just some oil. If it’s under a gloss, it will last on the lips if left alone, but it’s easy to transfer at that point. Considering how much I loved the color but needed a more hydrating formula, I wonder if I would prefer Oden Eye’s Cream Lip Stain formula. One day, I will find out!
Oden’s Eye Brushes
Double-Ended Highlighter Brush
This brush is made of synthetic bristles. The fluffier end is very floppy and loosely packed, but it makes a fairly nice blush brush. The stiffer and tighter packed end is slightly angled. I can use it on its widest side to brush the highlighter in small sections of my cheekbone. With this one, the bristles can rub harshly when I do that. A smooth and soft application occurs when I turn the brush to the side and use one long sweep with the tips of the bristles to spread highlighter across my cheekbones. I don’t foresee myself continuing to use the stiff side, but I will probably use the soft side for blush every now and then.
Eyeshadow Blending Brush
This brush was a surprise addition to one of my earlier orders. I’m not sure if there was a deal going on at the time, if it was a mistake or intentionally gifted for free, but I appreciate having it all the same. The bristles are synthetic and balance softness with medium-packed tightness so that I can get a decent blend with this brush in a light to medium application. The bristles are too long to get a really intense blend. It also becomes looser packed with continued use.
Norn’s Eyeshadow Palette
This palette’s eyeshadows are a wild mixture of different textures, finishes, and levels of opacity. Swatching each shade was like unraveling a mystery; I got quite a few surprises! I instinctively switched between using my brushes of various shapes and fibers and density versus my fingers, when to use a glitter glue, when to spray it, etc. to create the looks I wanted. Although it was fun and not too time consuming to discover the ins and outs of this palette, this is technically not beginner-friendly. The very fact of having a palette with so many different textures lends to the challenge. I think it would be easy for anyone to create a pretty look because the mattes are pigmented while still being super blendable and the shimmers make an impact (by mainstream standards) without extra effort. In that sense it’s beginner-friendly, but maximizing the full potential of this palette takes intermediate level and above. There were certainly times I had to restart an eye look or do swatches on my arm to test how some of the shades paired with each other, since the effects were sometimes unexpected.
There are four mattes in this palette. Dazed is a cool grey. I was impressed with the level of pigmentation and how a shade like this didn’t look patchy or ashy on me. I think it’s because there is a little green to the tone of that shade which goes well on my warm yellow-toned skin. Mist is a cool light purple. This is another shade that would usually appear a little ashy or patchy on me, but I have zero issues with this one! Pragmatism is a medium brown that deepens up the more it is applied. I prefer to use it in the crease to create depth there, but it’s not quite enough for my tastes to deepen the outer corner. Outsider is a gorgeous peacock blue or ocean blue or medium blue leaning teal. I’m not sure what the best name for this shade is, but I don’t think the description from Oden’s Eye as a, “retro green” is that much better. Sometimes mattes swatch beautifully, but don’t perform as well on the eyes. I’m happy to report that these mattes do both!
Pink Chameleon is a multichrome! The brand only describes this as having a pink, yellow, and green shift, but I swear it also looks a bit more orange or red or peachy depending on the light and angle. On my finger, this multichrome had clear and obvious shifts. On my eye, this color looked very different depending on which shades I put it next to or on top of. For instance, sometimes it would only pull peachy-pink or yellow-gold, or yellow-pink. In rare occasions I could see pink-green. The green element being the least visible on my skin and especially on camera. I had to do a lot of experimenting with Pink Chameleon to figure out which combos would give me the effect I wanted.
There’s another shade called Green Chameleon in this palette. The website has this listed as an, “Olive green chameleon eyeshadow, multichrome shift,” without describing what what the other colors are. Honestly, I don’t see any shift. The texture of Pink Chameleon is that slick recognizable multichrome texture like Clionadh’s Jewelled formula, Devinah’s Aurorae Flares, the shade called Fake from the Juvia’s Place Wahala 2 palette, etc. Green Chameleon feels like the other four diamond shimmers in the bottom row of the Norn’s palette. The two best ways I’ve been able to detect multichromes is to swatch them on the palm of my hand and rotate my hand around, or to apply them to my fingers and hold them vertically and raise my fingers up and down so that it moves closer then further from the light. All I can see is it going from an olive green to a slightly lighter olive green or a greenish yellow. Its not a difference anyone will notice if you put this on your eyes. It’s still a pretty shade, but I don’t count it as a multichrome or duochrome.
