Victoria Beckham Beauty Brand Review

Not pictured above (but will still be reviewed) are two additional Satin Kajals, the Brightening Waterline Pencil, and the Orchid Palette.

I utilized the 20 and 25% off sales Victoria Beckham Beauty had during November and December last year to buy new (to me) products, along with additional shades of things I already love from the brand!
So, let’s get right to the reviews and updates!

The Cell Rejuvenating Illuminator in Golden

This product contains the Augustinus Bader proprietary TFC8® blend of skincare ingredients in the formulation. I bought the smaller 20ml size which retails for €88. A mini sizes of the Augustinus Bader face creams are 15ml for €93. So, I was curious how comparable these two products would be. Unfortunately, since Augustinus Bader doesn’t sell minis of The Light Cream (only The Cream and The Rich Cream), I can’t confirm if The Light Cream has the most similar consistency to the Victoria Beckham Beauty Illuminator. I can only say that AB’s The Cream is thicker, not as lightweight, and feels more moisturizing. I don’t consider it that heavy as a skincare product on bare faced days or to sleep in overnight, but I prefer to wear thinner layers of skincare when I plan to wear makeup.

Although I need a lot of hydration to combat my dry skin, putting heavy products or adding too many layers (that build up to a thick amount of skincare) clogs my pores easily and leads to other problems. So, I always prefer using the most lightweight yet effective hydrating and moisturizing products. At a bare minimum, I try to use a milky toner and sunscreen daily. Depending on which combination I use of those two products, adding a moisturizer on top is already overkill. With this Illuminator from VBB, I tend to be able to use my milky toners and my best absorbing sunscreens together without there being any problems. So, the VBB Illuminator is better at doubling as a moisturizer and primer, coupled with my other skincare products, than AB’s The Cream.

I’ve been using the Illuminator since January, but strictly as a primer under makeup. I haven’t noticed any long-term changes to my skin, but my face feels suppler and hydrated each time I put it on. It makes for a nice smooth canvas to put makeup on and the glow is subtle. It does turn my skin a little more golden-yellow in color, but it’s only strong enough to impact the shade of my foundation if I’m using one that has sheer to light coverage. This actually helped turn one of my Chanel foundations into a better shade match, but it has also made a bad match worse. So, it would be nice to have an option that’s clear or close to it. I have heard that the shade Pearlescent might not be the frosty white color I assumed it would be, so, I might consider trying that one in the future.

This isn’t the only glowy golden product out there. I also own a mini of the Milk Hydro Grip + Glow Primer.

Milk’s primer is thicker. It has less gold pigment, which means it doesn’t alter my foundations as easily. Milk’s glow comes from shimmer particles, whereas VBB’s shine is due to a combination of shimmer and the slightly emollient finish. VBB’s sinks into the skin and is better at hydrating than forming a slight barrier (like Milk’s). Other than hyaluronic acid, there isn’t that much else benefiting the skin in the Milk formula, but it does extend the wear of makeup because it has stronger gripping power. VBB’s is better for those that prioritize skincare because, for example, among the long list of skincare ingredients is four types of hyaluronic acid instead of just one.
There is a big price difference, but part of that is due to the ingredients used as well as the packaging. Milk’s is plastic. VBB’s is super luxurious and heavy with a magnetic closure for the cap. I’ve seen the cap stand askew when I’ve taken it out of my makeup bag, but the magnetic hold is strong enough that it never got knocked off entirely.

I can also think of the Charlotte Tilbury Hollywood Flawless Filter and Dior Forever Glow Star Filter Multi-Use Highlighter as additional products that can be used as glowy primers, but they don’t feel as nice on my skin when they cover my entire face, rather than being used in specific areas as liquid highlighters.

Although I haven’t been able to detect long term changes to my skin, I enjoy the nourishing feel of the Illuminator so much that I will seriously consider repurchasing it (on sale) after I’ve emptied my current container. Even though getting the full size is more cost effective in terms of price per milliliter, VBB is still a “clean” beauty brand. So, I don’t want to risk getting a larger size and not using it up within the 12 month period after opening time frame.
Also, if Augustinus Bader ever releases The Light Cream in a travel size, I could potentially prefer that instead for pricing reasons. I’ve gotten Augustinus Bader skincare for up to 30% off at various retailers, but the maximum discount I’ve been able to get from VBB has been 25% during the holidays. Then again, AB’s product might not be as suitable for me under makeup. So, I will consider these factors and make my decision by the end of 2026.

Satin Kajal Liner (with Sharpener) in Cocoa, Fig, and Olive

It’s very difficult to get me excited about a colorful eyeliner, so it says a lot that I own three of these. Of course, I have heard so many beauty gurus praising the Satin Kajals and even going so far as to say they’re the best on the market. Considering how many good and affordable eyeliners are out there, I rarely feel that high end and luxury eyeliners are worth the price. I still can’t answer that question of worth for others, but I will say these are my current favorite non-liquid and standard colored eyeliners. By “standard colors,” I mean eyeliners that aren’t duochromes or multichromes.

There are matte, shimmer, and jewel liner finishes. Cocoa and Fig are matte, but Olive has a shimmer finish. I did not purchase any jeweled ones because that’s the only type I’ve heard aren’t as well liked by other customers (because the jeweled ones are supposedly gritty feeling).

The consistency of these liners are super creamy in the first few uses, but afterwards they are a more controllable level of creaminess that allows one to glide the product over the skin without tugging and there is enough time to smudge it a bit and smooth it out before it sets down to its budge-resistant and waterproof finish. The evenness of the distribution of color and ease of creating the shaded effect are what puts these above many other eyeliners.

Also, I am mindful to keep the proper cap on each side of the pencil. I came across a video where a brand owner explained that the cap with the extra lining inside the plastic is meant to keep it airtight (I forgot the exact term that was used), whereas the cap that fits over the smudger side does not have this lining. The Kajal could dry out if the caps get swapped for an extended amount of time. Since I hadn’t paid attention to this kind of thing until this year, I wanted to share this reminder for anyone else who might not have known this. In the case of the VB Beauty kajals, the cap for the pencil side has a white inner ring and the smudger side is black.

Besides using these to line the eyes, they also make for great eyeshadow bases to used solo or to intensify the color of whatever powder eyeshadow gets used on top.

Cocoa is a beautiful shade of brown, but it’s too light to add definition/dimension to my lash line. I still use it sometimes as a transition color in deeper dramatic looks.

I love this shade of purple, but it can look patchy when smudged or blended out. It looks best when drawn on, like for eyeliner use, and not touched much afterwards. If I use it as a base color that will be covered up anyway, then patchiness isn’t a big deal.

My only complaint about Olive is that it’s not actually olive in color/tone. This is a blue-based green or deep teal-green. I’d expect this color to be called Peacock or something. It’s still a pretty color, but the name is misleading.

I do find these to be long-lasting and waterproof (yet easy enough to remove with micellar water and a makeup eraser cloth). However, because this formula gives some wiggle room in which to be able to smudge it before it fully sets down, I struggle to use these in my waterline. They drip away or get wiped away long before being able to lock down. So, I don’t bother trying to tightline with these. I’m fine with this being the situation because of how well they perform at other tasks.

These might be the best kajals in the world, but I will always love and prefer a black liquid eyeliner pen. I very seldom have the desire to use a colorful eyeliner, so I am perfectly content with having just a few of these. I still don’t think it’s totally necessary for a casual makeup wearer to spend so much on a Satin Kajal considering how many great eyeliners are available at more affordable prices. However, I can acknowledge these are extremely good.

Instant Brightening Waterline Pencil

Historically, this type of product has always been difficult for me to use because of my easy-to-become-watery eyes. I gave up buying them several years ago and the only reason I decided to get this one is because it’s made specifically for use in the waterline. The Satin Kajals have their own formula and don’t work for me in the waterline, but are amazing for many other purposes, so I thought this product being sold apart from them for this designated task could be the answer I’ve been looking for.

In terms of this “universal” color, I do think it’s a good one. It has the right undertone balance and isn’t too light/white. Unfortunately, my watery eyes do not allow this to work. My waterline is too wet and even if I get the color to stay there, it never fully sets. The tiniest touch hours later still makes it come off instantly. Also, my eyes look too strange if I have a light color on my lower lash line and nothing below it adding definition. So, I usually put a dark eyeliner between and below my lower eyelashes. In doing so, if my pencil isn’t sharp enough to avoid getting some in the brightened liner section, I have the hardest time fixing it. And then the darker color discrepancy looks messy and amateurish.

While I like the creaminess of the pencil for gliding it across the waterline, it taking too long to dry (if at all), makes this just as much of a struggle to create this kind of eye look as all the other liners in my past. The part that is nearest to my eyelashes (basically between my eyelashes) is what stays put and sets down as long as actual tear droplets haven’t fallen and wet the whole area. So, I know this can work. It’s just not that great on me.

Posh Gloss in Poolside and Aperitivo

The Posh Glosses adhere well to the lips, and both hydrate and form a moisturizing barrier. It can last through at least one meal and several drinks before needing to be reapplied. The brand claims (and pretty much all other brands too) that their gloss isn’t sticky, but it is a little. However, it’s a lot less than many other glosses I use. I don’t think it would cling so well to the lips and be as long lasting without having at least some tack to it.

This formula has totally different ingredients from the Pat Mcgrath Lust Glosses, but they remind me of each other in how plush they feel on my lips and how conditioning they are. If I had to nitpick at the tiny differences, I would say that PML’s has a thinner viscosity, more shine, and it has a scent. VBB’s is better at conditioning my lips and the oil content makes it slightly less sticky despite having a thicker overall texture. Less gloss comes out onto VBB’s applicator, so it’s easy to get an almost as thin layer from just applying one swipe on the lips and then rubbing them together.
When it comes to the pigment level, the Lust Glosses range from being equally pigmented, less, or more pigmented than the Posh Glosses.

What I look for most in a gloss is how well it helps combat dryness and how pretty the color looks. I prefer them to be unscented and they don’t need to be high-shine (just have some shine). I essentially view my favorites as liquid lip balms. With all this in mind, the Posh Glosses have surpassed Pat Mcgrath’s formula in my eyes, but I still reach for Pat’s for specific colors. PML has twice as many shade options.
I still easily recommend both products, and they are around the same price at €34 for 4.5ml for PML and €36 for 4ml for VBB. However, Pat Mcgrath usually has a holiday sale where the Lust Glosses are marked down by 50% (or $12), at least in the US. Whether the brand will continue to do that sale during the bankruptcy proceedings is unknown. As for the Posh Glosses, I believe 25% off is the biggest discount the brand offers.

There is no shortage of great glosses out there. I will happily continue to use Poolside (Aperitivo is a brighter pink than I expected), but I haven’t found a shade in the lineup that I’m over the moon about. So, I like this a lot, but it hasn’t breached the “favorites”category. I don’t regret buying one, but given the size of my lippie collection, it should have stayed at just one.

Posh Balm in Cannelle

In the top photo, the balm is on the left half and the right half is bare. In the bottom photo, the balm is spread across the lips entirely.

The lip balm feels great on the lips. I still consider it to be a little sticky, but it’s less so than the lip glosses. These aren’t as long lasting either though and the pigment level is much lower. As far as I know, the shades Colette, Fleur, and Cassis have the pH-adapting ingredients, but Glacé does not. One of the reviewers I watch said Cannelle doesn’t have it either, but Red 27 is listed as one of the ingredients for that shade and after having used this enough times, there is now a little bit of pink around the rim of the packaging. So, I think it’s safe to say this shade is pH-adaptive too. There just isn’t a lot in it.

The amount of shine I get from the balm is good, but the color can cling a bit to the cracks of peeling skin. I have to be careful to really work the product into my lips, a bit more than I’d expect from a low pigment product.

I prefer my lipgloss to be nourishing, but I absolutely expect a balm to have even more lip-caring ingredients. While this balm does satisfy me regarding hydration, the need for me to reapply it more often than the brand’s lip gloss is why I won’t be buying anymore. I cannot gain the benefits if the moisture layer comes off and I don’t notice it until many hours later. At least when most of the Posh Gloss has worn off from eating, I can still feel residue that continues to keep my lips protected. So, if I delay in reapplying, it isn’t as much of an issue.

I will say though that the Posh Balm is more nourishing than a lot of high-end and luxury balms I have used in the past. I have not tried the reformulated Nars Afterglow Lip Balms, but I loved the previous Laguna shade (similar to Cannelle), and yet I rarely wore it because it wasn’t hydrating enough. In fact, I end up not liking the majority of lip balms in stick form, so I still give the brand kudos for the Posh Balm. One product that I like more is the Lisa Eldridge Baume Embrace simply because of the similar amount of nourishment and the extra pigment. Although I have to reapply the Baume Embrace more often, that’s the tradeoff for have significantly less stickiness.
I’m glad I bought one of these, but I don’t need anymore.

The Concealer Pen with TFC8® in MD1. 5

I would ordinarily never spend €56 (the sale price) on a concealer, especially taking into account the minuscule 2.4 ml (0.08 fl oz) of product and how much of it is wasted due to the click delivery system (and what gets stuck in the applicator’s bristles), but I had many reasons to think this would be worth it:

  1. The Augustinus Bader TFC8 blend is in this product. I rarely use eye creams, so this seemed like an easy way to finally get good skincare into this area while also being able to camouflage my dark under eye circles.
  2. Although the brand’s foundation is out of my price range, I still wanted to have a better idea of what my shade could be among the VBB complexion products. This knowledge could benefit me if the brand ever decides to release another foundation or concealer in the future.
  3. I was impressed by this concealer’s performance when I tried it out via the foil sample pack. This provided a lot more coverage than I expected and although I could only test it for six hours, it didn’t budge in that time frame. So, I figured that even if the full wear time didn’t end up going far past six hours, I could at least use this like a daytime eye cream on no-makeup days or potentially even like an under-eye primer if it played nice with other concealers.

Unfortunately, the consistency of the samples are not the same as what customers get from the actual product. The sample is thicker and less fluid. I can only assume that’s due to being old and/or it managed to gradually dry over time within the foil. That sounds like it would be a bad thing, but the sample adhered to my skin way better! How the sampler looked right after being opened can be seen HERE, but also the photo below shows the difference in viscosity and even how it looks over the lines of skin vs the concealer pen. This isn’t a one-time incident either. The photos I took below were from a second sample pack that I got from my most recent order.

It makes sense that the concealer needs to be very fluid, given the type of dispenser the brand chose. The reason this matters is because products this creamy and emollient do not stick around on me. I had a similar problem with the Chanel Ultra Le Teint Correcteur Concealer. No matter what methods I use, I cannot prevent it from being absorbed by my skin and/or fading. It starts early and just continues gradually disappearing within 2-6 hours depending on how unlucky I am.

When I put the sample and actual product side-by-side, as shown in the photo below, I can see that the right half looks more emollient and continues to look wetter after being set with powder. Also, the act of patting in powder with a brush manages to lift some of the concealer back off.

It doesn’t help that when my eyes get watery, any falling droplets makes it disappear too.

I used a lot of product under my eyes while taking these blog photos, but that is not the cause of the problems. When I use less product under my eyes, it just disappears faster. I’ve tried different powders with it, my MILK under eye primer, leaving the product to sit for a while before setting it, etc. Not only does it not fade gracefully, it also creases. So, even if I wanted to just use it as an eye cream, it looks terrible after 3-4 hours. Mixing it with other concealers or using a tiny amount underneath them doesn’t help either because the VBB concealer breaks the others down. So, this product was an absolute fail for me. It’s incredibly disappointing to buy a product, expecting it to work as wonderfully as the sample, but then it doesn’t.

I decided to post swatches of how MD1.5 compares to the others, since my shade isn’t available in the free sample pack. Although DK1 is neutral, I think it actually might have been the better choice for me than MD1.5, but it doesn’t matter at the end of the day if the fading issue can’t be resolved.

The thought has crossed my mind to try and transfer the concealer from the pen into a tiny jar (in the hopes it can dry and solidify a little without drying out completely). However, doing that could lessen the efficacy of the skincare ingredients.

Matte Bronzing Brick in 4 (Warm: Amber / Contour: Sunset)

I bought my first Bronzing Brick three years ago and posted a review showcasing Shade 5. Since the moment I first tried this product, it has always ranked among my top 5 favorite bronzers, but I didn’t use it as often because I always needed to mix the two shades. The right half had too strong of a red undertone for my preference, so I would combine it with the left half to try and balance out the color and tone down how dark it was.

I finally decided to give Shade 4 a try, and I’m so glad I did! The darker half has more of a golden-orange undertone that I can use by itself. I still use the lighter half of the pan to either diffuse the edges or lighten the overall color. Essentially, the main difference between the two Bronzing Brick colors is that Shade 4 makes it way easier for me to create a natural flush of warmth without overapplying. Purely because of that ease, I stopped using Shade 5.

These are examples of the darker bronzers in the duo used by themselves.

These are examples of how the bronzers look on me utilizing both halves of the Bronzing Brick in the proportions that I like (and not equal amounts of each shade in the duo).

In case anyone has read my old review, I want to clarify that although I was concerned that my powder might be getting hard pan, it never fully did. The look on the surface seems to really have been caused by the oil based products I was using at the time. I took the photo of Shade 4 when it was untouched, but I can attest to mine still looking normal after at least fifteen uses.

The reason I love this bronzer so much is because it’s incredibly finely milled, super blendable, and gives such a natural look to the skin. It’s matte, but doesn’t look flat. I also like the ability to tweak the color. I can pick up product easily, even with my most delicate natural hair brushes, and it doesn’t have powder kicking up everywhere. This is an expensive product, but I can see how much finer it is than the majority of my powder bronzers. Whether that small difference is worth the increased price is up to the individual consumer. As a bronzer lover, I definitely would not want to be without this.

Lid Lustre in Tea Rose and Starlight

I reviewed the shade Velvet before in my Cocoa Eye Wardrobe post I keep linking, so the other two Lid Lustres are the newest additions to my collection.
I rarely buy single eyeshadows, but most of the Lid Lustres are known for their incredible shine and sparkle. I watched many swatch videos and decided that Tea Rose and Starlight were the only remaining shades I wanted.

