Unearthly Cosmetics is the new rebranded name of Alien Cosmetics. I made my first purchase from the brand round July 2021, but soon after I heard there were reformulations, palettes getting new packaging, and other changes that made me decide to take a pause before talking about them here. I purchased the Gigi blush when I thought things were settled, but once again found out news that the brand was allegedly forced to change their name. So, I continued to hold off on talking about them until they had their new name secured and were officially finished selling products that still bore the Alien Cosmetics name.
Considering their track record of making changes to products seemingly out of nowhere, I have no clue if my products from 2021 are the same as what someone will get from Unearthly Cosmetics now. In case they are, I hope this review will still be valuable, but I needed to put out this disclaimer that it’s possible the quality is different.
As I mentioned above, I intended to review this palette well over a year ago. I have additional eye looks and a video showing the color shifts of the multichromes in this Instagram post.
These mattes are very dry. I remember them being a bit like this when I first bought the palette, but I think over time, before even a year had passed, the mattes got drier. Minotaur is especially stiff and doesn’t want to move from where I place it, but Cerberus and Centaur blend decently. Cerberus just requires slow building since it can get intense fast depending on the brush used. Faun is one of those matte formulas with glitter specks in it where the glitter mostly dusts away when blended on the eyes. This shadow is quite thin, so to even get the base color to show takes a lot of building up on me. I wish Faun was either a bit more yellow or that Centaur was a deeper orange because the two shades look nearly identical when used together. Ironically, during the first launch, the brand sent out palettes with a brown shadow listed as Centaur and then mailed everyone who got the wrong shade the correct orange one. Perhaps I would have liked that accidental shadow better.
I was very excited to have duochrome and multichrome options in this palette, but I wasn’t expecting such near transparent bases to the point where three of the five shadows nearly function as toppers for me. Serpent‘s base is the faintest of all and looks like it’s just a sheerer version of the somewhat more visible hot pink base in Sphinx. I use Serpent when I want blue, green, and purple shifting sparkles with cool toned looks and Sphinx’s aqua, green, and gold sparkles look best with warm toned ones. Whenever I plan to use them in the palette, I have to swatch them first on my arm to remember which effects they give because I really didn’t like the times I’ve chosen the wrong combo. My favorite multichrome of the three is Medusa, which has a dark but still semi-transparent base. It pairs so well together with the deep blue-green shimmer shade called Basilisk. Medusa and Basilisk are my two favorite shadows in this palette. All the shimmers have a smooth texture except Griffin, which is a little chunkier, but has a very high-shine look to it. It’s like a less obvious color-shifting version of Centaurus from Devinah Cosmetics.
Showing the transparency of Medusa.
Regarding how they wear on my eyes, I didn’t have anymore creasing than usual. I didn’t have any extra fallout. The shimmers didn’t dull down as the day went on and they looked decent still by the end of the day. To anyone interested in this palette, I recommend it based on preferences. In general, with it not completely meeting what I want, $33 isn’t a bad price (it was $30 at the time I bought it with $5 shipping and no tax, but I used the influencer code ANGESCHKA), though it would be more like $38 now.
This palette would be a fantastic option for someone who likes grungy colors, high shine duochrome/multichromes with no dark bases, and is mostly in it for the shimmers so they don’t mind reaching for other palettes for better mattes.
I’m not sure why “blush palette” is written on the packaging when it’s just a single blush, but in any case, I saw this shade and that Scorpion on the inside and I had to buy it! It’s aptly described on the website as a, “satin finish rosy terracotta,” blush. If I remember correctly, the brand is run by two sisters and this blush is named after Gigi and the highlighter that was released at the same time is named after Dani. I didn’t purchase the highlighter because I thought it would be too light for me, but it has a silver to gold shift. So, the gold would probably have looked nice, though I don’t know if the silver still would have been too much. While there is visible dark pink shimmer in the blush, after all the blending that is required, I don’t see the shimmer on my cheeks.
Light-Medium application of Gigi blush to the cheeks.
I’ve tried to love this blush because it’s such a pretty color, but it’s super pigmented and not very blendable, regardless of the brush I use with it. I’ve tried my synthetic brushes like the Smashbox Sheer Buildable Cheek Brush, my MUFE Highlighting brush (basically blush size). I’ve tried my very expensive brushes with different types of natural hair suited for pigmented products, but the issue is that it sticks where it’s blended, but is also a thin powder so it’s also sheer in some places at the same time. It needs to be buffed properly to smooth it out. It’s not a terrible blush, as I have the tools to lightly apply it and switch to another brush to blend it out and make it look nice. However, with my huge blush collection, I don’t feel that it’s worth the effort for me, when I can get a smooth flush in a snap with other blushes out there. I have tried powdering my cheeks first before applying the blush and that just prevents it from wanting to blend properly into my skin. Applying it to my cheek and then buffing with a finishing powder after also works, but again, it’s extra work.
One thing that this blush definitely has going for it though is the longevity. Using my normal application methods, this will last on my face all day without fading.
Unearthly Cosmetics released additional single blushes and highlighters in April of this year, so perhaps the formula is better than before. You really never know with their brand!
That’s all for today! Thank you for reading.
Note:This is my last completed pre-scheduled post. I had surgery September 15th and due to the long recovery period for this surgery, regular Monday postings will be interrupted/inconsistent for the rest of this year. I still have about 20 partial posts that were started prior to surgery, and therefore I will still have content coming to this blog, just not at a stable predictable rate. There may be a few weeks or a month gap without posts, but if you’re following via email, you will be notified of every post. Thank you for understanding.
I first heard about the brand when it arrived at Beautylish as a pop-up with two pre-made sets. Neither one had enough colors I wanted in them to be worth purchasing, which is a shame because those bundles are a significantly better value. For $75, a customer can get a mascara, lipstick, and either the “Soft” or “Rich” 4+ pan palette. The best deal I saw from MOB Beauty’s own website costs $85 after using a promo code and involves creating your own custom 4+ pan palette that does not include a mascara and lipstick, just two free samples. I was especially tempted to get a pre-made set anyway, considering Beautylish was advertising back in March that once these restocked sets were gone, they’d be gone for good this time. Yet, here we are in September and there’s a “returning soon” notice for one of the sold out sets. I like Beautylish, but it appears that they pulled a ‘limited edition’ marketing stunt again.
Eventually, when the items became available individually at various places, I made separate orders to HSN, Beautylish, and the official MOB Beauty website to make these purchases as affordable as possible for a custom palette. If I had just stuck with my original 4+, it would have been fine, but I ended up spending extra by changing my mind afterwards because I wanted to try the cream formulas too, and the refills would be exposed to the air if I didn’t get additional packaging to store them. MOB Beauty is a “Clean” brand, but the part that really interested me about them is that they are big proponents of recycling and sustainability. In the next section, I will show the cardboard packaging that each product arrives in, which is great for that recycling factor, but because the refills are surrounded in post-consumer recycled plastic (50-100% PCR, PET or PP Resin with the percentage of PCR getting lower the larger the palette is), it’s not possible to store the pans in something like an empty magnetic palette, which is a system that the majority of people who want to make custom palettes use to do it. And once the refill outer packaging (40% FSC bamboo and 60% recycled paper) is opened, there’s no way to keep it properly sealed after because the sticker layer is what keeps it together. So, one ends up having to purchase either single compacts that will take up space or pay for the larger custom palette and have the smaller one sitting around in case someone wants to take a smaller set traveling and just being generally unused. The need to buy more empty palettes is the downside of the attempt to be sustainable. I appreciate the effort, but it’s far from a perfect system and it’s the customer that has to take on that additional cost because of the brand’s decision to make unique packaging that can only be used with their own products exclusively, similar to what Hourglass did with their “Curator” system. In addition, the outer packaging is easy to recycle, but there are additional steps for those wanting to recycle the makeup pans afterwards, as noted on the MOB Beauty website:
They can also be turned into a Pact recycling bin inside any Credo store in the US, provided you live near one of their ten locations within the country, or Hudson’s Bay store in Canada.
The refills have holes in the back, so one could potentially push the metal out of the plastic and commit to using the products exclusively in a Z-palette and avoid needing to buy MOB’s custom palettes, but they’re glued down. Also, since they are made of aluminum, they aren’t magnetic and would need a metal magnetic sticker to be attached to the bottoms of them in order to not slide around in a magnetic palette. The mini samples of mine were glued to the cardboard since they don’t come with the plastic bottom like the others. So, I peeled off the label stickers with the shade names and cut them into small squares before I unstuck the pans and attached those stickers onto the backs of them to at least keep the glue from sticking to things before plopping them into a Z-palette, even though they’re free floating in there. I just needed to keep them somewhere they wouldn’t get lost while I was testing out the products, and I could continue to test for an extended period instead of just once. Again, I’m not sure what a better alternative would be. I give the brand kudos for being perfectly upfront about everything though and that they have clear instructions on how to recycle these properly.
Custom Palette Packaging and Components
The photo above shows how the items for my custom 4+ palette arrived, including the two samples and two slips of paper with the ingredients listed on them. The box on the left is what they were all shipped in, so there was no wasted space, which is something I really like to see in shipping materials (provided the items are still properly protected to prevent being damaged). The brown paper below all the items was the folded up paper layer in the box. This packaging was delivered by MOB Beauty, but if you order from HSN and Beautylish, the items will come in those retailers’ typical packaging.
This is what the 6+ pan and 4+ pans look like in the back when filled vs empty. The hole used to pop open the grate to place the pans inside are visible from the back.