There are two easily recognizable satin shades in this palette, or as Oden’s eye says, “metallic eyeshadows that look like satin.” Metallic shades are different from my perspective, so I’ll just refer to them as satins. One is Realism, a gorgeous medium-dark brown. Realism has visible copper reflects, but I prefer to have more of a contrast in my eyeshadow looks. I don’t mind doing a neutral eye from time to time, but if I’m going neutral I want a bit more sparkle. So, what I love to do is combine this shade with pretty much any of the more sparkly shades in this palette. There are so many options to choose from that are so pretty. The outcomes are different enough that I wanted to demonstrate several of them.
The other satin is a “red velvet” shade called Passion. Although pretty, I don’t think this particular tone of red goes that well with any of the other colorful shades. Even though reds and purples or reds and oranges are usually a match made in heaven, I find that this shade clashes with anything other than the neutrals or surprisingly the Pink Chameleon shadow.
Amber Palace looks marbled in the pan and I’m happy to report that it’s not an over-spray and the pattern doesn’t disappear once you’ve used it a few times. This “sparkling diamond shimmer shadow” is a mixture of gold and silver that runs throughout the entire pan. I consider this a topper shadow because the amber orange-brown base matches my skin tone so much that I just see the sparkle. It doesn’t look like there’s a base at all until I swatch it on my palm.
There are five other diamond shimmers listed in this palette. In fact, all the sparkly-glittery shadows in this palette are referred to as diamond shimmers. The first is Optimism, which looks similar in swatches to Amber Palace except the base color is purple. It’s another shade I consider a topper because the base is so sheer. I prefer to use this shade with cooler toned looks and Amber Palace for warmer ones. Next is Hallucination, a blue-green shade that’s like a medium toned turquoise with pink and purple shimmer. The texture of this shade is wetter than the others and doesn’t feel as well bound to the sparkles as the others. It feels like it was intended to be a shimmer version of a cream to powder formula. It leaves a residue behind on the finger, the way cream products do, and takes a bit of smoothing to give it less of a chunky appearance. The color is beautiful but I’m not a fan of this particular formula. It reminds me of the texture my homemade eyeshadows feel like when I use slightly too much liquid binder. Self is a stunning purple with teal, silver, and perhaps green sparkles. It’s very much my kind of eyeshadow shade. Glamour is an orange and gold shadow that reminds me of the pressed glitter shade I wanted from the Juvia’s Place Nubian Glow palette (but depotted and thew away). I’m so glad to have this version as a regular non-pressed-glitter shadow! The eyeshadow palettes from Oden’s Eye’s previous collections had some pressed glitters in them but there are none in the Norn’s Collection. Lasly, Charming is like a blue-purple duochrome with teal, purple, and pink shimmer.
Then there are two other textures that stand out. Obsessed, the “violet with pink and purple diamond shimmers,” feels is like a cream to powder shadow. It feels wetter than the two satin shades in this palette, but not as full on creamy as the cream shadow shades Natasha Denona has in the Metropolis palette. Obsessed takes several dips with a brush to get an opaque layer on the eye. It’s slightly easier with a finger, but the product sticks a bit more to the finger than the eye, so it tugs on my skin more than I’d like. Colourful Black felt like Obsessed in the beginning, but after a week it felt a lot more dry, like a typical shimmer eyeshadow. This goes on the skin very easily with a brush, so there’s no need to use a finger to apply it. It’s very pigmented straight out of the gate, but it can be blended to appear in a lighter and sheerer layer. According to Oden’s Eye, this shade, “…contains all colors of shimmers. Different usage will create different effects.” It makes for an excellent deepening shade, liner, and base. Although I can see the sparkles in the pan, the effect is satin-like with more sheen than a matte but without seeing the glitter particles. Usually all I require for black shadows is for them to be dark enough and blendable. This is one of the few times I can say I actually like the shade for its color and not just about its depth.
In Look #8 I forgot to mention that Colourful Black was also applied all over the lid before Charming was added on top. This is what caused the stronger blue tone to the shade.