Tea Rose is supposed to be “infused with Quartz” and “Citrine Extract” is in Starlight. These two might not look as impressive on my eyes when used solo, especially since my camera doesn’t do them justice, but I am rarely disappointed when I use them to amp up the shimmer effect in my eyeshadow looks.
I must admit that these two shades don’t stand out as much on my eyes as Velvet does, but I still like them.

I’ve found that this formula works best when applied with a finger. It has good adherence and very little fallout. It doesn’t fade and it looks smoother if I apply it with a damp brush, but wetting it doesn’t increase the overall shimmer impact.
I don’t get creasing or fading when I use the Lisa Eldridge Liquid Silk Liquid Eyeshadow underneath because it’s a good barrier to prevent the oils from my eyelids from breaking down the eyeshadow. If I use a Lid Lustre on my bare oily eyelids, there will be creasing before it begins to break down fully. So, please be aware that if you have oily lids too, a good primer is likely necessary. I updated my original review with this clarification.

Because I have so much makeup, it’s not unusual for me to eventually stop reaching for a product after I’ve completed the review in favor of starting to use something new. When it comes to these Lid Lustres, I can’t say that they’ve been used often since last October, but the amount is certainly more than I expected!

21:50 Rêverie Eau de Parfum (Sample Size), Suite 302 (Sample Size), and San Ysidro Drive (Sample Size)

The fragrance category is the most subjective category within the realm of beauty, which is why I rarely talk about the perfumes I’ve purchased or sampled. However, it felt like a wasted opportunity to forgo talking about these altogether considering I have 3 of the 4 scents and even the travel sizes are expensive to blind-buy. Perhaps my opinions as a perfume dabbler could still be helpful.

21:50 Rêverie Eau de Parfum – “Tobacco leaves, plum, vanilla pods and Tonka beans blending with the cedarwood.”

The initial impression I get when I spray this is that it’s a sweet fragrance with some amber. After it dries down on my skin, vanilla is definitely the most prominent smell. I like that 21:50 Rêverie features a creamier type of vanilla scent as opposed to sugary.

After about an hour in, the tobacco leaves and cedar come through. This combination of creamy, smoky, and slight woody scent is how it continues to smell for the rest of the day. It projects within a small area in the beginning, but after 2-3 hours it becomes a personal scent. I have to clarify though that I only spray 1-2 spritzes of a perfume on myself, at most, since everyone I interact with in my daily life are incredibly sensitive to fragrances. The majority of perfumes I buy are basically skinscents on me (perfumes are more prone to fading/dulling down on dry skin), which is why I tend to spray my clothes instead. Doing so takes skin chemistry out of the equation. If I just spray my clothes, I can smell this perfume for longer than many others I own.

I must admit that I cannot smell the plum at all, which is disappointing since I love the smell of plums. If I was able to detect it, that would probably be the push I’d need to buy a travel size of this because this is my favorite scent out of the three from VBB that I’ve tried. This is a very nice fragrance, but I don’t love it enough to be willing to spend so much on it, especially since I have to be so careful and so selective about how and when I am able to wear perfumes out of consideration to those around me.

Suite 302 Eau de Parfum– “Black cherry and red peppercorn; rose centifolia, midnight violet, and narcotic musk; plush velvets saturated with papyrus, black leather and masculine tobacco leaf.”

Tom Ford’s Lost Cherry and Kayali’s Lovefest Burning Cherry are some of my favorite perfumes. I love a good cherry fragrance, so I expected to like Suite 302 as much as 21:50 Rêverie or potentially even more.

When this fragrance first hits the air, I can detect the sweet cherry smell, but there is a smoky spice element that overtakes it once it settles onto my skin. To me, it smells like incense.
Thankfully, this scent grows sweeter within the first hour. I can smell more of the cherries. However, after that first hour I smell florals and sweetness mixed with a peppery-spice smell, and that’s basically how it stays for the rest of the day. I don’t consider this a true cherry perfume because of how quickly that specific note just registers as sweet rather than fruity. If I check how I smell midday, I could easily forget there was supposed to be cherries at all. This scent profile overall is interesting, but I don’t like it enough to be willing to spend that amount of money on it.

The projection and longevity of this one is on par with 21:50 Rêverie.

San Ysidro Drive Eau de Parfum – “Passion fruit and pink peony; ocean air infused with rich rose absolute, saffron flower and agarwood; black amber and vanilla”

In the opening, I cannot distinguish what kind of florals are used. There is a sweetness, but it doesn’t register as passion fruit to me. The overall scent of this is bright and uplifting, though not my style as a gourmand lover. I wasn’t very interested in this scent, but I chose it specifically to review since I didn’t want the other free samples, and I have backups of the other two fragrances already.

Fairly early into the wear time, I can smell the saffron and more of the salts and wood. The dominating smell is still “sweet floral” up to that first hour. After that, I can isolate the rose smell and finally the vanilla. Eventually, I can tell there’s amber as well, but that’s as far as it goes. Once the top notes have faded, what is left behind is more my speed, but it’s also a much less unique type of smell.

I also have to admit that I don’t have many fragrances with oud, and the ones I do own are blended with so many other things that I can’t say for sure that I know how oud smells on its own. According to Google, it can be so many things: woody, earthy, animalic/musky, smoky, resinous, and “depending on the origin (e.g., Thailand, Cambodia), it can range from fruity and floral to medicinal, spicy, or leathery.”
So, basically it’s a broad category that can account for practically everything!
San Ysidro Drive had a tiny bit of an incense smell as well, though weaker than Suite 302, so I’m going to guess that that was due in part to the oud.

I don’t know if it’s just my sample, but I think it’s interesting that this projects the most of the three, but its scent is the quickest to fade (after about six hours). Without being able to smell any passion fruit, I’m not a fan of this in the beginning, but I like how it wears as the day goes on. That being said, it’s my least favorite of the three samples and I unsurprisingly don’t have any interest in buying it.

I know Portofino ’97 is popular with a lot of people, but the notes are so far away from the kind I like. It even has patchouli, which I hate 95% of the time. So, I don’t intend to ever try it.
I’m very glad that the brand offers these samples to customers though, and there is a discovery set with all four in case someone does not want to wait to get the complimentary samples one order at a time.

Additional Updates

Eye Wardrobes

Since I posted a First Impression of the Orchid Palette, I wanted update that the quality in this one is on par with Victoria and Cocoa. The mattes are soft to the touch and create low or medium kickup depending on the brushes used. The light purple shade (Shade 2) tends to lean quite pink on my skin tone, but it still looks enough of an orchid-purple color to satisfy me. The deeper purple (Shade 3) doesn’t swatch very well and looks patchy, but that quality is what gives the hazy smokey effect on my eyes that I like. Having a deep shade like this is easier to control. The mattes blend well into each other and although Shade 2 can appear as if it has a bit less pigment than the amount in all the other quads, I think it’s just a matter of this type of color not popping as much on my skintone.
The satin eyeshadow (Shade 1) can be used as a highlighter on my face. I like putting it in the inner corner since it’s much smoother than the shimmer eyeshadow (Shade 4), which is practically a Lid Lustre in pressed form. I don’t get creasing from the shimmer (but I always use an eyeshadow primer or eyeshadow base) and the shine doesn’t fade. It grips to my eyelids well enough that I don’t feel the need for a specific glitter primer or to spray my brush.

I’ve had no issues with longevity, but my eyeshadow looks are so much more impressive when I incorporate the Fig Satin Kajal into the eyeshadow looks. For example, I love how much more purple Shade 2 looks if I apply it on top of Fig. I get so much more depth from Shade 3 as well. The best part though is that my eyeshadow looks practically newly applied by the end of the night when I use the Kajal as my base. I did a side-by-side wear test and could see that without the Kajal, the eyeshadows still looked great, just not as fresh looking. The pictures I take at night aren’t the best representation (due to lighting issues), but I’ll post an example anyway.

Vast Lash

I’ve talked about this mascara in the Cocoa Eye Wardrobe review. Sometimes a mascara gets better over time, but the sample I own did not. An example of how this mascara looks on me is in the Eye Brighter section of this post. I don’t think it looks good on me and my eye lashes are at its best and longest right now because I’m still using the Sweed Eyelash Growth Serum. So, I can officially confirm this mascara isn’t for me. I can’t help but still be curious about the Future Lash mascara, but the brand doesn’t offer samples of it at this time.

Cheeky Posh

I first bought Miniskirt four years ago and it eventually started to smell like crayons, which indicated that it needed to be replaced. Even though I loved the color, which was so similar to Fenty’s Rose Latte, I hardly used it because I had such an issue with the color blending away and transferring. Still, because the Victoria Beckham Beauty brand had quickly risen to be among my top five favorite brands, I wanted to have a usable blush again. So, I decided to repurchase it.
Miniskirt continues to be my favorite shade within the range, so I thought it would be best to stick with that color.

I don’t know if the change in climate or the fact that I’m using different skincare and makeup can explain why I no longer have the same problems as before, but I’m very happy about it! The Cheeky Posh blush is a bit firm, but I am still able to draw a line or stamp the product along my cheeks and blend it out with my brush of choice without it disturbing the foundation under it. The warmth of my skin helps the blush to spread a little more as I work my Rephr LC02 brush into my cheek. Sometimes, out of habit, I still warm it up on my hand before applying it with the brush.

I can’t speak for all the shades, but Miniskirt imparts a good amount of pigment. It still sheers out a bit the more it gets worked into the skin, so I don’t have to worry about applying too much.

This product looks the tiniest bit dewy, but it’s not very emollient or sticky. At most, if I touch my face it just feels like residue left behind from a moisturizer. Setting it with powder eliminates that feeling entirely, but at the cost of turning it completely matte.

Even if I don’t set this with powder, I no longer have the issue of it transferring. If I press a napkin to my cheeks, I can only see the faintest hint of color. That does not mean that this product is long-wearing though. If I don’t use a primer, powder, or some other means to increase the longevity of makeup, this blush significantly fades from my cheeks within six hours. With helper type of products, I can get at least eight hours of wear before the fading starts to be noticeable. Twelve hours in, I can still see a light flush of color on my cheeks. I don’t know how much longer it lasts before disappearing because 8-12 hours is my typical wear test limits.

I honestly don’t know how much use I’ll get out of this because I use powder blushes at least 80% of the time. However, I’m still happy to have a fresh one.

Also, for anyone wondering about the scarf I tied around my hair in some of the photos, it’s the Victoria Beckham Beauty ’97 Portofino Scarf that was a limited edition free gift with purchase item.

I also want to acknowledge that in the time since the Orchid Eye Wardrobe launch, the brand has released a new shade of Posh Lip lipstick and two Colour Wash Bronze Water Tints. I do not intend to buy either products because I’m on a lipstick low-buy and liquid cheek products are not my thing. Plus, the Bronze Tints aren’t likely to work on anyone darker than tan. Whenever I am unsure if a product will show up on me, I try to wait and see if EnamoredBeauty on Instagram will review it (since we have similar taste in makeup), and it was pretty much invisible on her. I also watched reviews of ladies with light to medium skintones being able to pull off wearing both Water Tint shades. The decision to launch only these two colors in similar depths is…interesting.

I’m glad I didn’t have my heart set on trying that product anyway. It also means that this brand review is complete with me having reviewed everything I wanted by the brand. Anything else I buy from VBB in the future should be new products and/or shade extensions to things I love.

Important Note About the Referral Program

Victoria Beckham Beauty has a referral program, which they send reminders about to customers via email. There are very few brands I like enough to want to spread the word about, but because VBB had become one of my favorites, I figured there was no harm in talking about it.
Looking back, I could have thought harder about the fact that although I see everyone I talk to in the comment section here on my blog as friends, as well as those I chat with via social media, they are probably not who the brand meant when they ask customers to “refer a friend.” In hindsight, they most likely meant people I know personally, even though I am extremely close with several online friends across the world that I have never met.
Still, I had the sense to check the fine print details in the email, the Referral Program terms and conditions, as well as the V-Suite Loyalty Program terms and conditions. As of February 2026, there was nothing in there prohibiting customers from sharing their referral codes publicly. There was no warning stating that it’s possible for a referral code to be able to be misused and that if someone misused it, it would endanger the standing between the brand and referrer.
Based on everything I read, there was zero reason to suspect that sharing the link with my friends and strangers via my blog would bring anything but a positive outcome. Posting on my blog would bring more business to the brand than sharing with my in-person friends who don’t buy luxury makeup.

What happened to me is that I shared my referral link/code in one of my Victoria Beckham Beauty reviews. Someone used it and everything was fine. Then, in another Victoria Beckham Beauty post, I wrote a thank you message hoping the person who used my link would be able to see it and I posted my link again. Other strangers used it and that’s when my account got blocked with no warning whatsoever.

I noticed that my year-to-date spending had been reset to zero and I had been knocked back to Tier 1, which is actually the reason I reached out to customer service. It was then that I was informed that whoever else used my referral link, “are using drop-shipping addresses to place their orders which is explicitly prohibited by the terms and conditions.” Therefore, I was kicked out of the referral program, loyalty program, and would not receive any other benefits.

I had to look up what drop-shipping is, and if you use ctrl+f to search for the word “drop” it does not come up at all in the terms and conditions. Accounts with fraudulent activity can be terminated or suspended at VBB’s discretion, which is perfectly understandable. The part that they don’t state is that by posting a referral link for the general public, any fraud that a stranger commits with that link (which a referrer has no control over), will result in them flagging the referrer’s account as participating in fraud as well. Since I don’t normally participate in referral programs, I didn’t know that it was possible for fraud to be committed through a link, and as I mentioned before, there is no warning written about that being possible in the terms and conditions. So, when a customer gets an email asking them to talk about the brand with their friends and encourage them to check out the products, doing so leaves that customer vulnerable to their own account being permanently blocked. Had I known this was possible, I would never have shared it with anyone! Not even my own family!
Another aspect that confuses me is the line in the TOC stating, “Referral benefits are subject to the referral program terms, which are separate from these Terms.” So, I would have accepted getting removed from the referral program, but to have my entire account blocked for something out of my control and not clearly stated anywhere on the website or emails felt unjust.

One other aspect that I keep wondering about is the fact that Influencers/Affiliates talk about a brand and post links and codes publicly. Out of the hundreds and thousands of people who use their codes, there’s no way that none of them are misused (for example if one of the customers continually buys products, uses them, and then returns them). Yet, not a single company would ever hold an Influencer or Affiliate accountable for what a stranger does. So an Influencer who gets paid by a brand is protected from something like this, but a customer who gets a 20% off discount to give more money to a brand is considered undeserving of the same protection.

Feeling quite defeated about the whole situation, I immediately deleted the referral links from my blog. I replied to the email and figured it was 50/50 whether my account would be reinstated or not. Two days later, I got the news that my Uncle (who was also my godfather) had passed away, so I honestly didn’t have any fight in me to post about the situation on social media or do anything further to contest what happened.
I have no issues accepting repercussions if I break terms and conditions, but what I did (posting my link on my public blog) was not listed as a prohibited action. Warning that what someone does with your link can jeopardize your own personal account was not listed either.

Another line in the terms and conditions states, “Any disputes related to the Program should be directed to Victoria Beckham Beauty’s customer service team. We aim to resolve disputes fairly and amicably.”
I can say that this seems to hold true. A few weeks later, VBB wrote back that they reviewed my case and so my account was reinstated. One of the points I had expressed was the fact that the terms and conditions should be updated so that all customers now and in the future will understand what they’re getting themselves into by giving their referral links to anyone, and so they can be aware of the possible repercussions that doing so could bring (not just the positives). I am grateful that the representative on my case accepted and even thanked me for the feedback. The response back to me was very kind and understanding.
This issue was able to be resolved, but it does not change the fact that I feel it is my responsibility to warn readers about the negative side and risks that are possible by sharing your customer referral links with others. I had made a post encouraging people to refer the brand too and thanking the ones who used my VBB link. So, of course I feel a strong obligation to talk about it here in the hopes that this doesn’t happen to anyone else.

This whole thing has not changed how I view Victoria Beckham Beauty products. Other than the Brightening Pencil and Concealer Pen that simply don’t work for me, everything else is a hit. The bronzers and eyeshadows rank in my Top 5 within both of those categories. The Posh Glosses and Satin Kajals are among my favorites as well. The brand got me to spend €66 on a primer, which I am even considering repurchasing in the future. I love many of these products, and based on that I still consider VBB one of my few favorite brands. However, I still have some lingering negative feelings over the whole ordeal. I was so happy initially when my referral link was used, and then what happened afterwards was like getting kicked down several pegs. As if I should know my place as a customer and not try to share things publicly as if I’m an influencer. The benefits of a loyal customer who is in the highest tier of their reward program isn’t anywhere near as important as an influencer with clout. That’s how it felt to me.

My account getting reinstated helped to repair some of the damage, at least enough that I made another purchase since then, but I honestly still have some lingering negative feelings. Regardless, my reviews of VBB products will continue to be unbiased. There’s no denying that they are high quality products with some of my favorite luxury packaging. I don’t expect those aspects to be any different in the future and I hope to only have good things to say about the brand going forward.

Thank you for reading, and I sincerely hope this has been helpful.

-Lili

Victoria Beckham Beauty Orchid Eye Wardrobe (First Impression)

I’ve been working on a Victoria Beckham Beauty brand review (coming in March or April), but today’s post is a quick demonstration of the new Orchid palette in action, along with swatches.

For a more detailed and thorough review, please keep an eye out for that upcoming VB Beauty post.

Victoria Beckham Beauty Eye Wardrobe in Orchid

I imagine the Satin Kajal Liner in the shade Orchid would pair very well with this palette, but Fig is the type of color I would wear more often, so I bought that instead.

I have swatches for those curious how similar or not the shimmer eyeshadow from the Orchid Palette is compared to the Tea Rose Lid Lustre. Tea Rose has more purple compared to Shade 4, which is more of a Rose Gold.

I may as well share swatches of all the kajals I own, but the review for them will be in that upcoming post.

I’ve talked about the brand’s shipping in the past, which has always been fast. This time was ridiculously quick! I placed my order on Tuesday, just one hour after the V-Suite email came in, and my parcel arrived at 9 am the next day! That’s just 25 hours!
Because it arrived so fast and I just got hit with a cold today, I wanted to get these pictures and post them as fast as possible while I still have energy. Otherwise, I probably would not have been able to post this for a long time.