I used one of my clay shaping tools to do the job of opening what I call the sealing/securing lid.
Once the plastic clear lid has been lifted and the hole in the back of the palette has been poked through in order to lift the second lid, the pans can be loaded in by aligning the two protruding rectangles with those empty spaces. They do not snap into place. They have to just be gently laid on top enough to stay put until every pan is on it and that second lid can be placed back on top to secure all the sides. This is the point where at least one snap should occur, so every edge plus the center should be touched and pressed to ensure that everything was locked into place and can only be opened again via the hole in the underside of the palette.
Additional photo of an empty versus filled palette.
Despite the 6+ pan being longer, I still consider it to be a travel-friendly size from the way it fits in my hand.
Important Tip About Choosing A Shade
Since the idea is to not be wasteful, choosing the best suiting product based on the brand’s photos is crucial. There is quite the difference in depth between how the color appears in their pans versus those arm swatches, and especially depending on the model bearing the swatches as well. The way these shades ended up looking on my skin was represented the most accurately on the tan (dark-tan) model across all formulas. I wanted to mention this for those who are around my skin tone and may have been wondering whether the model closest to our skin tone does the best job indicating how it will look on us or whether the swatches have been manipulated to look more saturated than they actually are and therefore we should make purchasing decisions based on the first model pictured below. I’m happy to report that MOB Beauty did a great job accurately reflecting the swatches, unlike many other brands that want to pretend their shades look the same even on deep skin and digitally manipulate the photos to prevent showing how ashy they’d be. So, I recommend feeling free to base purchasing decisions based on the swatches of the models closest to your skin tone.
I still found it useful to compare how the swatches looked on the other models in order to figure out what the starting undertones and depths were, and see at which point the shades start to look distinctly different from each other. For example, as seen on the third model, the M49 and M50 highlighters are the same depth and only differentiated by M49 being a pale pink and M50 being a pale gold. So, on tan skin and darker, the different undertones make no difference and those two highlighters will essentially look the same on the face. On the first model, the rose-gold M51 being a couple of shades darker than M49 still looks essentially like the other two highlighters, but on me, if I wanted all different looking highlighters, I would need to choose between M49 and M50 for the first option, then M51, then M52. If I removed the choices that look different in tone, but would look too stark on me, M51 and M52 are realistically my only highlighter options.
I continued this practice for each product. I looked at how they are supposed to look on the third model, where they start to look ashy or at least too similar to each other on the first model, and then narrowed down which of those remaining options looked prettiest on the second model.
Cream Clay Formula
As seen in the photo of the Cream Clay Bronzer in M78 on the left, the creams look as if there are bubbles under the surface, but that top layer is completely smooth. Since this looks like it was poured in while hot and then set, it’s possible those are air bubbles and not an indication of anything weird happening while in transit. Or perhaps they’re just condensation marks from it starting to sweat and melt in those hot delivery trucks, but then it cooled and imprints of the droplets were left on the surface. An example of the sweating is in the mini samples section.
When it came to selecting a bronzer, there were a completely different set of models, none of which were anywhere near as dark as me. However, based on the arm swatch photo, M78 and M79 looked like they would work for me. They are the same depth, so it was just a matter of an undertone difference. M78 was described as a “rose chocolate brown” and looked warm, but leaned closer to neutral than the “espresso brown” shade M79, which looked redder. M78 was certainly the better option because I would not have wanted it any warmer. It shows up easily when I apply it to my skin, but it sheers out a fair amount as I blend, so I have to really load on the product to get the impact level that I like. In addition, my dry skin soaks up these cream products. If I try to keep the bronzer looking subtle, it’ll be significantly faded within the hour. So, I have to actually over-apply in order to get it to last on my face. The nice thing is that if I can accept it looking heavy in that first hour, I know it’ll at least look normal the rest of the time after that. It will still fade as the day goes on, but at least the fading is at a slower pace and will still be there at least 8 hours. I have tried so many times to wear this over a very moisturized face and different primers, but it still does this. For that reason, I use this product the most with my Patrick Ta Contour Brush because I can load it on and blend it out quickly. It essentially allows me to use this cream bronzer the way it was intended. My usual Sonia G Mini Base is actually too good with the blending. In the amount of time it takes for me to keep building up layers with that brush, it’s trying to set and then I can run into the issue of it starting to look a little patchy. And when I say “set” I just mean setting into place, as it doesn’t fully dry, but it’s at least not sticky. It just gets a little less easy to budge, but will still have some transfer. Applying powders on top hasn’t been successful in setting my face either, and my powders also make the bronzer and blush more subtle in the process. Sometimes I use the cream and powder bronzers together, but then I feel like that’s adding an extra step I wouldn’t have to do with the other products in my collection.
I like the tone of the cream bronzer and the ease of use with the right brush, but if I put the complication with my skin type aside, one of the things I find lacking is that the cream bronzer ends up looking matte even without being set with anything. I personally would prefer that if I’m bothering to use a cream product, I want it to look a little dewy or have a sheen. The glow of the product in the photo is literally a combination of my sweat and my semi-dewy foundation. For these reasons, my feeling about this product is that it’s just okay. The positives and negatives cancel each other out. I don’t feel any excitement when I use this, like I do with plenty of other cream bronzers I own. Also, this formula is the type that forms a little bit of a stiff layer on top between uses, which is why I mentioned it’s imperative to keep it away from air exposure as much as possible. It doesn’t cause me any problems using the product, but it makes the experience using it slightly less enjoyable. That top layer issue at least isn’t as thick as the Danessa Myricks Power Bronzer that I love can get though, so I give the formula some credit for that. Overall, this tends to happen with vegan formulas where the ingredients are what the company says are better, but something gets sacrificed, and for me it’s the experience when using it. It doesn’t have any wow factor for being extra creamy, leaving a beautiful finish on the skin, etc. I’m at least glad that the performance is solid. I think that’s what MOB Beauty was hoping to achieve the most, but there aren’t bells and whistles to go with that in my opinion.
The Cream Clay Blush in M74 looks, feels, and performs the same as the bronzer. They both have a decent amount of pigment and blend easily, but I also need to over-apply this product to keep it lasting on my face at least 8 hours. I also find myself having to touch up the bronzer again after I apply the blush on top. I like that it blends in so seamlessly with the bronzer, but it’s almost too much. Perhaps if I picked a more vibrant and less natural-looking shade, the blush wouldn’t look like an extension of the bronzer. I still think it’s pretty, but I do enjoy pairing it with other blushes right on the apples of my cheeks to add a lighter and brighter pop. This means that my favorite way to use it involves me adding another step. It’s nice to know that it plays well with the cream and liquid formulas from other brands though.
Just like with the cream bronzer, I could apply MOB’s powder equivalents on top so that it helps with the longevity issue. However, that would also be adding an extra step and since doing that takes away the tiny bit of dewiness the cream blushes have over the cream bronzer, it would make the point of wearing the cream at all pretty pointless. I may as well just stick to using the powders, right?
Just like the cream bronzer M78, this powder version in shade M42 is described as a rose brown. However, M42 is the only one that I can actually tell has a rosy undertone on the skin. The powder feels somewhat soft to the touch, but it’s not as smooth or silky feeling as say the Charlotte Tilbury Airbrush Matte Bronzer, Mented Cosmetics Bronzer, or even the newest one from Jaclyn Cosmetics. Again, I’m guessing it’s because of the consequence of not being able to use certain ingredients for clean, vegan, and sustainability reasons. The “Show Full List” option on their website’s list of exclusions reveals how extensive it gets. It still performs well enough. It’s a buildable formula but it only takes a small amount to finish my face the way I like. M42 is lighter than the cream bronzer (both are the third to last shade in their respective formulas), yet it looks even darker than M78 when built up.
When it comes to blending, I don’t have any issues unless my skin is dewy from wearing some of my favorite foundations, sweating, etc. In that situation, where I would normally apply and blend via using long sweeping motions back and forth, instead it sticks where I put it and ends up with tiny patches that are lighter than the rest because more of the powder stuck to other spots. I’ve had products with the sticking issue before, and this one isn’t as bad with it as others. Trying to blend it out fixes it enough to be passable, but not looking airbrushed and not good enough for me to feel comfortable leaving it as is. One remedy is to use a brush that deposits an even amount to the area at the same time, like the Patrick Ta Contour Brush, before blending it out. The other is to switch up my technique and apply in a circular buffing style while moving across the area I want to bronze. This one tends to be less precise, but the blush will cover it anyway. The third trick I can use is to do a second light layer of bronzer to cover the patches and then use a finishing powder to soften up the look. This last one is my preferred method because my finishing powders with a blurring effect really elevate the look overall and add that sheen I prefer anyway. Considering how often I wear my dewy foundations, I end up needing to use at least one of these ways the majority of the time. Because that adds to the extra time I need to spend on it, I like using the powder even less than the cream despite knowing how to get it to look pretty every time. I admit that it’s a minor inconvenience, but with the amount of makeup I own, minor inconveniences are enough to get me to not use some products, and then it ends up being a wasted purchase in more ways than one.
I get a nice amount of pigment from this M20 blush, but it’s a thin formula and prone to a patchy look on dewy skin just like the bronzer. This is especially noticeable if I’m wearing a low coverage foundation where my skin peeks through the blush and it looks a bit odd seeing such a strong color, yet is see-through like a blush tint. So, I end up using the same techniques to combat it, just like the bronzer. However, because part of the bronzer gets into the blush zone, I feel that I have a quicker time making the blush look blended again, which makes it less inconvenient and therefore I’m still likely to reach for the powder blush if the palette is already out and open.
