Victoria Beckham Beauty Brand Review

Not pictured above (but will still be reviewed) are two additional Satin Kajals, the Brightening Waterline Pencil, and the Orchid Palette.

I utilized the 20 and 25% off sales Victoria Beckham Beauty had during November and December last year to buy new (to me) products, along with additional shades of things I already love from the brand!
So, let’s get right to the reviews and updates!

The Cell Rejuvenating Illuminator in Golden

This product contains the Augustinus Bader proprietary TFC8® blend of skincare ingredients in the formulation. I bought the smaller 20ml size which retails for €88. A mini sizes of the Augustinus Bader face creams are 15ml for €93. So, I was curious how comparable these two products would be. Unfortunately, since Augustinus Bader doesn’t sell minis of The Light Cream (only The Cream and The Rich Cream), I can’t confirm if The Light Cream has the most similar consistency to the Victoria Beckham Beauty Illuminator. I can only say that AB’s The Cream is thicker, not as lightweight, and feels more moisturizing. I don’t consider it that heavy as a skincare product on bare faced days or to sleep in overnight, but I prefer to wear thinner layers of skincare when I plan to wear makeup.

Although I need a lot of hydration to combat my dry skin, putting heavy products or adding too many layers (that build up to a thick amount of skincare) clogs my pores easily and leads to other problems. So, I always prefer using the most lightweight yet effective hydrating and moisturizing products. At a bare minimum, I try to use a milky toner and sunscreen daily. Depending on which combination I use of those two products, adding a moisturizer on top is already overkill. With this Illuminator from VBB, I tend to be able to use my milky toners and my best absorbing sunscreens together without there being any problems. So, the VBB Illuminator is better at doubling as a moisturizer and primer, coupled with my other skincare products, than AB’s The Cream.

I’ve been using the Illuminator since January, but strictly as a primer under makeup. I haven’t noticed any long-term changes to my skin, but my face feels suppler and hydrated each time I put it on. It makes for a nice smooth canvas to put makeup on and the glow is subtle. It does turn my skin a little more golden-yellow in color, but it’s only strong enough to impact the shade of my foundation if I’m using one that has sheer to light coverage. This actually helped turn one of my Chanel foundations into a better shade match, but it has also made a bad match worse. So, it would be nice to have an option that’s clear or close to it. I have heard that the shade Pearlescent might not be the frosty white color I assumed it would be, so, I might consider trying that one in the future.

This isn’t the only glowy golden product out there. I also own a mini of the Milk Hydro Grip + Glow Primer.

Milk’s primer is thicker. It has less gold pigment, which means it doesn’t alter my foundations as easily. Milk’s glow comes from shimmer particles, whereas VBB’s shine is due to a combination of shimmer and the slightly emollient finish. VBB’s sinks into the skin and is better at hydrating than forming a slight barrier (like Milk’s). Other than hyaluronic acid, there isn’t that much else benefiting the skin in the Milk formula, but it does extend the wear of makeup because it has stronger gripping power. VBB’s is better for those that prioritize skincare because, for example, among the long list of skincare ingredients is four types of hyaluronic acid instead of just one.
There is a big price difference, but part of that is due to the ingredients used as well as the packaging. Milk’s is plastic. VBB’s is super luxurious and heavy with a magnetic closure for the cap. I’ve seen the cap stand askew when I’ve taken it out of my makeup bag, but the magnetic hold is strong enough that it never got knocked off entirely.

I can also think of the Charlotte Tilbury Hollywood Flawless Filter and Dior Forever Glow Star Filter Multi-Use Highlighter as additional products that can be used as glowy primers, but they don’t feel as nice on my skin when they cover my entire face, rather than being used in specific areas as liquid highlighters.

Although I haven’t been able to detect long term changes to my skin, I enjoy the nourishing feel of the Illuminator so much that I will seriously consider repurchasing it (on sale) after I’ve emptied my current container. Even though getting the full size is more cost effective in terms of price per milliliter, VBB is still a “clean” beauty brand. So, I don’t want to risk getting a larger size and not using it up within the 12 month period after opening time frame.
Also, if Augustinus Bader ever releases The Light Cream in a travel size, I could potentially prefer that instead for pricing reasons. I’ve gotten Augustinus Bader skincare for up to 30% off at various retailers, but the maximum discount I’ve been able to get from VBB has been 25% during the holidays. Then again, AB’s product might not be as suitable for me under makeup. So, I will consider these factors and make my decision by the end of 2026.

Satin Kajal Liner (with Sharpener) in Cocoa, Fig, and Olive

It’s very difficult to get me excited about a colorful eyeliner, so it says a lot that I own three of these. Of course, I have heard so many beauty gurus praising the Satin Kajals and even going so far as to say they’re the best on the market. Considering how many good and affordable eyeliners are out there, I rarely feel that high end and luxury eyeliners are worth the price. I still can’t answer that question of worth for others, but I will say these are my current favorite non-liquid and standard colored eyeliners. By “standard colors,” I mean eyeliners that aren’t duochromes or multichromes.

There are matte, shimmer, and jewel liner finishes. Cocoa and Fig are matte, but Olive has a shimmer finish. I did not purchase any jeweled ones because that’s the only type I’ve heard aren’t as well liked by other customers (because the jeweled ones are supposedly gritty feeling).

The consistency of these liners are super creamy in the first few uses, but afterwards they are a more controllable level of creaminess that allows one to glide the product over the skin without tugging and there is enough time to smudge it a bit and smooth it out before it sets down to its budge-resistant and waterproof finish. The evenness of the distribution of color and ease of creating the shaded effect are what puts these above many other eyeliners.

Also, I am mindful to keep the proper cap on each side of the pencil. I came across a video where a brand owner explained that the cap with the extra lining inside the plastic is meant to keep it airtight (I forgot the exact term that was used), whereas the cap that fits over the smudger side does not have this lining. The Kajal could dry out if the caps get swapped for an extended amount of time. Since I hadn’t paid attention to this kind of thing until this year, I wanted to share this reminder for anyone else who might not have known this. In the case of the VB Beauty kajals, the cap for the pencil side has a white inner ring and the smudger side is black.

Besides using these to line the eyes, they also make for great eyeshadow bases to used solo or to intensify the color of whatever powder eyeshadow gets used on top.

Cocoa is a beautiful shade of brown, but it’s too light to add definition/dimension to my lash line. I still use it sometimes as a transition color in deeper dramatic looks.

I love this shade of purple, but it can look patchy when smudged or blended out. It looks best when drawn on, like for eyeliner use, and not touched much afterwards. If I use it as a base color that will be covered up anyway, then patchiness isn’t a big deal.

My only complaint about Olive is that it’s not actually olive in color/tone. This is a blue-based green or deep teal-green. I’d expect this color to be called Peacock or something. It’s still a pretty color, but the name is misleading.

I do find these to be long-lasting and waterproof (yet easy enough to remove with micellar water and a makeup eraser cloth). However, because this formula gives some wiggle room in which to be able to smudge it before it fully sets down, I struggle to use these in my waterline. They drip away or get wiped away long before being able to lock down. So, I don’t bother trying to tightline with these. I’m fine with this being the situation because of how well they perform at other tasks.

These might be the best kajals in the world, but I will always love and prefer a black liquid eyeliner pen. I very seldom have the desire to use a colorful eyeliner, so I am perfectly content with having just a few of these. I still don’t think it’s totally necessary for a casual makeup wearer to spend so much on a Satin Kajal considering how many great eyeliners are available at more affordable prices. However, I can acknowledge these are extremely good.

Instant Brightening Waterline Pencil

Historically, this type of product has always been difficult for me to use because of my easy-to-become-watery eyes. I gave up buying them several years ago and the only reason I decided to get this one is because it’s made specifically for use in the waterline. The Satin Kajals have their own formula and don’t work for me in the waterline, but are amazing for many other purposes, so I thought this product being sold apart from them for this designated task could be the answer I’ve been looking for.

In terms of this “universal” color, I do think it’s a good one. It has the right undertone balance and isn’t too light/white. Unfortunately, my watery eyes do not allow this to work. My waterline is too wet and even if I get the color to stay there, it never fully sets. The tiniest touch hours later still makes it come off instantly. Also, my eyes look too strange if I have a light color on my lower lash line and nothing below it adding definition. So, I usually put a dark eyeliner between and below my lower eyelashes. In doing so, if my pencil isn’t sharp enough to avoid getting some in the brightened liner section, I have the hardest time fixing it. And then the darker color discrepancy looks messy and amateurish.

While I like the creaminess of the pencil for gliding it across the waterline, it taking too long to dry (if at all), makes this just as much of a struggle to create this kind of eye look as all the other liners in my past. The part that is nearest to my eyelashes (basically between my eyelashes) is what stays put and sets down as long as actual tear droplets haven’t fallen and wet the whole area. So, I know this can work. It’s just not that great on me.

Posh Gloss in Poolside and Aperitivo

The Posh Glosses adhere well to the lips, and both hydrate and form a moisturizing barrier. It can last through at least one meal and several drinks before needing to be reapplied. The brand claims (and pretty much all other brands too) that their gloss isn’t sticky, but it is a little. However, it’s a lot less than many other glosses I use. I don’t think it would cling so well to the lips and be as long lasting without having at least some tack to it.

This formula has totally different ingredients from the Pat Mcgrath Lust Glosses, but they remind me of each other in how plush they feel on my lips and how conditioning they are. If I had to nitpick at the tiny differences, I would say that PML’s has a thinner viscosity, more shine, and it has a scent. VBB’s is better at conditioning my lips and the oil content makes it slightly less sticky despite having a thicker overall texture. Less gloss comes out onto VBB’s applicator, so it’s easy to get an almost as thin layer from just applying one swipe on the lips and then rubbing them together.
When it comes to the pigment level, the Lust Glosses range from being equally pigmented, less, or more pigmented than the Posh Glosses.

What I look for most in a gloss is how well it helps combat dryness and how pretty the color looks. I prefer them to be unscented and they don’t need to be high-shine (just have some shine). I essentially view my favorites as liquid lip balms. With all this in mind, the Posh Glosses have surpassed Pat Mcgrath’s formula in my eyes, but I still reach for Pat’s for specific colors. PML has twice as many shade options.
I still easily recommend both products, and they are around the same price at €34 for 4.5ml for PML and €36 for 4ml for VBB. However, Pat Mcgrath usually has a holiday sale where the Lust Glosses are marked down by 50% (or $12), at least in the US. Whether the brand will continue to do that sale during the bankruptcy proceedings is unknown. As for the Posh Glosses, I believe 25% off is the biggest discount the brand offers.

There is no shortage of great glosses out there. I will happily continue to use Poolside (Aperitivo is a brighter pink than I expected), but I haven’t found a shade in the lineup that I’m over the moon about. So, I like this a lot, but it hasn’t breached the “favorites”category. I don’t regret buying one, but given the size of my lippie collection, it should have stayed at just one.

Posh Balm in Cannelle

In the top photo, the balm is on the left half and the right half is bare. In the bottom photo, the balm is spread across the lips entirely.

The lip balm feels great on the lips. I still consider it to be a little sticky, but it’s less so than the lip glosses. These aren’t as long lasting either though and the pigment level is much lower. As far as I know, the shades Colette, Fleur, and Cassis have the pH-adapting ingredients, but Glacé does not. One of the reviewers I watch said Cannelle doesn’t have it either, but Red 27 is listed as one of the ingredients for that shade and after having used this enough times, there is now a little bit of pink around the rim of the packaging. So, I think it’s safe to say this shade is pH-adaptive too. There just isn’t a lot in it.

The amount of shine I get from the balm is good, but the color can cling a bit to the cracks of peeling skin. I have to be careful to really work the product into my lips, a bit more than I’d expect from a low pigment product.

I prefer my lipgloss to be nourishing, but I absolutely expect a balm to have even more lip-caring ingredients. While this balm does satisfy me regarding hydration, the need for me to reapply it more often than the brand’s lip gloss is why I won’t be buying anymore. I cannot gain the benefits if the moisture layer comes off and I don’t notice it until many hours later. At least when most of the Posh Gloss has worn off from eating, I can still feel residue that continues to keep my lips protected. So, if I delay in reapplying, it isn’t as much of an issue.

I will say though that the Posh Balm is more nourishing than a lot of high-end and luxury balms I have used in the past. I have not tried the reformulated Nars Afterglow Lip Balms, but I loved the previous Laguna shade (similar to Cannelle), and yet I rarely wore it because it wasn’t hydrating enough. In fact, I end up not liking the majority of lip balms in stick form, so I still give the brand kudos for the Posh Balm. One product that I like more is the Lisa Eldridge Baume Embrace simply because of the similar amount of nourishment and the extra pigment. Although I have to reapply the Baume Embrace more often, that’s the tradeoff for have significantly less stickiness.
I’m glad I bought one of these, but I don’t need anymore.

The Concealer Pen with TFC8® in MD1. 5

I would ordinarily never spend €56 (the sale price) on a concealer, especially taking into account the minuscule 2.4 ml (0.08 fl oz) of product and how much of it is wasted due to the click delivery system (and what gets stuck in the applicator’s bristles), but I had many reasons to think this would be worth it:

  1. The Augustinus Bader TFC8 blend is in this product. I rarely use eye creams, so this seemed like an easy way to finally get good skincare into this area while also being able to camouflage my dark under eye circles.
  2. Although the brand’s foundation is out of my price range, I still wanted to have a better idea of what my shade could be among the VBB complexion products. This knowledge could benefit me if the brand ever decides to release another foundation or concealer in the future.
  3. I was impressed by this concealer’s performance when I tried it out via the foil sample pack. This provided a lot more coverage than I expected and although I could only test it for six hours, it didn’t budge in that time frame. So, I figured that even if the full wear time didn’t end up going far past six hours, I could at least use this like a daytime eye cream on no-makeup days or potentially even like an under-eye primer if it played nice with other concealers.

Unfortunately, the consistency of the samples are not the same as what customers get from the actual product. The sample is thicker and less fluid. I can only assume that’s due to being old and/or it managed to gradually dry over time within the foil. That sounds like it would be a bad thing, but the sample adhered to my skin way better! How the sampler looked right after being opened can be seen HERE, but also the photo below shows the difference in viscosity and even how it looks over the lines of skin vs the concealer pen. This isn’t a one-time incident either. The photos I took below were from a second sample pack that I got from my most recent order.

It makes sense that the concealer needs to be very fluid, given the type of dispenser the brand chose. The reason this matters is because products this creamy and emollient do not stick around on me. I had a similar problem with the Chanel Ultra Le Teint Correcteur Concealer. No matter what methods I use, I cannot prevent it from being absorbed by my skin and/or fading. It starts early and just continues gradually disappearing within 2-6 hours depending on how unlucky I am.

When I put the sample and actual product side-by-side, as shown in the photo below, I can see that the right half looks more emollient and continues to look wetter after being set with powder. Also, the act of patting in powder with a brush manages to lift some of the concealer back off.

It doesn’t help that when my eyes get watery, any falling droplets makes it disappear too.

I used a lot of product under my eyes while taking these blog photos, but that is not the cause of the problems. When I use less product under my eyes, it just disappears faster. I’ve tried different powders with it, my MILK under eye primer, leaving the product to sit for a while before setting it, etc. Not only does it not fade gracefully, it also creases. So, even if I wanted to just use it as an eye cream, it looks terrible after 3-4 hours. Mixing it with other concealers or using a tiny amount underneath them doesn’t help either because the VBB concealer breaks the others down. So, this product was an absolute fail for me. It’s incredibly disappointing to buy a product, expecting it to work as wonderfully as the sample, but then it doesn’t.

I decided to post swatches of how MD1.5 compares to the others, since my shade isn’t available in the free sample pack. Although DK1 is neutral, I think it actually might have been the better choice for me than MD1.5, but it doesn’t matter at the end of the day if the fading issue can’t be resolved.

The thought has crossed my mind to try and transfer the concealer from the pen into a tiny jar (in the hopes it can dry and solidify a little without drying out completely). However, doing that could lessen the efficacy of the skincare ingredients.

Matte Bronzing Brick in 4 (Warm: Amber / Contour: Sunset)

I bought my first Bronzing Brick three years ago and posted a review showcasing Shade 5. Since the moment I first tried this product, it has always ranked among my top 5 favorite bronzers, but I didn’t use it as often because I always needed to mix the two shades. The right half had too strong of a red undertone for my preference, so I would combine it with the left half to try and balance out the color and tone down how dark it was.

I finally decided to give Shade 4 a try, and I’m so glad I did! The darker half has more of a golden-orange undertone that I can use by itself. I still use the lighter half of the pan to either diffuse the edges or lighten the overall color. Essentially, the main difference between the two Bronzing Brick colors is that Shade 4 makes it way easier for me to create a natural flush of warmth without overapplying. Purely because of that ease, I stopped using Shade 5.

These are examples of the darker bronzers in the duo used by themselves.

These are examples of how the bronzers look on me utilizing both halves of the Bronzing Brick in the proportions that I like (and not equal amounts of each shade in the duo).

In case anyone has read my old review, I want to clarify that although I was concerned that my powder might be getting hard pan, it never fully did. The look on the surface seems to really have been caused by the oil based products I was using at the time. I took the photo of Shade 4 when it was untouched, but I can attest to mine still looking normal after at least fifteen uses.

The reason I love this bronzer so much is because it’s incredibly finely milled, super blendable, and gives such a natural look to the skin. It’s matte, but doesn’t look flat. I also like the ability to tweak the color. I can pick up product easily, even with my most delicate natural hair brushes, and it doesn’t have powder kicking up everywhere. This is an expensive product, but I can see how much finer it is than the majority of my powder bronzers. Whether that small difference is worth the increased price is up to the individual consumer. As a bronzer lover, I definitely would not want to be without this.

Lid Lustre in Tea Rose and Starlight

I reviewed the shade Velvet before in my Cocoa Eye Wardrobe post I keep linking, so the other two Lid Lustres are the newest additions to my collection.
I rarely buy single eyeshadows, but most of the Lid Lustres are known for their incredible shine and sparkle. I watched many swatch videos and decided that Tea Rose and Starlight were the only remaining shades I wanted.

Tea Rose is supposed to be “infused with Quartz” and “Citrine Extract” is in Starlight. These two might not look as impressive on my eyes when used solo, especially since my camera doesn’t do them justice, but I am rarely disappointed when I use them to amp up the shimmer effect in my eyeshadow looks.
I must admit that these two shades don’t stand out as much on my eyes as Velvet does, but I still like them.

I’ve found that this formula works best when applied with a finger. It has good adherence and very little fallout. It doesn’t fade and it looks smoother if I apply it with a damp brush, but wetting it doesn’t increase the overall shimmer impact.
I don’t get creasing or fading when I use the Lisa Eldridge Liquid Silk Liquid Eyeshadow underneath because it’s a good barrier to prevent the oils from my eyelids from breaking down the eyeshadow. If I use a Lid Lustre on my bare oily eyelids, there will be creasing before it begins to break down fully. So, please be aware that if you have oily lids too, a good primer is likely necessary. I updated my original review with this clarification.

Because I have so much makeup, it’s not unusual for me to eventually stop reaching for a product after I’ve completed the review in favor of starting to use something new. When it comes to these Lid Lustres, I can’t say that they’ve been used often since last October, but the amount is certainly more than I expected!

21:50 Rêverie Eau de Parfum (Sample Size), Suite 302 (Sample Size), and San Ysidro Drive (Sample Size)

The fragrance category is the most subjective category within the realm of beauty, which is why I rarely talk about the perfumes I’ve purchased or sampled. However, it felt like a wasted opportunity to forgo talking about these altogether considering I have 3 of the 4 scents and even the travel sizes are expensive to blind-buy. Perhaps my opinions as a perfume dabbler could still be helpful.

21:50 Rêverie Eau de Parfum – “Tobacco leaves, plum, vanilla pods and Tonka beans blending with the cedarwood.”

The initial impression I get when I spray this is that it’s a sweet fragrance with some amber. After it dries down on my skin, vanilla is definitely the most prominent smell. I like that 21:50 Rêverie features a creamier type of vanilla scent as opposed to sugary.

After about an hour in, the tobacco leaves and cedar come through. This combination of creamy, smoky, and slight woody scent is how it continues to smell for the rest of the day. It projects within a small area in the beginning, but after 2-3 hours it becomes a personal scent. I have to clarify though that I only spray 1-2 spritzes of a perfume on myself, at most, since everyone I interact with in my daily life are incredibly sensitive to fragrances. The majority of perfumes I buy are basically skinscents on me (perfumes are more prone to fading/dulling down on dry skin), which is why I tend to spray my clothes instead. Doing so takes skin chemistry out of the equation. If I just spray my clothes, I can smell this perfume for longer than many others I own.