URD Mini Eyeshadow Palette
This palette is gorgeous but all the minis, in my opinion, are overpriced compared to the larger palette prices. You get 6 shades for $21 versus 16 for $36. $3.50 per shadow compared to $2.25 per shadow. For that reason, I had to decide between the Urd palette and Skuld palette. As much as my eyes were drawn to the colorful nature of the all shimmer Skuld palette, I knew I could get a complete look with Urd and that green was irresistible!
This has the same great shadow quality as the Norn’s palette and it was so easy to create a look. I used the same shades for both of the eyes, but the change in technique and color placement made them look surprisingly more different than I expected! The Luxury shade on the lid is gorgeous! It’s mostly green with yellow gold reflects of diamond shimmer. Luxury has a black base which I noticed darkened the crease shade on the eye that I used the MAC Foundation Stick as a primer (look #2). In Look #1, I used a MAC Paint Pot and this did not happen. I also used the Nyx Glitter Primer on both lids.
Memory is definitely a bright “light gray-green matte” but just as it was the case with the shade Dazed, it’s somehow not too stark for me. That green tinge works! Oden’s Eye describes Nostalgia as a “matte grey olive green,” and those grey tones come out on the eye to create more of a khaki green tone. I wish it was a little less grey, but it goes well with the other shades in the palette.
Gloden Year & Time are the split pan shadows. I believe ‘gloden’ was a printing error because the website description says, “Golden year: Silver metallic color, the golden year is just a silver memory in the past” and “Time: Colorful shift of multiple colors against a semi-transparent base.” Golden Year is much smoother and the shimmer particles are much closer together than the shade Time. Time is a chunky flaky topper formula that I can clearly see as gold toned in person, but my camera only picks up a silvery hue.
Lastly, Past is a dark coffee brown matte. It’s a perfect addition to add a bit of smokiness to the look. This color story was well thought out and even though I think $15 would have been a fairer price (more than the $2.25 but less than $3.50 per shadow), I’m happy I bought this.
Norn’s Silk Scarf in Pink and Purple
There were pink, purple, and blue versions of this scarf available and Oden’s Eye was adding one for free to any Norn’s Collection order above 50 euros. At the time I bought them, they were on sale for 50% off.
I just purchased these because of the design. The print is so pretty to me and I wanted another item that had it, even though I have zero use for scarves and I never wear them.
Also, I could have sworn there was nothing written about the scarf being “artificial silk” until I made my last order because I remember being surprised at the low cost and wondered why silk would be used by a cruelty-free brand, but perhaps I just missed it.
All of the powder products have a slight powdery talc-like smell. In 2014, I owned a Coastal Scents palette that smelled incredibly chalky. Nothing I’ve purchased since then has ever been that bad, but I try to keep track of that kind of thing and share that information with others.
When ordering from the website, the default prices are listed in euros, but they have a tab at the top where you can change the currency. Although Oden’s Eye is based in Sweden, their products are made and shipped from China. My favorite independently owned brands to support are the ones who make their own formulas like Lethal Cosmetics, Terra Moons, Devinah, Clionadh, (or on the larger side Ofra and Colourpop), etc. For some reason, I was under the impression that these were created-in house, so I was a little disappointed. However, I know this is the norm. Juvia’s Place and Kaleidos palettes are made in China. Even indie brands whose products are formulated in the US don’t necessarily make them themselves. A separate cosmetics lab is usually responsible. With this thought in mind, it bothers me a little less. It’s also pretty neat that some products in their line are still handmade, like the Amber Palace shade within the Norn’s palette and the Norn’s Mesmerizer Highlighters. Oden’s Eye posted a fascinating video showing the Highlighter process on Instagram that can be viewed here.
I’m not sure what the shipping fees are for other countries, but I paid six euros (a bit over $7 USD) the first two times I ordered. They do offer free shipping over 50 euros. My initial order shipped within 24 hours but took exactly 3 weeks to arrive. Oden’s Eye emailed that my package would be delayed due to Chinese Lunar New Year and then there was a delay at customs. They ship through DHL and transfer to USPS and state that 7-14 business days is typical. My second order took 17 days (14 business days). The transition between DHL to USPS is where it was held up quite a bit. The third order only took 8 days of the 8-12 business days if you choose the upgraded USPS first class option for eight euros. Two extra euros for the package to arrive 2 weeks before regular mail is quite a good deal. The Mystery Box took 13 days.