Also, no matter what the situation, I have no longevity issues with the powder bronzer and blush. They stay put all day. The powder blush does fade a little over time, but not enough to be considered abnormal.
I purchased the powder Highlighter in M52 because the third darkest option has a pink undertone, which I don’t usually like on myself, and everything else would look ashy on me. If I use a light hand, this one matches well enough, but if I’m too heavy handed, it’s obvious that it’s a little dark for me. The shimmer flecks are not, but the overall base color is a little deep on me for a product that is intended to highlight the face.
As has been the case with the powder blush and bronzer, this product sticks, but even more intensely on my face if I wear dewy products in the areas that I highlight. That’s handy for helping it look like it’s one with my skin, but then it’s hard to blend, even with my best brushes. The upside to it sticking is that it lasts on my face all day. Of all the powder products from MOB I’ve tried, the highlighter is the messiest with the most kickup. The times when my face is actually dry, and therefore the highlighter remains dry, is when I have longevity issues where parts are suddenly missing as the day goes on.
I think I would have liked this highlighter more if I had one that was the same color as M52, but slightly lighter. As it stands, it’s okay. Because I only have two eyeshadows, I sometimes use the powder bronzer as an additional brown shade and this highlighter as an additional shimmer.
These are the two I chose. M48 is a shimmery olive. I like the color, but the shimmer particles are very low shine and not nearly reflective enough for my taste. Even when I apply the shadow damp, apply with my finger, or over the Nyx Glitter primer to crank up the intensity and pack on the shadow, it looks nearly unchanged afterwards. This is one of the rare times that my usual tricks fail to improve the eyeshadow look at all.
The M64 matte burgundy shadow is a bit stiff. Blending it in the crease takes some time and looks very drying on my eyes.
The shadows are my absolute least liked thing I bought from the brand. They’re way too lackluster for me. Anyone can make them work, so they aren’t completely terrible and it’s not like they don’t have pigment, but they are not enjoyable to use. There’s no creaminess to them, no smoothness or aid in the ability to be spread across the eyes. They’re able to be blended, but not as easily as I prefer. Preferences aside, I still don’t believe these are worth $12 each. I do not recommend purchasing the MOB Beauty eyeshadows.
Free Mini Samples
The mini sample of The Cream Lipstick in M58 had a pretty sheen on the lips but felt surprisingly dry, like it was drying out my lips from the inside. Also, this isn’t the kind of formula that that you can put over chapped lips and have it smooth things over. It sinks into every spot where the skin starts to pull up and just makes lips in poor condition look worse. The photo example is after I exfoliated my lips, so I could showcase the product in the best light. It was from my second batch of pictures because my original photos of M58 looked horrific and just too bad to show, especially with my lip split on one spot. If you don’t have issues with lips being dried out frequently and you can keep them conditioned regularly, you might like the formula. Because it made mine drier, I don’t recommend it.
By the time I got around to trying the mini of The Cream Clay Blush in M71, I forgot it was a blush and not a matte lipstick. So, I have a demonstration of what it looks like on my lips, but not my cheeks. I apologize for that. Shockingly, despite how drying it looks on my lips, it actually feels less drying than the cream lipstick! I actually like this color on the lips, but it’s not my usual type of blush color to wear. Also, by the time I remembered it was a blush, my sample was especially dried out, so I didn’t bother trying to wear it on my face or take photos. It already had cracks in it the day I got it, so one can imagine how dry it was weeks later.
One would have to know ahead of time exactly how many products they want currently and in the future in order to not have extra MOB Beauty palettes sitting around. This isn’t easy considering it’s still a fairly new brand, so their options are still a bit limited. How can one make space for a potential setting powder or cream foundation in a pan, like the Patrick Ta Creme Foundation and Finishing Powder Duos? What about powder foundation? What if you think you just want a bronzer, highlighter, and two blushes, but then they release a new product that you want and now would have to upgrade to a 6+ palette or hold onto a separate single? Perhaps this is just a me problem, but when I decided I wanted those 5 face powders, I instantly had to get the eyeshadows too in order to fill the palette. Holding onto a 6+ with only 5 of them filled for who knows how long was just not an option for me. It drives me nuts to have designated spaces for a product but to keep one or more slots empty. I need to have them all filled up. So, essentially, I purchase more things that I don’t need and spent more money because of the type of organization system they’ve got going on. Creating a new brand and a new line of products is still adding to the world’s over-consumption problem. And the truth of the matter is that I’m never going to use up these products enough to need to replace them. I love what the brand is trying to do, but unless I make MOB’s products and system the only makeup I will ever buy again, I’m not making use of their refill aspect. If MOB does expand the range and make my perfect highlighter shade in the future, wouldn’t it be wasteful to try and get that one while I still have the old one? Would I just toss out the product and recycle the rest? I can’t actually send it in to recycle without there being 5-10 empty products, so I just hold it all indefinitely? Wait for everything to expire before trying to recycle things?
As someone who doesn’t use exclusively vegan products, clean products, and doesn’t have a firm stance on buying from companies that are not considered “cruelty free” because of the selling products in China regulation debate, I find myself feeling like I haven’t gained much by having these makeup items in my collection. I feel good about supporting a brand that cares so much about the environment, but without planning to make serious permanent changes, it’s just adding yet another thing to my collection and their best performers don’t top any of my favorites by a long shot. So, rather than continue pursuing my perfect palette I spent so much money trying to create, it’s best if I leave things where they are.
For those who are very strongly about minimizing their makeup collections and only using vegan, “clean,” and less waste products, this brand could be the miracle you’ve been looking for. They could be offering something that makes you want to give up buying from anyone else. So, for those people, I’d recommend this brand and their products. But for anyone else just curious to have great makeup and create their own custom face and eye palettes with the thought of continuing to buy from all other brands and their new releases (like me), I’d say perhaps the best thing to do for the environment is to actually just skip this one.
I hope I’ve conveyed my thoughts on this tactfully and clearly. I really do wish current brands were so dedicated in helping out the environment and I wish this could be the end all be all for me when it comes to makeup, but it’s not for me. I hope I will continue to get some use out of these products, but chances are high that I’ll keep using my favorites. However, as my ongoing attempts at a low-buy suggests, I am trying harder to make fewer makeup purchases. And in a way, that’s me attempting to do my part the best way that I can.
R1 (left to right): Etched, Monarch, Estate, Noble. R2: Niello, Coat of Arms, Citron R3: Bronze Fountain, Wall of Ivy, Royal Plum, Estate, Hedge Maze, and Iron Gate
The long awaited expansion to Clionadh’s massive Stained Glass Eyeshadow Collection is here! 54 new shades were released on August 8th. This new batch of multichromes extends the current formulas already available, in addition to ones we haven’t seen before. Also, Ciel and Glaziers Mark were reformulated.
I would have loved to purchase more than the thirteen I selected, but considering the shipping cost and Route Package Protection fee, I couldn’t fit more in the budget. Clionadh has the permanent promo code CROSS FORMULA which saved me $10 off my order of 10+ Stained Glass Eyeshadow singles. All bundles are already discounted, and therefore exempt. Influencer codes also only apply to the brand’s standard eyeshadows.*
*Update 09/2022: Clionadh announced that some influencer codes were newly affiliated. At that point, I noticed that certain influencer codes did include the Stained Glass Collection in the discount. I’m not sure if that was intentional or not.
My goal for today’s post is to show the shades and swatches to the best of my ability. I tried to get this out at quickly as possible to help those who are still trying to decide before the favorites go out of stock. At some point in the future, I plan on doing a follow-up post featuring any additional shades I purchased, along with the closest shade comparisons to multichromes among Clionadh and from other brands, and examples of how I’ve worked each shadow into completed eye looks.
Unless specifically stating otherwise, the majority of these shades were applied on eyelids and arms with no primer and not applied damp. I used concealer in certain areas to counteract the discoloration around my eyes, but it was not used enough to qualify as a primer either. I also applied the multichromes with a combined technique utilizing my finger and a brush.
Shadow Close-Up Videos
Earth Vibrant Multichromes in Bronze Fountain, Wall of Ivy, Royal Plum, Estate, Hedge Maze, and Iron Gate
I purchased six of the eleven multichromes in this highly anticipated new formula from Clionadh. Having “neutrals with a twist” is ideal for me in my current makeup phase, so it makes sense that I was drawn to the Earth Vibrant Multichromes the most.
I find it quite interesting that these shades are super shifty (as seen in the pans), but because they aren’t drastically different on the color wheel, likeEstate’s yellow-gold to lime to greenish aqua, most of the shifts aren’t as obvious on the eyes and can pass for one solid color if there aren’t various sources and angles of light. The Earth Vibrant shadows remind me of the Pastel Multichrome formula in terms of the texture and smoothness of the shimmer, but these are shinier with more shifts.
Bronze Fountain is one of my favorites out of the entire bunch that I purchased! It’s the terracotta base that shows through underneath that makes this shade extra special to me, especially with the lighting in the house. The bronze tone with the lime and gold shift and even more subtle aqua shift is the ultimate middle ground between loving colorful eyeshadows and neutrals.
Whenever I come across a green-blue-purple multichrome, like Wall of Ivy, I can’t help but compare it in my mind to Verte, which is perhaps my single favorite eyeshadow from Clionadh. The main differences between the two are that Verte has a cool tan base versus Wall of Ivy’s warm brown one, in addition to the green in Verte being almost like a radioactive color. Wall of Ivy is still vibrant, but looks like the color mint. Because of how light the shimmer appears on my eyes, a shade like this will stand out more on my skin tone.