I must admit that I cannot smell the plum at all, which is disappointing since I love the smell of plums. If I was able to detect it, that would probably be the push I’d need to buy a travel size of this because this is my favorite scent out of the three from VBB that I’ve tried. This is a very nice fragrance, but I don’t love it enough to be willing to spend so much on it, especially since I have to be so careful and so selective about how and when I am able to wear perfumes out of consideration to those around me.

Suite 302 Eau de Parfum– “Black cherry and red peppercorn; rose centifolia, midnight violet, and narcotic musk; plush velvets saturated with papyrus, black leather and masculine tobacco leaf.”

Tom Ford’s Lost Cherry and Kayali’s Lovefest Burning Cherry are some of my favorite perfumes. I love a good cherry fragrance, so I expected to like Suite 302 as much as 21:50 Rêverie or potentially even more.

When this fragrance first hits the air, I can detect the sweet cherry smell, but there is a smoky spice element that overtakes it once it settles onto my skin. To me, it smells like incense.
Thankfully, this scent grows sweeter within the first hour. I can smell more of the cherries. However, after that first hour I smell florals and sweetness mixed with a peppery-spice smell, and that’s basically how it stays for the rest of the day. I don’t consider this a true cherry perfume because of how quickly that specific note just registers as sweet rather than fruity. If I check how I smell midday, I could easily forget there was supposed to be cherries at all. This scent profile overall is interesting, but I don’t like it enough to be willing to spend that amount of money on it.

The projection and longevity of this one is on par with 21:50 Rêverie.

San Ysidro Drive Eau de Parfum – “Passion fruit and pink peony; ocean air infused with rich rose absolute, saffron flower and agarwood; black amber and vanilla”

In the opening, I cannot distinguish what kind of florals are used. There is a sweetness, but it doesn’t register as passion fruit to me. The overall scent of this is bright and uplifting, though not my style as a gourmand lover. I wasn’t very interested in this scent, but I chose it specifically to review since I didn’t want the other free samples, and I have backups of the other two fragrances already.

Fairly early into the wear time, I can smell the saffron and more of the salts and wood. The dominating smell is still “sweet floral” up to that first hour. After that, I can isolate the rose smell and finally the vanilla. Eventually, I can tell there’s amber as well, but that’s as far as it goes. Once the top notes have faded, what is left behind is more my speed, but it’s also a much less unique type of smell.

I also have to admit that I don’t have many fragrances with oud, and the ones I do own are blended with so many other things that I can’t say for sure that I know how oud smells on its own. According to Google, it can be so many things: woody, earthy, animalic/musky, smoky, resinous, and “depending on the origin (e.g., Thailand, Cambodia), it can range from fruity and floral to medicinal, spicy, or leathery.”
So, basically it’s a broad category that can account for practically everything!
San Ysidro Drive had a tiny bit of an incense smell as well, though weaker than Suite 302, so I’m going to guess that that was due in part to the oud.

I don’t know if it’s just my sample, but I think it’s interesting that this projects the most of the three, but its scent is the quickest to fade (after about six hours). Without being able to smell any passion fruit, I’m not a fan of this in the beginning, but I like how it wears as the day goes on. That being said, it’s my least favorite of the three samples and I unsurprisingly don’t have any interest in buying it.

I know Portofino ’97 is popular with a lot of people, but the notes are so far away from the kind I like. It even has patchouli, which I hate 95% of the time. So, I don’t intend to ever try it.
I’m very glad that the brand offers these samples to customers though, and there is a discovery set with all four in case someone does not want to wait to get the complimentary samples one order at a time.

Additional Updates

Eye Wardrobes

Since I posted a First Impression of the Orchid Palette, I wanted update that the quality in this one is on par with Victoria and Cocoa. The mattes are soft to the touch and create low or medium kickup depending on the brushes used. The light purple shade (Shade 2) tends to lean quite pink on my skin tone, but it still looks enough of an orchid-purple color to satisfy me. The deeper purple (Shade 3) doesn’t swatch very well and looks patchy, but that quality is what gives the hazy smokey effect on my eyes that I like. Having a deep shade like this is easier to control. The mattes blend well into each other and although Shade 2 can appear as if it has a bit less pigment than the amount in all the other quads, I think it’s just a matter of this type of color not popping as much on my skintone.
The satin eyeshadow (Shade 1) can be used as a highlighter on my face. I like putting it in the inner corner since it’s much smoother than the shimmer eyeshadow (Shade 4), which is practically a Lid Lustre in pressed form. I don’t get creasing from the shimmer (but I always use an eyeshadow primer or eyeshadow base) and the shine doesn’t fade. It grips to my eyelids well enough that I don’t feel the need for a specific glitter primer or to spray my brush.

I’ve had no issues with longevity, but my eyeshadow looks are so much more impressive when I incorporate the Fig Satin Kajal into the eyeshadow looks. For example, I love how much more purple Shade 2 looks if I apply it on top of Fig. I get so much more depth from Shade 3 as well. The best part though is that my eyeshadow looks practically newly applied by the end of the night when I use the Kajal as my base. I did a side-by-side wear test and could see that without the Kajal, the eyeshadows still looked great, just not as fresh looking. The pictures I take at night aren’t the best representation (due to lighting issues), but I’ll post an example anyway.

Vast Lash

I’ve talked about this mascara in the Cocoa Eye Wardrobe review. Sometimes a mascara gets better over time, but the sample I own did not. An example of how this mascara looks on me is in the Eye Brighter section of this post. I don’t think it looks good on me and my eye lashes are at its best and longest right now because I’m still using the Sweed Eyelash Growth Serum. So, I can officially confirm this mascara isn’t for me. I can’t help but still be curious about the Future Lash mascara, but the brand doesn’t offer samples of it at this time.

Cheeky Posh

I first bought Miniskirt four years ago and it eventually started to smell like crayons, which indicated that it needed to be replaced. Even though I loved the color, which was so similar to Fenty’s Rose Latte, I hardly used it because I had such an issue with the color blending away and transferring. Still, because the Victoria Beckham Beauty brand had quickly risen to be among my top five favorite brands, I wanted to have a usable blush again. So, I decided to repurchase it.
Miniskirt continues to be my favorite shade within the range, so I thought it would be best to stick with that color.

I don’t know if the change in climate or the fact that I’m using different skincare and makeup can explain why I no longer have the same problems as before, but I’m very happy about it! The Cheeky Posh blush is a bit firm, but I am still able to draw a line or stamp the product along my cheeks and blend it out with my brush of choice without it disturbing the foundation under it. The warmth of my skin helps the blush to spread a little more as I work my Rephr LC02 brush into my cheek. Sometimes, out of habit, I still warm it up on my hand before applying it with the brush.

I can’t speak for all the shades, but Miniskirt imparts a good amount of pigment. It still sheers out a bit the more it gets worked into the skin, so I don’t have to worry about applying too much.

This product looks the tiniest bit dewy, but it’s not very emollient or sticky. At most, if I touch my face it just feels like residue left behind from a moisturizer. Setting it with powder eliminates that feeling entirely, but at the cost of turning it completely matte.

Even if I don’t set this with powder, I no longer have the issue of it transferring. If I press a napkin to my cheeks, I can only see the faintest hint of color. That does not mean that this product is long-wearing though. If I don’t use a primer, powder, or some other means to increase the longevity of makeup, this blush significantly fades from my cheeks within six hours. With helper type of products, I can get at least eight hours of wear before the fading starts to be noticeable. Twelve hours in, I can still see a light flush of color on my cheeks. I don’t know how much longer it lasts before disappearing because 8-12 hours is my typical wear test limits.

I honestly don’t know how much use I’ll get out of this because I use powder blushes at least 80% of the time. However, I’m still happy to have a fresh one.

Also, for anyone wondering about the scarf I tied around my hair in some of the photos, it’s the Victoria Beckham Beauty ’97 Portofino Scarf that was a limited edition free gift with purchase item.

I also want to acknowledge that in the time since the Orchid Eye Wardrobe launch, the brand has released a new shade of Posh Lip lipstick and two Colour Wash Bronze Water Tints. I do not intend to buy either products because I’m on a lipstick low-buy and liquid cheek products are not my thing. Plus, the Bronze Tints aren’t likely to work on anyone darker than tan. Whenever I am unsure if a product will show up on me, I try to wait and see if EnamoredBeauty on Instagram will review it (since we have similar taste in makeup), and it was pretty much invisible on her. I also watched reviews of ladies with light to medium skintones being able to pull off wearing both Water Tint shades. The decision to launch only these two colors in similar depths is…interesting.

I’m glad I didn’t have my heart set on trying that product anyway. It also means that this brand review is complete with me having reviewed everything I wanted by the brand. Anything else I buy from VBB in the future should be new products and/or shade extensions to things I love.

Important Note About the Referral Program

Victoria Beckham Beauty has a referral program, which they send reminders about to customers via email. There are very few brands I like enough to want to spread the word about, but because VBB had become one of my favorites, I figured there was no harm in talking about it.
Looking back, I could have thought harder about the fact that although I see everyone I talk to in the comment section here on my blog as friends, as well as those I chat with via social media, they are probably not who the brand meant when they ask customers to “refer a friend.” In hindsight, they most likely meant people I know personally, even though I am extremely close with several online friends across the world that I have never met.
Still, I had the sense to check the fine print details in the email, the Referral Program terms and conditions, as well as the V-Suite Loyalty Program terms and conditions. As of February 2026, there was nothing in there prohibiting customers from sharing their referral codes publicly. There was no warning stating that it’s possible for a referral code to be able to be misused and that if someone misused it, it would endanger the standing between the brand and referrer.
Based on everything I read, there was zero reason to suspect that sharing the link with my friends and strangers via my blog would bring anything but a positive outcome. Posting on my blog would bring more business to the brand than sharing with my in-person friends who don’t buy luxury makeup.

What happened to me is that I shared my referral link/code in one of my Victoria Beckham Beauty reviews. Someone used it and everything was fine. Then, in another Victoria Beckham Beauty post, I wrote a thank you message hoping the person who used my link would be able to see it and I posted my link again. Other strangers used it and that’s when my account got blocked with no warning whatsoever.

I noticed that my year-to-date spending had been reset to zero and I had been knocked back to Tier 1, which is actually the reason I reached out to customer service. It was then that I was informed that whoever else used my referral link, “are using drop-shipping addresses to place their orders which is explicitly prohibited by the terms and conditions.” Therefore, I was kicked out of the referral program, loyalty program, and would not receive any other benefits.

I had to look up what drop-shipping is, and if you use ctrl+f to search for the word “drop” it does not come up at all in the terms and conditions. Accounts with fraudulent activity can be terminated or suspended at VBB’s discretion, which is perfectly understandable. The part that they don’t state is that by posting a referral link for the general public, any fraud that a stranger commits with that link (which a referrer has no control over), will result in them flagging the referrer’s account as participating in fraud as well. Since I don’t normally participate in referral programs, I didn’t know that it was possible for fraud to be committed through a link, and as I mentioned before, there is no warning written about that being possible in the terms and conditions. So, when a customer gets an email asking them to talk about the brand with their friends and encourage them to check out the products, doing so leaves that customer vulnerable to their own account being permanently blocked. Had I known this was possible, I would never have shared it with anyone! Not even my own family!
Another aspect that confuses me is the line in the TOC stating, “Referral benefits are subject to the referral program terms, which are separate from these Terms.” So, I would have accepted getting removed from the referral program, but to have my entire account blocked for something out of my control and not clearly stated anywhere on the website or emails felt unjust.

One other aspect that I keep wondering about is the fact that Influencers/Affiliates talk about a brand and post links and codes publicly. Out of the hundreds and thousands of people who use their codes, there’s no way that none of them are misused (for example if one of the customers continually buys products, uses them, and then returns them). Yet, not a single company would ever hold an Influencer or Affiliate accountable for what a stranger does. So an Influencer who gets paid by a brand is protected from something like this, but a customer who gets a 20% off discount to give more money to a brand is considered undeserving of the same protection.

Feeling quite defeated about the whole situation, I immediately deleted the referral links from my blog. I replied to the email and figured it was 50/50 whether my account would be reinstated or not. Two days later, I got the news that my Uncle (who was also my godfather) had passed away, so I honestly didn’t have any fight in me to post about the situation on social media or do anything further to contest what happened.
I have no issues accepting repercussions if I break terms and conditions, but what I did (posting my link on my public blog) was not listed as a prohibited action. Warning that what someone does with your link can jeopardize your own personal account was not listed either.

Another line in the terms and conditions states, “Any disputes related to the Program should be directed to Victoria Beckham Beauty’s customer service team. We aim to resolve disputes fairly and amicably.”
I can say that this seems to hold true. A few weeks later, VBB wrote back that they reviewed my case and so my account was reinstated. One of the points I had expressed was the fact that the terms and conditions should be updated so that all customers now and in the future will understand what they’re getting themselves into by giving their referral links to anyone, and so they can be aware of the possible repercussions that doing so could bring (not just the positives). I am grateful that the representative on my case accepted and even thanked me for the feedback. The response back to me was very kind and understanding.
This issue was able to be resolved, but it does not change the fact that I feel it is my responsibility to warn readers about the negative side and risks that are possible by sharing your customer referral links with others. I had made a post encouraging people to refer the brand too and thanking the ones who used my VBB link. So, of course I feel a strong obligation to talk about it here in the hopes that this doesn’t happen to anyone else.

This whole thing has not changed how I view Victoria Beckham Beauty products. Other than the Brightening Pencil and Concealer Pen that simply don’t work for me, everything else is a hit. The bronzers and eyeshadows rank in my Top 5 within both of those categories. The Posh Glosses and Satin Kajals are among my favorites as well. The brand got me to spend €66 on a primer, which I am even considering repurchasing in the future. I love many of these products, and based on that I still consider VBB one of my few favorite brands. However, I still have some lingering negative feelings over the whole ordeal. I was so happy initially when my referral link was used, and then what happened afterwards was like getting kicked down several pegs. As if I should know my place as a customer and not try to share things publicly as if I’m an influencer. The benefits of a loyal customer who is in the highest tier of their reward program isn’t anywhere near as important as an influencer with clout. That’s how it felt to me.

My account getting reinstated helped to repair some of the damage, at least enough that I made another purchase since then, but I honestly still have some lingering negative feelings. Regardless, my reviews of VBB products will continue to be unbiased. There’s no denying that they are high quality products with some of my favorite luxury packaging. I don’t expect those aspects to be any different in the future and I hope to only have good things to say about the brand going forward.

Thank you for reading, and I sincerely hope this has been helpful.

-Lili

Chanel Holiday Packaging Plus Concealers, Powders, Blush, and Lip Serum Reviews

This is Part 1 of my deep dive into some of the latest Chanel makeup releases from their permanent lines. Part 2 will be dedicated to Chanel’s foundations.

For the holidays, but starting in October 2025, Chanel gave customers the option of choosing special holiday gift packaging instead of their classic white with black-trim bags and boxes. The options were a smaller white bag, a larger deep blue bag, and then I’m not sure how many box varieties there were. The ribbons were dark blue with some glitter specks and the pattern design had a mix of gold, silver, and blue coloring. They were absolutely stunning!

When opting for the holiday packaging, customers could only choose whether they would get the large gold camellia flower charm with a smaller silver comet/star or the large gold comet with the smaller silver camellia. Over the course of the winter season, I ended up getting both.

If you’re already familiar with me (and this blog), you know I love scoring a great deal. I’ve discussed how in Germany, there are several legitimate online retailers that sell newly launched Chanel makeup at a discount from 15-30%. So, for those wondering why I ended up ordering directly from Chanel’s website, it is because I wanted my better shade match in their foundations and unfortunately here my shade is exclusive to Chanel.

As for the concealers, although the website doesn’t have the “exclusive” marker posted next to any of the shades, I could not find any retailer in Germany that sold darker than B40. All of the retail websites had six shades available at most. Chanel has two actual color correctors that were released with these concealers called Peach and Amber. If a retailer had one, it was only Peach. So, I didn’t have the option of buying any of these anywhere else, except directly through Chanel.

Chanel Ultra Le Teint Le Correcteur Concealer (Ultrawear All-Day Comfort Flawless Finish Concealer) in BD91 and B110

This concealer launched in Europe in September 2025, but I didn’t realize (until I saw the flood of videos in January 2026) that it hadn’t come to the US until this year. I bought mine in October last year, so I’ve had plenty of time to test this product.

There is currently no BD101, which I assume would have been my closest shade. BD121 has always been a little dark for me and too warm. I figured having some orange color correcting effects from BD121 wouldn’t be so bad, but having a concealer that’s too dark is a problem. So, I chose BD91 as the next best option with a golden undertone.
I also wanted to see just how neutral B110 would be, and to figure out how deep it is (compared to my estimate of BD121), so I made the decision to get that shade as well.

Photos from Chanel

This concealer became the instant holy grails and number 1 concealers of Charlotte Holdcroft, Han Beauty 101, and French For a Day, so I thought surely I would like it too!

Chanel BD91 Concealer and 40 Medium Plus Powder

Every time I put on this perfume-free concealer, I have high hopes. My undereyes look so much smoother than any other concealer thus far has been able to achieve, and the coverage is great! When I pair it with the brand’s Universal Libre Powder, it looks like a match made in heaven! Unfortunately for me, it just doesn’t have the longevity I need.

Six hours is the longest it can go before I see my dark circles underneath what remains of the concealer. In the worst circumstances, my natural oils fill the creases and breaks it down within fifteen minutes if I haven’t powdered it enough. In other circumstances with powders heavier than Chanel’s (such as my go-to Charlotte Tilbury or even the Huda Easy Bake Powder), the concealer gradually fades to the point that I can see my under eye darkness again within three or so hours.

Technically, if I continually touch up my under eyes (for example smoothing out the creases with the remnants of what is left on my concealer brush and then powdering it with the remnants of what is on my setting brush), it can look “passably” faded between 8-10 hours before it’s not salvageable anymore. However, I consider that very unrealistic. I don’t like to babysit my makeup.

I’ve tried pairing it with the Milk Hydro Grip Eye Primer (which I also use with my KVD Good Apple Concealer), tried using less concealer and less powder, using more concealer and more powder (better outcome), waiting a minute for it to settle before setting it with powder, setting the concealer with powder immediately after applying it (better outcome also), doing alternate layers of concealer > powder > more concealer > and more powder, and mixing it with a few other concealers. I’ve tried using setting spray, drying my undereyes, keeping my undereyes moisturized. Nothing I do can get me more than six hours of nice wear time.

I don’t usually show all day wear tests because I cannot figure out how to get consistent lighting. The last photo though is especially off because I forgot to turn on my usual lights.

If I had to guess what’s affecting how the concealer wears, I would say it’s probably the combination of my natural oils breaking the concealer down (it’s supposed to be waterproof not oil-proof) and the hydrating skincare ingredients, such as glycerin and sodium hyaluronate, that my skin soaks up. Maybe there’s an ingredient that causes an increase in my oil production, since my undereye skin is usually not oily on a consecutive basis, yet it tends to be oily each time I wear this concealer. Maybe the consistency is too creamy and the concealer cannot stay put in the lines of my eyes.
The Ultra Le Teint Le Correcteur has film formers that are meant to flex with movement and increase the concealer’s adhesion to the skin, which I am prone to believe considering how easily the concealer smooths back into place with a brush instead of coming off even more after being disturbed on the skin. Perhaps it’s too creamy, since those kind of concealers have never worked for me (e.g. Nars Radiant Creamy Concealer and the Creamy version of Tarte Shape Tape).

Recently, I decided to try using the Les Beiges Water-Fresh Complexion Touch as an undereye primer for this concealer (since it’s supposed to be usable as a concealer too). This combination gave me six hours of wear before needing to be seriously touched up. However, if I use too much of the Complexion Touch or not enough Ultra Le Teint Le Correcteur and powder on top, it gives worse results. Essentially, finding the right balance time and again is difficult.

I love how this concealer looks in its best state, to the point that I am still using it. However, I just wear it on days I know I will not be leaving the house and when I’m less likely to have visitors.

BD91 is a tad more yellow with not enough warmth to be a perfect shade match for me, but I never wear B110. It turns out that shade is still too dark and the neutral undertone looks even more unnatural on me. So, I at least confirmed for myself that B110 is not a shade option for me. I need to stick with the golden tones. Photos of this are in the powder section.

Based on my experience, I can’t really recommend this product. I don’t mind having to use a second product to prime my eye area, but to still need to do touch ups throughout the day is bothersome. I’m willing to buy expensive makeup if it’s going to make my life easier; this one did not.
I acknowledge that other people have not had the same problems with it that I do. If it was able to last at least 8 hours without needing a touch up, I’d have been over the moon about this concealer. Unfortunately, it just didn’t work out and I’ve gone above and beyond already in testing various methods.

Since this released and until February, the only reviewer I found who had a similar experience to me has been Sofia Sees Beauty. Ironically, she likes the Prada concealer more (though she doesn’t recommend that either) and in the majority of the Chanel vs Prada videos I watched, everyone preferred Chanel’s concealer. So, there seems to be certain skin types that this product just doesn’t work for.