So, that’s everything for today! I just wanted to take the time to thank the person who used my referral link from my previous VBB post. In addition to them getting 20% off, I was able to get this order of the refill and two kajals discounted for 20% off too! So, thank you very much!

*UPDATE FEBRUARY 23, 2026: Another person used my referral link and I was notified by the brand that if someone uses a drop-shipping method to do so, it will lead to your own account being terminated. I do not recommend that anyone participate in their program considering the risks it puts your own account because of someone else’s actions. I will discuss this more in my upcoming brand review.

Thank you to everyone else who visits/follows this blog. I’m honored that you take the time to read my posts and I hope they continue to be helpful!

-Lili

Is Weighty Makeup Packaging Automatically the Most Luxurious?

The D&G Blush, ABH Highlighter, VBB Lid Lustre, and PML Quad are not pictured here, but they will be discussed in this post.

After the bombshell that was dropped regarding the Louis Vuitton Beauty line and their prices, I started to think about which items in my collection were the most expensive, which ones I thought had the prettiest packaging, if the prettiest was actually the most luxurious looking, and which ones had the most weight. I was surprised to discover that so few items fit into all of these categories.

I was happy to see the people I follow enjoying their La Beauté Louis Vuitton products, but some felt they needed to justify their reasons for making the purchase beyond just stating, “I wanted it, so I got it.” Across the board, customers who thought the items were or were not worth buying seemed to at least come to the consensus that the price (besides paying for the brand recognition), was largely due to the packaging. The lipstick components were said to be fully metal, along with the bespoke metal packaging of the eyeshadow quads. “You could hurt someone if you hit them with this,” was stated more than a few times by various people.

How a product looks and its weight are my top two criteria for feeling like the item I own is luxurious. Looks are subjective, but weight can be measured and precise. I started to think about the heaviest packaging in my collection (proportionate to its size dimensions) in order to answer the question…are these automatically the most lux?

Lisa Eldridge Rouge Experience Refillable Lipstick (68 grams)

In order to highlight how great this packaging is, I need to do a deep dive into comparing it to another brand. Please, bear with me on this, especially if you’re a fan of LV. I don’t judge anyone on how they spend their money, and this is just me working out why I am perfectly satisfied with Lisa’s lipstick being the height of luxury for me.

Lisa Eldridge took great pride explaining in her launch video how her refills were mono material, made of 100% aluminum and could therefore be recycled without degrading once repurposed, unlike the vast majority of other brands’ refills that have mixed metal with plastic.

According to Google: “You cannot usually recycle a lipstick refill that has both plastic and metal components together, as most curbside recycling facilities cannot separate the mixed materials and are not equipped to handle small, complex items.”

There is plastic inside the forever case by Lisa Eldridge, as this has a click closure, but she wanted the actual refills to be sustainable.

I cannot compare the LV lipsticks from personal experience, but it is my understanding that the refills are all metal as well and come with plastic caps that can be removed when recycling. The lipstick cases have an aluminum shell and brass detailing, but the magnetic closure that is so satisfying to use (and adds to the weightiness of a product) keeps it from being recyclable as well.

Summarized from Okon Recycling: Recycling magnets is technically possible, but challenging as it involves disassembling the magnet and removing any non-magnetic materials. However, there are some magnets that cannot be recycled.

So, it sounds as if both LV and Lisa Eldridge have cases that aren’t realistic to recycle but have refills that are fully recyclable. The LV lipstick case has a lot of expensive details like the product names and logo being etched in, the monogram flower-shaped refill bottom, etc. Lisa Eldridge has her logo etched at the top of the cap, allows the customer to personalize the base of the case with their initials etched in (up to three letters), and the case shape had to be custom made as well. Perhaps some prefer the sleeker LV design while others appreciate the vintage inspiration of Lisa’s more.

LV’s Lipstick Case + Refill is $160 and the refill alone is $69.
Lisa Eldridge’s Lipstick Case + Refill is $63 (engraving price included) and the refill alone is $30.

Sure, LV’s refill costs the same amount as other high end and luxury lipsticks in their completed form, but considering the details I listed above, is the LV case really $100 better that other brands’ cases, particularly Lisa Eldridge?

It can’t come down to the actual lipstick formula, because that’s part of LV’s $69 refill price.

At the time that I bought the Lisa Eldridge lipstick, I felt it was incredibly expensive. It is still the most expensive lipstick in my collection, based on what I paid and not the retail price. I rationalized my purchase because of the sustainability aspect, all the custom elements, the personalized touch, and how heavy it felt.

Taking branding completely out of the equation and thinking about the components alone, I do feel like this product by Lisa Eldridge is among the most luxurious out there, and I am no longer gritting my teeth at the price.

It would be nice if I liked the lipstick formula more, but there is some hope for me! I wrote a comment on Instagram that the brand responded to, and while the Velvet formula won’t be put in the refillable form, there might still be the possibility of the Lucents that I enjoy so much!

There are other things they’ve been “working on” that has taken years, such as making the empty eyeshadow palettes available for purchase alongside the eyeshadow singles, the return of the liquid blush in better packaging, etc. So, I’m prepared for this to take a while to happen.

If I can get the Luxuriously Lucent Lip Colours and/or Baume Embraces as refills, I will definitely get more use out of mine!

Olivia Palermo Beauty Eyeshadow Palette (226 grams) and Lipstick (79 grams)

Whenever I think about heavy makeup packaging, the Olivia Palermo Eyeshadow Palette immediately comes to mind. I’ve had it for years, yet I’m still not sure how I feel about the pattern, and I’m not sure what it’s technically called (perhaps wicker, woven link, basket weave, oyster strap, etc.). It just makes me think of the types of patterns I’ve seen for watch straps, which isn’t too terribly off track. Apparently Olivia drew inspiration for the packaging, “by a vintage Art Deco bracelet she was given for her 21st birthday.”

The eyeshadow palette has a magnetic closure and mirror, which further increases the weight, on top of the fact that the packaging is metal.

Although I’m not sure if they could have created a different pattern that I would like more, I can say it’s at least cool, unique, and easily recognizable. Plain flat gold is always beautiful to me, but this packaging looks different from any other I’ve seen. Well, almost. As of a year ago, Hatice Schmidt released a refillable lipstick range called, “The Gift,” with a case inspired by jewelry and the pattern reminds me of a curb chain/Cuban link style. So, there are at least two jewelry inspired components from brands that I know of.

I bought the Olivia Palermo lipstick at the reduced price of €32 (originally €40) from Niche-Beauty, and the eyeshadow palette for $28 (originally $58). I’ve discussed how I procured the eyeshadow palette in a past review, but it was during the time that I started working on this post that I felt the compulsion to finally get the lipstick. I have checked in on the brand on and off over the years, waiting for them to release additional products. Earlier this year, I saw a notice on the official website that the beauty products would no longer be sold and that they were turning the website into an influencer style page (oliviapalermo.com now redirects to her affiliate shopmy page). I assumed that meant the brand was shutting down, especially since I’ve only heard two beauty reviewers reference the brand one time each within the last three years. However, I was shocked to see the products appear on the Douglas website in either August or September, and then I saw them at Niche-Beauty as well. I don’t know if Olivia has better sales in Europe, or Germany specifically. I’m not even sure if she still has products available elsewhere in the US.

I felt Lisa Eldridge’s lipstick deserved to be in the post, but Olivia Palermo’s lipstick is the only one in my collection that is heavier. OPB’s lipstick is less expensive, but it isn’t refillable and the central part of the lipstick component is made of plastic. The outer packaging is what makes this seem so fancy.

Regarding the eyeshadow palette, it definitely screams luxury. It isn’t something you want to carry around in your purse or travel with it. Olivia wanted the old Hollywood glamour look and feel to her products, so this is something that you would want to keep on a vanity.

This is by far my most luxurious palette, and though it doesn’t have some of the additional premium features of the LV Quads, it makes me feel a lot more content about my collection and avoid FOMO. If I want heavy eyeshadow packaging, I certainly have it with this product!

Westman Atelier Beauty Butter Powder Bronzer (112 grams)

This is my golden pebble! It is tiny in size but mighty in weight!

Chantecaille is another brand with nicknamed “pebble” packaging, but theirs is plastic, thin, and it doesn’t feel substantial, even though they cost the same amount!

I bought my WA bronzer at 20% off, so the title of most expensive bronzer in my collection belongs to Hermes, even though I only bought the refill. Had I paid for the compact too, that wouldn’t have helped it to feel more luxurious than the Westman Atelier bronzer, considering Hermes’ thin plastic packaging.

This has a tiny mirror that I don’t use, and a magnetic closure. The brand has highlighters and face powders in this same style of packaging. I haven’t used their cream sticks or drops, but they don’t look as luxurious to me. The only other Westman Atelier packaging I have handled are the powder duos, which are certainly substantial and pretty to look at, but I don’t think it compares to this gold compact.

When it comes to the prettiest bronzer packaging, I think of Gucci’s and Charlotte Tilbury’s powder one, even though they are much lighter in terms of their size. However, I would never call something that’s a solid gold color ugly. So, it may as well be my most glamorous bronzer.

Fara Homidi Essential Bronzer Refillable Compact (106 grams)

This compact is about the same size and weight as the Westman Atelier Butter Bronzer. The amount of product from FH is 3.5 grams and the amount of product from WA is 8 grams. That is close enough to accounting for the 6 gram difference when I weighed the two products, which is why I’m still including it in this post.

Aesthetically, I find the Westman Atelier bronzer to be more appealing. Shiny things get me. However, I still think Fara’s is classy and pleasing to hold in the hand. Her other products come in red and blue packaging of the same weight. I don’t like the red, but the blue is very eye-catching. If the next product she releases is in purple or green packaging, it just might surpass WA’s as a favorite compact for bronzers.

D&G Cheeks&Eyes Match Blush (91 grams)

I have plenty of blush packaging that is bigger than this, and therefore heavier. However, for this small size, this is very heavy! Nothing really comes close to the weight, but I have to say that Gucci’s powder blush packaging is quite nice too, even if it’s lighter. Visually, I like Gucci’s more as well. In fact, I have a lot of blushes that aren’t luxurious feeling, but I love them anyway (such as YSL’s Make Me Blush Bold Blurring Blushes and Too Faced Cloud Crush Blushes).
So, this is one of the few categories where my heaviest blush might be the most luxurious, but it isn’t necessarily my favorite packaging. I do like it a lot though!

I have to add that this packaging feels like a mixture of plastic and metal components. I believe there’s something in the base of this compact adding weight artificially, especially since it doesn’t even have a magnetic closure. It has a push button instead.

Victoria Beckham Beauty Products:
Matte Bronzing Brick (166 grams), Eye Wardrobe (116 grams), Cheeky Posh (37 grams), and Lid Lustre (41 grams)

Similar to Olivia Palermo Beauty, VBB has a certain aesthetic that they maintain across most of their products. I like the horn brown/tortoise pattern, and it can be fashionable, but I don’t automatically associate it with luxury because of how many cheap products I’ve seen made in tortoiseshell style. The gold colored trim helps to elevate the look of the packaging, but it is the weight and feel of these components that make them undoubtedly luxurious.

The Bronzing Duo and Eyeshadow Quad are among my heaviest based on size. The Cheeky Posh blush is small and doesn’t have that much extra weight, but I figure that’s because the component isn’t refillable like the other two. I’m including it because it has the same style of packaging as the others, and I still feel bougie when I handle it.

I rarely buy single eyeshadows, so I don’t have much to compare in terms of weight. The prettiest I own is probably the Charlotte Tilbury Hypnotizing Pop Shots, but those have lightweight plastic packaging and they are powders, which I don’t believe is fair to compare. It would be interesting to see how the glass packaging of Charlotte’s Eyes to Mesmerise stacks up, but I don’t own that.
I no longer have the glass packaging of Maybelline’s 24 HR Color Tattoo, but the best I’ve got is Melt’s Gel Liner (47 grams) and a MAC Paint Pot (56 grams).
I like glass as a component material, but it’s not uncommon to find for eye products. The Lid Lustre packaging has an elevated look compared to MAC’s, for example. The Melt Cosmetics Gel Liner that has the gold lid and butterfly print around the rim with the glass base is prettier to me, while also being slightly heavier. However, the font for the brand logo makes it look less sophisticated. I don’t think eye related categories of makeup follow the trend of weight indicating how luxurious a product will look and feel.

One thing about VBB packaging that does take away from the experience is the issue with the closing mechanism. I heard this was a problem in the past, and I never had an issue with my Bronzing Brick, but my eyeshadow quad doesn’t always stay shut when I snap it closed. Sometimes it’s fine, but other times it likes to pop back open with the slightest touch. I haven’t heard about anyone else having an issue with the quads, so perhaps I’m unlucky in getting one of the few faulty ones.

Pat Mcgrath Mothership Palettes (392 grams) and Eyeshadow Quads (122 grams)

All the previous components I’ve discussed had metal or a mix of metal and plastic packaging. The Mothership Palettes are fully plastic, but they are quite hefty in weight. The palettes are big for only holding ten eyeshadows, but that black shiny lacquer with the gold bottom still look lux to me. My Victoria Beckham and Olivia Palermo palettes are the only ones I can recall from my collection that aren’t made of plastic or cardboard. In fact, the Victoria Beckham Eye Wardrobe quad is only six grams less than a Pat Mcgrath quad, but Victoria’s compact is almost half the size!
I still chose these PML products as the next heaviest in the luxury category, though I have to admit that I have some lightweight quads that look fancier because they are gold colored. For example, Tom Ford (the trim technically), Guerlain, YSL (trim), Prada (mixed gold and silver), Lisa Eldridge, etc.
I find it difficult to equate weight with luxury in the eyeshadow category because of how many bulky heavy palettes brands have released over the years. So many of Jeffrey Star’s earliest palettes, Plouise, and Glamlite’s Food palettes were huge. I also recall when Stila had the Luxe Eye Shadow Palette in Happy Hour, which was a similar weight and size to the Mothership Palettes, but I bought it for $36. I can’t remember what the full retail price was, but it cost nowhere near the same amount as a Mothership.

So, I’ve come to the conclusion that weight doesn’t automatically equate with luxury in this category either. However, because of how uncommon it is to find hefty quads and palettes that are reasonably sized (Olivia Palermo, Victoria Beckham, and Pat Mcgrath), the ones that are weighty feel extra special to me.

Beekman 1802 Milk Tint SPF 43 Tinted Primer Serum

I didn’t want to include skincare, but this technically falls under the makeup umbrella. If I count it as a primer, it might be the heaviest I ever owned (even heavier than the glass bottle of Rituel de Fille Thorn Oil). Beekman’s looks like ceramic, but it’s colored glass.

I have to say “might be the heaviest,” because I don’t recall how it compares to the Guerlain L’Or Radiance Primer (now called the Guerlain Parure Gold 24K Radiance Primer), which is definitely the most luxurious looking primer I ever bought. The look of the Beekman product doesn’t appeal to me at all, but I was so impressed by how it felt in the hands. I had to leave it behind though because it was so heavy that I didn’t want to bring it back in my luggage.

If this counts as a skin tint, then it’s a lot less special. Plenty of brands make glass bottle complexion products. That’s why I didn’t include any true foundations or concealers in this post, because the prettiest bottles in my collection tend to look and weigh around the same.

When it comes to heavy primer packaging being the most luxurious, I have to say the Guerlain primer squashes that theory.

Anastasia Beverly Hills Smooth Blur Bronzer (112 grams) and Glow Seeker Highlighter (125 grams)

This bronzer is larger than the one from Westman Atelier, but it weighs the same. The reason I decided to include it anyway is because it’s still substantially heavier than the remaining bronzers in my collection. Plus, the highlighter component is a similar size and even weightier.
I cannot think of a single highlighter I own that comes in heavy packaging, other than this one.

I have noticed over the years that ABH has gradually been upgrading the packaging of most of their products. Their two most recent mascaras felt like either super heavy plastic or a mix of metal and plastic. The Smooth Blur Cream Contour Stick has a brushed gold colored metal cap and additional gold details. The Smooth Blur Matte Bronzer and Glow Seeker Highlighter have a magnetic closure and they feel quite substantial in the hand. I’m impressed with the packaging and find it to be quite pretty, but this is still another example of how weight doesn’t necessarily equate with a luxurious look. This packaging feels so much more substantial to hold and interact with than pretty much all others in the drugstore, mid-range, and high end categories. It feels like it should cost more than it does, and it looks appropriately high end to me, but not quite broaching luxury territory. I still think the Gucci Bronzer packaging tops it, despite it being lighter in weight, because it looks classier overall. As another example, MAC’s Sunstruck Bronzers look so beautiful, even though they are in lightweight compacts as well.

Final Thoughts

Based on my own personal collection, I’ve confirmed that in certain makeup categories, the most luxurious packaging is the heaviest. At the same time, I have many other products with a timeless and elegant look to them that are lightweight and made of plastic or other inexpensive materials. Essentially, the weight of a product enhances the luxury experience, but it does very little to elevate plain looking packaging. The best example of this is the Beekman 1802 Tint.

If I can get an Olivia Palermo palette that retails for $58 and feels ultra lux, but I can also buy a limited edition plastic Chanel quad for $86 and still feel like that’s luxurious as well, would that be considered silly? Should I be raising my expectations for all luxury brands?
At the beginning of this experiment, I would have said yes. However, I now see that if Chanel, Dior, Gucci, and other designer brands used higher quality materials, their products would likely fall in the LV Beaute range of prices (if not more). Some examples of that are the Chanel 31 Le Rouge lipsticks in the glass case, Dior Rouge Premier Lipsticks with the ceramic case and “formula infused with 24k gold,” along with the Guerlain Rouge G Exceptional Piece lines. There is only so much a person is willing to pay for a product from a luxury brand if the materials are the same as a mid-tier brand. So, that keeps designer brands from going overboard with their prices. There are also advantages to using lightweight materials, such as them being more convenient to take on-the-go for customers or makeup artists with large kits, sitting at attainable prices for aspirational shoppers, thinner packaging contributing to less waste of materials and sustainability efforts, etc.