I appreciate that for a small brand, they still make an effort to try and feature a variety of skin tones in their promotional photos and their Instagram. Of course I wish there were more swatches on deeper skin and in a variety of lighting settings, as well as clear pictures of what the products look like on the face, but they put in more effort than some other brands I’ve seen. The Fancy Face has received PR from them, so I recommend viewing her channel for extra swatches with her take on this collection. At the time I started working on this post, she was the only WOC on Youtube with a review of Oden’s Eye beyond reviewing a single palette, and her video was made after I had already placed all three orders. In fact, at the time I started my first draft of this post, she just had this video available with sneak peeks of the review to come. I wish I had this video as a resource before placing my order, but I’m still happy with the items I chose. Sometimes I get lucky and my guesses work out. Tina is close to my skin tone, but a little lighter than me. There’s one other youtube channel I found by someone a little darker than me with several more Oden’s eye products, which can be found here. For anyone wanting to see swatches on a tan skin tone can click here, and for pale to medium skin tones there are a plethora of options to choose from on Youtube like from Amy Loves Makeup, Morgan Turner, and Angelica Nyqvist.
Lastly, about the palettes, the eyeshadow pans are smaller than the standard 26mm. There is slightly more than 1 gram of product per pan, which is what I always like to see. I do wish the pans were slightly larger because most of these shades apply better with a finger and I have limited space to rub and pick up the shadow on the pads of my fingers.
That’s all for today! I hope this was helpful if you were considering placing an order with Oden’s Eye. If you do, don’t forget to use an affiliate code for an additional 10% off! FANCYFACE, MORGANTURNER, AMYLOVES, and ANGESCHKA are a few of them.
Unlike some of the other Indie brands I’ve discussed before, I didn’t feel like I had enough to say about JD Glow or Terra Moons for standalone posts, so I combined them both here today.
Terra Moons Cosmetics
The majority of my Terra Moons mattes are from the Neon Mattes Collection, in which I have 9 of the 14. Neverland is a discontinued traditional neon green shade from the original formula. It isn’t as smooth as the ones available now, but I’m happy I was able to get the last one. It’s very exciting to see these unique tones of neons though. These shadows are thin and powdery, so most of these will not look opaque without being carefully packed on. Shades like Land on the Stars, Jupiter and I, and 4th Dimension are glowy neons. You can see this in TerraMoons’ Instagram post before the launch.
The rest in my collection I’d consider more of vibrant shades on my skin tone. I treat them similarly to the Vivid Pigments from Coloured Raine, so I either have them in the crease or as inner corner accent shades. As these TerraMoons neon mattes are actually the only neon shades I own, I only have experience with these and cannot rank or compare them to others on the market. I can say that I’m happy with these and I don’t feel the need to try any from other brands. They aren’t beginner friendly. I feel as though I’m still learning how best to use them. They aren’t a necessity for me, as I don’t do super artistic editorial looks, so they’re just a fun cool addition to my collection to occasionally use. Also, Lunar or Later is a pastel matte and not part of the neons. It was sent to me by mistake instead of Lunar Haze in my order. Terra Moons’ customer service is great and sent me Lunar Haze right away without any issues and they let me keep Lunar or Later.
This next section of swatches are a mix of a shimmer, duochromes, and a multichrome. I was unable to find Candy Apple, Sweet Like Honey, Take Me To Terra, and Sagittarius on the website. I bought those in the same order with Neverland (June 2020), so, perhaps these have been discontinued as well. Crushed Velvet is described as, a “wine brown duochrome,” but the dark pink shimmer doesn’t stand out very much and the base color is a bit muted, so I view this as more of a satin eyeshadow. Bailar is one of their newer shades. It was introduced in the El Barrio palette, but it’s also available for sale individually. It’s a beautiful duochrome coral and gold and that combo always attracts me. Martian is a greenish toned gold shade, the kind of shade I also often buy, but after playing with my Natasha Denona mini gold palette more lately, Martian isn’t as much of a standout shade as I thought. On the other hand, Hot Spiced Cider is a much more interesting version of Martian as it has a stronger green tone that makes it more duochromatic. It’s not the most unique shade on the market, as I’m certain I have shades like this in my collection, but the formula is great. I recommend this if you don’t own a shade similar to it. Mint Frosting has an interesting tone of green with gold shimmer that looks warm in the swatch, but has some blue tones to it that can be seen better when applied onto my eyes. X-ray is a blue and purple topper shade. The texture is a bit flaky, so I had a little trouble getting it to stick in my inner corners, especially since I had to really press it to make that white powder blend into my skin the way many iridescent shades do. Grapetini is a pretty purple. It’s not as exciting compared to the others but I wanted it anyway and the formula is nice.