Chanel Universal Libre Powder (On-the-Go Format) in 40 Medium Plus and 50 Medium Intense

Based on the ingredient lists I can see on Chanel’s website, the main differences between the original format of this powder and the refillable “to-go version” is that the standard contains silica instead of cellulose, plus the additional ingredients towards the bottom which are sodium lauroyl glutamate, lysine, and magnesium chloride.

Since I consider the powders to be pretty much the same, and the two products are similarly priced at the discount websites, I opted for the newer packaging. There is a huge difference in the amount of product though, considering the non-refillable jar contains 1 oz (30 grams) of product, but the refillable packaging contains 0.21 oz (6 grams). I’ve only ever used up one powder, so it’s not a concern to me, but that could be a factor for others.
I also heard that the jar packaging is super messy to handle. I have always kept the stickers over the holes of my loose powders and punctured just a few so that I have way more control over how much comes out. I’m not sure if even that tactic would be enough. I find that the refill packaging is still messy if I don’t use my typical methods.

I hate having powder float everywhere, so I only punctured the 8 innermost holes in the sticker. I knock the base to tip the powder contents out onto the lid of the refill. I use what’s needed. I pick up the excess powder back up with my brush to clean off the lid. If there’s still too much powder left, then I use the powder puff that’s included (in both the full to-go packaging and the solo refills) to wipe off the rest. Then I place the puff back over the sticker and holes, and close everything up!
The reason I clear the lid each time is so that the top of the puff will remain looking clean.

I have both the full packaging and a separate refill. The first shade I bought (50 Medium Intense) looks light in the swatches below, but it deepens up a little on my skin. I can wear it on my face, but not under my eyes. Also, the closure part of the refill lid is so easy to open that I worried if I stored it anywhere other than flat on a shelf that I’d have a massive mess to clean up. So, I put it back in the unicarton on my shelf and I waited for a good sale to get the complete packaging in the shade 40 Medium Plus. That one is perfect for my undereyes!

As far as I’m aware, this powder is meant to lightly mattify and be translucent, rather than offering coverage like a powder foundation. So, I was surprised to discover that the shades 70, 91, 121, and 152 exist. I haven’t found a single retailer in Germany that sells anything darker than 50. The darker shades are only on the Chanel website.

I’m glad that all the hype about this powder being dry-skin friendly is true. It is a super finely milled and thin powder. It doesn’t work as well with my concealers that require stronger powders to lock them in, but I bought this specifically to pair with Chanel’s concealer. Although I still have problems with the wear time of the concealer, the Chanel powder has given me the best results with it. I find it to be slightly blurring and this is the most lightweight loose powder I own that can successfully give me a soft matte finish without making my face look drier. That’s why I don’t think this will work well for people with oily skin. If I use the bare minimum of skincare with most of my foundations, this powder will keep me matte for most of the day, but when my products give me dewy skin and I use the Chanel Powder, I become shiny again within four hours. I imagine that length of time would be increased for someone who doesn’t have dry skin like mine.

I like Chanel’s powder more than the uber expensive Guerlain Parure Gold Powder because I can’t smell any fragrance (even though this does have parfum listed in the ingredients).

Chanel Hydra Beauty Micro Sérum

I didn’t know about this product’s existence until Kackie Reviews Beauty talked about it in one of her videos. The way she described it was so fascinating that I bought it the very next day!
The retail price is €56 ($60) but I got mine from Parfümerie Pieper for €39.

I usually take product descriptions with a grain of salt, but Chanel’s is pretty on point with what I have experienced. According to them: “The Micro Sérum Lèvres is a dual-phase formula consisting of an aqueous base with hyaluronic acid and White Camellia Extract, which have a moisturizing, plumping, and soothing effect, and an oily phase with White Camellia OFA (Oleofractioned Active) micro-droplets which melt into skin and lock in hydration.
Furthermore, “this lightweight and water-fresh serum immediately absorbs and forms a thin protective layer on lips, keeping them hydrated for up to 24 hours** and leaving them perfectly prepped for makeup.

This serum “plumps” in the sense that it fills in lip lines, and its shine gives an appearance of fullness, but this is not a lip plumper that would cause the lips to be enlarged. Chanel doesn’t call this a lip plumper, but many customers would assume it could double as one by stating that this has “plumping effects.” This is the only aspect of the website description that is questionable.

After applying the Hydra Beauty Micro Serum, I’m left with a somewhat shiny finish on my lips, which have the tiniest bit of grip. I can wear this alone as a gloss or balm, but the occlusive gel layer is so lightweight that I need to reapply it at least once or twice throughout the day, especially since it’s easily removed while eating. When I rub my lips together, it feels truly unlike any other lip product I’ve used. Also, this is not fragrance-free, since it has a slight fruit-candy type of scent.

What makes this a useful product to me is how quickly it seeps in to smooth and hydrate my lips, combined with its priming abilities. I have spent a long time seeking products that nourish and condition my lips. All of my favorites are thick and/or sticky, oily, and basically don’t have the kind of consistency that I can use to continue improving the condition of my lips (or prevent my lips from drying further) while wearing other products on top. Products like the Ami Colé Lip Treatment Oil, Clarins Lip Comfort Oil, and Eadem Le Chouchou Peptide Lip Balm are better at improving the condition of my lips over the course of a full day, but this Chanel product is what I’ve been using when I want my lips to look better fast, and wiping those other products off my lips would leave too much residue behind. That occlusive layer is what makes my favorites and so long-lasting, while also preventing me from using them as lip prep products. This is where the Chanel serum fills a void in my collection.

The reason I wear lip glosses and balms so much isn’t just out of enjoyment of low maintenance products. It’s also out of necessity. Although this lip serum can make matte lipsticks look satin, I’ll take that over not being able to wear my lipsticks that often due to my chronic dry lips issue.

So, this isn’t deeply nourishing to me. It’s a quick fix. According to the statistics Chanel provided, “After 4 weeks of use, lips look 49%* more plump and 70%* smoother. Natural lip colour appears 62%*** more vibrant.

I have not used this product daily for 4 weeks straight, so I cannot comment on how true that sounds or not. Based on at least one week of consistent use, I don’t think the ingredients are enough for my lips to be nourished long-term. This serum has come in handy so many times as a lip primer since I bought it in September. I have only ever used a couple of actual lip primers, so I can’t say for sure how much better this is from other lip preps out there. Since I’m not interested in spending even more money trying to test other products like this, I will stick with what I know.
Should I ever use up this product, I hope that I’ll be able to get another on sale again!

This lip serum is useful to be able to wear less comfortable lipstick formulas. However, if I stick to only buying balms that condition and deposit a nice amount of color, I wouldn’t need the Chanel Hydra Micro Serum as much. If I downsize my lip collection each year, there may reach a point that it will no longer be necessary to have a product like this around.
That day isn’t today though, and I am happy I’ve got it!

Chanel Les Beiges Water-Fresh Blush in Intense Coral

I’ve been avoiding buying liquid and cream blushes for over three years, so I had no plans to buy the Chanel Blush until I watched Alicia Archer’s video.

Admittedly, my first choice for the color would have been Deep Bronze, but it’s a Chanel exclusive shade. So, I went with my second favorite option and ordered Intense Coral from Flaconi at a discount.
Intense Coral shows up on me and can be built up in more obvious layers, but it might not look that great on someone with a skintone several shades darker than mine.

Intense Coral reminded me of the Joues Contraste Intense Cream-to-Powder Blush in the shade Radiant Rose, but Radiant Rose is the tiniest bit darker with a little more warmth.

The watery gel-like consistency and the fragrance are the same as the Water-Fresh Tint. The blush has half the amount of product, but it isn’t half the price of the tint ($72 vs $56). The price per ounce or milliliters for the blush is even more expensive here, considering it’s €67 for the tint and €55 for the blush.

I like the hydrated feel of the blush on my skin and that it dries down. One pump is enough to give a beautiful flush to both cheeks. Although I can blend it well with fingers, I prefer the control I get with a brush application by pumping the blush into the back of my hand and coating the brush bristles evenly before alternating pouncing the product onto both cheeks.

When I wear this on my bare skin, even on top of skincare, this has terrible longevity. The blush is significantly faded within a few hours. At a minimum, if I wear my typical skin prep products and the Chanel Water Fresh Tint underneath the blush, it can last most of the day with an acceptable amount of fading. However, it is still susceptible to being easily removed by liquids. On one of the testing days, my watery eyes caused the skin tint and blush tint to disappear where the droplets rolled down my cheek. Adding a primer to the prep steps is enough to combat the water-soluble issue and prevent the blush from fading.

When I wear the Water Fresh Blush on top of my Chanel N1 Foundation, I have no longevity issues at all. I figure that’s because it provides an even stronger barrier between my skin and the blush. So, although this product is appealing to makeup minimalists and those that want the most lightweight layers of product with the most skin-like finishes, this blush has to be used in specific ways to get it to last. I’d also like to note that due to lighting, the blush is easier to see in person than in my photos.

I like the blush color, the dewy looking finish, the seamless blend, and how easy it is to use despite being a liquid form. Usually liquid blushes are the most troublesome for me to work with.
The €36 I paid for this was a fair price for Chanel makeup. I like this product a lot, but I don’t think it will become a favorite purely because I am a powder blush fan. I wanted to be able to wear this all day on bare skin and have it still be long-lasting. I haven’t tested this idea yet, but if adding a face primer to my cheeks is enough to fix the longevity problem without needing to wear a tint/foundation too, this could make me use this blush more often. I’d be able to wear it on low-makeup days as planned.

That ends this post! I hope it has been helpful. Please keep an eye out for Part 2 if you enjoyed this!

-Lili

Is Weighty Makeup Packaging Automatically the Most Luxurious?

The D&G Blush, ABH Highlighter, VBB Lid Lustre, and PML Quad are not pictured here, but they will be discussed in this post.

After the bombshell that was dropped regarding the Louis Vuitton Beauty line and their prices, I started to think about which items in my collection were the most expensive, which ones I thought had the prettiest packaging, if the prettiest was actually the most luxurious looking, and which ones had the most weight. I was surprised to discover that so few items fit into all of these categories.

I was happy to see the people I follow enjoying their La Beauté Louis Vuitton products, but some felt they needed to justify their reasons for making the purchase beyond just stating, “I wanted it, so I got it.” Across the board, customers who thought the items were or were not worth buying seemed to at least come to the consensus that the price (besides paying for the brand recognition), was largely due to the packaging. The lipstick components were said to be fully metal, along with the bespoke metal packaging of the eyeshadow quads. “You could hurt someone if you hit them with this,” was stated more than a few times by various people.

How a product looks and its weight are my top two criteria for feeling like the item I own is luxurious. Looks are subjective, but weight can be measured and precise. I started to think about the heaviest packaging in my collection (proportionate to its size dimensions) in order to answer the question…are these automatically the most lux?

Lisa Eldridge Rouge Experience Refillable Lipstick (68 grams)

In order to highlight how great this packaging is, I need to do a deep dive into comparing it to another brand. Please, bear with me on this, especially if you’re a fan of LV. I don’t judge anyone on how they spend their money, and this is just me working out why I am perfectly satisfied with Lisa’s lipstick being the height of luxury for me.

Lisa Eldridge took great pride explaining in her launch video how her refills were mono material, made of 100% aluminum and could therefore be recycled without degrading once repurposed, unlike the vast majority of other brands’ refills that have mixed metal with plastic.

According to Google: “You cannot usually recycle a lipstick refill that has both plastic and metal components together, as most curbside recycling facilities cannot separate the mixed materials and are not equipped to handle small, complex items.”

There is plastic inside the forever case by Lisa Eldridge, as this has a click closure, but she wanted the actual refills to be sustainable.

I cannot compare the LV lipsticks from personal experience, but it is my understanding that the refills are all metal as well and come with plastic caps that can be removed when recycling. The lipstick cases have an aluminum shell and brass detailing, but the magnetic closure that is so satisfying to use (and adds to the weightiness of a product) keeps it from being recyclable as well.

Summarized from Okon Recycling: Recycling magnets is technically possible, but challenging as it involves disassembling the magnet and removing any non-magnetic materials. However, there are some magnets that cannot be recycled.

So, it sounds as if both LV and Lisa Eldridge have cases that aren’t realistic to recycle but have refills that are fully recyclable. The LV lipstick case has a lot of expensive details like the product names and logo being etched in, the monogram flower-shaped refill bottom, etc. Lisa Eldridge has her logo etched at the top of the cap, allows the customer to personalize the base of the case with their initials etched in (up to three letters), and the case shape had to be custom made as well. Perhaps some prefer the sleeker LV design while others appreciate the vintage inspiration of Lisa’s more.

LV’s Lipstick Case + Refill is $160 and the refill alone is $69.
Lisa Eldridge’s Lipstick Case + Refill is $63 (engraving price included) and the refill alone is $30.

Sure, LV’s refill costs the same amount as other high end and luxury lipsticks in their completed form, but considering the details I listed above, is the LV case really $100 better that other brands’ cases, particularly Lisa Eldridge?

It can’t come down to the actual lipstick formula, because that’s part of LV’s $69 refill price.

At the time that I bought the Lisa Eldridge lipstick, I felt it was incredibly expensive. It is still the most expensive lipstick in my collection, based on what I paid and not the retail price. I rationalized my purchase because of the sustainability aspect, all the custom elements, the personalized touch, and how heavy it felt.

Taking branding completely out of the equation and thinking about the components alone, I do feel like this product by Lisa Eldridge is among the most luxurious out there, and I am no longer gritting my teeth at the price.

It would be nice if I liked the lipstick formula more, but there is some hope for me! I wrote a comment on Instagram that the brand responded to, and while the Velvet formula won’t be put in the refillable form, there might still be the possibility of the Lucents that I enjoy so much!

There are other things they’ve been “working on” that has taken years, such as making the empty eyeshadow palettes available for purchase alongside the eyeshadow singles, the return of the liquid blush in better packaging, etc. So, I’m prepared for this to take a while to happen.

If I can get the Luxuriously Lucent Lip Colours and/or Baume Embraces as refills, I will definitely get more use out of mine!

Olivia Palermo Beauty Eyeshadow Palette (226 grams) and Lipstick (79 grams)

Whenever I think about heavy makeup packaging, the Olivia Palermo Eyeshadow Palette immediately comes to mind. I’ve had it for years, yet I’m still not sure how I feel about the pattern, and I’m not sure what it’s technically called (perhaps wicker, woven link, basket weave, oyster strap, etc.). It just makes me think of the types of patterns I’ve seen for watch straps, which isn’t too terribly off track. Apparently Olivia drew inspiration for the packaging, “by a vintage Art Deco bracelet she was given for her 21st birthday.”

The eyeshadow palette has a magnetic closure and mirror, which further increases the weight, on top of the fact that the packaging is metal.

Although I’m not sure if they could have created a different pattern that I would like more, I can say it’s at least cool, unique, and easily recognizable. Plain flat gold is always beautiful to me, but this packaging looks different from any other I’ve seen. Well, almost. As of a year ago, Hatice Schmidt released a refillable lipstick range called, “The Gift,” with a case inspired by jewelry and the pattern reminds me of a curb chain/Cuban link style. So, there are at least two jewelry inspired components from brands that I know of.

I bought the Olivia Palermo lipstick at the reduced price of €32 (originally €40) from Niche-Beauty, and the eyeshadow palette for $28 (originally $58). I’ve discussed how I procured the eyeshadow palette in a past review, but it was during the time that I started working on this post that I felt the compulsion to finally get the lipstick. I have checked in on the brand on and off over the years, waiting for them to release additional products. Earlier this year, I saw a notice on the official website that the beauty products would no longer be sold and that they were turning the website into an influencer style page (oliviapalermo.com now redirects to her affiliate shopmy page). I assumed that meant the brand was shutting down, especially since I’ve only heard two beauty reviewers reference the brand one time each within the last three years. However, I was shocked to see the products appear on the Douglas website in either August or September, and then I saw them at Niche-Beauty as well. I don’t know if Olivia has better sales in Europe, or Germany specifically. I’m not even sure if she still has products available elsewhere in the US.

I felt Lisa Eldridge’s lipstick deserved to be in the post, but Olivia Palermo’s lipstick is the only one in my collection that is heavier. OPB’s lipstick is less expensive, but it isn’t refillable and the central part of the lipstick component is made of plastic. The outer packaging is what makes this seem so fancy.

Regarding the eyeshadow palette, it definitely screams luxury. It isn’t something you want to carry around in your purse or travel with it. Olivia wanted the old Hollywood glamour look and feel to her products, so this is something that you would want to keep on a vanity.

This is by far my most luxurious palette, and though it doesn’t have some of the additional premium features of the LV Quads, it makes me feel a lot more content about my collection and avoid FOMO. If I want heavy eyeshadow packaging, I certainly have it with this product!

Westman Atelier Beauty Butter Powder Bronzer (112 grams)

This is my golden pebble! It is tiny in size but mighty in weight!

Chantecaille is another brand with nicknamed “pebble” packaging, but theirs is plastic, thin, and it doesn’t feel substantial, even though they cost the same amount!

I bought my WA bronzer at 20% off, so the title of most expensive bronzer in my collection belongs to Hermes, even though I only bought the refill. Had I paid for the compact too, that wouldn’t have helped it to feel more luxurious than the Westman Atelier bronzer, considering Hermes’ thin plastic packaging.

This has a tiny mirror that I don’t use, and a magnetic closure. The brand has highlighters and face powders in this same style of packaging. I haven’t used their cream sticks or drops, but they don’t look as luxurious to me. The only other Westman Atelier packaging I have handled are the powder duos, which are certainly substantial and pretty to look at, but I don’t think it compares to this gold compact.

When it comes to the prettiest bronzer packaging, I think of Gucci’s and Charlotte Tilbury’s powder one, even though they are much lighter in terms of their size. However, I would never call something that’s a solid gold color ugly. So, it may as well be my most glamorous bronzer.

Fara Homidi Essential Bronzer Refillable Compact (106 grams)

This compact is about the same size and weight as the Westman Atelier Butter Bronzer. The amount of product from FH is 3.5 grams and the amount of product from WA is 8 grams. That is close enough to accounting for the 6 gram difference when I weighed the two products, which is why I’m still including it in this post.

Aesthetically, I find the Westman Atelier bronzer to be more appealing. Shiny things get me. However, I still think Fara’s is classy and pleasing to hold in the hand. Her other products come in red and blue packaging of the same weight. I don’t like the red, but the blue is very eye-catching. If the next product she releases is in purple or green packaging, it just might surpass WA’s as a favorite compact for bronzers.

D&G Cheeks&Eyes Match Blush (91 grams)

I have plenty of blush packaging that is bigger than this, and therefore heavier. However, for this small size, this is very heavy! Nothing really comes close to the weight, but I have to say that Gucci’s powder blush packaging is quite nice too, even if it’s lighter. Visually, I like Gucci’s more as well. In fact, I have a lot of blushes that aren’t luxurious feeling, but I love them anyway (such as YSL’s Make Me Blush Bold Blurring Blushes and Too Faced Cloud Crush Blushes).
So, this is one of the few categories where my heaviest blush might be the most luxurious, but it isn’t necessarily my favorite packaging. I do like it a lot though!

I have to add that this packaging feels like a mixture of plastic and metal components. I believe there’s something in the base of this compact adding weight artificially, especially since it doesn’t even have a magnetic closure. It has a push button instead.

Victoria Beckham Beauty Products:
Matte Bronzing Brick (166 grams), Eye Wardrobe (116 grams), Cheeky Posh (37 grams), and Lid Lustre (41 grams)

Similar to Olivia Palermo Beauty, VBB has a certain aesthetic that they maintain across most of their products. I like the horn brown/tortoise pattern, and it can be fashionable, but I don’t automatically associate it with luxury because of how many cheap products I’ve seen made in tortoiseshell style. The gold colored trim helps to elevate the look of the packaging, but it is the weight and feel of these components that make them undoubtedly luxurious.

The Bronzing Duo and Eyeshadow Quad are among my heaviest based on size. The Cheeky Posh blush is small and doesn’t have that much extra weight, but I figure that’s because the component isn’t refillable like the other two. I’m including it because it has the same style of packaging as the others, and I still feel bougie when I handle it.

I rarely buy single eyeshadows, so I don’t have much to compare in terms of weight. The prettiest I own is probably the Charlotte Tilbury Hypnotizing Pop Shots, but those have lightweight plastic packaging and they are powders, which I don’t believe is fair to compare. It would be interesting to see how the glass packaging of Charlotte’s Eyes to Mesmerise stacks up, but I don’t own that.
I no longer have the glass packaging of Maybelline’s 24 HR Color Tattoo, but the best I’ve got is Melt’s Gel Liner (47 grams) and a MAC Paint Pot (56 grams).
I like glass as a component material, but it’s not uncommon to find for eye products. The Lid Lustre packaging has an elevated look compared to MAC’s, for example. The Melt Cosmetics Gel Liner that has the gold lid and butterfly print around the rim with the glass base is prettier to me, while also being slightly heavier. However, the font for the brand logo makes it look less sophisticated. I don’t think eye related categories of makeup follow the trend of weight indicating how luxurious a product will look and feel.