So, when I really think about it, I wouldn’t be able to buy as many products in the luxury category if the components were more expensive to make or if they were made from higher quality materials. In fact, the majority of the products in this post were purchased with some kind of discount. Of course, I would love to have all my luxury goods in weighty packaging, but if that means I would have to accept those products being less likely to go on sale and/or accepting that the prices of them would double or triple, I am unwilling to do so.

The Dior Powder-no-Powder is one of my favorite makeup products of all time, yet the most I was willing to spend was €45 (essentially just paying full price) to get my name etched onto the compact. If I had the opportunity to buy it in a gold colored compact with a magnetic closure or some stunning limited edition pattern for €100, I don’t think I’d be willing to do that. This tells me that despite a product having a holy grail formula that is unable to be duped, I still have my limits. Some makeup will just never be worth it to me to buy, past a certain pricepoint, no matter what it’s made of. That means I cannot use the product’s weight, materials (including formula), or looks to justify a super high spend amount. However, I know that when a product gets hyped up, it can be much easier for me to consider crossing that price threshold if I can make a case for it being top tier from every other angle.
I bought one of the Chanel Boutons quads directly from Chanel because so many influencers were told by their SAs that the collection would be extremely limited, and I feared missing out. Less than one month after launch, I found the quads at multiple retailers for a minimum of 30% off.
FOMO works similarly to getting caught up in the hype of a product. I sometimes make purchasing decisions that I normally wouldn’t.

This is why I decided to make this post. I know there are others like me who enjoy luxury makeup and don’t have the biggest budget to work with. There are those who will be tempted by the exclusivity of a certain new beauty line and would normally not even consider getting anything at those prices, but the hype may be wearing down that resolve.
To those that want to be talked out of buying makeup at $100 or more…just remember that luxury makeup with fantastic formulas and high quality packaging can be found at a lower price. This post is full of examples of this. If one brand is out of your price range, you might be able to get similar products from another prestige brand. Other amazing and beautifully packaged products are just around the corner.

I hope this topic has been interesting, and even helpful.

Thanks for reading!

-Lili

Review of the Danessa Myricks Yummy Skin Line

This is technically a review of some of the Yummy Skin line.

I admire Danessa Myricks’ artistry and her dedication to her brand. Even when she comes out with a product that isn’t necessarily new to the market, there’s always an innovative twist to it. For this reason, her products have always either worked exceptionally for me or really didn’t suit my needs. This is why I’ll never be the first to review something by the brand and why I don’t have as many things to post about despite how closely I pay attention to their releases.

I’m sharing my thoughts about these products now, but the timeline of my purchases are as follows:
Yummy Skin Microfiber Velvet Sponge – June 18, 2023
Yummy Skin Moisture Repair Balm Serum – July 5, 2024
Infinite Chrome Pencil – July 5, 2024
Yummy Skin Lift & Flex Hydrating Concealer – July 10, 2024
Yummy Skin Serum Tint – November 8, 2024

Some of these items I’m still using today. Some of them, I had to redo the testing process because I forgot how they performed! Anyway, onto the reviews!

Yummy Skin Moisture Repair Balm Serum

The texture of this balm is like a firmer version of Vaseline. I despise having products that don’t set down to a dry touch on my face, but I was so desperate back then to find a product that would lock in moisture on my skin that I was willing to take the risk, at least when a sale rolled around.

Excluding the hottest days of summer last year, natural finish foundations looked matte on me and dewy ones looked satin due to my skin being drier than usual in a new climate. Using the tiniest amount of this balm, where barely any residue is left on the skin, results in foundations looking the proper finish they’re supposed to have. With my small amount, any foundation that sets without needing powder will still do that.

I saw the amount that Danessa Myricks uses, thanks to Instagram, and it’s way more than I use. When I try to use closer to the recommended amount of balm, my skin feels heavy at first, but I eventually get used to it. After adding foundation on top, my face looks like it has more than a natural finish, but it doesn’t get to dewy levels until somewhere between 3-5 hours of wear depending on the weather and how much sweating I’m doing. Once it gets to that dewy point, it makes my foundation much easier to transfer. It also won’t set to a fully dry finish on me, even in the beginning and even with powder on top.

I also continually have problems with my nose area and it making my foundation there look patchy or broken down. So, even on my driest skin days, I avoid applying it to this area.

If I apply more than a tiny amount, my foundation will eventually get oily looking and become easier to transfer. My makeup everywhere starts to break down around the six or seven hour mark.

The photo above is the only example I have of this. I’m sorry that it’s a washed out photo and that I didn’t want to take additional pictures. I did not want to deal with the transfer issue and heavy feeling again.

So, essentially, I like this product if I use it super sparingly in the high points of my face where I don’t mind having some glow. Starting to use milky toners again was actually the solution to my dry skin issue, and made it unnecessary for me to apply this all over. Now, I pretty much use this product more on the back of my hands than on my face!

I’d also like to mention that I find the packaging of this product very satisfying to interact with. I like the addition of the spatula at the top, the beautiful bronze lid with a semi transparent jar, and the balm color that reminds me of orange juice despite actually being colorless on the skin. It’s fragrance-free and smells like a mix of wax, oil, and petroleum. I normally don’t advocate for scents in my products, but I could have made an exception for this one considering how it smells.

Yummy Skin Serum Skin Tint in Shade 11 and Yummy Skin Lift & Flex Hydrating Concealer in Shade 13

As seen on the timeline, I purchased the concealer first. I chose number 13 because the model showcasing it looked closest to my skin tone. As it turns out, the depth is about right, but it’s quite orange. So, it doubles as a corrector and concealer for me. If this product worked as well as my other concealers under my eyes, I would have considered buying number 12. Unfortunately, it creases too much (moving out of my under eye lines) and disappears too quickly. My under eye area produces oil between some of the wrinkles, but is dry elsewhere. So, it’s a tough spot for a lot of concealers to handle. However, this product works perfectly fine on the rest of my face that’s smoother. So, I use it mostly around my mouth area and spots with darker discoloration. It’s nice that it has high coverage and that I’m still able to make use of it. A concealer that doesn’t work under my eyes doesn’t have much chance of being considered part of my favorites though by default.

Purish had a fantastic sale on Danessa Myricks products, so that’s why I finally gave the Serum Tint a try and chose my color based on the concealer match recommended by the brand. I’m very happy with Shade 11 and think it’s the best match. I consider it a golden color because it’s a good balance between yellow and orange. Even though I’m still a bit darker than usual, the coverage being light (or on the lighter side of medium if applied with a brush) allows for wiggle room. It’s called a Serum Tint, but it gives me similar coverage as Fenty’s Liquid Eaze Drops and almost as much as Nars Sheer Glow.
I like the nozzle because it makes it so easy to control how much or little I want to squeeze out. And even though the product is thick enough that when I draw lines across my face it doesn’t drip or move in the slightest, it’s not so thick as to feel heavy. The consistency feels like applying a skincare moisturizer.

I would call this a satin finish foundation on me as it’s not as glowy as I expected. It does look even better when I use a sparing amount of the Yummy Skin Balm with it, and it feels more hydrating than it looks outwardly. If I want my skin to look truly luminous, I just need to apply a very generous amount of my glowiest milky toners as part of my skin prep.

Overall, my skin looks smoother with the tint on. I like that it fully sets down without needing to be powdered and it doesn’t transfer much. The thickness of the tint can basically withstand the consistency of the balm. This lasts all day and I think it’s very skin-like.

I don’t know how effective the infused skincare ingredients are in the long-term, but I can agree with the hydration and moisturizing claims. This doesn’t have any fragrance and I like this packaging as much as the packaging of the Yummy Skin Balm. Besides the convenience of the squeeze tube and nozzle, the cap’s color and shape is aesthetically pleasing.

I’m very happy that this turned out to be a good purchase. Even though I got it on sale, I think it’s definitely worth buying at full price. It performs and feels like high-end and luxury foundations. I mentioned in my Project Pan post that I may end up adding this to the bunch after reviewing it. Since I kept it in my foundation rotation even after the testing phase, I think it’s safe to include it in there.

Yummy Skin Microfiber Velvet Sponge Dark Chocolate

I’m fairly certain I used this sponge once or twice when I first bought it, but then did not use it again until February of this year. Since sponges are intended to be thrown out every few months, is this still considered hygienic if I only used it a few times and then kept it in a bag away from dust and other elements for over a year and a half?
I don’t know, probably not, but I did this for science (and not wanting to buy another one)!

The sponge in dry form versus damp

This feels very firm in its dry form. It’s softer after being wet, but is still firmer than other sponges I’ve used. The microfibers make it feel slightly velvety, like applying my makeup with a cloth. However, it’s not the same as when I’ve used my Blendiful in the past. The end result is the same as with other sponges though, only differing in the way that I need to use this. With most sponges, I’m used to pouncing it all over my face and the sponge pushes the product in a wider, diffused, and partly diluted area. This sponge does a bit of diluting and soaking up of product, but if I apply foundation to my face first and tap this over it, it just spreads more dots wherever the sponge touches instead of spreading it out. When I use the Danessa Myricks Serum Tint, I usually draw lines on my face and use a brush to spread it around. As seen in the photo below, there are a bunch of lines on the bottom of the sponge were the lines just stayed on there and didn’t spread out.

So, the technique I have to use with this sponge is to spread foundation across my face with the flat edge and then tap it to blend after. If I still want to use the bottom, I have to do a drag and then bounce motion, not quite the same as a press and roll with other beautyblenders.

When it comes to cleaning this sponge, it takes much longer to dry and I can’t get it spotless, although the color makes that hard to see (which I like about it). I can only really tell that it has a stain when I run it under water.
Another benefit is that it’s more tear-resistant.

I go through brief phases trying to use sponges and it’s just not for me. The look and feel of this sponge is different from any other I’ve used, but the end result isn’t any different. So, I don’t feel the need to repurchase something like this. It’s a nice product, but I much prefer more affordable sponges, or the classic original beautyblender.

Infinite Chrome Pencil in Bronzite

Heart shaped swatch at different angles.

I have discussed this formula of pencil already, but this is the only additional one I have purchased since then. It’s waterproof, thin enough to be used precisely, and the strength of the shift depends on the shade. Bronzite is probably the hardest to see, as it has only ever looked bronze on my eyes.

This, at least, has more impact than the Golden Brown liner from Oden’s Eye. I also only paid 9 Euros for Bronzite on sale.
Black eyeliner is my go-to, so I don’t use this very often, but I don’t mind having it in my collection. It still gets used once every 2-3 months.


Everything I reviewed today are products I will continue to use until they go bad (excluding the sponge I’m tossing for being old). However, the only one I would consider repurchasing is the Yummy Skin Serum Tint. I like that one a lot. The rest are good, but able to be substituted by other makeup I own.

That’s all for today! Thank you for reading!

-Lili

Trying More Makeup From Nabla and LH Cosmetics

The retailer Purish was having a birthday sale in July. I didn’t know anything about the Berlin based company until this year when I realized I could get some harder to find indie products on their website. Along with some Danessa Myricks products I plan to review at some point in the future, I bought items from Nabla and LH Cosmetics that I’ve been eying for a long time while in the US, but didn’t want to deal with the shipping costs. I’ll be discussing them in the order that I tried them, rather than grouping by brand. I hope you’ll find these reviews interesting and helpful!

Nabla Close-Up Blurring Blush in Satisfaction

I love Nabla’s Skin Glazing blushes and have long wished for a shade extension. So, even though these new blushes are a matte formula, I felt compelled to try at least one of them. The shade I chose can be iffy as to whether it will work for me or not. The color reminded me of Too Faced’s Cloud Blurring Blush in Velvet Crush, Tarte’s Amazonian Clay Blush in Exposed, and Sephora’s Duo Matte Blush in English Rose. It might even be similar to MAC’s Gingerly, but I would need to see it again to know for sure. In any case, some of the above work for me all the time or just in winter, so I took the chance. The only one I have with me to compare in swatches is Sephora’s English Rose. I intentionally mixed the two split pan colors together to get as close to Nabla’s Satisfaction as possible. English Rose can look completely different if I use more of the pink within the duo.

If I just use Satisfaction on my bare cheeks, it’s a little ashy looking, especially because it’s a matte formula and I have dry skin. However, when it blends into my foundation, the color warms up further and looks just as I hoped. I like vibrant poppy blushes, but sometimes I like having just a flush of pink. Sometimes, I want light pink cheeks like an anime character. It all depends on my mood! In order to get as much payoff as it looks in the photo below, I had to really pack it on my cheeks. A normal amount is very subtle.

I have no blending issues or longevity issues with this. The part I dislike is actually the smell. It smells like a mix between chalk and chemicals, though not as strongly as the MAC Bronzer issue when those launched last year. I used to smell it only when I first opened the compact and then it would dissipate in the air. I noticed a similar thing with the LH palette that’s being reviewed next. What a strange coincidence! By now though, after many months, I only get a slight whiff of the chemical smell if I put it right up to my nose.

I like the color of this blush, but I have to admit that after comparing it to the Sephora duo, I like Sephora’s more. The Nabla blush is supposed to be blurring, but I don’t find that to be the case. Sephora’s is a soft matte, which is a more flattering finish for my skin type as well. Plus, with English Rose, I can tailor the color to be similar to Satisfaction or more vibrant if I’m in the mood for more of a punch. The times I don’t feel like mixing is when I’m most likely to use this. I don’t foresee myself buying additional shades.

LH Cosmetics Reload Palette

There are elements that I really like about this palette, but I’ll start with the issues first. I love how Flow and Silence look in the pan, but if you keep blending those shades back and forth, they turn much darker. Flow becomes a dark purple and Silence turns dark grey. I even used it as an outer corner deepening/smoking shade in the fourth eye look below. It doesn’t matter whether I use primer or not, it stays the pan color when first placed and patted on (which is how I could get them to look alright in swatches), but the moment I blend, Silence turns grey. It’s not an issue of dirty brushes either. I literally tried it with a brand new brush. Considering I already have Offline to deepen eye looks, and I don’t really have much in the way of mid tone mattes since Flow and Silence don’t count, I’m unable to create the kind of looks I intended without reaching for other palettes. The eyeshadows are still pretty, but more dramatic than anticipated.

Thankfully, I have no issues with the colors of the other mattes. I was also able to use three different bases for the eyeshadows and the performance didn’t change. The shadows are pigmented and require a bit more time to blend than I’ve been used to lately, but the final result is worth the effort. At least, that’s what I thought in the beginning, but I’ve only used this palette one or two more times after my initial rounds of testing were completed.

The shimmers are on the thicker side, but I suspect it’s for adherence purposes. I don’t feel the need to apply them damp to increase intensity on the lids, nor to keep them together. I don’t have any fallout issues with these. I also like that there is a warm toned option with Reset and an option to go with the pinks with Energy. The shimmers pick up easily on a brush, spread and blend nicely, and they don’t have enough slip to them to cause creasing on me.

The color story allows one to take the color scheme in different directions: monochrome pink look, neutral, neutral plus one color, blue-green, warm or cool, etc. It’s just a shame that the variety is lessened by Silence and Flow. I would have loved to put a true olive green in the crease, have Moss on the lid, and deepen it with Offline.
I’m not disappointed by the performance, only let down by the shades because this could have been a palette I reached for quite a bit due to the convenience of having colors I love all in one palette. Because I have to pair it with something else, the reality is that I use it less than I’d like.

I also need to mention that these have a bit of a chalky smell. This palette is not cheap (even though I bought it at half price) and the eyeshadows are made in Italy, so I don’t think this was cheap to produce. However, that’s what I associate with this type of smell. I only smell it when I first open the palette and the kickup flies through the air. So, it’s not a big problem, but an aspect I don’t like. Especially when I think about Huda Beauty 9-pan palettes that are a similar size, and cost 29 Euros at full price, compared to the Reload palette that’s 49 Euros at full price. The formulas are completely different, but I like quite a few of Huda’s Obsessions palettes and if both brands had a palette comprising of similar colors, I would choose Huda’s.

Nabla Cupid’s Arrow Longwear Full Colour Stylo in Arrow #12 Khaki and Arrow #13 Mauve

These weren’t on my radar until I saw Angelica Nyqvist using them more frequently in her videos during the summer. Since they were on sale and I realized the colors I wanted would compliment what I was missing from the LH Reload palette, I figured I may as well try them.

For starters, the experience is slightly different depending on whether or not an eyeshadow primer was used underneath everything or not. What is the same for both is that liquid eyeshadow goes on top of the Nabla stylos well when used as an eyeshadow base. When this product is used as an eyeliner, it holds onto the skin very well. It’s budge-resistant and water-resistant. When I first apply it, I try to keep my eyelids closed to allow it to set and try to avoid creasing. It only takes a minute to set on an un-primed eye. In one instance on a primed eye when I had to scratch around my lashes, I placed my thumb near the lid to hold it steady and got transfer on finger. Essentially, the more emollient a primer is, the longer it takes to set. In this instance, it was closer to 10 minutes.

On a primed eye, Khaki essentially looked the same, but Mauve was warmer and leaned pink (as opposed to no base where it looks cooler toned purple-mauve. I can draw the stylos on smoothly to apply them without needing primer, but if I want to blend the edges or smooth it out with a finger, it takes too much product off and I can see my skin discoloration underneath. On a primed eye, it’s easier to draw smoothly, but blending the edge also removes the primer with it and I can see bald patches left behind. So, it’s best if I draw product on, but use a lighter powder to blend out the edges.

On a non-primed eye, applying the Nabla Stylo and adding another powder eyeshadow on top doesn’t result in as much creasing, but over a primed eye it settles in my deepest eye crease. The bottom line is that I prefer to use this product as a creamy easy-to-glide-on eyeliner, and perhaps as an eyeshadow base in areas that I don’t have lines yet, such as the mobile lid. To use this as a standalone eyeshadow is too finicky for me. It’s easier to use a powder or more traditional form of cream and liquid shadows.