I can’t wait to try Royal Plum in a purple-smoky eye look! It has a fascinating grey-plum base, which gives it the overall gunmetal-esque look on my eyes, though I can still see the pink-purple going into aqua. This shade is one of the most unique multichromes in my whole makeup collection.
As I mentioned earlier, the “golden yellow-lime-aqua shifts” in Estate still mainly looks yellow or chartreuse. So even though it could pass for a “normal” eyeshadow to someone who isn’t staring intently at my eyes, how vibrant the yellow and lime elements can get depending on the light are still interesting aspects of this shade.
I knew Hedge Maze wasn’t going to have a dramatic shift, but because it has a grey base, I expected it to look smokier, like Royal Plum, and darker. In the end, it looks mainly like a medium-dark green with gold shimmer. Because that’s a very common type of color in my collection, I’m not as impressed with this shade. In addition, when I wear it outside, it looks quite similar to Wall of Ivy, but even less shifty.
I thought it was very strange how Iron Gate looked grey-olive-gold when worn indoors, until I looked at the pan photos I took and saw how in one split second in the light, it did turn that color. In other types of lighting, this shade is mostly gold-lime, and is like a toned down version of Estate. There are supposed to be peach and aqua shifts as well, and the base color is “grungy mauve” which likely accounts for how it managed to have that greyish tone I noticed while I wore Iron Gate inside the house. I’m still not sure how I feel about this shade, and I think I need to see how it pairs with other eye shadows in order to finalize my thoughts on it.
Bronze Fountain, Royal Plum, and Wall of Ivy are easily among my favorites and were absolutely worth the purchase for me.
Electric Multichrome Pigment in Niello
I surprised myself by choosing only one of the twelve shadows in this brand new formula. Several others interested me, including Mural which was the first of the new Stained Glass shadows to sell out on the website. However, there were so many swatches of Mural and other Electric Vibrant shades that I liked or disliked out of all the photos and videos I watched prior to the release day, that I wasn’t confident I would think anything other than Niello was worth buying.
However, now that I’ve seen Niello in action, I do wish I bought a few more of the Electrics I considered getting. Every shift is so pretty and even when it looks the most lime, which is perhaps the least interesting part for me out of the “dusty purple base with gold-lime-aqua shifts,” in a completed eye look, it’s the lime that turns super bright and electric, which helps make the look pop.
In the double eye look photo, I have just Niello alone on the lids in the first look. The second look was created using the Clionadh Tropico Highlighter on the inner corner. The rest were used with the Natasha Denona Metropolis Palette with Ripe on the lower lash line, Enigma on the outer third of the eye, a tiny bit of Royal in the center (which didn’t add much to the look and I skipped it in my version on Instagram), and Lethal on the inner third as well as blending out most of the crease.
Glitter Vibrant Multichromes in Empress and Noble
This formula combines the large glitter particle size of some of the shadows in the Glitter collection, as well as the bright base and “intense colour shifting reflects” of the Vibrants. I bought two of the five newly released shadows, but the shade Regal was introduced last year and shares the same formula. I don’t own that shade, so this is my first time experiencing this category of multichromes for myself.
This formula is the kind I will only apply damp or with the Nyx Glitter Primer (as demonstrated in the outdoor closed eye swatch picture). For the open and closed eye swatch worn indoors, I applied them to bare lids to show how this formula can be a bit flaky and messy without some sort of aid to keep it in place. Empress has “a pink-red base with pink-peach-gold-lime shifts,” which I can certainly see in the pan. It has a similar vibe to the shade Bronze Fountain, but with more emphasis on the pink, peach, and gold. The lime is subtler. I like this shade, but I still need to compare it to a lot of other shadows in my collection because I’m not sure how much more different this really is.
Based on the description of Noble as “a warm violet base with pink-peach-lime-aqua shifts,” it sounds like it’s meant to be the purple equivalent of Empress, but this color doesn’t shift as much. I knew that ahead of time, thanks to seeing swatches in advance on Clionadh’s Instagram, but I wanted it anyway. I figured pink-purple-aqua would still be a pretty combination, but the pink is so pale on me in certain lighting situations that it looks silvery. I really don’t like that aspect.
Glitter Multichrome in Etched
My current Glitter Multichrome collection after being whittled down. Etched is on the bottom right.
Quite a few shadows that I own in this formula ended up looking much different on my eyes than I expected. So, I ordered the shade I wanted most out of the eight new ones, and decided that if I still want others after I see how they look on more people, I can get them at that later date.
This shade is mainly blue, which rates low as an eye shadow color I like to wear, but because it has that beautiful pink-violet shift and it’s all with a purple base, I really wanted to get Etched anyway. It’s certainly pretty and even though I could have been fine without this shade and likely won’t use it regularly, I’m still happy to own it.
Vibrant Multichrome in Monarch
My Vibrant Multichromes with Monarch at the top.
Monarch was the only shade I wanted of the four new additions to the Vibrant Multichrome category. I am absolutely thrilled with it! It’s like a more orange toned version of what I wanted Bloodline to be on me. In fact, both Bloodline and Royalty have a silvery look to the shimmer on my eyes. I was so relieved to see that this did not happen with Monarch. The base color in this is red, but all that gold makes it look orange.
I can certainly see the gold shift and subtle bit of lime, but not the aqua described on the website. I don’t mind because the way it looks is gorgeous enough for me.
Deep Iridescent Multichrome in Citron
My Deep Iridescent Collection with Citron in the middle.
I only purchased one of the seven new DI Multichromes, but there are several more on my wishlist that I wanted and only stopped myself from getting them because the other shadows on my list seemed more color-shifting and unique. However, don’t be surprised if/when you see additional Deep Iridescent shadows in a future post!
All of the Deep Iridescents have a unique finish to them, as seen in the close-ups of the pan, and Citron is no different. Putting that shade on my eyes reminded me why it’s one of my favorite formulas from the Stained Glass Collection and I instantly regretted not taking the chance on getting more of them. I love how smoothly they apply and look on the eyes. Citron in certain situations looks quite unique because of that “cool taupe base with chartreuse-lime-aqua shifts,” but in the type of lighting I’m most commonly in, it reminds me yet again of Verte, which is part of this collection. More than just aqua, the shift in Citron looks borderline purple on me. Since, I love purples and greens anyway, I don’t mind. While it does remind me so much of Verte, the fact that Citron looks mainly chartreuse/lime when I’m outside keeps it distinctly different and justifiable to have both.
Hybrid Multichrome in Coat of Arms
My Hybrid Multichromes with Coat of Arms at the top.
This is one of the three new additions to the Hybrid category. I was interested in the others, but since the Hybrid formula is one of my least favorites in the Stained Glass Collection, I didn’t want to set myself up for disappointment and stuck to just one. Also, even though I say this is my least favorite formula, I clearly haven’t had the heart to declutter any of them, so that’s an indication of how much it’s a preference issue and not due to lack of quality.
Coat of Arms is certainly not as deep and rich on my eyes as I expected, but thankfully it’s still a very pretty color. I’m actually glad it’s not as dark as it looks in the pan because I was concerned it would be too similar to Tapestry or the Jewelled Multichrome Spire, but it turns out those other two lean much more on the blue side. It’s quite similar to how Shard looks on me, except that Shard has a warmer purple look to it, whereas Coat of Arms is deeper and the stronger blue shift gives it a cooler toned look to it. For a Hybrid Multichrome, I’m pleasantly surprised how much I like it. However, I feel quite certain I have shades like this in my collection, so I haven’t decided if getting this one was worth it.
Arm SwatchVideos and Photos
Sometimes it takes a long time to process in HD, so if for some reason it doesn’t load, here is the link to the unlisted YT short.
The only categories I did not purchase anything from were the Series 2 Iridescent Multichrome expansion and the newly released Pearlescent Multichromes.
As for the shadows I did purchase, I’m happy with my choices, though I still can’t help but want the few additional shades I had left on my wishlist. When I decide to look through my multichrome collection again to see if I have colors that are similar enough, perhaps I won’t feel that way. As I mentioned earlier in this post, I wanted to share the most important photos as soon as possible, but I also want to take my time enjoying this collection at a leisurely pace since I don’t think any other eyeshadows this year are going to top these. I want to have something new to look forward to trying out for weeks to come.
Thank you for reading and hopefully sharing in my excitement over these gorgeous multichromes! If you want to see my previous Clionadh reviews, I have links to them in this index post.
I shocked myself that I “only” bought three blushes and two eyeliners from the Solmane 2 Collection. The palette was quite beautiful, but not unique enough to add something different to my large eyeshadow collection. The highlighters are iridescent, sparkly, and pale, which isn’t flattering on me. However, I noticed that the shade Sienna Lustre in the shimmer blush formula seemed perfect for me to use as a highlighter. So, I feel like I’m still getting to experience a highlighter from Oden’s Eye that just happens to be in orange packaging instead of the purple ones. As for the eyeliners, I only added them to my cart so I could qualify for free shipping after using an influencer code to lower the price total. The brush came free and is one I already have and reviewed before, so I will not be reviewing that one here today.
Sunlight Love Blushers in W102 Peach Gleam, W103 Sienna Lustre, and B103 Orange Sunny
Other than the eyeshadows from Oden’s Eye, their blushes have always been my second favorite category of makeup from the brand. I’ve raved about the Alva blushers in the past and always wished they would expand the range, so I am very happy that they have, especially in this updated beautiful packaging.