One thing about VBB packaging that does take away from the experience is the issue with the closing mechanism. I heard this was a problem in the past, and I never had an issue with my Bronzing Brick, but my eyeshadow quad doesn’t always stay shut when I snap it closed. Sometimes it’s fine, but other times it likes to pop back open with the slightest touch. I haven’t heard about anyone else having an issue with the quads, so perhaps I’m unlucky in getting one of the few faulty ones.

Pat Mcgrath Mothership Palettes (392 grams) and Eyeshadow Quads (122 grams)

All the previous components I’ve discussed had metal or a mix of metal and plastic packaging. The Mothership Palettes are fully plastic, but they are quite hefty in weight. The palettes are big for only holding ten eyeshadows, but that black shiny lacquer with the gold bottom still look lux to me. My Victoria Beckham and Olivia Palermo palettes are the only ones I can recall from my collection that aren’t made of plastic or cardboard. In fact, the Victoria Beckham Eye Wardrobe quad is only six grams less than a Pat Mcgrath quad, but Victoria’s compact is almost half the size!
I still chose these PML products as the next heaviest in the luxury category, though I have to admit that I have some lightweight quads that look fancier because they are gold colored. For example, Tom Ford (the trim technically), Guerlain, YSL (trim), Prada (mixed gold and silver), Lisa Eldridge, etc.
I find it difficult to equate weight with luxury in the eyeshadow category because of how many bulky heavy palettes brands have released over the years. So many of Jeffrey Star’s earliest palettes, Plouise, and Glamlite’s Food palettes were huge. I also recall when Stila had the Luxe Eye Shadow Palette in Happy Hour, which was a similar weight and size to the Mothership Palettes, but I bought it for $36. I can’t remember what the full retail price was, but it cost nowhere near the same amount as a Mothership.

So, I’ve come to the conclusion that weight doesn’t automatically equate with luxury in this category either. However, because of how uncommon it is to find hefty quads and palettes that are reasonably sized (Olivia Palermo, Victoria Beckham, and Pat Mcgrath), the ones that are weighty feel extra special to me.

Beekman 1802 Milk Tint SPF 43 Tinted Primer Serum

I didn’t want to include skincare, but this technically falls under the makeup umbrella. If I count it as a primer, it might be the heaviest I ever owned (even heavier than the glass bottle of Rituel de Fille Thorn Oil). Beekman’s looks like ceramic, but it’s colored glass.

I have to say “might be the heaviest,” because I don’t recall how it compares to the Guerlain L’Or Radiance Primer (now called the Guerlain Parure Gold 24K Radiance Primer), which is definitely the most luxurious looking primer I ever bought. The look of the Beekman product doesn’t appeal to me at all, but I was so impressed by how it felt in the hands. I had to leave it behind though because it was so heavy that I didn’t want to bring it back in my luggage.

If this counts as a skin tint, then it’s a lot less special. Plenty of brands make glass bottle complexion products. That’s why I didn’t include any true foundations or concealers in this post, because the prettiest bottles in my collection tend to look and weigh around the same.

When it comes to heavy primer packaging being the most luxurious, I have to say the Guerlain primer squashes that theory.

Anastasia Beverly Hills Smooth Blur Bronzer (112 grams) and Glow Seeker Highlighter (125 grams)

This bronzer is larger than the one from Westman Atelier, but it weighs the same. The reason I decided to include it anyway is because it’s still substantially heavier than the remaining bronzers in my collection. Plus, the highlighter component is a similar size and even weightier.
I cannot think of a single highlighter I own that comes in heavy packaging, other than this one.

I have noticed over the years that ABH has gradually been upgrading the packaging of most of their products. Their two most recent mascaras felt like either super heavy plastic or a mix of metal and plastic. The Smooth Blur Cream Contour Stick has a brushed gold colored metal cap and additional gold details. The Smooth Blur Matte Bronzer and Glow Seeker Highlighter have a magnetic closure and they feel quite substantial in the hand. I’m impressed with the packaging and find it to be quite pretty, but this is still another example of how weight doesn’t necessarily equate with a luxurious look. This packaging feels so much more substantial to hold and interact with than pretty much all others in the drugstore, mid-range, and high end categories. It feels like it should cost more than it does, and it looks appropriately high end to me, but not quite broaching luxury territory. I still think the Gucci Bronzer packaging tops it, despite it being lighter in weight, because it looks classier overall. As another example, MAC’s Sunstruck Bronzers look so beautiful, even though they are in lightweight compacts as well.

Final Thoughts

Based on my own personal collection, I’ve confirmed that in certain makeup categories, the most luxurious packaging is the heaviest. At the same time, I have many other products with a timeless and elegant look to them that are lightweight and made of plastic or other inexpensive materials. Essentially, the weight of a product enhances the luxury experience, but it does very little to elevate plain looking packaging. The best example of this is the Beekman 1802 Tint.

If I can get an Olivia Palermo palette that retails for $58 and feels ultra lux, but I can also buy a limited edition plastic Chanel quad for $86 and still feel like that’s luxurious as well, would that be considered silly? Should I be raising my expectations for all luxury brands?
At the beginning of this experiment, I would have said yes. However, I now see that if Chanel, Dior, Gucci, and other designer brands used higher quality materials, their products would likely fall in the LV Beaute range of prices (if not more). Some examples of that are the Chanel 31 Le Rouge lipsticks in the glass case, Dior Rouge Premier Lipsticks with the ceramic case and “formula infused with 24k gold,” along with the Guerlain Rouge G Exceptional Piece lines. There is only so much a person is willing to pay for a product from a luxury brand if the materials are the same as a mid-tier brand. So, that keeps designer brands from going overboard with their prices. There are also advantages to using lightweight materials, such as them being more convenient to take on-the-go for customers or makeup artists with large kits, sitting at attainable prices for aspirational shoppers, thinner packaging contributing to less waste of materials and sustainability efforts, etc.

So, when I really think about it, I wouldn’t be able to buy as many products in the luxury category if the components were more expensive to make or if they were made from higher quality materials. In fact, the majority of the products in this post were purchased with some kind of discount. Of course, I would love to have all my luxury goods in weighty packaging, but if that means I would have to accept those products being less likely to go on sale and/or accepting that the prices of them would double or triple, I am unwilling to do so.

The Dior Powder-no-Powder is one of my favorite makeup products of all time, yet the most I was willing to spend was €45 (essentially just paying full price) to get my name etched onto the compact. If I had the opportunity to buy it in a gold colored compact with a magnetic closure or some stunning limited edition pattern for €100, I don’t think I’d be willing to do that. This tells me that despite a product having a holy grail formula that is unable to be duped, I still have my limits. Some makeup will just never be worth it to me to buy, past a certain pricepoint, no matter what it’s made of. That means I cannot use the product’s weight, materials (including formula), or looks to justify a super high spend amount. However, I know that when a product gets hyped up, it can be much easier for me to consider crossing that price threshold if I can make a case for it being top tier from every other angle.
I bought one of the Chanel Boutons quads directly from Chanel because so many influencers were told by their SAs that the collection would be extremely limited, and I feared missing out. Less than one month after launch, I found the quads at multiple retailers for a minimum of 30% off.
FOMO works similarly to getting caught up in the hype of a product. I sometimes make purchasing decisions that I normally wouldn’t.

This is why I decided to make this post. I know there are others like me who enjoy luxury makeup and don’t have the biggest budget to work with. There are those who will be tempted by the exclusivity of a certain new beauty line and would normally not even consider getting anything at those prices, but the hype may be wearing down that resolve.
To those that want to be talked out of buying makeup at $100 or more…just remember that luxury makeup with fantastic formulas and high quality packaging can be found at a lower price. This post is full of examples of this. If one brand is out of your price range, you might be able to get similar products from another prestige brand. Other amazing and beautifully packaged products are just around the corner.

I hope this topic has been interesting, and even helpful.

Thanks for reading!

-Lili

Are the Huda Beauty Blush Filters Really That Good?

I have been on a no-buy for liquid and cream blushes since August 2023. The immense hype surrounding these Blush Filters had been steadily chipping away at my resolve. After eight months of resisting, I finally caved.

It’s convenient that the three shades I was most interested in buying were from the original launch, the Icy Nude Collection launch, and the newest “Blush Crush” or “Vibrant” Collection. I was able to see the changes that coincided with the brand revamping their logo and packaging. I was also curious if the formulas would be different between them, but they’re all the same from what I can tell.

The first thing I noticed was the fruity candy smell. It smells delicious, but it is a bit strong in the initial few minutes that I have the container open, and as the blush dries on my cheeks. A thin controllable amount comes out of the stopper and with the small applicator.

The Blush Filters are less pigmented than the liquid blushes from Rare Beauty and Juvia’s Place, but still a lot more pigmented than Glossier’s Cloud Paints. With the amount shown in the photo above, I get about 80% opacity, but these can be built up.

The blush doesn’t immediately set on the skin, but I still work on one cheek at a time because it doesn’t have an emollient consistency (nor gel-like or watery), so they don’t look like they’re spreading enough at first, but I just trust the process and keep moving my brush around and the blush does fully blend out and is streak-free. It doesn’t disturb makeup underneath either.
Once it dries down, it’s fairly budge-proof and there’s no fading by the end of the day. I’ve been impressed by its hydrated look, even though it’s completely dry to the touch, but I think that can be attributed to the “micro pearls” in this product. When I first tried it, I thought my glowy toner combined with a hydrating skin tint was the reason it looked luminous, but when I looked very closely at the swatches, I could see a faint gold sheen in Watermelon Pop. It’s too difficult to see the individual particles within the other shades, and it’s something I can just barely see when light hits it. The radiance is subtle, but enough to keep my cheeks from looking matte and flat. It looks great on minimal makeup days, but even better when it blends into my foundation to melt into the skin, turning even the more vibrant colors into wearable shades.

The glow combined with my lights actually made them look subtler in pictures than in person, so I built them up much heavier when I did a second round of photos. I don’t think my attempts made much of a difference, except with Watermelon Pop.

Watermelon Pop is a warm red that made me instantly think of the shade Love from Rare Beauty and Lily Love from Juvia’s Place. This isn’t a very unique color, but the warm golden micro shimmer makes me like this even more!

Latte is a medium reddish brown that looks redder on my cheeks than I expected, but it’s pretty and the kind of blush that’s right up my alley.

Sunset Lychee is described as a “Rosy Orange” and I’ve seen it look closer to orange on some people, but it is very much pink on me. It reminded me a bit of Rare Beauty’s Joy, but this one has more pink and less apricot.

These shades work out for me on their own, but they also layer well together.

I think this is a great product. Great products deserve to be raved about, but because there are plenty of fantastic liquid blushes out there that are blendable, set down, and are available in gorgeous colors, the Blush Filter’s level of hype seems to have been cultivated in part by very smart marketing.

I’ve always liked nice packaging, but now I’m even more aware of how non-luxury goods can still be very pleasing to look at and interact with. The Blush Filters’ rounded square shapes with their vibrant and semi-transparent packaging combined with the fruity-candy scent remind me of popsicles. There is also the collectable factor since each blush packaging matches the color on the inside. This makes the Blush Filter even more memorable and desirable. When there exist similarly performing blushes, packaging can make all the difference in choosing one brand over another. I have no regrets ordering these, even though I have reinstated my liquid and cream blush no-buy. The fact remains that I still don’t use them as much as powder blush no matter how amazing they are.

It’s a nice bonus that I got 30 Euros knocked off the price because of the reward points I accrued on my Huda Beauty website purchases over the past year. In that same order, I got samples of the #Fauxfilter Color Corrector, so I thought I would include swatches of those as well. My review of the full-size product can be found HERE.

The shade I own is Mango, which I like a lot. I have always gotten shades like Papaya in the past, and it works, but never 100% perfectly. Mango is essentially a pink-orange, which apparently suits me very well, but is a hair on the light side for me. At least, that’s what I thought until I had the idea to mix Mango and Papaya together, which I think looks the best out of all the options!

I still think it’s fantastic that Huda Beauty offers more nuanced shades of color correctors than I’ve seen from other brands. For instance, I don’t know anyone else who makes as dark of a pink as Lychee! Because of the effectiveness of Mango on me, I wondered if perhaps pink was a better corrector color shade and that brands just didn’t make any dark enough. It’s nice to confirm that Lychee doesn’t suit me. My correct corrector should be a fine line between pink and orange.

I should also point out that the demonstration photo of Cherry Blossom looks better than it actually should be. That was my mistake not cleaning my concealer brush well enough and the two colors mixed, so it doesn’t look as stark white as it should be (which is to say even paler on me than Pink Pomello). I couldn’t redo the photo because I didn’t have enough product left from the sample card.

That’s all for today! Thank you for stopping by!

-Lili

Review of the Danessa Myricks Yummy Skin Line

This is technically a review of some of the Yummy Skin line.

I admire Danessa Myricks’ artistry and her dedication to her brand. Even when she comes out with a product that isn’t necessarily new to the market, there’s always an innovative twist to it. For this reason, her products have always either worked exceptionally for me or really didn’t suit my needs. This is why I’ll never be the first to review something by the brand and why I don’t have as many things to post about despite how closely I pay attention to their releases.

I’m sharing my thoughts about these products now, but the timeline of my purchases are as follows:
Yummy Skin Microfiber Velvet Sponge – June 18, 2023
Yummy Skin Moisture Repair Balm Serum – July 5, 2024
Infinite Chrome Pencil – July 5, 2024
Yummy Skin Lift & Flex Hydrating Concealer – July 10, 2024
Yummy Skin Serum Tint – November 8, 2024

Some of these items I’m still using today. Some of them, I had to redo the testing process because I forgot how they performed! Anyway, onto the reviews!

Yummy Skin Moisture Repair Balm Serum

The texture of this balm is like a firmer version of Vaseline. I despise having products that don’t set down to a dry touch on my face, but I was so desperate back then to find a product that would lock in moisture on my skin that I was willing to take the risk, at least when a sale rolled around.

Excluding the hottest days of summer last year, natural finish foundations looked matte on me and dewy ones looked satin due to my skin being drier than usual in a new climate. Using the tiniest amount of this balm, where barely any residue is left on the skin, results in foundations looking the proper finish they’re supposed to have. With my small amount, any foundation that sets without needing powder will still do that.

I saw the amount that Danessa Myricks uses, thanks to Instagram, and it’s way more than I use. When I try to use closer to the recommended amount of balm, my skin feels heavy at first, but I eventually get used to it. After adding foundation on top, my face looks like it has more than a natural finish, but it doesn’t get to dewy levels until somewhere between 3-5 hours of wear depending on the weather and how much sweating I’m doing. Once it gets to that dewy point, it makes my foundation much easier to transfer. It also won’t set to a fully dry finish on me, even in the beginning and even with powder on top.

I also continually have problems with my nose area and it making my foundation there look patchy or broken down. So, even on my driest skin days, I avoid applying it to this area.

If I apply more than a tiny amount, my foundation will eventually get oily looking and become easier to transfer. My makeup everywhere starts to break down around the six or seven hour mark.

The photo above is the only example I have of this. I’m sorry that it’s a washed out photo and that I didn’t want to take additional pictures. I did not want to deal with the transfer issue and heavy feeling again.

So, essentially, I like this product if I use it super sparingly in the high points of my face where I don’t mind having some glow. Starting to use milky toners again was actually the solution to my dry skin issue, and made it unnecessary for me to apply this all over. Now, I pretty much use this product more on the back of my hands than on my face!

I’d also like to mention that I find the packaging of this product very satisfying to interact with. I like the addition of the spatula at the top, the beautiful bronze lid with a semi transparent jar, and the balm color that reminds me of orange juice despite actually being colorless on the skin. It’s fragrance-free and smells like a mix of wax, oil, and petroleum. I normally don’t advocate for scents in my products, but I could have made an exception for this one considering how it smells.

Yummy Skin Serum Skin Tint in Shade 11 and Yummy Skin Lift & Flex Hydrating Concealer in Shade 13

As seen on the timeline, I purchased the concealer first. I chose number 13 because the model showcasing it looked closest to my skin tone. As it turns out, the depth is about right, but it’s quite orange. So, it doubles as a corrector and concealer for me. If this product worked as well as my other concealers under my eyes, I would have considered buying number 12. Unfortunately, it creases too much (moving out of my under eye lines) and disappears too quickly. My under eye area produces oil between some of the wrinkles, but is dry elsewhere. So, it’s a tough spot for a lot of concealers to handle. However, this product works perfectly fine on the rest of my face that’s smoother. So, I use it mostly around my mouth area and spots with darker discoloration. It’s nice that it has high coverage and that I’m still able to make use of it. A concealer that doesn’t work under my eyes doesn’t have much chance of being considered part of my favorites though by default.

Purish had a fantastic sale on Danessa Myricks products, so that’s why I finally gave the Serum Tint a try and chose my color based on the concealer match recommended by the brand. I’m very happy with Shade 11 and think it’s the best match. I consider it a golden color because it’s a good balance between yellow and orange. Even though I’m still a bit darker than usual, the coverage being light (or on the lighter side of medium if applied with a brush) allows for wiggle room. It’s called a Serum Tint, but it gives me similar coverage as Fenty’s Liquid Eaze Drops and almost as much as Nars Sheer Glow.
I like the nozzle because it makes it so easy to control how much or little I want to squeeze out. And even though the product is thick enough that when I draw lines across my face it doesn’t drip or move in the slightest, it’s not so thick as to feel heavy. The consistency feels like applying a skincare moisturizer.

I would call this a satin finish foundation on me as it’s not as glowy as I expected. It does look even better when I use a sparing amount of the Yummy Skin Balm with it, and it feels more hydrating than it looks outwardly. If I want my skin to look truly luminous, I just need to apply a very generous amount of my glowiest milky toners as part of my skin prep.

Overall, my skin looks smoother with the tint on. I like that it fully sets down without needing to be powdered and it doesn’t transfer much. The thickness of the tint can basically withstand the consistency of the balm. This lasts all day and I think it’s very skin-like.

I don’t know how effective the infused skincare ingredients are in the long-term, but I can agree with the hydration and moisturizing claims. This doesn’t have any fragrance and I like this packaging as much as the packaging of the Yummy Skin Balm. Besides the convenience of the squeeze tube and nozzle, the cap’s color and shape is aesthetically pleasing.

I’m very happy that this turned out to be a good purchase. Even though I got it on sale, I think it’s definitely worth buying at full price. It performs and feels like high-end and luxury foundations. I mentioned in my Project Pan post that I may end up adding this to the bunch after reviewing it. Since I kept it in my foundation rotation even after the testing phase, I think it’s safe to include it in there.

Yummy Skin Microfiber Velvet Sponge Dark Chocolate

I’m fairly certain I used this sponge once or twice when I first bought it, but then did not use it again until February of this year. Since sponges are intended to be thrown out every few months, is this still considered hygienic if I only used it a few times and then kept it in a bag away from dust and other elements for over a year and a half?
I don’t know, probably not, but I did this for science (and not wanting to buy another one)!

The sponge in dry form versus damp

This feels very firm in its dry form. It’s softer after being wet, but is still firmer than other sponges I’ve used. The microfibers make it feel slightly velvety, like applying my makeup with a cloth. However, it’s not the same as when I’ve used my Blendiful in the past. The end result is the same as with other sponges though, only differing in the way that I need to use this. With most sponges, I’m used to pouncing it all over my face and the sponge pushes the product in a wider, diffused, and partly diluted area. This sponge does a bit of diluting and soaking up of product, but if I apply foundation to my face first and tap this over it, it just spreads more dots wherever the sponge touches instead of spreading it out. When I use the Danessa Myricks Serum Tint, I usually draw lines on my face and use a brush to spread it around. As seen in the photo below, there are a bunch of lines on the bottom of the sponge were the lines just stayed on there and didn’t spread out.

So, the technique I have to use with this sponge is to spread foundation across my face with the flat edge and then tap it to blend after. If I still want to use the bottom, I have to do a drag and then bounce motion, not quite the same as a press and roll with other beautyblenders.

When it comes to cleaning this sponge, it takes much longer to dry and I can’t get it spotless, although the color makes that hard to see (which I like about it). I can only really tell that it has a stain when I run it under water.
Another benefit is that it’s more tear-resistant.

I go through brief phases trying to use sponges and it’s just not for me. The look and feel of this sponge is different from any other I’ve used, but the end result isn’t any different. So, I don’t feel the need to repurchase something like this. It’s a nice product, but I much prefer more affordable sponges, or the classic original beautyblender.

Infinite Chrome Pencil in Bronzite

Heart shaped swatch at different angles.