UFO is always on Pre-Order. It’s described as having, “a bright purple base that shifts red, gold and peach.” I just see purple and pink. This shade isn’t very shifty to me, but it is definitely beautiful and I like the level of shine it has. Moon Tide is also a Pre-Order shade with, “an indigo violet base that shifts light blue, lavender and pink with hints of silver.” This one definitely shows all of that. It’s my favorite shadow from Terra Moons. When it comes to duochromes and multichromes, it’s not a secret that I favor Devinah and Clionadh, but Moon Tide is one of those shades that if you want to make a purchase from Terra Moons, I highly recommend trying this one. Clionadh released a new Vibrant mulitchrome called Regal that I believe might be similar to Moon Tide, but I haven’t purchased that shade to see for myself. UFO and Moon Tide are both part of the Cosmic Chameleons collection, which are multichromes with colored bases, not black bases like the Extreme Multichrome line.
Alter Ego is one of the extreme multichromes. It’s mainly purple with a blue, magenta, orange, and gold shift. It reminds me of Rosette from Clionadh, though not as sparkly of a finish. In the photo below, Alter Ego is on the left and Rosette is on the right.
Considering the number of shades I’ve seen disappear from the website in the last twelve months since I placed my first order, I definitely recommend that anyone who wants some Terra Moons shadows should try to get them while they’re available! I was able to get most products on sale and use an influencer promo code to get them at a discounted price. Waiting is a gamble, but sometimes it pays off. For example, the neons being discontinued in order to come back in a reformulated version. I will say though that shipping is pretty expensive considering it’s only a few dollars cheaper than some of the international shipping fees I’ve paid to get shadows from other countries. It does bug me a bit, considering I live less than two hours away from where Terra Moons ships their shadows, but it’s a nice consolation to be able to support a Florida business.
The JD Glow shadows are stunning and I would have been way more excited if I hadn’t been expecting their Galaxy shadows to be like the Clionadh Stained Glass shadows that so many people compare them to. The shades are described as having, “duochrome and triochrome effects,” but they’re more along the lines of intensely sparkly shimmer and duochrome shadows. Because I expected JDGlow’s multichromes to be with all the other shadows on their site, I thought the Galaxy shadows must be the multichromes I saw on Instagram. I later discovered that what I really wanted was under the “Special Edition” section.
Their website is basic, yet not user friendly. I hope this is something they work on soon. This is why I was unable to get the See Weed shade I’d been wanting from them for so long. I also wish they restocked more often, as I’m reluctant to place orders knowing that some of the things I want aren’t available (and would therefore require a second order) while the shipping is not free.
Limelight is from the Metallion line, Martini is a Shimmer, and the remaining four are Galaxy shadows, though Starluster was no longer on the website when I last checked. Despite them being beautiful, and the Makeup Goblin inside me wanting more, I can’t say that there is currently anything else from JD Glow’s offerings that I don’t already have in a similar quality or with a better shift. Especially as most of the shadows I wanted aren’t available anymore. For anyone who doesn’t have shades like theirs, it’s worth trying, even if it’s to compare between all the amazing Indie brands out there.
Today, I’ll be reviewing the Club Nebula palette and showing the reformulated Mars Melter Highlighter.