Because the Alva Flower blushes are among my top favorite shimmer blush formulas, I’m happy to see that the Solmane II shimmer blushes are just as great. The Solmane II mattes are even better than their matte Alva Fruit blushes since they are softer and less powdery.
Peach Gleamshows more true to color with a white background.
The shimmer in this is ultra refined, to the point that it looks closer to a satin formula with a golden sheen. The larger size glitters on the right side of the pan don’t really stay on the face, which is something I’m grateful for as I love the sheen-like shimmer finish. It looks like a satin head on except where the light directly catches it, giving it such a beautiful gentle radiance rather than a harsh metallic reflect that some brands opt for in their shimmer blushes. Peach Gleam is what I wished Taj Mahal from Nars would be like on my cheeks!
I struggled trying to decide between Peach Gleam and Orange Sunny, which is how I ended up just choosing both. Their finishes aside, the main difference is that Peach Gleam is a red-leaning orange. Because it has that golden shimmer though, it works with both red-warm looks and golden looks. Orange Sunny is a yellow leaning orange and I only liked it when paired with gold, neutral eye, or other eye looks that compliment yellow. When I wore it with a red toned eye look, Orange Sunny didn’t look as pretty to me as Peach Gleam did. So those are some things to consider.
Sienna Lustreshows truer to the pan color with a white background.However, this blush on the skin is a medium tone peach, which looks more similar to the photo with the colorful background.
There are simply “shimmer” and “matte” categories for the Oden’s Eye blushes, but I can see a textural difference between Peach Gleam and Sienna Lustre, which are both considered shimmer blushes. Sienna Lustre clearly looks more shimmery in the pan and in swatches, but I can see and feel the extra slip it has to it more than Peach Gleam.
This is a close up of Peach Gleam (left) compared to Sienna Lustre (right).
Silver in highlighters rarely look flattering on me, but I am happy to see that Sienna Lustre just takes on a peachy golden look on my skin and all that visible silver sparkle doesn’t show on my cheeks. The silver is basically an overspray, but without impacting the color overall. Admittedly, whenever I use this blush/highlighter, I try to avoid picking up product from the right side of the pan, but I did thoroughly rub my finger on that right side for the swatches and it still didn’t look silvery on my arm.
Because this has visible shimmer particles, I prefer to use Sienna Lustre as a highlight. I also prefer using it on top of Orange Sunny instead of Peach Gleam, since I personally believe the peachy tone looks better as a highlighter over a yellow-orange blush than a red-orange one. It still doesn’t look that bad together, as seen in the face photo above.
One other thing I noticed is that although I have no longevity issues with Peach Gleam and Orange Sunny, Sienna Lustre starts to dull down and disappear from the skin as the day goes on. I still have most of it on by the end of the night, but sometimes I’ve noticed missing sections where I assume I must have touched my face at some point in the day.
Orange Sunnyshows true to the compact color with a white background.However, the photo on the left is still relevant in revealing the yellow-orange tone of this blush as opposed to the terracotta orange-brown I expected.
As I mentioned already, I believe the matte formula in the Solmane line is even better than the Alva blushes because it’s richer in pigmentation, softer, not as powdery, and blends better into the skin. I hope Oden’s Eye continues to expand on their blush line to include even more shades and darker ones as well. The ones I have are as deep as they go. In my photo wearing Orange Sunny, I could have applied a little more product, but it doesn’t get much deeper than what is already shown.
Although I think the matte formula from Oden’s Eye has improved, I am still the most impressed with Peach Gleam. The brand’s shimmer formula continues to rank among the best in my substantially large blush collection with Peach Gleam, Little Jasmine, and Sweet Tulip being the ones I use.
Gel Liner Pencils in 002 Orange and 012 Golden Brown
These pencils are creamy and a bit on the soft side. I accidentally broke off the tip of Golden Brown while trying to swatch it on my arm, and I wasn’t even being rough with it. It’s nice that they included a sharpener at the other end of the pencil. I discovered that as I accidentally tugged off the back.
I’ve tried both of them in my waterline and they don’t last. My eyes are just too watery. They last quite well as liner for my upper lash line, as well as an all over shadow for the lids.
Even though I added these to my cart solely for the free shipping minimum, I’m not upset at getting them. I feel like I would have been more impressed with these if I hadn’t just used the Amor y Mariposas gel liners from Melt Cosmetics, which have phenomenal staying power and remain intense, sparkly, and shiny. There is a huge gap between the retail price of Melt’s liners versus the ones from Oden’s Eye though. I can also say I like these more than the pencil liners I’ve purchased in the past from Colourpop.
That’s everything for this review! I didn’t have a ton to say because there wasn’t much to critique. I really like the products I bought from Oden’s Eye’s newest collection and I definitely recommend them.
I normally post reviews exclusively on Mondays, but this post is more of a show-and-tell. I consider it a bonus!
Clionadh Cosmetics Fruitlighter in Tropico
This highlighter, or fruitlighter as it is cutely called, is part of the collaboration Dragon Fruit Collection between Clionadh Cosmetics and Emily Violet Marie. Although I’m not following Emily on any social media, I have seen some of her videos discussing Clionadh products and I think it’s fantastic that the brand liked the concept she came up with long ago and decided to work with her. The entire collection is fun and summery, but I’m on a low-buy and a bit of a neutral phase, so I decided I would just get the two most unique items: the Fruitlighters. Unfortunately, the shade Pitaya sold out as I was checking out, but I still managed to get Tropico. I don’t think I can pull off duochrome and multichrome highlighters on my face, but I plan to use Tropico exclusively on my eyes.
I am very happy with this purchase and I know I will get some use out of it because I transferred it from the compact to my custom magnetic palette with my other Clionadh multichromes. When I was swatching Tropico, I observed the pan spin around and I figured out that it wasn’t glued in the compact, just stuck there via a magnetic bottom. So, I’m able to lift it out (gently with a thin object) and put it anywhere I want.
Tropico is in the palette on the bottom right.
In terms of longevity, I have no issues using Tropico on my eyes, nor the cheeks. It lasts all day wherever I put it. Clionadh highlighters in general are a bit glittery, which is why I prefer using them as eyeshadows, if it all. Part of why I was drawn to this shade, as can be seen in the swatch video, is that at a sharp angle you can get a partial rainbow colored shift of yellow, green, blue, and purple. I cannot recreate that effect indoors on my eyes, but it’s gorgeous all the same.
Clionadh Cosmetics Britt’s Birthday Trilogy Eyeshadow Trio Set
Leigh (aka Britt) and Maggie are the two Founders of Clionadh, and it was for Leigh’s birthday that this eyeshadow trio was created. I really wanted the green shade, and when I read that Nightmare was similar to Gum Tree (one of my favorite Clionadh shadows), I planned on purchasing the set whenever I had a bigger order to make. Somehow, I missed the part about Nightmare also having a similar vibe to BrittBritt, another shade that I also already own. So, the reason I haven’t swatched it with the others above is because I decided I won’t be keeping this shade.
The main differences between the three is that BrittBritt is a little more on the bronze and plummy side, Gum Tree is closer to a gunmetal dark-grey, and Nightmare is essentially just like Gum Tree but much darker in tone. So, I gave an example below of what Nightmare could potentially look like by combining the shadow Koala as a base, which is a dark grey-black, and putting Gum Tree on top. BrittBritt, Gum Tree, and Koala are all discontinued eyeshadows that were sold to contribute to various charities. If I did not already have all of those, I would have happily kept Nightmare. This Birthday Set is still limited edition, so it won’t be around forever!
It’s very important for me to not just keep makeup for the sake of keeping them. I really want to ensure I get more use out of my products, which is why I made the decision to just keep the Clionadh products I will actually use. I’ve barely made dents in my shadows despite how often I’ve used them because a little goes such a long way and I’ve calculated that even if I used a different shade every day, between the Stained Glass Collection and Clionadh’s standard shadows, I’d only be able to use them 5 times at most per year.
Below are the comparisons to the darkest greens and deepest reds in my collection with the new shades. One thing that really stands out with Mythology is that it has a lot more sparkle to it than the other greens. As for Bratty, it’s different enough from the others to want to keep, but between the reds and pinks I do have, it’s part of the reason I opted out of the Dragon Fruit palette. I do have a lot of those kinds of shades.
Per usual with Clionadh, these shadows remain opaque and pigmented on my eyes all day.
That’s everything! Thank you so much for reading! If you’d like to check out more of my Clionadh reviews and other indie brands, I have several of them categorized alphabetically here.
*DISCLAIMER: All products in this post were purchased by me with my own money.Non-highlighted links in bold blue font (Example) are non-affiliate links that will not generate commission. Links marked in bold black font with a light blue background (Example) are affiliate links. Affiliate links allow me to get a commission if purchases are made directly using my links.There are no affiliate links in this post.
I typically post once a week (Mondays) and if I ever have a bonus post it usually goes up on Thursday, however, posting on 2/22/22 at 2:22 EST was too poetic to skip.
This quick review is an update to my Devinah Cosmetics Collection. They have released plenty of new formulas of eyeshadows, but I held off on buying all the ones I wanted since I know Clionadh is expanding their Stained Glass Collection. I want to see what Clionadh releases first before snapping up some of the recent duochromes and multichromes that have launched from other indie brands.
The first of the three newest Devinah Shadows I bought is called Fairy Fire. It’s listed as a pressed pigment, but I’m not sure if it belongs to any particular collection of theirs. It looks yellow in the pan but on my eyes it’s this intense glowing green, or at certain angles it’s more of a blue or pink. There is nothing subtle about a shade like this! On camera, the pink and blue are easier to see. The intense green could only be captured when out of the direct light and partly dark.