LH Infinity Bronzer in Forever

This purchase was made specifically because of Kackie Reviews Beauty. She took my curiosity and tripled it with her gushing about how great it is in multiple videos.
With only four options available, I chose the darkest one. The shade Forever has enough depth for me, but will not work on someone with a rich skintone. It’s debatable how well it would suit someone within the deep category. My other concern was whether or not the color would be too warm of an orange, but I was compelled. The stars had aligned and now seemed like the time to get it.

It’s a bit silly, but I will admit that there was something visually drawing me in too. There was some reason I couldn’t stop wanting this product from the moment it launched. It wasn’t until I finally bought it that it clicked. The pattern in the pan is similar to the limited edition version of Becca Shimmering Skin Perfectors! In my review, I talked about how I experienced regrets for over a year because Champagne Gold was discontinued, and how I immediately bought it when it popped up on the Hautelook/Nordstrom Rack website.

I don’t think I ever made that review comparing and discussing the situation between Lunar Beauty’s Moon Prism highlighter and the Makeup Revolution highlighter packaging debacle, but this crystal pattern I’m apparently obsessed with is on the outside of both compacts and I bought those back then despite never using the highlighters inside! And now, I believe I have solved the question why my inner makeup goblin couldn’t let the LH bronzer clear out of my mind. I think that experience of FOMO from the Becca days has continued, and now when I see makeup with that pattern I feel like I am missing out if I don’t get it. I’m finally aware of the psychology behind it, so I hope I’ll be better equipped to not let that be a factor in the future! As I’ve got the product now, let’s chat about it!

This bronzer feels very smooth to the touch. It isn’t as buttery as the Westman Atelier one, nor as creamy clay-like as the Glowish bronzer. The closest comparison I have is to the Kaleidos Symphony Contour Trios, which in turn feels like a lighter pressed version of the Hourglass Ambient Lighting powders. The LH bronzer has medium-buildable pigmentation and lasts all day.

Whether I get a smooth and diffused application or an uneven concentration depends entirely on my brushes. Because the surface of the bronzer has mounds and divots from the pan design, if the brush I choose doesn’t pick up an even layer (or I don’t swirl or sweep it around to coat it evenly), it will stick to my skin unevenly when I apply it and require me to spend a bit of time buffing. I tested a lot of new brushes with this bronzer specifically, so I was able to see that the density of the brush doesn’t matter as much as the even coating. I can use a dense brush for a strong yet blended look, or a fluffier brush to look seamless with the skin. In the photo below, I built up the bronzer so it would be more obvious on camera. It can also be built up to look smoother than I depicted, as I hadn’t learned the brush trick at the time I took the photo.

Because of how warm the color is, it’s harder to be able to tell I’m wearing bronzer, as it blends into my warm colored blushes (as seen in the right photo above).

Even when I use my best bronzer brush with this though, and even though I can get it to look smoother, it’s still doesn’t look as seamless as some of my other bronzer favorites.

This photo was taken a month later in the peak of summer, so I’m a little darker. The bronzer color matches better after having gotten some sun, and I used my best brush with it. A tiny bit of foundation, concealer, and the bronzer are all that’s on my face.

This is described as a luminous bronzer, but it doesn’t have much of a glow. I consider it slightly more radiant than a soft matte bronzer. There aren’t traditional shimmer particles that I can see, just sheen from the mica. It has even less of a sheen than some of my semi-glowy favorites.

To show the undertone compared to other orange bronzers, I have swatches of Kosas, a true luminous bronzer, and Armani’s Luminous Silk Bronzing Powder that has some shimmer particles as well as the mica-like sheen.
“Forever” is the darkest option from LH, but Kosas and Armani both have a deeper option in their lines. Just something interesting to note.

I like this bronzer, particularly at the discounted price I paid. However, there are tons of bronzers I like. I estimate this would rank no higher than top 30’s or 40’s among my collection. It’s good, but didn’t quite live up to the hype for me. The sheeny finish isn’t strong enough on my face for me.

Nabla Beyond Jelly Lipstick in Ardor

Among the YouTubers I watch that review Nabla products, this particular formula has always been highly rated. So, getting it at half price was more than enough of a reason for me to buy it!

The lipstick component has a beautiful design with clear elements and black and gold touches that makes me think of timeless elegance. In the hand though, it feels like acrylic plastic, which I haven’t decided if I like or not.
The fragrance used is an incredibly strong combination of fruit and florals. It’s pleasant, but also distracting. In the beginning, I didn’t like the fact that I could still smell it on my lips for hours after applying it. Thankfully, the smell goes away over time and is no longer an issue.

Its formula reminds me of the YSL Candy Glazes and Fenty Gloss Bomb Stix. It has a comfortable gel-like consistency that feels moisturizing on the lips and has sheer color that can be built up to medium coverage. Of the three lipsticks I mentioned, the one from Nabla feels the stickiest. It can last through a meal (depending on what someone eats), but it definitely needs a touchup after a second meal. When my lips are in a drier state prior to putting this on, within a few hours (even if I don’t eat) my lips will absorb some of the moisture it provides and I will have to reapply, despite still feeling the presence of the sticky layer on my lips. This has a few ingredients that my lips like, and my lips feel softer even after the lipstick has been removed, and that softness lasts until the next morning. So, this formula is hydrating and moisturizing, but I have balmy lip color products that are more nourishing. The reason I love this product though is for the color and how the jelly texture smooths out any dry or peeled looking skin on my lips. The retail price is 23 Euros, but I’ve seen it for 16-18 Euros on multiple websites for at least half a year. So, it’s a product I’d recommend to anyone who wants a less expensive option for a jelly or melty type of lipstick. In fact, of all the products I’ve reviewed in this post, this one is my favorite.

Nabla Skin Realist Tinted Balm in Shade 6 Dark

I had only seen three reviews for this product since 2021, and it was enough to make me want it, yet not enough to want to buy it without a discount. My reasons for that were the lack of reviews available and I felt very uncertain about the shade options. At the beginning of the post, I mentioned buying all these products during the Birthday Sale, but this one is from the Purish Black Friday sale when it was half off. Considering we’re in winter and I’m at my driest, now seemed like the perfect time to finally try it out!

In the photo above, I have the skin tint on in the left side of the yellow line and the Dior Powder no Powder on the right side with no foundation underneath. For me, I barely see a difference. This “tinted balm” only looks better compared to my bare face, so it doesn’t get any accolades for that. The name of the product implies that it will offer low coverage, but in the world of the Fenty Eaze Drops, Danessa Myricks Serum Foundation, and even Lisa Eldridge Skin Tint, the ones I buy usually have more coverage than I expect. This isn’t a deal-breaker though, considering it has similar coverage to the Givenchy Prisme Libre Skin-Caring Glow Foundation and I made that one work. My issue is that it fails to deliver on the radiance in multiple ways.

Another look of the Tinted Balm. In this photo, I’m not wearing a highlighter, but I do have on a satin blush.

The Skin Realist isn’t matte, but it doesn’t give me nearly enough glow, even though I leave it unpowdered. This contains hyaluronic acid, which essentially does nothing for me in this region of Germany that isn’t that humid. The only time I get this to look to the glow level I want is if I fully prep my skin beforehand and use a ton of this balm. Then, it looks closer to a natural finish foundation, but it still takes six hours before my skin starts producing oil and looking luminous. Unfortunately, by that point it also starts to look like “end of the night” makeup, even on days when I’ve done nothing strenuous.
If I actually do laborious housework or go for a long enough walk to start sweating, it makes everything on my face start to fade and break apart. This really isn’t a longwear product. When I try to counter this by using a setting spray, I lose the benefits of prepping my skin and the most I can get is a soft matte look again. I feel this product requires too much effort for a skin tint (and especially one that touts being a makeup-skincare hybrid product).

On the Nabla side in the picture above, I used at least double the amount of product as the Danessa Myricks Yummy Skin Serum Foundation side. Danessa’s product looks more skin-like while still offering more coverage (which is easier to see by looking at both sides of my mouth). Considering I actually have more hyperpigmentation on the “DM” side, Nabla’s should look better, but to me it does not.

I was relieved to discover that this had low transfer despite the “balm” name. It fully dried down on my skin. However, this product just isn’t suited to my preferences in a complexion product. I have several low coverage foundations and skin tints that give me a prettier finish on the skin, fully set, and have better lasting power. I wouldn’t call this bad; it just couldn’t compete with what I already own.

I didn’t have the most success with these newest additions to my collection from Nabla, but I continue to recommend the brand’s Skin Glazing line, lip products, and their face brushes are pretty nice despite being synthetic.

That’s everything! Thanks for reading!

-Lili

Wedding Makeup Part 2: Example of Looks

The photo above demonstrates some of the various stages that I was testing different makeup products and practicing techniques in the weeks prior to the wedding. The very first example is what I would consider my typical amount of makeup, versus the last photo where I put in way more effort with a ton of extra steps that were necessary to create the look I envisioned for myself.

In Part 1, I explained which strategies I chose and showed the specific makeup products used. In Part 2, I’m going into greater detail listing the actual order of the steps I took. That includes all the details about the eyeshadows that I left out of the previous wedding post.
I will also include photos of alternative wedding/special occasion looks in both the cold winter theme, classic looks, and a few colorful ones now that we’re in spring.

The makeup artists were upfront about either not being available on the day of the wedding or not having their own products to match me. I was a bit nervous about having to do it on my own, considering I’m just a makeup enthusiast, but many loved ones reassured me that I knew my own face better than anyone else and they were confident I could pull it off. I hope that this post will be inspiring to anyone else in a similar situation where you have an important event coming up and aren’t sure where to start or would just like to see extra ideas.

My Wedding Makeup Step-By-Step

  • First, I applied skincare (and this would normally include sunscreen though I skipped it), allowing ample time for everything to absorb in the skin before moving onto applying primer(s).
  • I then applied color correctors to the spots I have discoloration, put on the liquid contour for my nose and under the cheeks, and added liquid blush. I left them only halfway blended since the foundation would go over everything anyway as part of the underpainting technique.
  • I made a mixture of foundation shades and applied it to the outer perimeter of my face. The lighter foundation color, I applied to the central zone of my face.
  • The eye primer came next before I filled in my brows with my brow pencil of choice.
  • I applied my skin tone shade of concealer to my under eyes and areas of discoloration. I applied a combination of my skin tone shade and a lighter color to my under eye area again, the bridge of my nose, center of my forehead, and chin. I use the lighter concealer color alone to highlight under my eyebrows.
  • After setting those concealer areas with powder, I did a first round of setting spray to lock those in.

In the photo series above, I saved my eye makeup for last, but I switched the order on the day of the wedding to do the eye makeup next in case I had a mishap with eyeliner, if mascara got on the lids, etc.

1. First, I applied Viseart’s Illusion shade from the Peridot quad under my brows on top of where I laid down the lighter concealer shade.

2. Then I applied Melt’s Rubbish shade from the Rust palette in the space under the Viseart shadow, but above the crease.

3. Next was Melt’s Rust shade from the same palette tightly in the crease, not going past the previous shade.

4. I lightly added Log from Natasha Denona’s Gold Palette, building up the outer corner and moving halfway inward. I chose this placement because of my particular eye shape.

5. I then built up the depth and smokey factor in the outer v area using Xtreme Black from Pat McGrath’s Mothership III: Subversive palette.

6. I smudged the Urban Decay 24/7 Glide on Pencil along the outer quarter of the lower lash line before using Deep Shade (actual name) from the same PML palette on the rest of the lower lash line.

7. I smoothed on the Nyx Glitter Primer to the empty space on my lids and applied Bronzed Mink from PML’s Bronze Bliss palette to the outer half of the lid, taking care to not cover up the dark shadows in the outer corner.

8. I added Divine Dahlia from PML’s Interstellar Icon Quad on top of Bronze Mink to tone down the warmth of that shade.

9. The next step was picking up Nude Moon from Bronze Bliss on my brush, spraying it with MAC Fix+ and applying it to the inner half of the lids.

10. I placed Skinshow Fever from Mothership III: Subversive in the inner corner, under the brow arch, and the inner third of the lower lash line for highlighting purposes.

11. For extra sparkle, I added Lunar Luxury damp from Bronze Bliss to the inner corner. I applied the waterproof eyeliner to my upper lash line, along with two coats of waterproof mascara to my upper lashes, but only one coat on my lower lashes. Had I used the Clionadh multichrome, I would have placed a small dot that was eyeliner width to the center of the upper lash line.

  • Going back to my base, I applied powder contour under the cheeks and along my jawline. I applied a cooler toned contour to my nose, and on top of the other contoured spots.
  • I applied bronzer along my forehead and slightly above the contour under my cheeks.
  • I used my face powder and the Beautyblender Puff to clean up a small section of my sculpting work without going too far in. Just about one inch inward from my ear.
  • I applied my intense highlighter to the tops of my cheekbones.
  • I applied the mixture of powder blushes to my cheeks.
  • I applied my more subtle highlighters to the top of my cheekbones again, bridge of my nose, above the brows, and any remaining product on the brush to my forehead and chin.
  • I used my blurring finishing powder in any areas that needed extra blending/blurring.
  • I lined my lips with the lip liner of choice, filled it in with liquid lipstick, and added a lighter lip product to the center of my lips. During trial sessions, I even added highlighter, but didn’t end up doing it on the wedding day.
  • I put the leftovers of foundation from my brush and applied it to the spots on my neck that would be seen.
  • I applied highlighter to my collarbones and shoulders.
  • Lastly, I finished up with a generous amount of setting spray to my face. Had I remembered, I would have sprayed my neck and the spots I applied body highlighter.

And that’s everything! It’s a lot of steps, but worth the time and effort for one of the most important days of my life!

Just as unexpected problems can arise on important days, unfortunately, nearly every day that I set aside free time has been a dark day. I’ve done my best to play around with artificial light, take photos during the brightest part of the day for natural light, and do some color adjusting with the photos, but I’m dealing with cloudy days constantly over here. Times like these, I miss Florida haha.

Recreation of my Wedding Makeup/Neutral Glam: Used all the products I still have on hand.
Photo Setup: (1) In front of an open window on a cloudy day. (2) In a room with warm light and a second cell phone’s flashlight was lit behind the camera. (3) In front of an open window with warm white bulbs overhead.

Here are the additional looks!

Frost Queen: Milky Hydro Grip Primer and Armani Luminous Silk Hydrating Primer, Armani Luminous Silk Foundation in 10, Hourglass Cosmetics Vanish Airbrush Concealer in Maple and Umber, Chantecaille Perfect Blur Powder in Med/Deep, r.e.m. Beauty Hypernova Satin Matte Bronzer in Cocoa-Nut, REM Beauty Highlighter Topper in Miss Mars, Hindash Beautopsy Palette (nose contour), Armani Neo Nude Melting Color Balm in 60 Warm Plum and Hourglass Ambient Light Blush in At Night, ELF Instant Lift Brow Pencil in Deep Brown, Stila Stay All Day Waterproof Liner, KVD Full Sleeve Mascara, Juvia’s Place Lip Liner in Brownie, Lisa Eldridge True Velvet Lip Color in Sorcery, Colourpop Hocus Pocus 2 So Glassy Lip in Boys Will Love Me, the eyeshadow shade Memory (Metallic) from the Tati Beauty Textured Neutrals Volume 1 palette, and shades Nowhere, Christmas Eve, and Snowflake from the Oden’s Eye Christmas Eve Palette.
Photo Setup: In front of an open window with a warm white bulb overhead on a partly sunny day, but near sundown.

Playful Pinks: Milk Hydro Grip Primer, Nars Light Reflecting Foundation in MD3.3 Caracas, KVD Good Apple Concealers, Huda Faux Filter Corrector in Mango, Nars Soft Matte Advanced Perfecting Powder in High Tide, GloWish Soft Radiance Bronzing Powder in 04 Deep Tan, Dior Backstage Powder No Powder, Hindash Beautopsy Palette (nose contour), Dior Rosy Glow Blush in 012 Rosewood and Nabla Skin Glazing in Lola, Pat Mcgrath Labs Skin Fetish: Ultra Glow Highlighter in Divine Rose, Suqqu Treatment Wrapping Lip in 05, Coloured Raine Lip Liner in Decadent, Benefit Precisely, My Brow Pencil in 05, KVD Full Sleeve Mascara, Stila Stay All Day Liquid Eyeliner, MAC Fix+, Melt’s eyeshadows from the Gemini II Palette with shades Bela, Sweetheart, Gemalas, and LX Queen, and the Rust palette with shade Antique. Devinah Cosmetics Eyeshadows in shades Empress, Pixy Stix, and Gelicide. Pat Mcgrath Labs’ eyeshadows from the Mothership III: Subversive palette in VR Pink and from the Celestial Nirvana 5 pan Palette in Nude Allure in the shades Mercurial Rose and Coral Kiss.
Photo Setup: In front of an open window on a less cloudy day, but during late afternoon hours and a warm white bulb overhead.

Chocolate-Gold Glam: Milk Hydro Grip Primer, Armani Luminous Silk Hydrating Primer, Hourglass Ambient Soft Glow Foundation in 13.5 and 14, L’Oréal Infallible Full Wear Waterproof Concealer in 415 Honey, Huda Beauty Easy Bake Loose Baking & Setting Powder in Blondie, Gxve Beauty Check My Glow Multi-Dimensional Illuminating Highlighter in Karat Country, Anastasia Beverly Hills Cream Bronzer in Terracotta, Dior Powder No Powder, Chanel Blush Lumiere Illuminating Blush Powder in Brun Roussi, ELF Instant Lift Brow Pencil in Deep Brown, MAC Macstack Mascara, One/Size Waterproof Liquid Eyeliner Pen, Palladio Waterproof Lip Pencil in Coffee, and Kaleidos Cloud Lab Lip Clay in Sienna. Hindash Beautopsy Palette (nose contour and no contouring anywhere else). Viseart’s Illusion shade from the Peridot Quad, Deep Shade (actual name) and Gigabyte from Pat Mcgrath Labs Mothership III: Subversive, Clionadh Cometics’ shade Lux, and Devinah Cosmetics’ shade Ambrosia.
Photo Setup: In front of an open window on a less cloudy day with a warm white bulb overhead.