The reason I’ll just be showing, but not reviewing, the highlighter is because mine was shattered. My usual method of repressing shimmer products is to use a little 91% isopropyl alcohol. While I don’t believe the integrity of the two eyeshadows from the palette were effected, I believe not dry-pressing the highlighter might have compromised the performance. The highlighters in this line are glittery, but they lay on the skin in a way that is right on the edge of my comfort zone. When I do a finger swatch, the highlight looks exactly the way I expect, but when I use a brush to apply this to my cheekbones, the way it picks up the product causes the shimmer particles to be too spread out and uneven. It looks like a glittery mess. Wet-pressing also caused it to shrink so flat. I imagine this highlighter wasn’t meant to be condensed/compressed in such a way. Because I think it would have performed better in its regular state, I feel I can’t properly review it. I could perhaps still find use for it as an eyeshadow topper, but I will not be using this as a highlighter.
If it was just the two shadows in the palette that were broken, I would have left it alone, since the breakage was contained within the pans and I could salvage those. However, the highlighter being broken as well bugged me considering the $10 shipping fee (increased from their previous $8 charge) and the 25 days it took to arrive after it departed Shanghai. For anyone wondering about Kaleidos’ customer service, I received a reply within 24 hours. I was offered a reshipment or to receive a partial or full refund depending on which item(s) I decided not to replace. I hadn’t heard the best things about their customer service, so I was happy that my experience with them was actually pleasant and was resolved quickly. Although I wanted a pristine palette, I felt too guilty at the idea of getting a whole extra palette knowing there were people who still couldn’t get their hands on Club Nebula, even after the restock. After my wet-press mistake, I could have benefited from a new Mars Melter highlighter, but considering my usual view on glittery highlighters anyway, I thought it best to just opt out of the replacements for both.
The packaging was so elaborate and beautiful that I wanted to show how it came to me (the box was wrapped in an air pillow/cushion/pad/pouch roll for extra protection). I usually want smaller packaging for storage reasons, but for something this beautiful I would love to have it displayed after I complete my declutter series and hopefully have spare surface area.
The special custom shipper that is included with the order of this palette comes in the large and small size. I believe mine is the large, the one intended for the set with a deck of cards. The padding for the Space Age Highlighter (plus divider layer of foam and extra tissue paper) caused the highlighter to sit too high for the box and the lid had to be forced down and secured with tape in order to close. The magnets alone weren’t strong enough to keep the lid closed with the excess padding inside.
I think it was an accidental oversight on the part of whoever packed my order, as I suspect the added pressure to force the box to close (forcefully enough to cause the dents in the front corners of the box) is what caused the breakage. Anyway, just a heads up to anyone ordering this palette with an additional item! Let’s proceed to the review!
Kaleidos Club Nebula Palette x Angelica Nyqvist
The swatches above were taken indoors with no flash on bare skin.
I’m very impressed with the quality of the packaging and the designs. It is stunning! I’m incredibly pleased with the smoothness and richness of the matte shades and how deep they go. After being disappointed by the Lunar Lavender mattes and questioning if Kaleidos’ quality was taking a dip, I was relieved to see the mattes in Club Nebula are fantastic. Because I love duochromes and multichromes, buying this palette should have been a no-brainer, but for some reason I wasn’t 100% sold on the color story. Honestly, I purchased this to avoid FOMO (fear of missing out). It was made very clear that this palette was limited edition. I preferred to have it and not use it, rather than skip it and regret it later. I am subscribed to Angelica and I’ve grown to really like and respect her. Of course I felt the tug and impulse to support her collab, but I don’t believe that factored into the FOMO because I know I already support her in other ways by watching her vids, allowing the ads on her videos to play in full, shopping through some of her affiliated links and codes, etc. One thing Angelica said in her launch video did play a factor in my decision to buy the palette. She said to give this color story a try and step outside our comfort zones. I felt that trying to dupe a palette like this wouldn’t be the same. I wanted to see for myself if I could be inspired by something that wasn’t entirely my style. Plus, I figured this many multichromes and duochromes in a palette for $45 was a steal! While I’m thrilled to have Nova and Nebula, and I think Firefly is quite pretty in certain angles, I was a bit let down by the other three.
The swatches above were taken outdoors with no flash on bare skin.