The next two, Zombi and Seance, are from the Laveau Collection. There are four shadows in total in that collection, but Zombi and Seance looked the most duochromatic of the bunch. I am a little disappointed in Zombi because the base color is so dark that the deep aqua/green it’s supposed to have barely shows through and the cool deep purple just looks black on my eyes when used alone. I’m happier with Seance, although the blue and purple are prettier and pop more in person than in my photos.
One more thing to note is that I stopped using Glitter primer as often and lately I can’t be bothered to spray my brush before applying shimmers, but with these shadows you definitely want to use something to help them stick. There is so much fallout! Devinah has some shadows that are on the flakier and chunkier side, like the Xploders and Sugar Drops, that are obvious that they need something to keep them in place. I find these three new shadows (more specifically Zombi and Seance) to be much smoother than those, which led me to believe they didn’t need the extra help. I was wrong! Fallout gets worse throughout the day and with these particular colors it is extremely obvious that it’s not supposed to be all under the eyes and all over the cheeks. I looked crazy the two times I wore them and I will not use them again in the future without some kind of aid to keep the fallout to a minimum. I’ll leave the glitter under eyes look to Ed Sheeran.
Well, that’s it for the review! Short and sweet! Thank you for reading.
Today I’ll be reviewing the full trio of Deep palettes in the collection, as well as the single eyeshadow called Dear Reader. I will also swatch the best comparisons I have between the shades Temptalia chose to the other 103 Sydney Grace shadows I own, previously swatched here. I purchased this collection on launch day, so this is definitely not a first impression review.
Each palette consists of multiple types of finishes and textures: mattes, metallics, shimmers, duochromes, creamy shades, stiffer packed colors, grittier shadows, etc. Regardless of these differences, they are all highly pigmented shadows. Sydney Grace products always give great color payoff, but I find that these are even more intensely pigmented. Good eyeshadows will have staying power on the lid, but these looked practically the same from the start of the day to the end of the day. There’s no fading or dulling down of the shine.
There is a bit of a tradeoff though regarding the boost in pigment. The mattes give me saturated color right away, but it can look patchy initially if I don’t give a little extra blending time. It isn’t significantly more time, but it was enough to make me notice, particularly with the deeper shades like Interstellar, Sublime Reverie, Midnight Courage, and Umbra. Those blue-green mattes especially give me more kickup in the pan despite my efforts to be gentle and pick up a small amount at a time. With the shimmers, one may want to do the eyes first before the face because I get fallout during the application process, though there isn’t too much extra fallout throughout the day (at least not unless I happen to rub my eyes more than usual).
Quintessence has my favorite color story of the three and it’s the one I knew I absolutely had to get. Ironically, I had the most difficult time creating looks I liked that weren’t monochromatic, so I sought inspiration from Temptalia’s website. For swatches, eye looks, details of the shades, etc. there is no better resource than Christine herself, so I will link the blog here and recommend giving it a look if you need additional help and information.
The last two looks were the ones I attempted to recreate (but tweak the tiniest bit) from Temptalia.
A color guide to the swatches is that yellow font = Temptalia collection, orange = the Chase Your Dreams palette, blue = individually sold eyeshadow, and green = the Tiny Marvels palette.
This palette had a few similarities (pictured above), but Temptalia mentioned that the shade called The Greatest Gift is the one she specifically wanted to keep as is, but make it more intense and shimmery.
I initially wrote off the comparison of The Greatest Gift and The Mielke Way when I was seeking dupes because the silvery shimmer in The Mielke Way gives it a completely different look. I’m not the biggest fan of icy shades, so I prefer having just the gold shimmer with the raspberry base over the added metallic sparkle. This highlights an important aspect though, which is that there are other shades from Sydney Grace’s line that I decided not to post as similarities because the intensity of the shimmer in the Temptalia collection gave it a different effect. Or if the shadows shared the same base color, the shimmer additions were different enough justify having both in my collection. I also estimate I probably have less than half of the Sydney Grace singles (at least before many were discontinued) so there may be other shades that are close. However, I don’t think many have the exact undertone or as much sparkle. I believe Temptalia owns the full collection of Sydney Grace eyeshadows, so she probably made sure that hers were different enough as well.
On the Horizon Palette
The outer packaging for this palette was too beautiful to skip. I knew instantly (and I did end up doing it) that I was going to transfer all of the Quintessence shades into this packaging so I’d have my favorite color story in my favorite palette artwork. Between the three palettes, the On The Horizon color story was the one I didn’t like and felt like I could skip. So, imagine my surprise when I ended up loving every look I’ve created with this! It opened my eyes to new color combo possibilities.
These colors are a little more subdued, but Temptalia described the intention for these to be almost like neutrals with a twist. And because I mentioned these are not the kind of shades I typically go for, it makes sense that I was unable to find similarities in my collection. I did compare it to the Dear Reader shade that was part of the collection but sold as a single because her followers seemed to love it in the sneak peek of it, but Lunar Illumination was already chosen in its place as a better compliment to the other shades in the palette.
I actually put Dear Reader with the OTH shades and moved Lunar Illumination into my custom palette with the rest of my Sydney Grace collection. I prefer it too!
Radiant Reflection Palette
Radiant Reflection reminds me so much of the Coloured Raine Cheers to the Beauty Palette because both of them possessed shades I tend to like, but the tones weren’t as appealing as I imagined once I saw them in person. I love greens, but not quite like those in Radiant Reflection. I like golds and blue-purples, but not quite like the ones in this either. Then the other shades in the palette were similar to others shadows I already have many times over in my eyeshadow collection, and not just among Sydney Grace shades. So, I ended up selling this palette. I knew I wouldn’t reach for it again because that’s exactly what happened to my Cheers to the Beauty palette which I depotted and sold most of the shades from it. I don’t regret buying Radiant Reflection because I needed to be certain I didn’t want it, as odd as that sounds. The Our Starry Night shade was so unique, Dearest Constant deep version is my type of orange eyeshadow, and Forget-Her-Not had me curious to see it in person. Once that happened, I could put the curiosity to rest.
I do feel like this trio of palettes all have similar sort of shades, but I still couldn’t talk myself into getting Quintessence only. I fell into the trap of wanting to possess all my favorite shades from the Temptalia collection and envisioning how I could mix and match the palettes with my other Sydney Grace singles. Funny enough, I only swapped three shades: Mango Tea for Sirius Starlight (placeholder and not a solidified decision), Dear Reader for Lunar Illumination, and Adore Me for Infinite Echoes (Deep). That last swap actually makes the palette more similar to the light version of On the Horizon!
Speaking of the light version, I find it amusing that my gripe with most eyeshadow palettes is when they have a disproportionate amount of light shades and mid-tone neutrals. When I used these palettes exclusively, which is how I prefer to do the testing process, I found myself actually wishing for a light matte to blend out edges and a medium brown. Temptalia intentionally left out brow bone and transition shades because it’s unlikely that anyone purchasing her palettes would not already have plenty of those types of shadows in their collection. So, in a normal situation this wouldn’t really be a problem except for those who like to have every palette being a complete palette.
As much as I think I don’t want palettes that are very similar in color story, I found myself not wanting to make any major changes to them, or even wanting to switch these around. I’m very satisfied with Quintessence and On The Horizon. The minor inconveniences for using the palettes, such as fallout and spending a little more time on my eye makeup, are fine with me because I know I will be able to make very impactful looks with phenomenal longevity. $40 per palette is a fair price, but the fact that I was able to use a promo code on top of the bundle discount made this all very reasonably priced. These palettes were even eligible for Sydney Grace’s sale/discount offerings during their annual Christmas in July sale. While I don’t recommend getting all of them purely for the sake of having a complete collection, I think they’re great quality and do recommend picking the one(s) that really speak to you.
Thank you for reading! I hope it has been helpful!
*Disclaimer: When it comes to collabs or creations from influencers or other public figures, I always disclose any affiliations I may or may not have with them. In this situation, I have no personal or public ties to Temptalia, but I am a frequent peruser of her blog. I consider her an invaluable resource within the beauty community as her dupes and comparisons feature on her blog has impacted a lot of my purchasing decisions as well as her reviews, which mostly tend to align with my own opinions. I respect her as a blogger, but I don’t know much about her specifically.
Clionadh is my favorite brand when it comes to duochromes and multichromes. Actually, it might be my favorite beauty brand period. In one of my previous reviews, I combined Kiln and Bloodline to create a gorgeous new shade and wondered what other exciting combinations could be made. Today, I’m showing a few that I experimented with and really like! I’ll also swatch the new Charity Bundle for 2021, along with the latest additions to my single shadow collection.
Royalty comes off as an icy purple on me, so I wanted to add more of a purple (with a little blue) tinge to my look. I ended up with more blue than purple, but I still thought it was quite pretty.
Crown Jewel is such a vibrant blue that I consider it a statement or occasion shade. It’s not something I’d wear on a regular outing. Spire is the dramatic opposite. It’s striking, but very dark, and also a bit much for daytime usage. So, I wondered if I could lighten up Spire and add an extra shift. I love how this turned out! It’s still not an everyday kind of shade but it’s gorgeous! I see myself creating this combination again in the future.
Opulent doesn’t do much for me besides being used as a highlight shade, so I thought if I could add Smoulder, I could perhaps get something a little darker and more pink. I hoped it would look closer to Bloodline, but the color it turned into reminds me of Weld or the Sextraterrestrial shade from Pat Mcgrath’s Divine Rose II (which is supposed to be a dupe for Forge but I don’t own Forge to compare).