Flower Garden: Haus Labs by Lady Gaga Triclone Skin Tech Foundation in 425 Medium Deep Neutral, Tatcha the Liquid Silk Canvas Fenty We’re Even Concealer in 410 W and 385W, Givenchy Prisme Libre Powder in 5 Popeline Mimosa, Dior Powder No Powder, Hindash Beautopsy Palette (nose contour), Victoria Beckham Matte Bronzing Brick 05 (regular contour), Gucci Bronzer in 04, MAC Glow Play Blush in Peaches N Dreams, Sephora Blush Duo in 02 Peach Blossom, Tom Ford Shade and Illuminate Highlighting Duo in Tanlight, Benefit Precisely, My Brow Pencil in 05, L’Oreal Telescopic Lift Macara, Stila Stay All Day Waterproof Liquid Eyeliner, Danessa Myricks Infinite Chrome Micropencil Eyeliners in Jade, Amethyst, and Lemon Quartz. Devinah Matte Eyeshadows in Courtney and Meraki, Clionadh Cosmetics Stained Glass Shadows in Mural, Patina, Quest, Noble, and Spire. Coloured Raine Lip Liner in Pine and Suqqu Sheer Matte Lipstick in 112.
Photo Setup: In front of an open window with the sun poking out randomly on and off from behind the mostly cloudy sky, and a warm white bulb overhead.

Spring Purples: Milk Hydro Grip Primer, Glossier Futuredew, Lisa Eldridge Seamless Skin Foundation in 27, KVD Good Apple Concealers, ELF Camo Color Corrector in Orange, Charlotte Tilbury Airbrush Flawless Finish in 2 and 3, Hermès Plein Air H Trio Healthy Glow Mineral Powder, Dior Backstage Powder No Powder, Hindash Beautopsy Palette (contour), ColourPop Pressed Powder Blush in Potted and Gucci Cheeks & Eyes Powder Luminous Matte in 06 Warm Berry, Hourglass Metallic Strobe Powder in Infinite Strobe Light, Lisa Eldridge Enhance and Define Lip Pencil in Sorcery and Lisa Eldridge Luxuriously Lucent Lip Colour in Painterly, Benefit Precisely, My Brow Pencil in 05, KVD Full Sleeve Mascara, Stila Stay All Day Liquid Eyeliner, Melt’s eyeshadows from the She’s In Parties Palette with shades Total Immortal and Last Caress. Clionadh Cosmetics Multichromes in shades UV and Tracery. Sydney Grace Eyeshadows in Dear Reader, Flannel, and Sovereign Reign.
Photo Setup: (1) In front of a window on a partly sunny day. (2) Same as the first, but from the opposite direction. (3) In front of an open window on partly sunny day and a warm white bulb overhead.

That’s all for today! Thank you for stopping by! I hope you’ll click to follow or bookmark this page to come visit again!

Also, I seem to be having an issue with WordPress. For some reason, images have a hard time loading for those viewing my blog within Germany. The customer service advisors were unhelpful and the only way that even I was able to get around loading issues was to use a VPN. If you live in the US or most other countries, it should be working fine. The issue, as far as I’m aware, is a DE issue for some reason.

-Lili

Wedding Makeup Part 1: What I Chose and Why

There were a lot of factors to consider when it came to doing my own wedding makeup. I scoured the internet for tips and tricks, but at times the answers were contradictory. I thought I had a good plan in the beginning, but as I practiced doing multiple looks, I realized I needed to make some changes along the way.

Today, we’ll cover the things that should be decided on in advance and what I ultimately chose to do. The conclusions I came to won’t be the same for everyone since it depends on each individual’s personal tastes, skin type, skin texture, skin tone, undertone, priorities, etc.

Although I was inspired to create this post with weddings in mind, this topic is for anyone with an upcoming special event/occasion where photographs will be taken. I was not in a position where I could afford to forget something and run to grab it at the last second, so hopefully these topics will help others avoid having to make last minute decisions and purchases too.

DISCLOSURE: All makeup products in this post were purchased by me with my own money. The only affiliate links in this post are for a few of the brushes mentioned towards the end. Non-highlighted links in bold blue font (Example) are standard non-affiliate links. Links marked in bold black font with a light blue background (Example) are affiliate links. This means that I would make a commission if purchases were made directly using my link. Whether you click to shop through them or not, I appreciate you visiting and I hope you find the information I’ve provided to be helpful!

Red – Titles/Topics, Purple – Products Used, Green – Additional Options to Consider

Deciding Between Looking Better in Person or Looking Better on Camera

We had a micro wedding (less than 25 people) and the majority of the guests were non-makeup wearers or neutral-color wearing minimalists. I was concerned with looking overly made up in person compared to the group, but also recognized that full coverage and full glam faces result in the most photogenic pictures. I would love to look as natural and fresh-faced as possible, but I think I look the prettiest with “a beat face,” so to speak. So, I decided that I ultimately would start researching ways to look best in photography since pictures last longer and can even serve to replace memories in the minds of those who see them. If it was possible, my plan was to still try and find a balance between the two goals. This balance involved using other techniques such as color-correcting so I could use less concealer and foundation to hide my skin discoloration, using underpainting techniques to have my sculpting attempts look as natural as possible and reduce the need for as much powder on the surface layer, using full-coverage makeup paired with brushes that apply less product so that I could build up to the minimum amount of makeup I needed in small layers instead of packing it on heavily all at once.

In the age of social media, it’s safe to assume the majority of people prioritize how makeup will look on camera versus how it looks in real life, as discussed on the Mixed Makeup YouTube Channel. However, this is still a question everyone has to ask themselves because the degree to which direction one leans will dictate how they have to proceed with the next steps.

After Choosing to Prioritize How One Looks on Camera…

When I do a full-face in the type of soft tones that are typical of bridal makeup, I don’t feel satisfied with my appearance. So, looking natural was less of an option for me. In addition, if I wanted things like blush to be seen on camera, I had to get comfortable packing on way more than usual because blush gets washed out so easily. As described by Kackie of Kackie Reviews Beauty, the key is applying makeup in a way to add more dimension that the camera can pick up even when pulled back. I had to practice applying more than usual, taking pictures, and then adding more and photographing that to learn how much would actually be needed on the day. Blush, highlighter, and eyeshadows were the things I had to work on amplifying dramatically in order to get photos I was satisfied with (at least on my own camera).

One of the first big decisions I had to make was deciding what finish I wanted for my skin. A matte base with strategically placed glow seems to be the consensus for what photographs the best. However, I did not anticipate the climate when I chose what products to bring with me when I moved overseas. The products that looked the best on camera for me in Florida were extra dry looking on me in Germany and I didn’t bring my dewier foundations because I have them in my darker summer shade. This led me to buy a new foundation (N°1 DE CHANEL Revitalizing Foundation), the only one that mimicked the appearance of natural oils peaking through my face, and it remained that way through the end of the night. It basically looked like a natural-finish foundation on my dry skin. I used the Glossier Futuredew, to ramp up the glow in typical places I highlight, the MILK Hydro Grip primer for hydration and lasting power, and the Benefit Porefessional Hydrating primer in my T-zone for a smoothing effect without a silicone texture. I have all three of these products in minis (and a travel container).

I did have the Nars Light Reflecting Foundation with me, but my research scared me away from using it. Since Nars is an artist brand, I always assumed their products looked fantastic on professional cameras, but I kept coming across warnings against using too many light reflecting products. Considering how dark it is in Germany, I knew the chances of flash being used was high, so I didn’t want to look crazy on other people’s cameras either (even though Nars’ foundation is supposed to be photo-friendly and produce no flashback, but I didn’t know if that would still be the case if paired with other light reflecting products). So, I didn’t use that one just to be safe. Skipping it turned out to be necessary because I tried using it in strategic spots and it still wasn’t luminous enough for my liking while not in Florida.
Lisa Eldridge was one example of someone who discussed light reflecting products in flash photography and Pete Coco Photography cautioned against using shimmers in studio settings, but I saw more mentions of light reflection from various articles and blogs.

For those curious, the top foundations I wanted to use if the climate was more like Florida would have been the Lisa Eldridge Seamless Skin Foundation or Hourglass Ambient Soft Glow Foundation (this one only starts to look good for me if oils break through and my skin is prepped for maximum hydration including using a facial oil). The Lisa Eldridge foundation is extremely similar looking to the Chanel one I opted for, but without as much luminosity.
I also own two lighter coverage products that make my skin look beautiful in person: the Fenty Eaze Drop Blurring Skin Tint in Shade 18 and the Rose Inc Skin Enhance Luminous Tinted Serum in Shade 100. I was looking for high coverage, but if I had to recommend another option it would be the one from Fenty. I normally dislike their foundations, but this newer one finally agrees with my dry skin. The Rose Inc one unfortunately can come off extra warm colored on camera. Sometimes I look orange in photos even though I don’t in person. It’s also random when it happens as well. I’m not sure if it’s some interaction with a specific product I might sometimes pair with it. So, that’s why I don’t recommend that one.

Deciding On the Color Scheme and Undertones of the Makeup

I had quite the dilemma trying to figure out what colors I wanted to use as a person with warm undertones who was planning to wear cool toned accessories and have blue and purple flowers in my bouquet. I like wearing eyeshadow that matches what I’m wearing in some way, whether it’s clothing, a purse, jewelry, etc but I never like how cool toned eyeshadows look on me as much as warmer ones. At the same time, I didn’t want the winter aesthetic I planned for my look to clash with my natural warmth and make me look extra warm by comparison. I did a test run using my go-to makeup and just switching to a cool toned blush, but I didn’t like the outcome. My second solution was to wear neutral makeup to bridge the two types of looks, but after doing another test run, I just didn’t feel my makeup was as pretty as it usually would be.

Experts say that although anyone can wear any color they want, we tend to find shades in our undertone to look prettiest on ourselves. For instance, Lisa Eldridge says it’s nice to match the wedding scheme/theme, but not if it’s against your coloring. Ultimately, I felt that if I didn’t wear the kind of shades that were natural for me, I would have regrets looking back at pictures thinking my everyday makeup looked somehow better than what I chose for my own wedding.

Many makeup artists recommend trying to look like an enhanced version of yourself, and not looking like someone else. This concept is what helped me solidify the decision to use warm tones, just ones that didn’t veer too far off from neutrals. This idea of trying to look like myself also had me wondering how I could possibly incorporate a pop of color into my look because that’s “me” too. Even when I’m on a nude colors kick, I still end up popping on a multichrome or some other colorful indie brand’s eyeshadow. Considering the wedding colors were blue, purple, and ivory/cream/whitish (we couldn’t really nail that one down), I thought it might be a good idea to add a blue-purple multichrome into the eye look. I really wanted for it to be one from Clionadh Cosmetics like Etched or Spire, since it’s my favorite brand, but the reason I love theirs is how intensely they stand out. In this situation, every technique and position I tried to place the multichrome was just too much.

Because all my other makeup was in natural tones, my eyes were instantly drawn to the spot with the multichrome and stole attention from the rest of the look. Eventually, I was recommend by someone on Instagram to try putting the tiniest dot in the center. This worked in low light in a very pretty way, but the second actual lights hit my eyes, it was still too much for what I wanted. Ultimately, as much as incorporating color into my looks is something I’m known for doing, I wanted something classic and timeless for my wedding. So, I decided to go back to the neutral glam idea for eyeshadows and using my slightly warm tones of makeup for everything else. My blush was still a mix of everything. I used a liquid blush and then ended up using powders on top further into the makeup process. For those curious, it was three shades from MAC: a whisper amount of Breath of Plum for a slight cool-toned wintery cheek look, a normal amount of Pinch Me as the main color and a natural looking pink on me, and the tiniest bit of Burnt Pepper to add a little more warmth that compliments my undertone and depth of my skin color.

The eyeshadows I ended up going with were mainly from Pat Mcgrath Labs. I intend to do a part 2 to this post, which I can hopefully complete and upload within a few weeks. In there, I’ll post more details on the step-by-step process.

Making Sure Base Techniques are Down Pat

After using my various primers, the next step for me was to color correct the areas of hyperpigmentation. Most of the time, I don’t bother with color correcting because I prefer to just lean on full coverage concealers for that job. However, I wanted to avoid my base makeup looking heavy, since I knew I would be putting more layers of product than usual.
I only had two options with me: the E.L.F. Camo Color Corrector in Orange and the Huda Beauty #Fauxfilter Color Corrector in Mango. Although I prefer Huda’s on a regular basis, the ELF one worked better with the KVD concealer, as well as me wanting more intense color-correcting from using a darker color.

I would normally recommend using a color-corrector under the eyes too for those who have intense dark circles like I do. In my particular case though, I already know the ELF formula creases/gathers like mad in areas with lines, which is why I only use it in smoother areas of my face. So, I had no choice but to skip that step on myself. For those that don’t have discoloration issues like I do, color-correcting is not a necessary step. The most coverage one can achieve using the least amount of products is better, so if you can skip it, then please skip it. Ultimately, even I would have skipped this step, but I tested out how my makeup looked with color correcting versus going without it and the results spoke for themselves. I decided it was a step worth doing because I wanted as close to a flawless base as possible.

Although I settled on a foundation, the color match wasn’t as spot-on as I hoped, considering it was a bit more orange rather than yellow/golden and just slightly darker. I had purchased shade BD121, so my only other option was to buy BD91 to mix with it. The brand makes shade BD111, but it’s exclusive to the Chanel website and was sold out. Thankfully, using a ratio of roughly 2 parts BD121 to 1 part BD91 gave me a better color match. At least, that’s the mixture I used on the outer perimeter of my face and then used BD91 by itself in the central part of my face for a more natural gradient of color. My foundation application did not come first immediately after priming and color correcting though.

The other technique I wanted to utilize was under-painting. I have a naturally round face, besides it being chubby. Trying to create a chiseled look is by nature going to be easier for those with a clearly visible bone structure. Although I still have slight indent in my cheek area, I have an undefined jawline made weaker by having a rounder face. There’s only so much one can do to make a believable contour on a face like mine. One of the most believable options, if done correctly, is underpainting: to do the contouring and highlighting as a cream or liquid step first before applying foundation on top (and following it up with powder products afterwards too). Funnily enough, I learned about this technique about ten years ago when under eye concealers weren’t full coverage enough for me. I don’t think it’s necessary to do a full-face of underpainting like you see in TikTok and around social media as a fad, only the specific areas that need extra help to again minimize product usage. So, I bought the darkest shade of the most affordable foundation I could get my hands on (that I knew would work well). This was the Sephora Best Skin Ever Foundation in 68N. I would have preferred for it to be cool-toned, but “cool” shades in the darkest colors tend to be red instead of blue-grey so I figured neutral would be good enough. I could have used a concealer as well, but considering how much I spent on those Chanel foundations (even though they were discounted), I wanted to save as much money as possible. I could have also tried to use an actual cream contour, but I figured using a foundation would look even more natural on the skin and potentially blend better as cream contours can sometimes be too emollient. The 68N shade worked well enough for my cheekbone and jaw area, but since my nose is a lot more yellow than brown, it looked a little more red in that spot that I like. So, I just had to apply the product even more sparingly and make sure to use more greys when I contoured with powder later.

Besides applying contour, I also used a Rare Beauty Soft Pinch Liquid Blush sample of Joy as an underlayer of blush to help ensure longevity for the whole day. Plus, this particular shade is bright without being overly vibrant, which tends to work well for me. Using this underneath wasn’t overkill when I used the MAC blushes later. In fact, I still had room to go heavier with my blush.

After the liquid blush is when I would apply my foundations. I think some people recommend doing highlighting with concealer (product several shades lighter to bring those areas forward and not the shimmery type of highlighter) underneath foundation, but the KVD Good Apple Concealer formula that I used can sometimes melt/fade away with other products. The foundation on top of this one would have been covered up too completely, so I applied the mixture after foundation. I could have tried to use a different concealer for underpainting, but I was running out of time and just wanted to stick to what I knew. I began practicing applying the makeup on an off nearly two months before the wedding (with more consistent daily testing in the final three weeks). It’s not useful to test out all new products at once, since it would be too hard to tell which products were interacting badly with others, or were only working well depending on what it was paired with. I could only test a few combinations at a time. So, even the two months wasn’t as much time as I thought. In retrospect, three months would have been ideal for me.

The theme of this sections is to make sure the base techniques are nailed. Part of that was my realization that in all the bridal makeup photos I liked, they really utilized highlighting for color in addition to the glow factor. However, I’ve never liked an overly brightened under eye on myself. When I was younger without so many lines to worry about drawing attention to, that was a different story. So, I had to think about what’s more natural for myself and my style rather than just sticking to the template of instructions on how most people do wedding makeup. I thought perhaps I could use my typical Tan 167 all over and apply my new Tan 161 (this specific shade was on sale which is why I chose this one for my highlight option) on top in strategic spots to highlight with, but I didn’t like the outcome. It was still too stark of a contrast for me to be comfortable with no matter how great it could have potentially looked on camera. What worked best for me was applying my near skin-tone shade 167 and then using a combination of 167 and 161 mixed together as the highlighting concealer color on top. The transition was more natural, which I ended up liking a lot better than using 161 alone (though I did use 161 alone to highlight my brow bone area). I then set my concealer with the Charlotte Tilbury Airbrush Flawless Finish Powder in either Medium (which I bought in the travel size) or a combination of Medium plus my usual shade in Tan. I tested out plenty of different powders and the one that worked the best to keep the KVD concealer creasing the least and not fading at the end of the night was this Charlotte Tilbury powder. The Huda Beauty Easy Bake Loose Powder was a close second since it worked so well with other concealers I was testing at the time (Fenty We’re Even Concealer and L’Oréal Infallible Full Wear Concealer). However, the results of the KVD and CT combo won out.

I would normally use the back of my hand as a spot to mix shades, but since I wanted to have leftover mixtures reserved on the side for touch-ups, I started to wish for a makeup mixing palette or plate. Since I didn’t bring any with me and didn’t want to buy one, I used the top lid of the Charlotte Tilbury Cream Bronzer compact (pictured in the foundation photo above). It has a surface that’s easy to wipe down with a makeup wipe or makeup eraser cloth. Also, when I mixed with my brushes, I got too much product on the bristles, so I started using the brush handle to mix shades and then wiped off the handle onto my microfiber cloth. That way, I’m able to pick up smaller amounts of product with the bristles and even switch to a smaller brush for spot applications where needed.