I appreciate the dark mattes, but pale shimmers tend to go unused in my collection. You’re My Only Hope is described as a lavender with a pale blue shift. The purple is so ridiculously hard to see on my skin tone regardless of indoor and outdoor lighting. I had a similar issue with the Lightyear shade from The Futurism III: Astro-Pink palette. Celestial is another one that I absolutely could not see any shift in while inside, no matter if I was under warm or cool light nor the angle in which I held my arm. So, I was surprised to see this one is considered a multichrome, “a radiant hot pink multichrome with decadent fuchsia and golden shifts.” The only way I could see a shift was while I was outside. If I want to wear a shade like this, but with a stronger shift, I’d rather reach for Blaze from Clionadh Cosmetics. Astro is another disappointing multichrome in the sense that the shift between royal blue, teal, and violet are too close in tone and it’s almost a lighter version of Neptune from the Futurism 3: Astro-Pink palette. The upside to this color is that it’s at least very pretty. I can still use it like a statement shimmer even without the shift. I can see the lighter and darker blue particles in the pan but that shift to violet does not show on my lids unless I’m outside.
Firefly has a beautiful mint green and fuchsia duochromatic sheen that is visible in person but harder to capture on camera. I’m at least happy that it’s noticeable at the right angles, unlike the previous three shades I mentioned. Nova is gorgeous! I would have expected this to be the multichrome because of how well it shows up, but this is, “a glistening amethyst blue sparkling duochrome topper with a warm violet shift.” Nebula is my favorite color in the palette, as “a rose-gold red sparkling duochrome with a molten copper shift.” It’s very unique to my collection. The closest shade I have to it is Clionadh’s Torch if Nebula had a darker red tone to it. Surprisingly, I actually prefer Nebula. In one of the looks posted below, you can see that in some lighting Nebula can look nearly as light as Samus. Speaking of Samus, that peachy orange is gorgeous! I have a hard time liking the way it looks when paired with other shades, so I actually prefer to just use this color solo blown out on my eye with some mascara and/or liner and leave it like that.
I mentioned how well the mattes blend, but I am particularly impressed with the four lightest ones because those type of shades are notoriously difficult to show on my skin tone. None of the mattes were patchy. They gave me zero issues when used over the MAC NC45 Foundation Stick as an eye primer, Gerard Cosmetics Clean Canvas, MAC Paint Pot, and Nyx Proof It primer. Naaru in particular is the kind of shade that never looks good on me because there usually isn’t enough pigment and it looks like an ashy gray instead. This shade actually looks on me the way it does in the pan, and for once it looks nice! I also like to blend the edges of darker shadows with Naaru. Gravity is easily the best performing matte lime/chartreuse eyeshadow I own! I have nothing negative to say about Queen of Blades, Void, Cylon, Rockhopper, and Red Giant. They’re top notch! For the shimmers, I apply them wet or on top of Nyx Glitter Primer because as beautiful as they are, they need a little help to really pop on my eyes. I always want more pigmentation than topper shades provide, so those two methods help me achieve more of the look I want. It also helps to lay down a shadow underneath the topper shade first.
I mentioned in my Lethal Cosmetics Velvet Dusk palette review that I only recommend getting the palette if you like the colors as is and aren’t getting them for the multichrome aspect since they’re more like shiftless shimmers or duochromes at best. The shifts were weak in those. I’m going to say the same thing for the Club Nebula palette. Firefly, You’re My Only Hope, Astro, and Celestial have weaker shifts than even the Velvet Dusk shades. They may as well be regular shimmers, though the amount of sparkle in them still puts them above some mainstream brands’ shimmers. Nova and Nebula are true duochromes though. So, if someone doesn’t mind having topper shades or weak shifting shadows or if the duochrome and multichrome aspect isn’t a factor at all, I would easily recommend purchasing this palette. Angelica mentioned there may still be one final restock coming in the future, but beyond one probably depends on how high the demand is. *After my post today I saw in a pinned comment on Angie’s latest video that the restock is in May. **As of April 1st it was announced that the restock was moved up to April 14th.
As much as I wasn’t enthralled by the color story initially (despite being a lover of greens, purples, and oranges), the more I’ve used this palette, the happier I’ve become with my decision to buy it. As one can see from the amount of example looks I showed, I kept reaching for this palette and wanted to try different styles and shadow combos. I’m up to fourteen by now (though not all made the cut for this post)! I love when I can look at a palette and feel inspired to play.