Essentially, the most dramatic changes happen when I pair a shadow with one of the Jewelled Multichromes from the Stained Glass Collection. I tried many other combinations, but one issue I found is that some of them looked dramatically different on my arm, but on my eye there wasn’t a significant enough difference or the resulting combination looked too similar to one of the shadows already used.
Clionadh announced a shade extension coming to the Stained Class Collection, so I would be curious to see if any of them look like one of the Mixed shades I created!*
*Note: I completed this post months ago but kept pushing back the publish date. Clionadh originally announced a shade extension in time for Black Friday, but they decided to focus on restocking their current inventory in time for the sale and then afterwards fully focusing on building up the inventory of the new shades to be released in 2022. Their sale is still ongoing until December 3rd.
Left swatches were taken with flash off. Right swatches were alsotaken indoors but with flash on.
The Perfect Neutrals Collection Bundle
Other than Shani, these are not the types of shades I reach for because they rarely look nice on me. Baby pinks (or in this case rose gold) like Linny tend to look white or silver on my lids, but what makes this different is the gold they have running through it. On Clionadh’s website, Linny looks gold with a hint of rosiness, but the gold blends with my skin and lets the pink really pop. I’m left with a pale pink that actually looks pink on me, which is an unexpected surprise! It’s the same thing with Chelle that it’s supposed to be mauve, but it turns into the only lilac I’ve ever liked!
Although I’ve begun to appreciate neutrals again, I’m not interested in actively purchasing a ton of neutral shadows because they all look the same on the eyes. The reason I decided to add this bundle to my collection is because Clionadh does neutrals in a way that’s unlike the others on the market. The more intense shimmer neutrals tend to be a reflective metallic finish from other brands, rather than having this level of sparkle. The actual shimmer from others tend to be the standard gold or silver, but for instance, BrittBritt has pink, red, and gold glitter. Cookie has a pink shimmer that doesn’t translate as well on my camera but is very noticeable in person. I consider these shades to be spiced up neutrals, which is that much closer to the style of eyeshadow I’m into lately.
The other incentive for purchasing this set is that it’s Clionadh’s second charity bundle. According to their website, “100% of the profits will be split and donated to…True North Aid and The Black Queer Youth Collective.”
The previous charity bundle was limited edition, as is this one. When the Perfect Neutrals were released, the shadows were only available as a bundle, but were eventually listed individually. Some shades are already sold out and I believe I read somewhere that there will be no more restocks for it.
I should also note that the sparkle level of the shimmer shades in the bundle is similar to, but not as intense as Clionadh’s most glittery shadow options. They aren’t as flaky in texture as those and they aren’t as pigmented either. I wouldn’t call them topper shades, but the intensity lies in the sparkle level and not as much in the base pigment. It’s enough to give opaque results, but it’s not 100% opaque on the first swipe. The sparkle level and nuances of the shadows are what make this collection special, but in terms of color payoff and formula, I don’t consider them to be unique. The Stained Glass collection is where the special formula can be found.
Circle Pan Eyeshadows
Every time I think I’m finished buying non-matte circle pan shadows, I end up getting more! Ironically, I had this post completely finished and then Clionadh had a surprise anniversary sale, so the bottom three are those new additions!
Clionadh brought back four shades from their discontinued Valentine’s Day set. I purchased one, Amour, thinking it would be a deep red-orange. I like it anyway, even though it’s not as deep when compared to the rich coppery red of Poinsettia. I have been very much into rusty red shades like this lately and thought I might have dupes in my collection. They look similar in their pans, but they are definitely not the same as can be seen in swatches.
I am also very happy I picked up Wormwood because it’s the type of maroon-brown shadow with blue reflects I used to love in my early makeup days but haven’t worn in ages!
The anniversary sale shades I purchased are Toadstool, Yukon, and Vortex.
Toadstool is described as, “A rusty red-based duochrome eyeshadow with a bright green reflect. This is technically a tri-chrome shadow that will also shift up to red.” I’ve wanted this shade for a long time but finally took the plunge. Yukon is another one I’ve wanted for a long time, but I thought it might be too similar to Rune, so I didn’t get it until now. The two shades are about the same depth, but Rune has more of a yellow-olive tone whereas Yukon is a light golden green. Vortex is like Wormwood’s cousin. It has a brown base rather than a maroon one and it has green and aqua shimmer.
Stained Glass Collection Update
Majesty is described as having, “an orange base that shifts gold-green-turquoise.” I wish more of that orange would peek through on my eyes like it does on my finger and arm swatches. The gold and green are certainly visible though. Out of the five Vibrant Multichromes I have, only Heirloom and Crown Jewel look the way I expect them to on my eyes.
Sand Blast is the most orange in color of the Jewelled Multichrome category. It’s a dark orange with a gold and lime green shift. It’s not too far off from Smoulder (magenta-orange-gold-lime) and Kiln (red-orange-gold), which is why I figured I would like those two shades more. However, I couldn’t escape the feeling of missing an orange shade like this, so it is finally here!
The other Stained Glass addition I purchased is the mini palette! It’s so cute! Even though I have zero plans to travel with my Clionadh shadows, I wanted to be able to keep my Charity shadows separate from the rest of the collection, so I put them in it. Below is a photo showing the size difference.
On Clionadh’s Instagram, I recall seeing a comment about the possibility of a Jumbo size palette in the future, so of course I’d be interested in that as well. Even though I have plenty of Coloured Raine’s gigantic 96 pan palettes, Clionadh’s shadows are so special to me that I want to keep them in special packaging as well. As it stands, my one mini and two standard size palettes are pretty much full.
This is what my collection looks like now. I downsized the Stained Glass side by five shadows: Blaze, Sunbeam, Ripple, Spotlight, and Glazed. It was not easy to let them go, but I wanted to only keep shades I could happily use on their own without needing to mix them.
I think I’m finally set on the circle pan shadows unless Clionadh brings back the mattes. Parchment, Nectar, and Raspberry Fudge from the Harvest bundle are still on my wishlist. Halo is the only one left on the list from the Stained Glass collection. If I purchase any of the extended shadows in the future, I’ll make room by placing the highlighters in my custom face palette.
The last thing I want to mention is that Clionadh’s labels have changed since August at the latest, but likely before that. They now list the shadow type and removed the brand name.
Thank you for reading and Happy Shopping this Cyber Monday!
I’ve mentioned in a few posts that I tend to make impulse purchases in the early morning hours, especially when something flares up. This time it was TMJ that kept me awake at 5 am when I decided to place this order. I was less than two weeks away from flying to Germany when I came across an Instagram post, the second one I’d seen, showing the absolutely stunning highlighters and bronzers from Hatice’s brand. I admittedly don’t know much about Hatice, as her videos are in German and even with German closed captioning, my translation abilities aren’t good enough to follow very much of what’s being said. She’s the beauty influencer behind the Becca Berlin Girl collab several years ago, but I know very little else about her. Still, her extremely inclusive range caught my attention and I thought to myself, “Why not order and have it there when you arrive? It will be two less items you have to carry with you!”
So I did. Shipping within Germany is free, whereas shipping to the US is $16 (before the PayPal conversion fee). I watched Hatice’s launch video to help decide which shades to pick and I felt confident about my choices until Angelica Nyqvist posted her video five hours after I ordered and I saw how much lighter Medium looked than I thought. I didn’t want to get the Deep shade because the tone of it isn’t my preference in highlighters. It looked similar to the Lucent Jungle shade from Nabla’s Skin Glazing line, which I decluttered this year, so I didn’t want to take that chance and there was no option in between Medium and Deep.
The products arrived in two days and my boyfriend was able to show me what they looked like from his camera. The official website has several beautiful photos of the product on models of varying skin tones, including arm swatches, but it’s still difficult to guess how it would actually appear in person when you’re not used to that brand’s lighting and editing. At the time of my purchase, there were no tan and darker YouTubers showcasing the products.
The highlighter comes in a white durable compact with a mirror inside. The bronzer comes in an identical compact but in black.
I ended up buying the Deep shade of Bronzer as well. This also took two business days to arrive.
The swatches on my arm were swiped twice, but gently each time with a finger. The swatches on the light arm were swiped once with a finger.
I find it fascinating that the Tan bronzer looks so warm on lighter skin tones, but on my skin it’s more of a neutral shade. When I was taking product photos, I could see that without flash, the bronzers looked much cooler toned in their pans than with flash on. I’ve included multiple photos throughout this post which demonstrates the differences I observed.
BRONZER in Tan and Deep
On the website, these are described as being silky, creamy, ultra blendable, and lightweight with a radiant finish. I could see in photos that the sheen on the product did indeed look like a combination of the Kosas The Sun Show Bronzer and the Nabla Skin Bronzing, which are my favorite bronzer finishes, so I had very high hopes. In Morbus Black’s video, she also compared the finish of Hatice’s bronzer to Nabla’s, though she made the point that Nabla’s bronzer is a little smaller for 22 euros versus 34 euros. For us in the US, we can usually get the Nabla Skin Glazing and Skin Bronzing products for 50% off during Ulta’s 21 Days of Beauty, so it’s an even larger price difference for similar quality.
Besides the price, the main differences between the two brands of bronzers is that the HSL is an even softer powder and is not hard pressed in the pan like Nabla’s, which means it’s much easier to use and layer. HSL’s Tan is a little lighter and not as warm as Nabla’s Profile shade, but Profile is the current darkest in Nabla’s range. HSL goes many steps forward with their shade Deep.