Securing the base is important, but so is recognizing whether the recommended techniques have to be tweaked to your specific preferences and what makes you the most comfortable. It’s okay if you hate contouring to skip doing it. It’s okay to go with a sheer coverage foundation and then just use concealer in areas that require more coverage. The most important thing to do is to practice techniques as much as possible before the wedding or special event if you’re doing your own makeup. Sometimes products don’t perform the way we remember them and the last thing you want is to discover that on an important day. You want to thoroughly test your full look in every step in order to make sure you can replicate the same results every time, in every type of lighting, and in every weather scenario.

To Bake or Not to Bake, Setting Spray vs Fix+

Continuing the theme of getting used to wearing more makeup that usual and utilizing techniques I normally don’t, I had to decide whether or not to utilize the baking technique. Since I already narrowed down my concealer, it was just a matter of doing a wear test all day to see if my makeup looked better with or without baking. As it turned out, with my products and my skin type, baking really wasn’t necessary, or at least not in the traditional sense of loading a ton of powder on and then dusting it away after five minutes or so. I ended up not even needing to powder my whole face since I was utilizing setting sprays too.

My process was applying my concealer to my under eyes and face area before using my normal brush to powder-set those spots. As the days were counting down to the wedding, I started to utilize more skincare such as using the Lisa Eldridge Skin Enhancing Treatment Cleanser as a mask, which made my skin more hydrated and strangely enough need more setting powder under my eyes. So, after setting my concealer I would wait until I noticed creasing before patting the creases back out with my Sonia G Jumbo Concealer Brush, and then using the Charlotte Tilbury powder with my Beautyblender Power Pocket Puff to lightly apply a thin layer in the areas I highlighted with the concealer mixture (skipping hyperpigmentation areas that didn’t need extra powder) and also slightly under my contour to sharpen those spots and “clean them up.” The puff still came in handy because some days during the trials it was even necessary to go as far as to spray the silicone side of the BB puff with setting spray, press that into the concealer creases, reapply a little more concealer, and then set it with powder using the velour side of the puff. This was during the trial days I started using different skincare that I should have been testing much earlier in the process. So, this is all I need in terms of baking, but those that have combo or oily skin will probably need to take additional steps to lock the makeup into place.
The puff also comes in handy while on-the-go. Instead of me needing a face powder brush and an under-eye powder setting brush (plus technically I could use other areas of the puff for other types of powder products), I just needed this on hand in the “Emergency Bride Kit” for touch-ups.

After I apply my liquid and cream layers, I set my face with setting spray, finish applying all my powder products, and then set my face again. I tested a few sprays before I moved, but the only one I brought with me was the One/Size On ‘Til Dawn Waterproof Setting Spray. I had the mini size and as I started testing, I got paranoid that I would end up using it all before the wedding and it’s not available for purchase in Germany. So, I ended up buying the Sephora Makeup Setting Spray for my trial runs. What I like more about the Sephora spray, besides the lower price, is that it’s unscented. The One/Size spray has a slightly floral, but not overwhelming smell.


I’ve tested both of the waterproof claims by splashing water on my face and have seen how the water rolls off my face without leaving streaks in my makeup. In terms of making things transfer-proof, that wasn’t the case with One/Size unless I just wasn’t using enough of it. The Sephora Spray only seemed to make my makeup transfer-proof that was in lighter layers and on lighter makeup days. It didn’t seem to work with a full face of everything. I haven’t tested the One/Size spray in the same scenario of a lighter makeup day, so perhaps they are equal. On my actual wedding day, I still stuck with using the One/Size product. We ended up doing a second day of photos, so the picture below shows what I looked like by the end of the night. On my wedding night, I got home at nearly 3 am, so I don’t have a photo for that. All things considered, I think it held up pretty well. It rained on the actual wedding day, but my makeup didn’t budge. I just transferred some of my nose contour onto my husband’s nose. I had to wipe it off him a few times, but it didn’t transfer any further after that.

I always use MAC Fix+ if I want to dampen my shimmer eyeshadows. It can make the face look hydrated, which is what I need, but sometimes it can cause makeup to not last quite as long and break down a little faster. So, I was too scared to use it on my face (nor did I have the time to test it with everything), so I just used it for my eyelid shades. At one point during my trials, I tested spritzing my highlighters with setting spray and my sample of Fix+ to see if I could intensify the look without leaving a stripe on my face. I ended up deciding to just skip that step as the Charlotte Tilbury Face Architect Glow Glide Highlighter worked well enough as a base highlighter. Others might prefer using a liquid highlighter, but powder products are always easier for me and I was planning to do a technical enough makeup application, so I’d accept easier options wherever possible. Throughout the practice days, I used some combination of multiple other highlighters shown below. On the actual day, I ended up sticking to just Charlotte Tilbury by adding the Pillow Talk Multi-Glow highlighter and I used the Tom Ford Shade and Illuminate Highlighting Duo on my shoulders and collarbone. Since I ended up wearing a faux fur shawl/stole and my hair was down, that final step ended up being pointless. It couldn’t be seen on my body. I also forgot to spray setting spray to those spots on my body afterwards, which could have potentially helped lock the highlighter into place.

Although I didn’t end up glowing as intensely as the models in the inspiration photos I procured from Google, seen below, I was still happy with my makeup choices. I applied highlighter to my brow arch, slightly above the brows on either side of the forehead, one specific spot on the bridge of my nose that I build up with contour and another spot lower down, and the tops of my cheekbones.

I mentioned earlier that I used the underpainting technique to contour. Then I used the powder contour in the Kaleidos Symphony Trio for more depth. It’s not grey toned enough to give an actual shadowed effect, so I added a mix of Feel + Real from my Hindash Beautopsy Palette to create the shadowing for my jawline, under the cheekbones, and nose contour. I didn’t use the Kaleidos powder on my nose, only Hindash’s product because I didn’t want it to be overkill in person.

When it came to bronzer, I was dead set on using the Hermès Plein Air H Trio Healthy Glow Mineral Powder because it’s the highest quality powder one that I own. However, in test photos I kept feeling like I was looking too warm toned. With a few days to spare, I tried some of my other top powders like the Glowish Soft Radiance Bronzer Powder, but that one was too red toned. Ultimately, the one best suited for my undertone is the Charlotte Tilbury Beautiful Skin Sun Kissed Glow Bronzer in Tan. Even though it’s a cream product, it went next to and slightly on top of my powder contour with no issues. This meant that my bronzer was going to be natural looking in person and likely too subtle to see much of it on camera, but it was a better alternative for me than having my face pull too orange.

I finished my face with my Dior Face & Body Powder No Powder. It blurs imperfections and helps blend the makeup seamlessly into each other. I didn’t use it all over my face, just in key areas that I wanted to touch up. If I had a sparkle-free version of Ambient Lighting Finishing Powder from Hourglass in my shade, I would have considered using that instead or in conjunction with the Dior product. Finishing powders can do wonders for a makeup look, but be sure to test in photos whether the sheen might or might not be too reflective for flash photography!

Waterproof Tests are Required

I’ve always hated waterproof mascaras because of what a pain they are to remove, but I was so certain I would need one for the wedding. I have plenty of favorite mascaras, but according to customer reviews I’ve seen online, apparently getting a waterproof version doesn’t mean it will perform as well as the normal formula. Some of the most beloved mid-range and high end mascaras have terrible reviews for their waterproof counterparts. So, I decided to try exploring the higher rated drugstore waterproof mascaras that I was familiar with in the original form. In my testing, the L’Oréal Voluminous Lash Paradise gave volume, but not as much length and was prone to clumping. The L’Oréal Bambi Eye Mascara gave length, but not much volume. I was debating whether or not to try using both, but it ended up not being necessary because I got the results I wanted from the Essence Lash Princess Waterproof Mascara.

Another alternative I considered was the KVD Beauty Full Sleeve Long + Defined Tubing Mascara. I love the length and volume of that one, and in theory tubing mascaras aren’t supposed to come off easily unless under warm water. While the KVD one seems to be harder to remove than other mascaras with regular temperature water, it can still be done. So, I didn’t want to risk a circumstance where I would have even the slightest chance of having my mascara come off. So, I stuck with using the Essence mascara.

When it comes to using eyeliner, I have a few that are supposed to be waterproof (Stila Stay All Day Liquid Liner and One/Size Point Made 24-hr Liquid Eyeliner pen), but they aren’t as effective when my eyelids get too oily. I’ve always had great results from Sephora’s waterproof liners, so I purchased the Sephora Collection Hot Line Brush Tip Waterproof Liquid Eyeliner. It definitely did the job. I didn’t end up crying, but there was a bit of rain and both the mascara and eyeliner held up completely all day and night.

For the tiny spot I wanted to smudge on my outer lower lash lines, I used the Urban Decay 24/7 Glide-on Eye Pencil. I don’t find them to be as waterproof as my other liners, but I can’t get the smudge effect with those, so this was my best option. One thing I should have considered was getting colorful eyeliners to put on my lower lash line instead of regular eyeshadows. It’s possible I could have still ended up with a mess if I had actually gotten teary-eyed. I lucked out, but that might be something to consider.

I’d like to note here that another option for waterproof eyeliners could be those false lashes eyeliner pens. I went back and forth debating whether or not I wanted to wear fake lashes for the wedding. They look amazing on camera, but they are an absolute nuisance for me to wear, especially for an extended period of time. My eye shape, with my super rounded upper lash line, doesn’t hold onto even extreme lash glues very well. Within an hour max, either the inner or outer corner will lift up. The majority of lashes are too short (in width) for my eyes because I need extra length to account for the higher degree angle of the rounded curve of my eye. If I want to rock a half-lash, I have to use 3/4 length lashes. Then, even if I put the eyelashes properly on my lash line, I can still see them in my field of vision. I still thought that if I practiced putting them on enough times, I could make them work. I also heard of the recommendation to cut the lashes into 3 pieces (also from Mixed Makeup) instead of 2. Since splitting them in half never worked for my eye shape, I was willing to give smaller ones a try. My lashes ended up looking like the Cynthia doll’s hairline from Rugrats!
Even when I tried to use the pieces just on the outer lash line, it was so hard to get them to look even since I don’t have perfectly symmetrical eyes. Plus, it’s my inner lashes that need the most help, but it would look just as strange if I had lashes there and nowhere else.

Ultimately, for all the hassle it would cause me on the wedding day, I decided to skip the false lashes. I figured I could just try to cheat the look with more coats of mascara and extending the eyeliner out a bit more. This trick worked well enough for my satisfaction. From all the trials though, I did figure out that the House of Lashes Lash & Dash Glue Liner pen makes for a tough to remove waterproof liner even without putting lashes on top of it.

Brow products are never exciting to me, so I almost forgot to mention that the brow product I used is the Benefit Precisely, My Brow Pencil Waterproof Eyebrow Definer in shade 5. Although I don’t recall if I’ve purposely tested the waterproof claims, I know from experience that I’ve never had my brows run or smudge when using this product, so I didn’t think twice about using it on the day.

The last waterproof or transfer-proof thing to consider is the lip product. I’m sure most spouses-to-be would be grateful not to have lipstick transfer onto them. However, I didn’t go that route because my lips were in too poor of condition, even with using masks. There are some great waterproof lip liners that I could have used to cover the entirety of my lips instead of opting for a liquid lipstick, but I decided I didn’t want to go that route either.

My lip combination was to use the Coloured Raine Botanical Collection Lip Liner in the shade Decadent. It’s darker than my natural lip line to give me a slight shaping effect. I consider it a transfer-resistant product, but it only claims to be long-wearing.
I then filled the insides with the Lisa Eldridge Velveteen Liquid Lip Colour in Muse. This isn’t like most liquid lipsticks that dry out the skin like crazy, but that also means it’s a low-transfer product rather than transfer-proof or even transfer-resistant. The brand claims it’s “smudge-proof and budge-proof,” but that hasn’t been my experience.
The final step for slight shine is from using my Nars Satin Lip Pencil in Rikugien. Unfortunately, it doesn’t last very long, but I wanted a little bit of shimmer and a slightly creamy look to the center of my lips. My husband hates lip gloss or any kind of sticky balmy product on my lips (which makes keeping them conditioned even more of an uphill battle). So, for his sake, I held off on using any gloss products until later in the night.

Many makeup artists commented that having some color and shine on the lips looks beautiful on camera. For that reason, I wanted to make sure I carried the Pat Mcgrath Lip Gloss in Bronze Temptation in my makeup touchup kit. On the second day of taking photos (because the weather was bad), I didn’t bother with the other products and just applied this gloss.

I chose the other three products because their tones of pink looked so complimentary with my blush. My PML lip gloss shade is a warm toned one, so that was something easy to carry with me to warm up the look if I wanted. The other lip product I considered swapping out instead of Lisa Eldridge’s was the Kaleidos Cloud Lab Lip Clay in Sienna. That shade went very well with my skin tone, but looked almost too natural. I wanted more of an impact since I don’t often wear colored lip products and usually stick to clear or slightly tinted glosses and balms. The Kaleidos product is also long-wearing and not completely transfer-proof.

Considering the amount of kissing throughout the day and night, the transfer onto my husband’s lips was minimal. It also helps that I was wearing pinks that weren’t ultra vibrant. Food was the culprit that removed most of my lip products.

Tools and Extra Makeup Helpers

I mentioned the MAC Fix+ as something I always have on hand, but another one is the Nyx Glitter Primer to help make my shimmer eyeshadows pop and better adhere to my lids. For any mistakes that need to be cleaned up, I have Q-tips, but for more precise spots I like to use these tiny fine point cotton buds from MyKitCo called the My Small ‘On Point’ Buds. I dip them in a little micellar water, which my tried and true is the Bioderma Sensibio H2O. These are the types of things that are easy to forget when getting ready, that is, until they’re needed.

For my touch-up bag, I kept my skin-tone matching concealer and brush, the BB puff, the travel size mini CT powder, and the lip gloss. I was also gifted a slim compact with a magnifying mirror. I didn’t end up doing any makeup touch ups at all on the wedding day, but it’s nice to have things on hand in case there is an accident. Other random products in my Emergency Bride Kit were bobby pins, safety pins, band-aids, ibuprofen and pain meds (in case my back decided to act up which thankfully weren’t needed), hand lotion because of the constant dryness on my knuckles in this weather and taking pictures up close of the rings, eye drops with a backup pair of contacts, and tissues.

The photo above shows all the brushes I used on the wedding photo days!

Sonia G Mini Booster – Used for darker eyeshadow shades on the outer corner. Needed a small size blender brush for precision and for it to be not too dense to build up the color slowly.
Mizuho MB123 – For applying the transition matte eyeshadows.
Smashbox Double-Ended Smudger Brush -Used to apply shadows to the lower lash line, smudging the UD liner with the rubber side, applying the shimmer highlight shades to the brow arch and inner corner.
Wayne Goss 08 – Applying concealer under the brows and to clean up any other spots around the eye makeup.
Sonia G T4 – Extra blending to the eye look with no product on the brush plus blending out the nose contour.
Sonia G T2 – Applying/stamping powder nose contour.
Real Techniques Brightening Concealer – Used on the first day used to apply highlighter on the collarbone and shoulders, but the next was was used to set my under eye concealer with powder.
Bisyodo B-ES-08 Eye Shadow – Was intended to apply the Clionadh multichrome.
Real Techniques Setting – My usual under eye setting powder brush.
MS-4 Mai Sakura Eyeshadow – Brush to apply shimmers to the lids prior to using my finger afterwards to build up eyeshadow in strategic spots.

Sonia G Jumbo Concealer – My holy grail concealer brush because it gets the most coverage by packing on a lot of product at once, but it can still smooth things out.
Amazon Brush? – Used to apply eyeshadow primer to the lids and touch up concealer in other places.
Chikuhodo FO-2 – Used to apply the Dior Powder No Powder.
Eihodo WP PC-1 PUFF Makie Powder Brush Goldfish – Used to stamp on foundation mainly on the outer perimeter and over under-painted creams and liquids. The denseness and surface area size help with quick blending if needed and also aid in giving maximum coverage from not soaking up as much product.
OdensEye Blush – Used to whip across the face the lighter shade of foundation. Functions like a stippling brush.
Sonia G Soft Cheek – Applied powder blushes lightly, which was needed since I was building up three shades.
Patrick Ta Contour – Applied the CT cream bronzer and is a holy grail product for sculpting around my face.
Bisyodo CH-HC – Used to apply highlighter to the face in a light non-concentrated way, but without being dispersed in too wide of an area.
Sephora Concealer Pro Concealer #71 – Used to apply liquid contour (the deep foundation shade) around the face. The angle of the brush was helpful, but technically many other brushes could have been used.
Eihodo Outlet 153 Highlighting/Blush – Used to apply the contour shades from the Hindash Beautopsy palette over the areas that already had the Kaleidos contour. Was very useful for it’s small size considering the shape of the Beautopsy pans.
Wayne Goss F3 – Used to lightly apply the Kaleidos Symphony Trio contour under the cheekbones and along the jawline.
Sonia G Mini Base Keyaki Version – Used to apply the Rare Beauty liquid blush for under-painting.
Bisyodo B-F-05 Perfect Fit – Intended to apply powder bronzer in a slightly concentrated amount under the cheekbones, but I used it instead to do slightly more blending to the contour areas.
Sonia G Jumbo Bronzer – Intended to apply a lighter application of powder bronzer around the forehead, though on the actual wedding day I changed plans and opted for a cream bronzer instead.

Using the correct tool for the job is extremely important. To make things easier, I started narrowing my collection down ahead of time so that I wouldn’t be wasting time digging around looking for specific brushes. I knew which one (or ones) I wanted for each specific type of makeup. This came from practicing those makeup looks as often as I did. The backup brushes I also had on hand, but didn’t end up using, are in the photo below.

Another very important tip is to make sure the brushes are clean or “clean enough” before the big day. Gunked up old product on brushes can effect the performance of the makeup. Things can be harder to blend, not be color accurate, not apply as smoothly or in the right amounts.