I have discussed this formula of pencil already, but this is the only additional one I have purchased since then. It’s waterproof, thin enough to be used precisely, and the strength of the shift depends on the shade. Bronzite is probably the hardest to see, as it has only ever looked bronze on my eyes.

This, at least, has more impact than the Golden Brown liner from Oden’s Eye. I also only paid 9 Euros for Bronzite on sale.
Black eyeliner is my go-to, so I don’t use this very often, but I don’t mind having it in my collection. It still gets used once every 2-3 months.


Everything I reviewed today are products I will continue to use until they go bad (excluding the sponge I’m tossing for being old). However, the only one I would consider repurchasing is the Yummy Skin Serum Tint. I like that one a lot. The rest are good, but able to be substituted by other makeup I own.

That’s all for today! Thank you for reading!

-Lili

Lisa Eldridge Pinpoint Concealer Review

The first pencil I bought has been in my hands since January 9th, so I’ve had enough time to test this out in various ways and solidify my thoughts on this product.

The primary purpose of my posts are to show how products look on me in order to help someone get a better idea of how the shade(s) might look on themselves. Let’s do that right now.

There aren’t any exact matches between the pencils and the base products I have from the brand, but I don’t mind since I don’t have a perfect foundation shade from them either. They’re all just close enough.

The charts can be found by scrolling to the bottom of their product page.

My secondary goal is to give as much information as I can to help anyone on the fence trying to decide whether they want to buy the product right away, skip it without the fear of missing out, or figuring out if it’s worth waiting for a sale. I try to factor in the ingredients, talk about the accuracy level of the brand’s claims, mention anything strange I’ve noticed, etc.
Right out the gate, I’m going to say that this pencil was worth it to me to buy for a very specific task. I do not know how many people reading this will feel the same way, but I will describe the pros and cons I experienced.

For starters, I watched Lisa’s video on how to do the pinpoint technique using her product. I think that her way is in fact the best way to utilize it.
I don’t have acne, but I have moles, scars, and a ton of discoloration. She says that this product is not meant for large areas and not intended for full-on concealment of dark under eye circles. Considering those are usually my biggest concerns, I thought this might be a makeup release that I should skip. However, two aspects really sold me on this product: the idea of being able to use it on bare skin to metaphorically erase blemishes in a less detectable way than traditional means and/or with a full face of makeup to perfect any areas that need additional help with concealing.

To satisfy my curiosity, I still used this on the lowest section of my under eyes to see if it would last, and although it works, it looks and feels too drying there. So, I must patiently wait for the brand to release other forms of concealer better suited for my dark circles.

The photo above demonstrates how I can get the product to look how I hoped. On barely moisturized skin, the side that I used the concealer pencil looks improved and is very hard to tell makeup was used. On a face with a buildable coverage foundation, the pencil is able to camouflage the areas where darker discoloration was still partly visible underneath.
I also don’t recommend putting other products on top of the pencil. It worked best for me to put foundation and liquid concealer first before adding the pencil as the final concealing step.

The brand website specifically states that this is good for, “camouflaging broken capillaries and blemishes to lifting micro-shadows….waterproof, budgeproof, all day wear.”

The issue I ran into is that I can only get all day wear on bare skin, and even then it’s not always perfect. If my dry skin has the minimum amount of moisture (and by that I mean that it just has a serum, hydrating spray, essence/milky toner, or a lightweight moisturizer on it), I can use this pencil with no issues. If my dry skin has some flaky parts, this concealer will cling to it in an obvious and unflattering way. It looks scaly.

So, I have to balance between having enough moisture on my face for the product to glide onto the skin smoothly, but not too much moisture that would cause it to not adhere as well to my skin or accidentally make the product break down quicker. Sure, it’s waterproof when it’s not in contact with that many other products. However, waterproof products are susceptible to oil breaking them down. If my moisturizer, primer, foundation, or accompanying concealer contains too much oil, I cannot get this to last on my face for as long as it should.

Getting it to last all day on emollient skin is one challenge, but it’s even harder to get it to stick to the spot in the first place. I draw over the discoloration, tap it with my finger to blend, it melts too much into my skin and I have to draw over it again, tap it and the tiniest bit stays put but most is gone again. I essentially have to draw, tap, and blend on repeat 3-5 times for it to be fully covered. Now, it becomes even more clear why this isn’t supposed to be used in large areas. I was concerned I might run out of product in just the testing phase alone!

Using this on dry skin with minimal skincare gives me the best outcome. If I want to use this with other makeup products as the final perfecting step, I have to be careful about which products are used so it can actually last. That being said, the best I’ve been able to get on a full face of makeup is 4-6 hours. I have a stubborn smile line that all other concealers migrate from within a few hours, re-exposing the shadow. The coverage I get with the concealer pencil lasting double or triple the length of time I usually get when trying to cover that line is the sole reason I bought additional pencils and felt this expense was justified.

Being able to practically scribble away imperfections seems like a dream, but it triggers my perfectionist side in a way that is really not good. Obviously, this product will be a godsend for some people. For me, when I finish tackling the darkness around my mouth, then I look at the birthmark spot under my eye (another fairly large spot) and cover that. Then I start covering each individual mole, every scar spot, and then suddenly I’m spending fifteen to twenty minutes being hyper focused on my flaws that my eyes normally just glance over. If I put makeup on and look better than before, I consider that a success and I’m usually happy enough with just making improvements. During the testing process though, I felt so compelled to keep going and scribble out every little spot, to try and photoshop myself in real life. I cannot afford to spend so much extra time inspecting and correcting my face. Nor do I think it’s good for my mentality to fixate so heavily on imperfections and how choosing not to make those corrections left me feeling dissatisfied with my makeup overall. This is why I love my favorite finishing powder so much, because it creates a blurred veil that I know if I’m in a rush and didn’t blend my makeup perfectly enough, I can just quickly buff it everywhere and don’t have to think any further about it.

So, I decided to set limits for myself so that I could incorporate this pencil into my routine in a realistic and positive self-image affirming way. By making my main target the smile line, I am making myself happier to be able to improve that spot while only adding an extra minute or two to my makeup application time, and I get satisfaction from having found a use for this product that it excels at above all other concealers.

This circumstance with fixation is not going to be a problem for the majority of people, but in this day and age with social media and how it can affect people’s perception of themselves, I felt it was important to include in this review.
I’m forewarning that this is not the low effort product that it’s proclaimed to be.

Regarding the issues of applying this on bare skin versus skin with product on it, as well as the time consuming nature, I recommend watching Hannah Louise Poston‘s review. She also has dry skin and is able to demonstrate and explain so well the phenomenon I experienced.

I chose Shade 11 with a “Neutral Terracotta Undertone” because it leans orange, which has color correcting effects for my areas of discoloration. As I mentioned before, I have chosen to keep its task limited to covering my smile line.

Shade 10 with a “Neutral Golden Undertone” only works on the lightest areas of my face. Since these pencils can be used to lift shadows, highlight areas, or clean up spots, I have additional uses for this specific color. Essentially, Shade 11 was too dark and warm toned to look natural on top of my birthmark in that lighter surrounding area, so I designated Shade 10 for this task. I prefer to use my normal liquid concealers for cleaning up edges, and I also prefer highlighting or cleaning up the brow area with the Lisa Eldridge Liquid Silk eyeshadow in the shade Phoebe. It feels a lot more comfortable because the dry down isn’t as stiff. In fact, the Liquid Silk eyeshadow is the reason I got so excited for the brand to release concealers because it has a wonderful smoothing quality, self sets, and doesn’t budge. If they can put those same qualities into a liquid concealer, I’ll be over the moon with happiness! But as I was saying, Shade 10 is for my birthmark (plus a bit of 12) and if I tried to use it for the other aforementioned tasks, I’d run out of product absurdly fast.

I purchased Shade 12 in a “Neutral Undertone,” (plus a backup of Shade 11) from Niche Beauty during one of their sales. 12 has a similar depth value as 11, and it’s still a bit warm, just not as warm as 11. Although it makes for a better skintone match, I have to use even more product to cancel out the darker spots on my face, particularly without the color correcting aspect that Shade 11 provides. As seen in the photo below, using it in my eye area that is void of skincare means dealing with the unflattering texture problem.

What this color is good for is doing touchups on the go. It can make a good skin match for areas where my liquid concealer is starting to fade or even when I need to touch up wherever I added Shades 10 or 11. Having product already underneath it allows Shade 12 to fill in the gaps in coverage and glide on more smoothly than it does on bare skin.

The reason I needed a backup of 11 so soon was actually due to my own mistake. It’s a bit embarrassing, but maybe sharing this will prevent anyone else from doing it too!

I didn’t know until it was too late that these are twist up pencils!

Lisa Eldridge’s lip pencils require sharpening, and the twist up ones I use from other brands are in the kind of plastic packaging that is way more obvious that they can’t be sharpened. I knew the white “sharpener” at the end was just for getting a crisp tip, but I didn’t know the shade colored strip rotates! I thought it was just a clever design feature to distinguish between the shades without having to uncap them all.
And to be clear, I only used the white piece one time for science. I will never use it again because it removes too much product, precious product that this pencil has so little of already.

Because these pencils are intended to be waterproof and the exposure to air should be limited, I was concerned that mine would dry out much faster, despite how careful I am to keep them capped tightly, so that’s why I bought the backup of Shade 11. Thankfully, my butchered pencil is still working perfectly fine.

In that photo I included, you may have noticed the severely faded lettering on the pencil. The logo and details on the other side rubbed away by day two. I don’t know why or how it happened, but it did! So, I’ve been handling the rest with kid gloves!

Onto the topic of how quickly someone can go through this product, the photo above shows what a brand new pencil looks like compared to the one I used on and off for about a month. One third of the concealer is gone, however, a lot of it was wasted during the sharpening debacle. I was also testing it in large places sometimes, which is not recommend. So, I believe one sixth of it being gone would have been the expected result after a month of use.

I wore makeup about 2-4 times a week in January. My best guess is that I used that pencil twelve times between January 9th and February 4th. I estimate that a single pencil could give me at least 72 uses total. If I wore makeup every day, this would be unacceptable and I would never buy it again. Since those 72 uses should get me though six months, which is the same amount of time it takes me to use up some of my liquid concealers and liquid eyeliners, this is acceptable for me. My situation will not be the same for everyone, and I think it’s 100% understandable and fair enough that a lot of people don’t think it’s worth the price per grams, don’t think it’ll suit their needs, or say that they already have products that accomplish these tasks, etc.

I like this product, but I cannot give a sweeping glowing recommendation to someone when its usefulness to me is so specific. I won’t be replacing Shades 10 or 12 when they run out, and I already have my backup of 11, but how embedded into my routine this product gets will determine whether I’ll keep repurchasing Shade 11 indefinitely.

That’s all for today! Thank you for reading.

-Lili

Updated Concealer Collection Reviews and Declutter

This is technically a concealer and color corrector declutter post, but I didn’t have many color correctors to begin with, so I kept them both. The ELF Camo Color Corrector in Orange I use just on my face because it settles too much in areas with lines, like under my eyes. The Huda Beauty #FauxFilter Luminous Matte Liquid Corrector in Mango (reviewed HERE) does a decent job, but it doesn’t pair well with all my concealers and it’s a touch on the light side for me, so that also partly limits how and where I can use it. The MAC Pro Palette Studio Finish Skin Corrector x 6 (shown HERE) was old, so I decluttered it.

The photo above is what my concealer collection looked like a few months prior to me moving overseas, but I have a few new concealers and additional shades within the same lines that I purchased since then and will discuss here too.

In the “You’re Falling Apart” category of concealers that I had to toss due to them being too old, I decluttered the Pat Mcgrath Skin Fetish Sublime Perfection Concealer in 23 (also owned 22 and 24 reviewed HERE) and Lancome Teint Idole Ultra Wear All Over Concealers in 460 and 495 (reviewed HERE). Although the Pat Mcgrath concealer was one of my favorites in terms of coverage, the shades in the MD range were too olive to look natural on me. Even if I had a better color, I admittedly had to babysit this concealer a little because it wasn’t as long lasting on me as some of my other concealers, such as Tarte Shape Tape. I still attest to it being a good concealer that I used quite a lot (about 1.5 tubes worth of product between all three shades). The Lancome concealers were decent, but I kept reaching for other things because of my desire for more coverage and a longer wear time.

The “It’s YOU, not Me” category is for concealers that looked horrible on me nearly immediately. I couldn’t get them to work no matter what powder I used with them or by switching techniques. The ones that fall into this category are the LYS Triple Fix Brightening Concealer in DG6 and Bobbi Brown Skin Full Cover Concealer in Almond. I hated them both so much that I didn’t want to review them. The irony is that the shades for both looked nice. I just couldn’t get them to last even an hour without gathering horribly in the lines under my eyes or fading in under an hour if I used the products too sparingly. Also being placed in this category is the Juvia’s Place I Am Magic Concealer (reviewed HERE). I have shade J11 which is too light for me, but the next shade would be far too dark. Color aside, I love the full coverage aspect to it, but it creases too fast and too deeply for my liking. So, it’s no surprise that all three were decluttered.

The Incompatibles” are the concealers I’ve heard good things about that tend to be loved by others with a different skin type than mine. The ones that fit this description are the Urban Decay Quickie 24HR Full-Coverage Waterproof Concealer in 70WR, Huda Beauty #FauxFilter Luminous Matte Liquid Concealers in Crumble 7.1N and Butterscotch 7.5G (reviewed HERE), and the Ami Cole Skin-Enhancing Concealer in Medium 1 and Deep 2.
With the Ami Cole one, as I told a friend, Medium 1 is really pretty and matches the lightest part of my face, but because it doesn’t 100% cover the intensity of my dark circles, I get the slight grey look to it. Because I loved the way it spread and the finish of it, I saw the potential of it being a favorite if I had a darker shade, so I ordered Deep 2. Deep 2 turned out to still be lighter than my dark circles, so it still looks “improved,” even though it’s deeper than the lighter parts of my skin. Because the foundations I reach for most are essentially matching the darker parts (not as deep as the hyperpigmentation areas), I can pull it off when I have a full face on. Medium 1 is only the tiniest bit lighter than UD’s 70NN, but because the one from UD is full coverage (and the tiniest bit warmer), Quickie doesn’t give me that slight grey look.
The Ami Cole concealer has such a beautiful finish on the skin, but because it didn’t give me more than six hours of wear, I left it behind.
The Quickie concealer, as much as I wanted to love it, I couldn’t get it to last on me unless I loaded up on powder which then dried out my under eyes. It didn’t look as good as Tarte Shape Tape, so there didn’t seem to be much point in keeping it.
The Huda concealers also gave me issues with dryness. I found some ways around it, but then longevity was an issue. I was tempted to bring these with me, but since I liked other concealers more, it made more sense to just let them go. I think all three of these concealers in this category could be fantastic on the right person.

In the “Good Formula, Wrong Shade” category is just the Dermablend Flawless Cover Drops which is a foundation that I use as concealer, I loved how it looked when I had shade 75W, but I was unwilling to pay full price for it again since I was unable to use up even 25% of the giant bottle before it went bad. Two other times I purchased shade 72N from Ulta during a 50% off sale (Ulta still doesn’t carry the 75W shade), but it never looked as good because it was too neutral on me and didn’t have enough warmth. It got the job done and I loved how lightweight it was, but since the shade couldn’t measure up, I decided to give up on it. I currently still have 72N in my collection, but I plan to declutter it.

You Have My Attention” is what I’m calling concealers I was unwilling to declutter because I felt there may be potential, but I hadn’t (at the time I was preparing to move) had the time to explore and test them further. In this category is the Haus Labs Triclone Skin Tech Hydrating and Depuffing Concealer in 40 Medium Deep Neutral and 43 Medium Deep Golden, Estee Lauder Futurist Soft Touch Brightening Skincealer in 6W, and Hourglass Cosmetics Vanish Airbrush Concealer in Maple and Umber. I had a creasing and fading issue with Haus Labs, so I left that in the US to deal with in the future.
The other two concealers I brought with me and I can say that it’s shocking the EL concealer is light on me considering 6W in the foundation has been much too dark for me these past five or so years. This is a range that I definitely recommend seeing in-store if possible before purchasing.

The EL concealer has a very interesting applicator that helps get into corners, but I still have to blend it out with a brush that gets into all the corners, so having a good brush at the end of the day is more important than the shape of the tool. I give it credit for not applying a ton at once though.

The finish looks beautiful initially, but it creased horribly in the beginning and faded significantly within the first hour or two. The best I’ve been able to get it to look is using the Milk Hydro Grip Eye primer, which gives me six hours maximum before the fading is too significant for me to want to be seen in public with it. The Charlotte Tilbury pressed powder with it helps too, but it still settles more than I’m used to in my under eye lines. Without the Milk primer it’s far worse. As much as I like the finish, I’d only wear this for short outings until I can figure out a combination with powder that potentially helps it last longer. I don’t have much hope on that considering Nikki had similar issues as detailed in her review HERE. I’m close to giving up on experimenting with it since so many trials ended poorly or with such short lived results.

As for Hourglass, I’ve been able to get minimal creasing and a 7-8 hour wear time with the Huda Beauty Easy Bake loose powder, but I have to continue checking if any other powder combinations can improve the results. The best wear time I get with the concealer plus any powder is if I used the MILK Hydro Grip Eye Primer underneath. Then the concealer lasts on me at least nine hours. It could be even better, but eight hours is the minimum for my wear tests and nine hours was the maximum I was able to test it for before intentionally choosing to remove it from my face. With the MILK primer, I can get close to full coverage. Without it, I’d say I get high medium coverage.

Also, I just wanted to add that the applicators are different between the travel size and full size of the Hourglass concealer. The full-size (on the left half) has more of a curve and tapered tip. The travel size has a more common/generic shape.

Between the three concealers, the Hourglass seems to be the one with the most potential.

My Top 5 Concealers Ranked

In fifth place is the Fenty We’re Even Concealer in 385W and 410W. It’s a new one to my collection that released since I’ve been overseas. The coverage level is quite good, it has very little creasing, and while it’s not the longest lasting of the bunch, it lasts eight hours before the fading starts to be significant. At least, that’s the case when I pair it with the Charlotte Tilbury powder. Using it with other products led to way faster fading. For example, I got superb protection against creasing and full coverage results when using it on top of the Milk Makeup Hydro Grip Eye Primer, but after just four hours, it looked fully worn out. So, I just have to remember to keep using it with the Charlotte Tilbury powder or any others I may discover work well with it in the future. Also, when I use it with the CT Powder, I have to still apply a lot more product than I would with other full coverage products. This isn’t to gain extra coverage. This is necessary because a thin layer, although enough to hide dark circles, will get absorbed (or broken down…whichever happens to cause the disappearing act) too quickly by my skin. Loading up the product means some will disappear, but there will be enough left to last the eight hours when paired with the right powder. If I try to use a normal amount of concealer, even with the Charlotte Tilbury powder, it will fade significantly after only five hours.

This isn’t a deal-breaker, but the Fenty packaging doesn’t allow one to stand the concealer upright. There are too many pointed edges and the only flat parts are the front and back, so it has to be stored in a laying position unless it’s stored in a container. Also, it has an interesting curve tip for distributing product.

In fourth place is Tarte Shape Tape in 35N Deep (reviewed HERE) and third place is the L’Oreal Paris Infallible Full Wear Concealer in 415 Honey. I still go back and forth trying to decide which of the two is truly better. They even have similarly sized packaging with near identical wands, though the applicator tip from L’Oreal is even bigger than the already large one from Tarte! Tarte’s component also has a tighter inner ring that prevents excess product from being pulled out of the tube, whereas L’Oreal’s gets a little messier.

I’ve tried so many variations of the Medium/Deep range from Tarte: Tan Sand, Tan-Deep Sand, Deep, Deep Honey, and Deep Sand, etc. The best shade from the range for me is Deep, which is the right depth, but still not the perfect because of the undertone. The full coverage nature of it and lasting power is why I’ve repurchased specifically Deep six times between full-sizes and minis since its release. I haven’t found a way to be able to purchase it in Germany*, so it was important for me to find alternatives since concealer is the single most important piece of makeup for me. Although I wish it was a little less dry looking (the creamy version does NOT work for me), I’ve had concealers that looked way worse on me.

*UPDATE: MAY 5th, 2024: I was unable to purchase Shape Tape on previous trips, so I assumed this was still the case, but I did a google search today and saw that it’s available at the Sephora-DE website for 29 Euros.

As for the L’Oreal concealer, it’s the closest thing I ever found to looking and performing like Tarte Shape Tape. It still can look a little dry under the eyes, but the finish is slightly better than Shape Tape. It also has a tiny bit shorter of longevity results, at about a maximum of 10 hours for me if I use the right powders (and as short as 6 with the wrong skincare, powders, or other products). However, one big plus is the price difference with L’Oreal’s being way more affordable**. Tarte usually offers 50% off Shape Tape sales throughout the year, whereas you can get it at less than that at any time by getting the one from L’Oreal. For these reasons, and the tiniest bit better shade match, I believe I like the Infallible Concealer slightly more.