I bought a Korean sunscreen that came with what I thought was a mini version, but the mini did not contain SPF. I didn’t realize this when I took the mini on the trip with me, so I got darker as the trip went on. Tan became too subtle to bronze me enough to show much on camera, so I thought I would give Deep a try, even though it looked like it might be more of a contour for my skin tone. Deep looks like a delicious bar of dark chocolate and is indeed too dark for me to use in a normal application method. In my previous bronzer post, I mentioned that the Beauty Bakerie Brownie Bar contains the darkest bronzer/contour in my collection, but this Deep shade is even richer.
For the time being until my “tan” fades, I can apply a light layer of Deep with a small precise brush and go over it in a larger area with the Tan shade.
In the photos above, I chose to show a heavy application of Tan because it would not be seen on camera otherwise. I chose to use a light application of Deep to show it in the most wearable state on me and how I can make it work despite being too dark for me in a normal amount.
In terms of formula, all the product claims are correct. The powder is super soft, applies smoothly to the skin, has a nice sheen, and is easy to blend. It’s right up there with my top 5 favorite bronzers, though considering I have less expensive options, I can’t say it’s worth getting over the others. This is the second most expensive single bronzer I own, after the Charlotte Tilbury one. At this moment in time, I don’t mind having bought one because I will always associate this product with the memories of my trip. I will eventually declutter the Deep shade, but I’m definitely keeping Tan.
HIGHLIGHTER in Medium
Despite my resolve to no longer purchase highlighters, this one looked like it would give the glass-skin effect, which is my favorite type of highlighter shine. That’s why I lost the will to skip it. It’s described as being long-lasting and able to be worn as subtle or as intensely as someone wants. As quoted from the website, “The special formulation with the luminous finish of a liquid highlighter and the lightness of a powder sculpts, shapes and defines your skin.”
I do love this highlighter. It slightly edges above the Nabla Skin Glazing in Amnesia, which was my holy grail highlighter. I consider them both to be champagne shades, but Medium’s base color is a touch warmer than Amnesia, which makes it better suited to my skin tone. Medium’s shimmer particles are also slightly finer and more reflective. I don’t believe those minimal differences makes the Hatice highlighter hugely better than the one from Nabla, but since I have no other dupes for the Skin Glazing, I’m happy to have it. It was a better purchase than me getting two of the bronzers.
This is a beautiful formula and fans of Hatice Schmidt will likely be very happy with what they have, as well as those who enjoy luxury. The designs in the powder and sleek packaging exude a slightly edgy but high end feel to the products. The only aspect I question is the description as being changeable from subtle to intense. Unless I’m in a spot where the light will hit my face directly, it does not look as variable as that on my skin tone. Whether I use a lot or a little and dry or damp, I find it to be the same middle ground intensity because of the base blending so much in my skin (as if semi-transparent), which is one of the best features of the product. This helps make the highlighter look like a more natural glow, but without a lighter base color, the intensity is dependent on how much it reflects, which means it’s dependent on the lighting someone is in.
The damp brush makes it look a bit stark on my skin, so I prefer keeping it dry and recommend those who want more shine (regardless of the lighting) to layer the highlighter on top of a liquid illuminator. I love the way this highlighter looks on me when I apply a normal amount, so I’m happy with the formula as is and wouldn’t change a thing. On a rare occasion I like to be beaming, but otherwise the way it is now (subtle to nicely highlighted) is perfect for me. The shade looks a tiny bit icier now that I’ve gotten a “tan” but it will match better again when it fades.
The photos in the black shirt were taken during the trip. LED lights were far above with a small amount of outdoor light shining through a window onto my face. I am wearing the Tan bronzer built up heavily and the highlighter on the high points of my forehead, above the brow, in the brow arch, on the center of the eyelid, lightly on the nose, and on the tops of my cheekbones.
HSL has a few other products available, but the ones discussed today are the only products that grabbed my interest. This is a brand I will continue to be curious about, though I may not purchase anything else purely due to the price point. That isn’t to say it’s over-priced as there may be an upcharge due to custom formulas, being made in Italy, the packaging, the embossing in the powder, ingredients, etc. This quality is top notch, but at this point in my journey with makeup, I can always find something similar for a little less. However, I’m glad that I was able to support a company that chose to have an inclusive range.
I tend to post my newest purchases far in advance on my Instagram page, so if you’ve found me through there, you may have seen some of these already. However, the majority of these shadows I’m featuring today have not been posted on this blog until now. In addition to arm swatches, I’ve also tried to do eye swatches and some finger swatches as well. Certain multichromes and duochromes look different depending on the light, so the trickiest ones to capture have the most variety of photos. Lastly, unlike my in-depth Monday reviews, the intent of the Swatchfest is to just show how these look on me. I will of course still make mentions of things that I feel are important to note, and may be different from my past reviews of these brands.
Cosmic Blaze is one more pressed neon pigment I added to my collection. Purple Clouds is a duochrome. The rest of the shadows I purchased are part of the expanded range of Chameleon shadows.
In the comment section of my Hindash review, I offered to compare a few shades in this post today. It’s interesting to see the differences between all the blue-purples. JD Glow’s Anomaly does look a lot like Terra Moons’ Moon Tide depending on the angle and the light. The base color of Anomaly leans purple with blue/aqua shimmer. The base color of Moon Tide is like a navy and purple with very similar shimmer. Moon Tide just has additional colors of shimmers as well. One doesn’t really need both, though differences are more noticeable on the eyelids.
I said I wasn’t going to buy anymore JD Glow shadows, but I saw the words, “30% off sale,” and I couldn’t help myself. I always wanted the shade See Weed and even though the discount didn’t apply to this shadow, I still wanted it anyway. I’d like to say now I’m content with my JD Glow stash.
Anomaly is a Galaxy shadow. N-Sane is a Galaxy shadow I reviewed previously, but I wanted to show it again in comparison to Anomaly.
See Weed is a pressed multichrome. It also comes in a loose and liquid form too. Watermark is a Galaxy shadow.
Moscato is part of the shimmer formula. Plum is a Galaxy shadow.
At the time of me publishing this post, in one hour from now Devinah Cosmetics will be restocking most of their shadows and releasing their new Halo Moon Collection! I just wanted to let everyone know in case you’ve been waiting to get certain shades. I have a ton of duochromes and multichromes to go through, so I’m skipping the new launch for now.
Chromosphere and Australis are Aurorae Flares, the shadows most comparable to the Clionadh Cosmetics’ Jewelled Multichromes. I like the finish of Clionadh’s a tiny bit more, but the ones from Devinah are smoother in texture and easier to apply. I was tempted to get other shades but Australis is already supposed to be a dupe of Smoulder (which I have), Phenomenon to Weathered (also have), Magnetosphere is often compared to Rosette (another I have), Exosphere is like Trefoil (which I don’t feel I need), Hemisphere to Gargoyle (I also don’t need), Thermosphere and Spire (again, already have), Borealis to Castle, and Polaris to Oculus. Oculus and Crown Glass are similar enough, so I didn’t want a third similar shade. Chromosphere is similar to Clionadh’s Patina but apparently not an exact dupe. To see these similarities in action, I will link one of Millie’s videos a.k.a. badtothebrow a.k.a. the Queen of Multichromes.
Vela and Lynx are part of the Star Chasers Collection. On my skin, Vela does not look as yellow like the pan. Lynx looks how I expected Vela to look. It’s yellow with only a hint of warm orange that I hoped for. They’re still pretty but I would have skipped buying them if I knew.
Aquila is another Star Chaser. I was a lot more impressed with this shade. It reminds me of a more sparkly and more blue version of Verte from Clionadh. Fierce is a pressed pigment that may be discontinued as I can no longer find it on the website. It is the perfect copper-red-bronze shade I’ve been wanting!
Grinch and Patina are pressed mattes.
Meraki and Bambi are also pressed mattes.
Cryosphere is from the 66.5 N collection. Morgana is from Witchcraft vs Alchemy.
Ochre and BurntSienna are Deep Iridescent Multichromes.
Karat and Chocolate Orange are from the Ultra Metals collection.
Ray is from the Series 2 of Iridescent Multichromes.
Burnish is a Jewelled Multichrome.
Viseart had a spring sale, so I purchased directly from their website. It took nearly a month to arrive and one item was declared as sold out a week after I purchased it, so I’m not sure if they were overselling. It’s also a bit strange to me that they had everything available for purchase as single shadows, but after the sale they wiped everything. Muse Beauty Pro is once again the only place to buy Viseart singles as an authorized seller.
In addition to single shadows, I bought the Dark Edit Palette as a replacement for the shadows in my original Dark Mattes palette which were very old and not performing as well. I haven’t worn any of them on my eyes yet.
The last thing I bought was the BoxyCharm x Viseart version of the Neutral Matte palette because despite it not being my kind of color story, I could never shake my desire for this. It came in the old packaging (with the square edges). I had empty Viseart palettes I wasn’t using, so I transferred them into the nicer custom palette with the rounded edges. I cracked most of the shadows in the process, but I was able to save them as seen in the photo below!
Some of the browns look straight up grey, which I was not expecting. This isn’t a case of the shades getting mixed up together either. They just pull very cool and gray on me. I’ve started to appreciate greys a little more, but I don’t think I’ll get as much use out of this than I hoped. At least I can finally stop pining for it! Also, Viseart matte swatches look terrible, but I’ve tried these on the eyes and can confirm they blend far better than they look.
Anyway, those are all the swatches for today! The next post will be Monday as usual!