**UPDATE: Just wanted to clarify again that this is based on the US perspective. I was able to see the Infallible Concealer was €15.99 at smaller German websites I’m unfamiliar with, but the website I shop at more frequently, Douglas, has the price listed as €25.99 instead, making it still cheaper than Shape Tape but not hugely different since Shape Tape is €29.99 at Sephora DE.

In second place is the Givenchy Prisme Libre Skin-Caring 24H Hydrating Radiant Correcting Creamy Concealer in N390 and W420 (reviewed HERE). I only go for complete coverage concealers, but the hydrated look from this one (when paired with the right powder) is so nice that I am willing to settle for high coverage instead.
I used to consider this a finicky concealer because using the same products didn’t give me consistently good results, but then I realized it was due to my under eyes and the concealer’s inability to hold up as well when the application area was oily instead of dry. On those oil producing days, I have to monitor my eyes within the first half hour to check if the creases need to be patted back out and touched back up with powder. This isn’t an everyday problem, just every once in a while when my skin decides to play games! Using the Milky Hydro Grip Eye Primer under the eyes helped extend the wear time as well.
Also, since I have to set it with powder to minimize creasing, I lose a lot of that luminosity. I tested the concealer with various powders and Givenchy’s own Prisme Libre Powder was the only thing that helped my under eyes look at least more hydrated than Shape Tape. Since that initial review, I’ve tested new powders I didn’t have before, and the current best pairing is with the Huda Beauty Easy Bake Loose Setting Powder. The Givenchy powder gives me around eight hours of wear time (six hours on a bad day), but the Huda Powder helps it look close to a natural finish while lasting eight hours before the fading even starts! That’s without bothering to use the Milk primer. Since discovering the Huda and Givenchy power combo, this concealer was able to jump up to the number two spot.

In first place is the KVD Good Apple Concealer in Tan 167 (reviewed HERE but I also own Tan 161 and used to own Tan 173). It’s shocking that this is my new number one considering it can be troublesome too. However, when I learned the combination of this concealer with the Charlotte Tilbury matte face powder fixed the longevity issue, I haven’t had problems ever since. I get the coverage I need, the texture is lightweight, the finish is better than Shape Tape (which I consider the standard and where the bar is set), and I can get 8-12 hours of wear as long as no other products come in contact with this one, particularly emollient ones like some skincare, certain primers, and creamy blushes or highlighters. Even when using the Sephora Setting Spray, I have to reapply and repowder my concealer because it will make it suddenly crease badly. Strangely, since my own natural oils tend to not be too much of a hassle to the concealer, I don’t have to baby it as much as the Givenchy concealer. So, this one is essentially my new Shape Tape. This means it’s one that I will continually purchase (and have repurchased multiple times already).

That’s all for today! Thank you for reading!

-Lili

Wedding Makeup Part 2: Example of Looks

The photo above demonstrates some of the various stages that I was testing different makeup products and practicing techniques in the weeks prior to the wedding. The very first example is what I would consider my typical amount of makeup, versus the last photo where I put in way more effort with a ton of extra steps that were necessary to create the look I envisioned for myself.

In Part 1, I explained which strategies I chose and showed the specific makeup products used. In Part 2, I’m going into greater detail listing the actual order of the steps I took. That includes all the details about the eyeshadows that I left out of the previous wedding post.
I will also include photos of alternative wedding/special occasion looks in both the cold winter theme, classic looks, and a few colorful ones now that we’re in spring.

The makeup artists were upfront about either not being available on the day of the wedding or not having their own products to match me. I was a bit nervous about having to do it on my own, considering I’m just a makeup enthusiast, but many loved ones reassured me that I knew my own face better than anyone else and they were confident I could pull it off. I hope that this post will be inspiring to anyone else in a similar situation where you have an important event coming up and aren’t sure where to start or would just like to see extra ideas.

My Wedding Makeup Step-By-Step

  • First, I applied skincare (and this would normally include sunscreen though I skipped it), allowing ample time for everything to absorb in the skin before moving onto applying primer(s).
  • I then applied color correctors to the spots I have discoloration, put on the liquid contour for my nose and under the cheeks, and added liquid blush. I left them only halfway blended since the foundation would go over everything anyway as part of the underpainting technique.
  • I made a mixture of foundation shades and applied it to the outer perimeter of my face. The lighter foundation color, I applied to the central zone of my face.
  • The eye primer came next before I filled in my brows with my brow pencil of choice.
  • I applied my skin tone shade of concealer to my under eyes and areas of discoloration. I applied a combination of my skin tone shade and a lighter color to my under eye area again, the bridge of my nose, center of my forehead, and chin. I use the lighter concealer color alone to highlight under my eyebrows.
  • After setting those concealer areas with powder, I did a first round of setting spray to lock those in.

In the photo series above, I saved my eye makeup for last, but I switched the order on the day of the wedding to do the eye makeup next in case I had a mishap with eyeliner, if mascara got on the lids, etc.

1. First, I applied Viseart’s Illusion shade from the Peridot quad under my brows on top of where I laid down the lighter concealer shade.

2. Then I applied Melt’s Rubbish shade from the Rust palette in the space under the Viseart shadow, but above the crease.

3. Next was Melt’s Rust shade from the same palette tightly in the crease, not going past the previous shade.

4. I lightly added Log from Natasha Denona’s Gold Palette, building up the outer corner and moving halfway inward. I chose this placement because of my particular eye shape.

5. I then built up the depth and smokey factor in the outer v area using Xtreme Black from Pat McGrath’s Mothership III: Subversive palette.

6. I smudged the Urban Decay 24/7 Glide on Pencil along the outer quarter of the lower lash line before using Deep Shade (actual name) from the same PML palette on the rest of the lower lash line.

7. I smoothed on the Nyx Glitter Primer to the empty space on my lids and applied Bronzed Mink from PML’s Bronze Bliss palette to the outer half of the lid, taking care to not cover up the dark shadows in the outer corner.

8. I added Divine Dahlia from PML’s Interstellar Icon Quad on top of Bronze Mink to tone down the warmth of that shade.

9. The next step was picking up Nude Moon from Bronze Bliss on my brush, spraying it with MAC Fix+ and applying it to the inner half of the lids.

10. I placed Skinshow Fever from Mothership III: Subversive in the inner corner, under the brow arch, and the inner third of the lower lash line for highlighting purposes.

11. For extra sparkle, I added Lunar Luxury damp from Bronze Bliss to the inner corner. I applied the waterproof eyeliner to my upper lash line, along with two coats of waterproof mascara to my upper lashes, but only one coat on my lower lashes. Had I used the Clionadh multichrome, I would have placed a small dot that was eyeliner width to the center of the upper lash line.

  • Going back to my base, I applied powder contour under the cheeks and along my jawline. I applied a cooler toned contour to my nose, and on top of the other contoured spots.
  • I applied bronzer along my forehead and slightly above the contour under my cheeks.
  • I used my face powder and the Beautyblender Puff to clean up a small section of my sculpting work without going too far in. Just about one inch inward from my ear.
  • I applied my intense highlighter to the tops of my cheekbones.
  • I applied the mixture of powder blushes to my cheeks.
  • I applied my more subtle highlighters to the top of my cheekbones again, bridge of my nose, above the brows, and any remaining product on the brush to my forehead and chin.
  • I used my blurring finishing powder in any areas that needed extra blending/blurring.
  • I lined my lips with the lip liner of choice, filled it in with liquid lipstick, and added a lighter lip product to the center of my lips. During trial sessions, I even added highlighter, but didn’t end up doing it on the wedding day.
  • I put the leftovers of foundation from my brush and applied it to the spots on my neck that would be seen.
  • I applied highlighter to my collarbones and shoulders.
  • Lastly, I finished up with a generous amount of setting spray to my face. Had I remembered, I would have sprayed my neck and the spots I applied body highlighter.

And that’s everything! It’s a lot of steps, but worth the time and effort for one of the most important days of my life!

Just as unexpected problems can arise on important days, unfortunately, nearly every day that I set aside free time has been a dark day. I’ve done my best to play around with artificial light, take photos during the brightest part of the day for natural light, and do some color adjusting with the photos, but I’m dealing with cloudy days constantly over here. Times like these, I miss Florida haha.

Recreation of my Wedding Makeup/Neutral Glam: Used all the products I still have on hand.
Photo Setup: (1) In front of an open window on a cloudy day. (2) In a room with warm light and a second cell phone’s flashlight was lit behind the camera. (3) In front of an open window with warm white bulbs overhead.

Here are the additional looks!

Frost Queen: Milky Hydro Grip Primer and Armani Luminous Silk Hydrating Primer, Armani Luminous Silk Foundation in 10, Hourglass Cosmetics Vanish Airbrush Concealer in Maple and Umber, Chantecaille Perfect Blur Powder in Med/Deep, r.e.m. Beauty Hypernova Satin Matte Bronzer in Cocoa-Nut, REM Beauty Highlighter Topper in Miss Mars, Hindash Beautopsy Palette (nose contour), Armani Neo Nude Melting Color Balm in 60 Warm Plum and Hourglass Ambient Light Blush in At Night, ELF Instant Lift Brow Pencil in Deep Brown, Stila Stay All Day Waterproof Liner, KVD Full Sleeve Mascara, Juvia’s Place Lip Liner in Brownie, Lisa Eldridge True Velvet Lip Color in Sorcery, Colourpop Hocus Pocus 2 So Glassy Lip in Boys Will Love Me, the eyeshadow shade Memory (Metallic) from the Tati Beauty Textured Neutrals Volume 1 palette, and shades Nowhere, Christmas Eve, and Snowflake from the Oden’s Eye Christmas Eve Palette.
Photo Setup: In front of an open window with a warm white bulb overhead on a partly sunny day, but near sundown.

Playful Pinks: Milk Hydro Grip Primer, Nars Light Reflecting Foundation in MD3.3 Caracas, KVD Good Apple Concealers, Huda Faux Filter Corrector in Mango, Nars Soft Matte Advanced Perfecting Powder in High Tide, GloWish Soft Radiance Bronzing Powder in 04 Deep Tan, Dior Backstage Powder No Powder, Hindash Beautopsy Palette (nose contour), Dior Rosy Glow Blush in 012 Rosewood and Nabla Skin Glazing in Lola, Pat Mcgrath Labs Skin Fetish: Ultra Glow Highlighter in Divine Rose, Suqqu Treatment Wrapping Lip in 05, Coloured Raine Lip Liner in Decadent, Benefit Precisely, My Brow Pencil in 05, KVD Full Sleeve Mascara, Stila Stay All Day Liquid Eyeliner, MAC Fix+, Melt’s eyeshadows from the Gemini II Palette with shades Bela, Sweetheart, Gemalas, and LX Queen, and the Rust palette with shade Antique. Devinah Cosmetics Eyeshadows in shades Empress, Pixy Stix, and Gelicide. Pat Mcgrath Labs’ eyeshadows from the Mothership III: Subversive palette in VR Pink and from the Celestial Nirvana 5 pan Palette in Nude Allure in the shades Mercurial Rose and Coral Kiss.
Photo Setup: In front of an open window on a less cloudy day, but during late afternoon hours and a warm white bulb overhead.

Chocolate-Gold Glam: Milk Hydro Grip Primer, Armani Luminous Silk Hydrating Primer, Hourglass Ambient Soft Glow Foundation in 13.5 and 14, L’Oréal Infallible Full Wear Waterproof Concealer in 415 Honey, Huda Beauty Easy Bake Loose Baking & Setting Powder in Blondie, Gxve Beauty Check My Glow Multi-Dimensional Illuminating Highlighter in Karat Country, Anastasia Beverly Hills Cream Bronzer in Terracotta, Dior Powder No Powder, Chanel Blush Lumiere Illuminating Blush Powder in Brun Roussi, ELF Instant Lift Brow Pencil in Deep Brown, MAC Macstack Mascara, One/Size Waterproof Liquid Eyeliner Pen, Palladio Waterproof Lip Pencil in Coffee, and Kaleidos Cloud Lab Lip Clay in Sienna. Hindash Beautopsy Palette (nose contour and no contouring anywhere else). Viseart’s Illusion shade from the Peridot Quad, Deep Shade (actual name) and Gigabyte from Pat Mcgrath Labs Mothership III: Subversive, Clionadh Cometics’ shade Lux, and Devinah Cosmetics’ shade Ambrosia.
Photo Setup: In front of an open window on a less cloudy day with a warm white bulb overhead.

Flower Garden: Haus Labs by Lady Gaga Triclone Skin Tech Foundation in 425 Medium Deep Neutral, Tatcha the Liquid Silk Canvas Fenty We’re Even Concealer in 410 W and 385W, Givenchy Prisme Libre Powder in 5 Popeline Mimosa, Dior Powder No Powder, Hindash Beautopsy Palette (nose contour), Victoria Beckham Matte Bronzing Brick 05 (regular contour), Gucci Bronzer in 04, MAC Glow Play Blush in Peaches N Dreams, Sephora Blush Duo in 02 Peach Blossom, Tom Ford Shade and Illuminate Highlighting Duo in Tanlight, Benefit Precisely, My Brow Pencil in 05, L’Oreal Telescopic Lift Macara, Stila Stay All Day Waterproof Liquid Eyeliner, Danessa Myricks Infinite Chrome Micropencil Eyeliners in Jade, Amethyst, and Lemon Quartz. Devinah Matte Eyeshadows in Courtney and Meraki, Clionadh Cosmetics Stained Glass Shadows in Mural, Patina, Quest, Noble, and Spire. Coloured Raine Lip Liner in Pine and Suqqu Sheer Matte Lipstick in 112.
Photo Setup: In front of an open window with the sun poking out randomly on and off from behind the mostly cloudy sky, and a warm white bulb overhead.

Spring Purples: Milk Hydro Grip Primer, Glossier Futuredew, Lisa Eldridge Seamless Skin Foundation in 27, KVD Good Apple Concealers, ELF Camo Color Corrector in Orange, Charlotte Tilbury Airbrush Flawless Finish in 2 and 3, Hermès Plein Air H Trio Healthy Glow Mineral Powder, Dior Backstage Powder No Powder, Hindash Beautopsy Palette (contour), ColourPop Pressed Powder Blush in Potted and Gucci Cheeks & Eyes Powder Luminous Matte in 06 Warm Berry, Hourglass Metallic Strobe Powder in Infinite Strobe Light, Lisa Eldridge Enhance and Define Lip Pencil in Sorcery and Lisa Eldridge Luxuriously Lucent Lip Colour in Painterly, Benefit Precisely, My Brow Pencil in 05, KVD Full Sleeve Mascara, Stila Stay All Day Liquid Eyeliner, Melt’s eyeshadows from the She’s In Parties Palette with shades Total Immortal and Last Caress. Clionadh Cosmetics Multichromes in shades UV and Tracery. Sydney Grace Eyeshadows in Dear Reader, Flannel, and Sovereign Reign.
Photo Setup: (1) In front of a window on a partly sunny day. (2) Same as the first, but from the opposite direction. (3) In front of an open window on partly sunny day and a warm white bulb overhead.

That’s all for today! Thank you for stopping by! I hope you’ll click to follow or bookmark this page to come visit again!

Also, I seem to be having an issue with WordPress. For some reason, images have a hard time loading for those viewing my blog within Germany. The customer service advisors were unhelpful and the only way that even I was able to get around loading issues was to use a VPN. If you live in the US or most other countries, it should be working fine. The issue, as far as I’m aware, is a DE issue for some reason.

-Lili

Wedding Makeup Part 1: What I Chose and Why

There were a lot of factors to consider when it came to doing my own wedding makeup. I scoured the internet for tips and tricks, but at times the answers were contradictory. I thought I had a good plan in the beginning, but as I practiced doing multiple looks, I realized I needed to make some changes along the way.

Today, we’ll cover the things that should be decided on in advance and what I ultimately chose to do. The conclusions I came to won’t be the same for everyone since it depends on each individual’s personal tastes, skin type, skin texture, skin tone, undertone, priorities, etc.

Although I was inspired to create this post with weddings in mind, this topic is for anyone with an upcoming special event/occasion where photographs will be taken. I was not in a position where I could afford to forget something and run to grab it at the last second, so hopefully these topics will help others avoid having to make last minute decisions and purchases too.

DISCLOSURE: All makeup products in this post were purchased by me with my own money. The only affiliate links in this post are for a few of the brushes mentioned towards the end. Non-highlighted links in bold blue font (Example) are standard non-affiliate links. Links marked in bold black font with a light blue background (Example) are affiliate links. This means that I would make a commission if purchases were made directly using my link. Whether you click to shop through them or not, I appreciate you visiting and I hope you find the information I’ve provided to be helpful!

Red – Titles/Topics, Purple – Products Used, Green – Additional Options to Consider

Deciding Between Looking Better in Person or Looking Better on Camera

We had a micro wedding (less than 25 people) and the majority of the guests were non-makeup wearers or neutral-color wearing minimalists. I was concerned with looking overly made up in person compared to the group, but also recognized that full coverage and full glam faces result in the most photogenic pictures. I would love to look as natural and fresh-faced as possible, but I think I look the prettiest with “a beat face,” so to speak. So, I decided that I ultimately would start researching ways to look best in photography since pictures last longer and can even serve to replace memories in the minds of those who see them. If it was possible, my plan was to still try and find a balance between the two goals. This balance involved using other techniques such as color-correcting so I could use less concealer and foundation to hide my skin discoloration, using underpainting techniques to have my sculpting attempts look as natural as possible and reduce the need for as much powder on the surface layer, using full-coverage makeup paired with brushes that apply less product so that I could build up to the minimum amount of makeup I needed in small layers instead of packing it on heavily all at once.

In the age of social media, it’s safe to assume the majority of people prioritize how makeup will look on camera versus how it looks in real life, as discussed on the Mixed Makeup YouTube Channel. However, this is still a question everyone has to ask themselves because the degree to which direction one leans will dictate how they have to proceed with the next steps.

After Choosing to Prioritize How One Looks on Camera…

When I do a full-face in the type of soft tones that are typical of bridal makeup, I don’t feel satisfied with my appearance. So, looking natural was less of an option for me. In addition, if I wanted things like blush to be seen on camera, I had to get comfortable packing on way more than usual because blush gets washed out so easily. As described by Kackie of Kackie Reviews Beauty, the key is applying makeup in a way to add more dimension that the camera can pick up even when pulled back. I had to practice applying more than usual, taking pictures, and then adding more and photographing that to learn how much would actually be needed on the day. Blush, highlighter, and eyeshadows were the things I had to work on amplifying dramatically in order to get photos I was satisfied with (at least on my own camera).

One of the first big decisions I had to make was deciding what finish I wanted for my skin. A matte base with strategically placed glow seems to be the consensus for what photographs the best. However, I did not anticipate the climate when I chose what products to bring with me when I moved overseas. The products that looked the best on camera for me in Florida were extra dry looking on me in Germany and I didn’t bring my dewier foundations because I have them in my darker summer shade. This led me to buy a new foundation (N°1 DE CHANEL Revitalizing Foundation), the only one that mimicked the appearance of natural oils peaking through my face, and it remained that way through the end of the night. It basically looked like a natural-finish foundation on my dry skin. I used the Glossier Futuredew, to ramp up the glow in typical places I highlight, the MILK Hydro Grip primer for hydration and lasting power, and the Benefit Porefessional Hydrating primer in my T-zone for a smoothing effect without a silicone texture. I have all three of these products in minis (and a travel container).

I did have the Nars Light Reflecting Foundation with me, but my research scared me away from using it. Since Nars is an artist brand, I always assumed their products looked fantastic on professional cameras, but I kept coming across warnings against using too many light reflecting products. Considering how dark it is in Germany, I knew the chances of flash being used was high, so I didn’t want to look crazy on other people’s cameras either (even though Nars’ foundation is supposed to be photo-friendly and produce no flashback, but I didn’t know if that would still be the case if paired with other light reflecting products). So, I didn’t use that one just to be safe. Skipping it turned out to be necessary because I tried using it in strategic spots and it still wasn’t luminous enough for my liking while not in Florida.
Lisa Eldridge was one example of someone who discussed light reflecting products in flash photography and Pete Coco Photography cautioned against using shimmers in studio settings, but I saw more mentions of light reflection from various articles and blogs.

For those curious, the top foundations I wanted to use if the climate was more like Florida would have been the Lisa Eldridge Seamless Skin Foundation or Hourglass Ambient Soft Glow Foundation (this one only starts to look good for me if oils break through and my skin is prepped for maximum hydration including using a facial oil). The Lisa Eldridge foundation is extremely similar looking to the Chanel one I opted for, but without as much luminosity.
I also own two lighter coverage products that make my skin look beautiful in person: the Fenty Eaze Drop Blurring Skin Tint in Shade 18 and the Rose Inc Skin Enhance Luminous Tinted Serum in Shade 100. I was looking for high coverage, but if I had to recommend another option it would be the one from Fenty. I normally dislike their foundations, but this newer one finally agrees with my dry skin. The Rose Inc one unfortunately can come off extra warm colored on camera. Sometimes I look orange in photos even though I don’t in person. It’s also random when it happens as well. I’m not sure if it’s some interaction with a specific product I might sometimes pair with it. So, that’s why I don’t recommend that one.

Deciding On the Color Scheme and Undertones of the Makeup

I had quite the dilemma trying to figure out what colors I wanted to use as a person with warm undertones who was planning to wear cool toned accessories and have blue and purple flowers in my bouquet. I like wearing eyeshadow that matches what I’m wearing in some way, whether it’s clothing, a purse, jewelry, etc but I never like how cool toned eyeshadows look on me as much as warmer ones. At the same time, I didn’t want the winter aesthetic I planned for my look to clash with my natural warmth and make me look extra warm by comparison. I did a test run using my go-to makeup and just switching to a cool toned blush, but I didn’t like the outcome. My second solution was to wear neutral makeup to bridge the two types of looks, but after doing another test run, I just didn’t feel my makeup was as pretty as it usually would be.

Experts say that although anyone can wear any color they want, we tend to find shades in our undertone to look prettiest on ourselves. For instance, Lisa Eldridge says it’s nice to match the wedding scheme/theme, but not if it’s against your coloring. Ultimately, I felt that if I didn’t wear the kind of shades that were natural for me, I would have regrets looking back at pictures thinking my everyday makeup looked somehow better than what I chose for my own wedding.

Many makeup artists recommend trying to look like an enhanced version of yourself, and not looking like someone else. This concept is what helped me solidify the decision to use warm tones, just ones that didn’t veer too far off from neutrals. This idea of trying to look like myself also had me wondering how I could possibly incorporate a pop of color into my look because that’s “me” too. Even when I’m on a nude colors kick, I still end up popping on a multichrome or some other colorful indie brand’s eyeshadow. Considering the wedding colors were blue, purple, and ivory/cream/whitish (we couldn’t really nail that one down), I thought it might be a good idea to add a blue-purple multichrome into the eye look. I really wanted for it to be one from Clionadh Cosmetics like Etched or Spire, since it’s my favorite brand, but the reason I love theirs is how intensely they stand out. In this situation, every technique and position I tried to place the multichrome was just too much.

Because all my other makeup was in natural tones, my eyes were instantly drawn to the spot with the multichrome and stole attention from the rest of the look. Eventually, I was recommend by someone on Instagram to try putting the tiniest dot in the center. This worked in low light in a very pretty way, but the second actual lights hit my eyes, it was still too much for what I wanted. Ultimately, as much as incorporating color into my looks is something I’m known for doing, I wanted something classic and timeless for my wedding. So, I decided to go back to the neutral glam idea for eyeshadows and using my slightly warm tones of makeup for everything else. My blush was still a mix of everything. I used a liquid blush and then ended up using powders on top further into the makeup process. For those curious, it was three shades from MAC: a whisper amount of Breath of Plum for a slight cool-toned wintery cheek look, a normal amount of Pinch Me as the main color and a natural looking pink on me, and the tiniest bit of Burnt Pepper to add a little more warmth that compliments my undertone and depth of my skin color.

The eyeshadows I ended up going with were mainly from Pat Mcgrath Labs. I intend to do a part 2 to this post, which I can hopefully complete and upload within a few weeks. In there, I’ll post more details on the step-by-step process.

Making Sure Base Techniques are Down Pat

After using my various primers, the next step for me was to color correct the areas of hyperpigmentation. Most of the time, I don’t bother with color correcting because I prefer to just lean on full coverage concealers for that job. However, I wanted to avoid my base makeup looking heavy, since I knew I would be putting more layers of product than usual.
I only had two options with me: the E.L.F. Camo Color Corrector in Orange and the Huda Beauty #Fauxfilter Color Corrector in Mango. Although I prefer Huda’s on a regular basis, the ELF one worked better with the KVD concealer, as well as me wanting more intense color-correcting from using a darker color.

I would normally recommend using a color-corrector under the eyes too for those who have intense dark circles like I do. In my particular case though, I already know the ELF formula creases/gathers like mad in areas with lines, which is why I only use it in smoother areas of my face. So, I had no choice but to skip that step on myself. For those that don’t have discoloration issues like I do, color-correcting is not a necessary step. The most coverage one can achieve using the least amount of products is better, so if you can skip it, then please skip it. Ultimately, even I would have skipped this step, but I tested out how my makeup looked with color correcting versus going without it and the results spoke for themselves. I decided it was a step worth doing because I wanted as close to a flawless base as possible.

Although I settled on a foundation, the color match wasn’t as spot-on as I hoped, considering it was a bit more orange rather than yellow/golden and just slightly darker. I had purchased shade BD121, so my only other option was to buy BD91 to mix with it. The brand makes shade BD111, but it’s exclusive to the Chanel website and was sold out. Thankfully, using a ratio of roughly 2 parts BD121 to 1 part BD91 gave me a better color match. At least, that’s the mixture I used on the outer perimeter of my face and then used BD91 by itself in the central part of my face for a more natural gradient of color. My foundation application did not come first immediately after priming and color correcting though.

The other technique I wanted to utilize was under-painting. I have a naturally round face, besides it being chubby. Trying to create a chiseled look is by nature going to be easier for those with a clearly visible bone structure. Although I still have slight indent in my cheek area, I have an undefined jawline made weaker by having a rounder face. There’s only so much one can do to make a believable contour on a face like mine. One of the most believable options, if done correctly, is underpainting: to do the contouring and highlighting as a cream or liquid step first before applying foundation on top (and following it up with powder products afterwards too). Funnily enough, I learned about this technique about ten years ago when under eye concealers weren’t full coverage enough for me. I don’t think it’s necessary to do a full-face of underpainting like you see in TikTok and around social media as a fad, only the specific areas that need extra help to again minimize product usage. So, I bought the darkest shade of the most affordable foundation I could get my hands on (that I knew would work well). This was the Sephora Best Skin Ever Foundation in 68N. I would have preferred for it to be cool-toned, but “cool” shades in the darkest colors tend to be red instead of blue-grey so I figured neutral would be good enough. I could have used a concealer as well, but considering how much I spent on those Chanel foundations (even though they were discounted), I wanted to save as much money as possible. I could have also tried to use an actual cream contour, but I figured using a foundation would look even more natural on the skin and potentially blend better as cream contours can sometimes be too emollient. The 68N shade worked well enough for my cheekbone and jaw area, but since my nose is a lot more yellow than brown, it looked a little more red in that spot that I like. So, I just had to apply the product even more sparingly and make sure to use more greys when I contoured with powder later.

Besides applying contour, I also used a Rare Beauty Soft Pinch Liquid Blush sample of Joy as an underlayer of blush to help ensure longevity for the whole day. Plus, this particular shade is bright without being overly vibrant, which tends to work well for me. Using this underneath wasn’t overkill when I used the MAC blushes later. In fact, I still had room to go heavier with my blush.

After the liquid blush is when I would apply my foundations. I think some people recommend doing highlighting with concealer (product several shades lighter to bring those areas forward and not the shimmery type of highlighter) underneath foundation, but the KVD Good Apple Concealer formula that I used can sometimes melt/fade away with other products. The foundation on top of this one would have been covered up too completely, so I applied the mixture after foundation. I could have tried to use a different concealer for underpainting, but I was running out of time and just wanted to stick to what I knew. I began practicing applying the makeup on an off nearly two months before the wedding (with more consistent daily testing in the final three weeks). It’s not useful to test out all new products at once, since it would be too hard to tell which products were interacting badly with others, or were only working well depending on what it was paired with. I could only test a few combinations at a time. So, even the two months wasn’t as much time as I thought. In retrospect, three months would have been ideal for me.

The theme of this sections is to make sure the base techniques are nailed. Part of that was my realization that in all the bridal makeup photos I liked, they really utilized highlighting for color in addition to the glow factor. However, I’ve never liked an overly brightened under eye on myself. When I was younger without so many lines to worry about drawing attention to, that was a different story. So, I had to think about what’s more natural for myself and my style rather than just sticking to the template of instructions on how most people do wedding makeup. I thought perhaps I could use my typical Tan 167 all over and apply my new Tan 161 (this specific shade was on sale which is why I chose this one for my highlight option) on top in strategic spots to highlight with, but I didn’t like the outcome. It was still too stark of a contrast for me to be comfortable with no matter how great it could have potentially looked on camera. What worked best for me was applying my near skin-tone shade 167 and then using a combination of 167 and 161 mixed together as the highlighting concealer color on top. The transition was more natural, which I ended up liking a lot better than using 161 alone (though I did use 161 alone to highlight my brow bone area). I then set my concealer with the Charlotte Tilbury Airbrush Flawless Finish Powder in either Medium (which I bought in the travel size) or a combination of Medium plus my usual shade in Tan. I tested out plenty of different powders and the one that worked the best to keep the KVD concealer creasing the least and not fading at the end of the night was this Charlotte Tilbury powder. The Huda Beauty Easy Bake Loose Powder was a close second since it worked so well with other concealers I was testing at the time (Fenty We’re Even Concealer and L’Oréal Infallible Full Wear Concealer). However, the results of the KVD and CT combo won out.

I would normally use the back of my hand as a spot to mix shades, but since I wanted to have leftover mixtures reserved on the side for touch-ups, I started to wish for a makeup mixing palette or plate. Since I didn’t bring any with me and didn’t want to buy one, I used the top lid of the Charlotte Tilbury Cream Bronzer compact (pictured in the foundation photo above). It has a surface that’s easy to wipe down with a makeup wipe or makeup eraser cloth. Also, when I mixed with my brushes, I got too much product on the bristles, so I started using the brush handle to mix shades and then wiped off the handle onto my microfiber cloth. That way, I’m able to pick up smaller amounts of product with the bristles and even switch to a smaller brush for spot applications where needed.

Securing the base is important, but so is recognizing whether the recommended techniques have to be tweaked to your specific preferences and what makes you the most comfortable. It’s okay if you hate contouring to skip doing it. It’s okay to go with a sheer coverage foundation and then just use concealer in areas that require more coverage. The most important thing to do is to practice techniques as much as possible before the wedding or special event if you’re doing your own makeup. Sometimes products don’t perform the way we remember them and the last thing you want is to discover that on an important day. You want to thoroughly test your full look in every step in order to make sure you can replicate the same results every time, in every type of lighting, and in every weather scenario.

To Bake or Not to Bake, Setting Spray vs Fix+

Continuing the theme of getting used to wearing more makeup that usual and utilizing techniques I normally don’t, I had to decide whether or not to utilize the baking technique. Since I already narrowed down my concealer, it was just a matter of doing a wear test all day to see if my makeup looked better with or without baking. As it turned out, with my products and my skin type, baking really wasn’t necessary, or at least not in the traditional sense of loading a ton of powder on and then dusting it away after five minutes or so. I ended up not even needing to powder my whole face since I was utilizing setting sprays too.

My process was applying my concealer to my under eyes and face area before using my normal brush to powder-set those spots. As the days were counting down to the wedding, I started to utilize more skincare such as using the Lisa Eldridge Skin Enhancing Treatment Cleanser as a mask, which made my skin more hydrated and strangely enough need more setting powder under my eyes. So, after setting my concealer I would wait until I noticed creasing before patting the creases back out with my Sonia G Jumbo Concealer Brush, and then using the Charlotte Tilbury powder with my Beautyblender Power Pocket Puff to lightly apply a thin layer in the areas I highlighted with the concealer mixture (skipping hyperpigmentation areas that didn’t need extra powder) and also slightly under my contour to sharpen those spots and “clean them up.” The puff still came in handy because some days during the trials it was even necessary to go as far as to spray the silicone side of the BB puff with setting spray, press that into the concealer creases, reapply a little more concealer, and then set it with powder using the velour side of the puff. This was during the trial days I started using different skincare that I should have been testing much earlier in the process. So, this is all I need in terms of baking, but those that have combo or oily skin will probably need to take additional steps to lock the makeup into place.
The puff also comes in handy while on-the-go. Instead of me needing a face powder brush and an under-eye powder setting brush (plus technically I could use other areas of the puff for other types of powder products), I just needed this on hand in the “Emergency Bride Kit” for touch-ups.

After I apply my liquid and cream layers, I set my face with setting spray, finish applying all my powder products, and then set my face again. I tested a few sprays before I moved, but the only one I brought with me was the One/Size On ‘Til Dawn Waterproof Setting Spray. I had the mini size and as I started testing, I got paranoid that I would end up using it all before the wedding and it’s not available for purchase in Germany. So, I ended up buying the Sephora Makeup Setting Spray for my trial runs. What I like more about the Sephora spray, besides the lower price, is that it’s unscented. The One/Size spray has a slightly floral, but not overwhelming smell.


I’ve tested both of the waterproof claims by splashing water on my face and have seen how the water rolls off my face without leaving streaks in my makeup. In terms of making things transfer-proof, that wasn’t the case with One/Size unless I just wasn’t using enough of it. The Sephora Spray only seemed to make my makeup transfer-proof that was in lighter layers and on lighter makeup days. It didn’t seem to work with a full face of everything. I haven’t tested the One/Size spray in the same scenario of a lighter makeup day, so perhaps they are equal. On my actual wedding day, I still stuck with using the One/Size product. We ended up doing a second day of photos, so the picture below shows what I looked like by the end of the night. On my wedding night, I got home at nearly 3 am, so I don’t have a photo for that. All things considered, I think it held up pretty well. It rained on the actual wedding day, but my makeup didn’t budge. I just transferred some of my nose contour onto my husband’s nose. I had to wipe it off him a few times, but it didn’t transfer any further after that.

I always use MAC Fix+ if I want to dampen my shimmer eyeshadows. It can make the face look hydrated, which is what I need, but sometimes it can cause makeup to not last quite as long and break down a little faster. So, I was too scared to use it on my face (nor did I have the time to test it with everything), so I just used it for my eyelid shades. At one point during my trials, I tested spritzing my highlighters with setting spray and my sample of Fix+ to see if I could intensify the look without leaving a stripe on my face. I ended up deciding to just skip that step as the Charlotte Tilbury Face Architect Glow Glide Highlighter worked well enough as a base highlighter. Others might prefer using a liquid highlighter, but powder products are always easier for me and I was planning to do a technical enough makeup application, so I’d accept easier options wherever possible. Throughout the practice days, I used some combination of multiple other highlighters shown below. On the actual day, I ended up sticking to just Charlotte Tilbury by adding the Pillow Talk Multi-Glow highlighter and I used the Tom Ford Shade and Illuminate Highlighting Duo on my shoulders and collarbone. Since I ended up wearing a faux fur shawl/stole and my hair was down, that final step ended up being pointless. It couldn’t be seen on my body. I also forgot to spray setting spray to those spots on my body afterwards, which could have potentially helped lock the highlighter into place.

Although I didn’t end up glowing as intensely as the models in the inspiration photos I procured from Google, seen below, I was still happy with my makeup choices. I applied highlighter to my brow arch, slightly above the brows on either side of the forehead, one specific spot on the bridge of my nose that I build up with contour and another spot lower down, and the tops of my cheekbones.

I mentioned earlier that I used the underpainting technique to contour. Then I used the powder contour in the Kaleidos Symphony Trio for more depth. It’s not grey toned enough to give an actual shadowed effect, so I added a mix of Feel + Real from my Hindash Beautopsy Palette to create the shadowing for my jawline, under the cheekbones, and nose contour. I didn’t use the Kaleidos powder on my nose, only Hindash’s product because I didn’t want it to be overkill in person.

When it came to bronzer, I was dead set on using the Hermès Plein Air H Trio Healthy Glow Mineral Powder because it’s the highest quality powder one that I own. However, in test photos I kept feeling like I was looking too warm toned. With a few days to spare, I tried some of my other top powders like the Glowish Soft Radiance Bronzer Powder, but that one was too red toned. Ultimately, the one best suited for my undertone is the Charlotte Tilbury Beautiful Skin Sun Kissed Glow Bronzer in Tan. Even though it’s a cream product, it went next to and slightly on top of my powder contour with no issues. This meant that my bronzer was going to be natural looking in person and likely too subtle to see much of it on camera, but it was a better alternative for me than having my face pull too orange.

I finished my face with my Dior Face & Body Powder No Powder. It blurs imperfections and helps blend the makeup seamlessly into each other. I didn’t use it all over my face, just in key areas that I wanted to touch up. If I had a sparkle-free version of Ambient Lighting Finishing Powder from Hourglass in my shade, I would have considered using that instead or in conjunction with the Dior product. Finishing powders can do wonders for a makeup look, but be sure to test in photos whether the sheen might or might not be too reflective for flash photography!

Waterproof Tests are Required

I’ve always hated waterproof mascaras because of what a pain they are to remove, but I was so certain I would need one for the wedding. I have plenty of favorite mascaras, but according to customer reviews I’ve seen online, apparently getting a waterproof version doesn’t mean it will perform as well as the normal formula. Some of the most beloved mid-range and high end mascaras have terrible reviews for their waterproof counterparts. So, I decided to try exploring the higher rated drugstore waterproof mascaras that I was familiar with in the original form. In my testing, the L’Oréal Voluminous Lash Paradise gave volume, but not as much length and was prone to clumping. The L’Oréal Bambi Eye Mascara gave length, but not much volume. I was debating whether or not to try using both, but it ended up not being necessary because I got the results I wanted from the Essence Lash Princess Waterproof Mascara.

Another alternative I considered was the KVD Beauty Full Sleeve Long + Defined Tubing Mascara. I love the length and volume of that one, and in theory tubing mascaras aren’t supposed to come off easily unless under warm water. While the KVD one seems to be harder to remove than other mascaras with regular temperature water, it can still be done. So, I didn’t want to risk a circumstance where I would have even the slightest chance of having my mascara come off. So, I stuck with using the Essence mascara.

When it comes to using eyeliner, I have a few that are supposed to be waterproof (Stila Stay All Day Liquid Liner and One/Size Point Made 24-hr Liquid Eyeliner pen), but they aren’t as effective when my eyelids get too oily. I’ve always had great results from Sephora’s waterproof liners, so I purchased the Sephora Collection Hot Line Brush Tip Waterproof Liquid Eyeliner. It definitely did the job. I didn’t end up crying, but there was a bit of rain and both the mascara and eyeliner held up completely all day and night.

For the tiny spot I wanted to smudge on my outer lower lash lines, I used the Urban Decay 24/7 Glide-on Eye Pencil. I don’t find them to be as waterproof as my other liners, but I can’t get the smudge effect with those, so this was my best option. One thing I should have considered was getting colorful eyeliners to put on my lower lash line instead of regular eyeshadows. It’s possible I could have still ended up with a mess if I had actually gotten teary-eyed. I lucked out, but that might be something to consider.

I’d like to note here that another option for waterproof eyeliners could be those false lashes eyeliner pens. I went back and forth debating whether or not I wanted to wear fake lashes for the wedding. They look amazing on camera, but they are an absolute nuisance for me to wear, especially for an extended period of time. My eye shape, with my super rounded upper lash line, doesn’t hold onto even extreme lash glues very well. Within an hour max, either the inner or outer corner will lift up. The majority of lashes are too short (in width) for my eyes because I need extra length to account for the higher degree angle of the rounded curve of my eye. If I want to rock a half-lash, I have to use 3/4 length lashes. Then, even if I put the eyelashes properly on my lash line, I can still see them in my field of vision. I still thought that if I practiced putting them on enough times, I could make them work. I also heard of the recommendation to cut the lashes into 3 pieces (also from Mixed Makeup) instead of 2. Since splitting them in half never worked for my eye shape, I was willing to give smaller ones a try. My lashes ended up looking like the Cynthia doll’s hairline from Rugrats!
Even when I tried to use the pieces just on the outer lash line, it was so hard to get them to look even since I don’t have perfectly symmetrical eyes. Plus, it’s my inner lashes that need the most help, but it would look just as strange if I had lashes there and nowhere else.

Ultimately, for all the hassle it would cause me on the wedding day, I decided to skip the false lashes. I figured I could just try to cheat the look with more coats of mascara and extending the eyeliner out a bit more. This trick worked well enough for my satisfaction. From all the trials though, I did figure out that the House of Lashes Lash & Dash Glue Liner pen makes for a tough to remove waterproof liner even without putting lashes on top of it.

Brow products are never exciting to me, so I almost forgot to mention that the brow product I used is the Benefit Precisely, My Brow Pencil Waterproof Eyebrow Definer in shade 5. Although I don’t recall if I’ve purposely tested the waterproof claims, I know from experience that I’ve never had my brows run or smudge when using this product, so I didn’t think twice about using it on the day.

The last waterproof or transfer-proof thing to consider is the lip product. I’m sure most spouses-to-be would be grateful not to have lipstick transfer onto them. However, I didn’t go that route because my lips were in too poor of condition, even with using masks. There are some great waterproof lip liners that I could have used to cover the entirety of my lips instead of opting for a liquid lipstick, but I decided I didn’t want to go that route either.

My lip combination was to use the Coloured Raine Botanical Collection Lip Liner in the shade Decadent. It’s darker than my natural lip line to give me a slight shaping effect. I consider it a transfer-resistant product, but it only claims to be long-wearing.
I then filled the insides with the Lisa Eldridge Velveteen Liquid Lip Colour in Muse. This isn’t like most liquid lipsticks that dry out the skin like crazy, but that also means it’s a low-transfer product rather than transfer-proof or even transfer-resistant. The brand claims it’s “smudge-proof and budge-proof,” but that hasn’t been my experience.
The final step for slight shine is from using my Nars Satin Lip Pencil in Rikugien. Unfortunately, it doesn’t last very long, but I wanted a little bit of shimmer and a slightly creamy look to the center of my lips. My husband hates lip gloss or any kind of sticky balmy product on my lips (which makes keeping them conditioned even more of an uphill battle). So, for his sake, I held off on using any gloss products until later in the night.

Many makeup artists commented that having some color and shine on the lips looks beautiful on camera. For that reason, I wanted to make sure I carried the Pat Mcgrath Lip Gloss in Bronze Temptation in my makeup touchup kit. On the second day of taking photos (because the weather was bad), I didn’t bother with the other products and just applied this gloss.

I chose the other three products because their tones of pink looked so complimentary with my blush. My PML lip gloss shade is a warm toned one, so that was something easy to carry with me to warm up the look if I wanted. The other lip product I considered swapping out instead of Lisa Eldridge’s was the Kaleidos Cloud Lab Lip Clay in Sienna. That shade went very well with my skin tone, but looked almost too natural. I wanted more of an impact since I don’t often wear colored lip products and usually stick to clear or slightly tinted glosses and balms. The Kaleidos product is also long-wearing and not completely transfer-proof.

Considering the amount of kissing throughout the day and night, the transfer onto my husband’s lips was minimal. It also helps that I was wearing pinks that weren’t ultra vibrant. Food was the culprit that removed most of my lip products.

Tools and Extra Makeup Helpers

I mentioned the MAC Fix+ as something I always have on hand, but another one is the Nyx Glitter Primer to help make my shimmer eyeshadows pop and better adhere to my lids. For any mistakes that need to be cleaned up, I have Q-tips, but for more precise spots I like to use these tiny fine point cotton buds from MyKitCo called the My Small ‘On Point’ Buds. I dip them in a little micellar water, which my tried and true is the Bioderma Sensibio H2O. These are the types of things that are easy to forget when getting ready, that is, until they’re needed.

For my touch-up bag, I kept my skin-tone matching concealer and brush, the BB puff, the travel size mini CT powder, and the lip gloss. I was also gifted a slim compact with a magnifying mirror. I didn’t end up doing any makeup touch ups at all on the wedding day, but it’s nice to have things on hand in case there is an accident. Other random products in my Emergency Bride Kit were bobby pins, safety pins, band-aids, ibuprofen and pain meds (in case my back decided to act up which thankfully weren’t needed), hand lotion because of the constant dryness on my knuckles in this weather and taking pictures up close of the rings, eye drops with a backup pair of contacts, and tissues.

The photo above shows all the brushes I used on the wedding photo days!

Sonia G Mini Booster – Used for darker eyeshadow shades on the outer corner. Needed a small size blender brush for precision and for it to be not too dense to build up the color slowly.
Mizuho MB123 – For applying the transition matte eyeshadows.
Smashbox Double-Ended Smudger Brush -Used to apply shadows to the lower lash line, smudging the UD liner with the rubber side, applying the shimmer highlight shades to the brow arch and inner corner.
Wayne Goss 08 – Applying concealer under the brows and to clean up any other spots around the eye makeup.
Sonia G T4 – Extra blending to the eye look with no product on the brush plus blending out the nose contour.
Sonia G T2 – Applying/stamping powder nose contour.
Real Techniques Brightening Concealer – Used on the first day used to apply highlighter on the collarbone and shoulders, but the next was was used to set my under eye concealer with powder.
Bisyodo B-ES-08 Eye Shadow – Was intended to apply the Clionadh multichrome.
Real Techniques Setting – My usual under eye setting powder brush.
MS-4 Mai Sakura Eyeshadow – Brush to apply shimmers to the lids prior to using my finger afterwards to build up eyeshadow in strategic spots.

Sonia G Jumbo Concealer – My holy grail concealer brush because it gets the most coverage by packing on a lot of product at once, but it can still smooth things out.
Amazon Brush? – Used to apply eyeshadow primer to the lids and touch up concealer in other places.
Chikuhodo FO-2 – Used to apply the Dior Powder No Powder.
Eihodo WP PC-1 PUFF Makie Powder Brush Goldfish – Used to stamp on foundation mainly on the outer perimeter and over under-painted creams and liquids. The denseness and surface area size help with quick blending if needed and also aid in giving maximum coverage from not soaking up as much product.
OdensEye Blush – Used to whip across the face the lighter shade of foundation. Functions like a stippling brush.
Sonia G Soft Cheek – Applied powder blushes lightly, which was needed since I was building up three shades.
Patrick Ta Contour – Applied the CT cream bronzer and is a holy grail product for sculpting around my face.
Bisyodo CH-HC – Used to apply highlighter to the face in a light non-concentrated way, but without being dispersed in too wide of an area.
Sephora Concealer Pro Concealer #71 – Used to apply liquid contour (the deep foundation shade) around the face. The angle of the brush was helpful, but technically many other brushes could have been used.
Eihodo Outlet 153 Highlighting/Blush – Used to apply the contour shades from the Hindash Beautopsy palette over the areas that already had the Kaleidos contour. Was very useful for it’s small size considering the shape of the Beautopsy pans.
Wayne Goss F3 – Used to lightly apply the Kaleidos Symphony Trio contour under the cheekbones and along the jawline.
Sonia G Mini Base Keyaki Version – Used to apply the Rare Beauty liquid blush for under-painting.
Bisyodo B-F-05 Perfect Fit – Intended to apply powder bronzer in a slightly concentrated amount under the cheekbones, but I used it instead to do slightly more blending to the contour areas.
Sonia G Jumbo Bronzer – Intended to apply a lighter application of powder bronzer around the forehead, though on the actual wedding day I changed plans and opted for a cream bronzer instead.

Using the correct tool for the job is extremely important. To make things easier, I started narrowing my collection down ahead of time so that I wouldn’t be wasting time digging around looking for specific brushes. I knew which one (or ones) I wanted for each specific type of makeup. This came from practicing those makeup looks as often as I did. The backup brushes I also had on hand, but didn’t end up using, are in the photo below.

Another very important tip is to make sure the brushes are clean or “clean enough” before the big day. Gunked up old product on brushes can effect the performance of the makeup. Things can be harder to blend, not be color accurate, not apply as smoothly or in the right amounts.


All this being said, and for all the effort and planning I did…the funny thing is that I don’t have up-close shots of my face! The photos below are the best I’ve been able to produce. We couldn’t get a professional photographer in time and a coworker of the family graciously offered to take pictures on her high quality camera for us. The pictures were often dark or on some setting I’m not sure what (I’m not very knowledgeable about photography myself). My focus was to apply makeup in a way that would stand out at far distances, and it’s a good thing I did because most of the pictures were taken from father back and the quality dips when trying to zoom in closer. I have some wedding photos that I ended up liking or loving after tweaking them a little, so I’m happy about that. However, I don’t have ones for blog usage that specifically showcase the makeup except the two below. Sorry about that! I had too much on my mind to really think about how the pictures would turn out after a while.

Like I mentioned in the eyeshadow section, I plan to post a Part 2 with step-by-step details on how I completed my wedding look. Over the next few weeks, I plan to create a few alternative makeup looks as well. I hoped to get it finished sooner, but I got bronchitis and was feeling sick for over a week. Then, I took two weeks off of blogging to finish the wedding planning. Unfortunately, we all got Covid immediately after that, which put me out for a while too. And now, since the beginning of March and for the next eight weeks I’m taking an intensive course so I can get A1 certification in German language, as is required for me to have in this moving process. So, my usual Monday postings will likely be interrupted again. I’ll be back as soon as I can!

-Lili

Trying Juvia’s Place Again

There are more products reviewed, discussed, and photographed in this post than what is pictured above.

I took quite a long break from purchasing Juvia’s Place products, but they had an amazing Juneteenth sale with enough items I wanted to make it worth placing the order. Besides a few controversies, it was also the fact that the palettes with six pans and under weren’t performing as well as I was used to. Juvia’s Place and Coloured Raine used to make my favorite eyeshadows in my early blogging days, but both brands have changed things. So, just as I gave it some time before trying Coloured Raine again, I decided to give Juvia’s Place another chance in 2023 to see if it was just a string of bad luck and if I might enjoy their smaller palettes again.

I also bought the Coffee Shop palette, but it isn’t pictured with the group above because I ended up giving it to one of my friends. I wanted to mention that because I told Olive a long time ago that I bought that palette, with the implication that it would eventually be reviewed on this blog, but I forgot I gave it away. It looked so beautiful, but I purchased several neutral palettes at the same time, and with my friend visiting I hoped it would make a nice surprise gift.
Anyway, I recommend checking out Olive Unicorn Beauty if you’re a fan of Juvia’s place, bright colorful eyeshadow looks, fun hair dyes, and more.

Eyeshadows

The photo above is an example of my biggest issue with Juvia’s Place shimmers from my previous review until now. This happens with slicker formula shimmers and isn’t any indication that it’s a bad shadow. It’s just unfortunate that my eyes (which produce more oils in the last few years than previously in my life) aren’t compatible with those slip-type and ‘cone’ heavy eyeshadows anymore. I can sometimes mitigate the issue by having a thick matte layer in the crease (or using setting powder) to keep those zones drier, but it doesn’t always work.

The Blushed Rose Eyeshadow Palette

This color story is so beautiful! I wanted it ever since it launched, so I could no longer resist being without it. Shade 2 called to me the most, as it looks so fiery warm and vibrant in the pan, but it’s not as unique on my actual eyes. They’re all so pretty. I’m just not sure they’re as special as I wanted.

I’m happy to say the creasing/breaking down of the shimmers wasn’t as bad with this palette. The matte quality was also better than when I decided to take a break from Juvia’s Place, but it’s still not quite as good as their older mattes. I’m at least glad they’re blendable and of similar quality to their larger “newer” palettes. The texture of the eyeshadows feel softer, which seems like a conscious decision to make them more of a buildable eyeshadow formula rather than ultra pigmented. The color is clearly still there, but it’s not as easy to layer up multiple colors to build up to the kind of depth I prefer. I think the shadows are still good for the price and with a lot of shade variety and nice finishes. I can see why people still love their eyeshadows. The switch is just not to my specific preference anymore.

The Bronzed Rustic Eyeshadow Palette

The colors in this palette look a lot more similar to each other on my eyes than I expected, so that makes it less enjoyable to me than the Blushed Rose Palette. Other than that, my praises and critiques for this palette are exactly the same. The mattes are better than I expected, but don’t give me the depth I want. They’re more buildable and thin instead of heavier and pigmented. The shimmers don’t crease as badly as I feared. The shimmers are more metallic and less sparkly.

The eye looks I created are pretty, but I was a little underwhelmed by this palette.

The Fula Palette

This palette has some really interesting shades, especially the duochromes. I was so excited when I swatched everything and I had high expectations, but wow this one was the ultimate letdown. The mattes were so hard to build. I got my color impact with Nomad and Taza, but Nomad was constantly fading away when I tried to blend it, whereas Taza had a sticking issue wanting to stay where it’s initially laid and doesn’t want to blend out. Marrakesh didn’t give me enough vibrancy of color and I struggled to blend out the edges. Then I had the issue of all the shimmers creasing horribly within hours. The bald patch photo I showed at the beginning of the post was from the first eye look shown below.
Preferences are one thing, but I think this palette goes beyond a preference thing. I don’t think it’s as good of quality. Can it be made to work? Of course. I just can’t recommend it.

The Warrior Palette

Since this is one of the older palettes before I noticed a quality difference, and one of the larger ones, I had high hopes it would be great. Unfortunately, even the newer versions of older palettes seem different than I remember. The mattes were easier to blend than in the Fula palette, but still rougher than the Blush and Bronze palettes. They don’t layer as well or build as well either. The shimmers creased, but again, not as intensely as the Fula palette.

The colors in here are beautiful and the eye looks are nice, but I had to just face the facts that Juvia’s Place eyeshadows just aren’t suited for me anymore. Thankfully, the brand has branched out into so many other areas of makeup that I can continue to seek out and use their products. This doesn’t have to be the end.

Blushes

Juvia’s Place Blushed Liquid Blush in Marigold, Rosey Posey (should have been Peach Rose), Coral Rose, and Lily Love

As I mentioned in the beginning of the post, I bought these on June 19th, but I didn’t start working on this post until October. I took out a few products here and there prior to October, but when I initially got my order and saw that barbie pink liquid blush, I assumed I just make a mistake in what shade I chose and put it back in the box. It wasn’t until I started taking product photos and swatches that I realized it was called Rosey Posey, which I knew wasn’t one of the blush shades I was interested in. I checked my order confirmation page, and Peach Rose was the shade I actually ordered, but got Rosey Posey instead. It’s so many months later that I didn’t bother to contact Juvia’s Place customer service to try and fix it.

To give some kind of reference, I’m not the biggest liquid blush connoisseur, but my favorites are from Rare Beauty and Glossier. The ones from Glossier are a little more on the buildable natural side. The ones from Rare Beauty are much more pigmented. I need such a small amount from Rare Beauty to get the full pigment I want. The ones from Juvia’s Place though are equal in pigment or even more intense! I need practically a pinprick amount of Lily Love to cover my full cheek. That one is so unbelievably pigmented! For that reason, I prefer Coral Rose which is similar in tone to Lily Love, but less red, less intense, and a small drop won’t overdo things instantly.

These blushes dry down to a soft matte finish. They come in pretty colors. They’re long-lasting and don’t fade. They’re basically a more pigmented version of the Rare Beauty liquid blushes. That being said, I still prefer the Rare Beauty because they’re overall still easier to use and blend out. With the Juvia’s Place ones, I don’t even know if they disturb foundation underneath because they’re so opaque that anyone can cover up any bald spots or patches easily. That makes them a good thing or bad thing depending on someone’s needs.

One of the things going for these is that the Juvia’s Place liquid blushes cost $18 versus $23 from Rare Beauty, at least in the US. That doesn’t seem like a huge difference, but Rare Beauty blushes can be 26 Euros in Germany depending on the shade, whereas Juvia’s are 17 Euros. So, the overseas prices is where the difference can be larger. Plus, Juvia’s Place frequently has sales on their website and Ulta starting at around 30% off, so the price gap could widen even more.

I bought Marigold hoping it would be a decent substitute for Joy from Rare Beauty, but it’s not quite the same brightness and Joy also has a dewier looking finish that I prefer. So, I would like to one day repurchase that color. However, Coral Love is a decent enough substitute for my beloved Love shade.

I can recommend these, but I have to admit I still prefer the Rare Beauty ones myself.

Lip Products

Magic Lip Oil in Watermelon

I was so excited to try this lip oil because they’ve gotten so popular in the past year, but I just wasn’t impressed with this formula. It didn’t condition my lips. It felt more like a gel than an oil. It barely smelled like watermelon (like a watermelon mixed with chemicals). It doesn’t add any color to my lips, so the slight pink tinge is just for show. The shine disappears fairly quickly and it’s not long lasting in general on my lips either. With nothing good about it except how pretty it looks in the tube and the fun shape of the applicator, it made no sense to keep it. So, it’s out of my collection.

Lip Gloss in Sis!

This is a nice, functional, basic gloss. It has a bit of color and this particular shade looks slightly milky on me, but it’s still pretty, especially paired on top of a lipstick. It’s not as high shine as my favorites, but it’s also not as sticky either. I liked it enough that I bought one for my sister, and I’d consider getting another shade at some point in the future. I just have a ton of glosses that I like and am currently trying to use up that also have a conditioning effect to my lips, so it doesn’t really make sense to buy another at the moment.

Nude Velvety Matte Lipstick in Me and Toffee

I like the somewhat vanilla scent of these lipsticks. They go on the lips smoothly without tugging. They feel comfortable to wear on the lips. They’re not transfer-proof, but last a decent amount of time before touch-ups are required. The shape of the lipstick is interesting to look at, but the shape also seemed to make it easy to apply the product to my lips without going outside the lines. They’re a matte formula but have a slight creaminess to them. My preferred color of the two is Toffee because I can wear it without a darker lip liner. Toffee refused to show true-to-color on my camera unfortunately (in the lip photo but the swatch is accurate). I planned to retake photos while in Germany, but my plastic bag of lip products I intended to bring with me weighed 3 pounds (out of a 50 pound limit). These lipsticks survived the cut where I brought it down to 2 pounds, but ultimately I had to get that lip product bag even lower, so the Juvia’s Place lipsticks unfortunately had to be left behind.

If the colors were perfectly suited to my taste without lipliner, I would have found a way to bring one with me. The shade options were what did it. So, for anyone who is able to find colors they really like in Juvia’s Place’s shade offerings, I recommend giving one a try.

Miscellaneous

I Am Magic Natural Radiance Foundation in BURKINA-#310 [Dark with neutral warm undertone]

I believe this was too dark at the time I originally tried it, but just before I left the US, it was a passable shade match. The finish is quite pretty, a natural radiance just as described, but leaning more on the radiant side. It’s advertised as medium-to-full coverage. It can feel heavy if too much is applied, so the coverage I get for the amount I want to wear is high medium. The scent is extremely strong. There’s supposed to be “Acerola Cherry ferment” in here, and the cherry fragrance they added is a frequent reminder of that. I like the smell, but still wish it was excluded or at least that it was milder. It lingers on the skin for quite a while before I can’t smell it anymore.
When I first tried this, it was with the Rituel de Fille Thorn Oil and that made it easy to transfer. By itself, it can actually set down without powder. It just takes a little longer than other foundations I own.
I wish I could have been able to bring this with me, and I was very tempted to repurchase it during their Cyber Week sale to have it shipped to my location. However, the reason I left it is because I have so many other foundations I already love and have stood the test of time, plus in closer shade matches to me. They’re all at least double the price of this foundation, so for anyone unwilling to pay those kind of prices, this could be a less expensive option to look into.

Juvia’s Place I Am Magic Concealer in J11 [Dark with a Warm Undertone]

This looks like it should work for me, but it’s a bit too light when it’s actually on top of my dark under eye circles. I love the full coverage aspect to it, but the biggest issue is that it creases fast and too deeply for my liking. I tried it twice by itself with different powders and two other times mixed with other concealers to see if that would help, but nothing worked.

Also, regarding the shades, the next one that was still a warm undertone is J8, which looked like it would be way too deep for me based on the website photos. However, the color wouldn’t change the creasing problem I had with it.

Juvia’s Place Bronzed Cream Bronzer in Caramel

Taken from my Instagram post, since I summed it up best over there, I know I bought the incorrect shade for myself, but the biggest reason I didn’t try to exchange it for a better shade is because this bronzer has sparkles in it. It doesn’t show in swatches, and it’s too hard to see in the container, but those sparkles are way more obvious and look crazy when spread out on the face. I thought I was in the twilight zone because none of the YouTubers I watch talked about it in their initial videos (people with similar tastes to me), and it wouldn’t be until much later in a declutter video or update video that they mentioned noticing it later on and not liking it. It’s such a shame because I loved the feel of it on the skin and the way it blended was beautiful. I just can’t get on board with such a glittery look in a bronzer of all things! If they ever decide to release a version that isn’t, “crafted with shimmering pearls,” I’ll buy it in a heartbeat.

Also, $18 is mid to high end pricing if the price per grams are considered because it’s only 0.3 oz versus brands like Anastasia Beverly Hills that has a cream bronzer at $35 for 1 oz. I don’t mind a small size since it’s so hard for me to use up bronzers, blushes, and highlighters. However, it’s not as affordable of a product compared to what the brand’s prices usually are. This is the same brand whose foundation is $23 for 40ml when most brands’ foundations are only 30ml.


Those are pretty much all the products I’ve tried from Juvia’s Place in 2023. I did also buy their eye primer to compare to the one from Coloured Raine, but the primer separated in the bottle and looked really off-putting, so I didn’t even try it.

This was quite the mixture of good and mediocre performances with the products, but I still have an overall positive impression of the things they make. There’s no way to know whether something will be a hit or a miss from them, but I’m always intrigued.

That’s all for today! Thank you for reading! I wish you a Happy New Year and positive things for 2024!

-Lili