All this being said, and for all the effort and planning I did…the funny thing is that I don’t have up-close shots of my face! The photos below are the best I’ve been able to produce. We couldn’t get a professional photographer in time and a coworker of the family graciously offered to take pictures on her high quality camera for us. The pictures were often dark or on some setting I’m not sure what (I’m not very knowledgeable about photography myself). My focus was to apply makeup in a way that would stand out at far distances, and it’s a good thing I did because most of the pictures were taken from father back and the quality dips when trying to zoom in closer. I have some wedding photos that I ended up liking or loving after tweaking them a little, so I’m happy about that. However, I don’t have ones for blog usage that specifically showcase the makeup except the two below. Sorry about that! I had too much on my mind to really think about how the pictures would turn out after a while.

Like I mentioned in the eyeshadow section, I plan to post a Part 2 with step-by-step details on how I completed my wedding look. Over the next few weeks, I plan to create a few alternative makeup looks as well. I hoped to get it finished sooner, but I got bronchitis and was feeling sick for over a week. Then, I took two weeks off of blogging to finish the wedding planning. Unfortunately, we all got Covid immediately after that, which put me out for a while too. And now, since the beginning of March and for the next eight weeks I’m taking an intensive course so I can get A1 certification in German language, as is required for me to have in this moving process. So, my usual Monday postings will likely be interrupted again. I’ll be back as soon as I can!

-Lili

Part 2 of Melt’s Mystery Bundles and Holiday Sale

A few things happened between working on Part 1 and Part 2. First, I decided to keep a few extra products from the Mystery Bundles instead of giving them away. Second, the only lip pencil I received that smelled relatively normal in the beginning ended up starting to smell very off like the others (still without me ever even using it), so I’m no longer going to review it. Third, Melt had a 50% off sale the day after I posted Part 1, so I bought the few remaining things I wanted from the brand. This means I’ll be reviewing a few extra things not pictured above.

Part 1 with reviews of all the eye products in the photo can be found HERE.

The Sculpt Stack

This stack is surprisingly handy! I love that it comes with a small mirror as the “cap” for the stack. The med/dark bronzer and contour both work for my skin tone, but even the light/med bronzer I’ve been able to use as a setting powder! It’s just the light/med contour that I have little use for. I prefer my contours to have slightly more grey than this one has, so I had the idea to mix some of the light/med contour shade with it, but I was unsuccessful in making those two properly blend together to turn into the perfect contour shade for my liking. Using the Med/Dark contour on its own looked better than the combination of the two.

These blend easily enough, though it can stick in place a little bit if my face is dewy, but that just requires a dense brush to buff out and then it looks fine again. The Chikuhodo FO-2 is a beloved buffer brush up to that task, for example.

These don’t fade. They are matte, but not drying. I love a slight sheen to my bronzers, which this doesn’t give, but it’s still quite nice. Overall, my impression of the stack is that it’s a useful product. It’s not in my very top favorites, but I do enjoy this product a lot and will continue using it. In fact, I wouldn’t be surprised if this turns out to be something I like even more over time.

Ultra Matte Bronzer in Malibu

Despite the “Ultra Matte” name, I don’t find this product to be drying on the skin or to look any more matte than the bronzer in the stack. The powder feels slightly silkier to the touch, but it’s actually less easy to use than the stack because of my preference for wearing slightly dewy foundations. If I’m wearing a drier foundation, the blend is at least equal to the bronzer in the stack. Overall, I prefer the stack’s color and blendability than Melt’s actual dedicated line of bronzers. Plus, whatever makes this formula different from the one in the stack also causes it to start forming a weird film on the top layer (presumably from double dipping between the compact and the moisture on my face from skincare, primer, and/or dewy foundation).

I find it interesting that the shade range seems to lean on the darker end of the spectrum. My shade is number 3 out of 4 and Malibu is even a bit darker than I tend to wear these days, though perhaps it’ll be perfect in the summertime. However, I will realistically not reach for this because I prefer the stack and plenty of other bronzers in my collection over this one. It’s not bad, but I just don’t think it’s worth full price. Even at half price, I’d choose a Mented Cosmetics bronzer, Nabla Skin Bronzing, or Covergirl Trublend So Flushed.

Cream Blushlight in Pinched and Lynx

I’ve reviewed this type of product before and it falls into the category of loving the shades and finishes, but not liking the fact that these don’t set down to a dry finish on the skin. Just like the Rose Inc blushes that I have the same issue with, I was unable to turn down the opportunity to buy something (like a mystery box) to essentially get the blushes for free. They’re so pretty! I just wish they could set without a strong powder (like a powder blush that fully removes the glow and warps the color which defeats the purpose of wearing them at all).

Pinched looks quite similar to Polished, but I wanted an option that didn’t have shimmer and was more pigmented on my cheeks and Lynx made for a gorgeous cream highlighter. I’m satisfied with these two shades, and will use them for photos, but the continued wet feeling on the cheeks is why I will never get much use out of them in public or private. For those who don’t mind a wet creamy cheek, these are beautiful. And I know there are some people who absolutely love this formula, like Amy Loves Makeup who owns them all.

Digital Dust Highlighter in Genesis

This highlighter was in the “last chance” section of the website, so it’s discontinued now, but something about pink and gold shimmery hues intrigue me. If they’re too pink, I tend to not like them, but if they are gold with a slight pink tinge, I tend to find them beautiful. Genesis is the kind I like. The shine can be built up to medium intensity in person, but it remains subtle on camera. I thought at first it just blended in very well on a day I wore my Rituel de Fille Thorn Oil (left photo), but when I made sure to take pictures again with a drier base, the shimmer particles were more obvious, but still didn’t look very reflective on camera (right photo). So, this is the type of highlighter I would wear in public, but not if I wanted my highlight to pop in pictures.

Sexfoil Liquid Highlight in Peaches & Cream

I reviewed these before and even mentioned that I think Peaches & Cream might show up more intensely on me. Ironically, it’s even more subtle than Gold Ore, but I think it’s a far better match for my skintone and even prettier. This product has a tendency to lift, depending on what other makeup I wear underneath it, but because the base color is about my skin tone, it covers up any patches while also having shimmer light enough to reflect and still work as a highlighter for my face.

Although I rarely use liquid highlighters, this might be the exception.

Gel Liner in Fortune

I have an example of this on the eyes in the Half Lashes section with the green eyeshadow look. Just like the other Melt liners, they dry quickly, don’t smudge, and last all day without the line cracking. I prefer eyeliner pens because of the convenience of not needing to use a second tool to apply it, but I find these gel ones to be great from Melt, especially in the waterproof formula that works for the waterline, though I only reach for them occasionally. If the brand ever releases felt tip eyeliner pens, I would definitely want to give one a try.

Johnny Half Lash

This was my first time ever buying Half Lashes and, just like most full strip lashes, these aren’t for me. The issue is that I have a very rounded curve to my eyes directly in the middle. This requires me to have strip lashes that are longer than usual. My eyes also have a steep downward curve at the outer edge, which I try to balance out with cat-eye wings. So, in order to have room to adjust to my eye shape, I would need a longer half lash (something like a 3/4 strip) and for the outer portion to have much longer lashes so that it can look like it’s curving upward at the ends. On my eyes, putting the half lash from the actual middle to end part looks strange because my inner lashes are super short, which doesn’t have a normal looking transition from shorter lashes to suddenly longer outer ones. This causes the outer part to look either downturned or just makes the eye look heavy. If I move the lash slightly more inwards from the top of my curve in the center to almost the end to keep it from looking downturned, it looks even more ridiculous because the lashes go from short to long to short again.

The best I could get it to look was in the purple look when I made sure to have a wing that made the outer edge appear to curve up higher than the actual lash was curving. It still looks quite heavy though, so this style of lash just isn’t for me. If I want half lashes, I think I would need to just slightly trim a full strip and ensure it has a very flared out end. But considering my sparse and shorter inner lashes, I’d just stick with House of Lashes Iconic Lites.

Amor y Mariposas Collection

Recuerdos Lipstick and Corazon Lip Pencil

As I mentioned in the beginning of the post, I didn’t end up wearing the lip pencil because of the smell. As for the lipstick, it’s certainly an interesting color. It still has a vanilla scent to it that is similar to the cream blushlights. The color isn’t very even and this formula is very drying and the bullet was stiff. I don’t know if this is the case with all of Melt’s lipsticks (I have heard they aren’t very comfortable) or if this is just performing this way because of how long ago the collection was released. The gold packaging is absolutely stunning though. I love the details, as well as the imprint on the lipstick bullet. I will never wear this lipstick again (and removed it after taking the photo so I have no idea how good the longevity is), but I want to save the packaging and maybe pour a homemade balm into it so I can reuse it for something because it’s so pretty, plus luxurious feeling from the metal with magnetic closure.

Mirror

I ended up with two of these when it was temporarily reduced to $5 with a purchase of an Amor y Mariposas item and then again when it was temporarily free with either a mystery box or certain spending minimum. It was never officially announced, but something I noticed in the website carts. So, I gave the spare one to my sister!

This mirror is beautiful. I love the gold writing on the back and the clear red color. It’s a thick plastic though, so it feels weighty but isn’t too heavy as to be uncomfortable for a handheld mirror. The only downside is that it’s quite small, around the size of Colourpop mirrors. The one I got from Gerard Cosmetics is the current one I use because it’s much bigger in size, which I compared in the photo below. I can be quite clumsy and have already broken five mirrors in my lifetime, so I don’t mind having backups. However, if my Gerard one breaks, I would probably repurchase it because I like how much larger of a mirror surface it has. I know I own plenty of palettes with mirrors, but those are heavier to lift up, or the lid doesn’t stay up in position, or the mirror is just too small for my liking. So, I continue to use hand mirrors and I like collecting pretty ones, even if I barely use the spare ones.

Brush Set

The brushes in the order pictured are Rubor 718, Pomulo Alto 779, Pincel Denso 23, Mini Difumadora 808, Sombra Angular 627, Sombra Plana 24, and Lapiz Fino 523.

Rubor makes for a decent sweeping blush and bronzer brush. I like the density level, but wish it was more of Pomulo’s shape. Pomulo is my kind of blush brush, but it’s not as dense as I like and makes for a sheerer blush application. If I want something this sheer, I’d just use one of my natural hair brushes, so it disappointed me a bit. Pincel is a bit large for my eyes, but I have used it as a highlighting brush. It’s okay for that purpose, but a little odd because of the pointed tip. I’ve also used it to spread out one of my more liquid eye primers and preferred it for that, though I spread the product a bit wider out than anticipated since it’s so big for my eye. Mini Difumadora I’ve also used for highlighter and do like it for that. Sombra Angular I’ve used for eye primer and liked it. Sombra Plana I’ve used as an eyeliner brush, though I would prefer if it came even thinner at the tips for even more precision. I think it’s technically a concealer brush as it’s similar in shape and size to my Smashbox concealer brush that I also don’t use for concealer. Sonia G’s Jumbo Concealer brush is much more my style in shape and thickness. Lapiz Fino is a strange one because it’s shaped like an eyeliner brush, but it’s so thick that I never want to use it for eyeliner and can’t think of any other purpose for that brush either. Maybe spot concealing, but I almost never do that.

Overall, I do think this brush set is worth the currently reduced $35 price. I got one set free in a mystery box, but I did buy another set for my sister who is always afraid to use pretty brushes for fear of messing them up. I got this set specifically for her to “mess up” as much as she wants but she still finds the gold metal outside (I’m guessing full aluminum) and lovely shade of red synthetic bristles to be too pretty.

I’ve only washed these brushes once, but I did not notice any dye seeping out. Just wanted to mention that. However, I wash my brushes with cold or lukewarm water at most.

Before we go, I should post this disclaimer…

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That’s everything for today. Thank you for reading!

-Lili

Best of Melt’s Mystery Bundles and Holiday Sale Part 1

Once again, Melt Cosmetics made mystery boxes available starting on Black Friday with a smaller $25 option and larger $75 box. They repeated these price options for the December versions, and the large December box is still available at this time. Everyone gets the same items in each specific box, so I watched quite a few videos on YouTube so I could know in advance what I’d be getting. Sure, it took the mystery element out of it, but I was able to guarantee the value would be worth it for me.

There are plenty of other items from the Mystery boxes that I am not going to feature because they are products I’ve already reviewed, I can’t wear because they don’t show up on my skin, I don’t like because of the color, or I’d feel uncomfortable trying out due to the suspicious smell (most of the Amor y Mariposas Collection lip liners).

The products I selected for the photo above are the ones I decided to keep for myself from the mystery bundles, in addition to a few extras I added to my cart during the 40% off sale that was simultaneously happening on the website (mystery boxes excluded). However, tackling them all in one giant post was too overwhelming, so I’m splitting this into two parts. Part 1 will cover all the eye products and Part 2 will come at a later date covering the face and Mariposas items.

Gemini II Palette

Sweetheart, Gemelas, Matheo, and Almond Eyes are my favorite shades from this palette. I don’t know what it is about pinks and greens that is such a struggle for me to think of ways to use them together, but that’s ultimately why I didn’t buy this palette at launch. I do like these two color families when used separately, so I continued to be tempted by them. As time went on and I saw the repackaged version of Gemini with Gemini II being used by others more and more, I reconsidered getting them until I began seeing photos online of some sort of growths appearing in various people’s palettes just two months after they bought them. Melt has notoriously had issues with their eyeshadow formulas in the palette versions (as opposed to their stacks), which is why I’ve never been willing to risk getting them at full price in case it happens to mine as well. It had been at least a year since I heard of any major issues, so I was just beginning to let go of my fear until I saw that. However, my two oldest Melt Palettes that I started using Spring/Summer 2022 (Amor y Mariposas and She’s in Parties) are still in perfect condition. So, that’s why I keep taking partial chances because I love their formula.

The mattes in this palette are exactly what I expect them to be from Melt: very pigmented, opaque grungy tones, and easy to blend. Matheo is a real shimmer with its brownish-green color and green sparkles but it’s a bit on the thin side and needs to be built up. Shmood is more of a metallic-satin. Shmood instantly reminded me of the She’s in Parties shadow from the She’s in Parties palette, but that one is a slight purple leaning red whereas Shmood is a warmer red with an orange shift on the eyes. I’m not used to owning such a matte-heavy palette, but I don’t have a single bad thing to say about the performance of any of these shadows. For my personal taste, I didn’t need both Bela and Lady Like since Bela is basically a brow bone shade without being impactful enough for me as an inner corner brightening color and Lady Like only faintly shows up and is the kind of color I just include for the transition shade to blend into, but no quality complaints. Everything is long lasting. The shimmer and satin don’t crease on me. They’re great! I just hope the quality doesn’t diminish over time.

I used the Allday Everyday Ultra Matte Eyeliner in 1987 in both of the green eye looks in this section.

As much as I enjoy this palette and am very pleased with it so far, my inability to use it to its fullest (the color choices and my skill level with color theory) is why I’m glad I was able to get it in a mystery bundle for technically a better savings value with the other items combined.

Rust Palette

Once again, I’m impressed by the mattes. Pigmented, soft, and blendable are the best words to describe them. Rott² is so intense that I have to be careful with that shade, but it can be sheered out if the tiniest amount is applied and heavily buffed. Other than Rott², the other mattes are easy to use. I’m also impressed with Erode considering tons of yellow mattes from other brands don’t show up very well on me because the amount of yellow tone I have to my skin blends in too much with the shadow color. Yellows also tend to disappear off my eye area because they are usually made to be a thinner or more powdery consistency (possibly too much titanium dioxide or another white base powder throwing off the dry base to binder ratio) that dusts off and doesn’t stick for long on me. So whenever I find a yellow matte eyeshadow that actually lasts, is a flattering and easily visible shade that’s also easy to blend, I always take notice.

This palette contains three metallics, but they’re only satisfactorily reflective for my tastes if applied wet. The end result is still on the low-sparkle side compared to the types of shimmers I typically wear, but I’m occasionally in the mood for something on the more subtle side, so I don’t mind. However, in doing swatches and building them up so much on my eyes with my fingers, both Tarnish and Ravage are starting to form a seal on the top layer of those shadows. It’s possible this could also be happening from double-dipping with my partly damp brush to get more intensity out of the shadows, but I think it’s moreso due to oils from my fingers. Redux hasn’t given me any issues yet, but it also has a more traditional shimmer texture to it than the other two metallics. I think it’s a little looser packed than the others, which could explain why it’s easier for me to pick up and why it hasn’t hard-panned.

It’s a shame that Tarnish and Ravage are the troublesome shadows because those are the two colors I like the most along with Erode, Rubbish (the tone of yellow I love to use as a transition shadow), and Rust (a nice warm brown). However, because I enjoy nearly all the mattes, plus the colors of these two metallics, I still very much like this palette overall. It’s not a very inspiring palette for me, but it has the go-to type of shades I like and use. If Pat Mcgrath can charge $65 for an all matte 6-pan palette, then I guess it’s not really my place to say the Rust palette isn’t worth full price considering Melt’s matte quality, but I personally recommend getting Rust on sale if possible.

Smoke Sessions

I’ve wanted this palette for years, but this is the one I heard the absolute most complaints about in terms of formula stability issues. I’ve heard of the shimmers randomly expanding in the pans and exploding out of them (then people pressing them back and it happening again), and I’ve seen the most growths and things appearing in these. From the moment I felt the shimmers, I understood how this may be possible considering how much wetter they are than all other Melt shimmers/satins/metallics that I’ve felt before. When I first got the palette, I opened it just to check that no shades were broken before setting the palette aside. When it actually came time that I was ready to use it about a month later, Blue Dream was cracked in the upper portion of the shadow. I have no idea if it’s just because the shimmers are more softly pressed or if it’s because mine was in the process of a reaction. I’m more inclined to give the benefit of the doubt and say it’s just soft and somehow broke in my handling the palette (even though I never dropped it). I pressed the shadow back with my finger (no wetting agent added) but the consistency of Blue Dream is so loose that it keeps picking up in strange chunks. I took a photo of it below. In order to use this shadow without getting fallout everywhere (plus have it look opaque), I have to apply it with a dampened brush. The binding ability appears to be weird in that one. I will of course update if I notice anything else, but we’ve passed the two month mark and nothing else has changed now. Hopefully there won’t be any additional developments.

Grand Daddy, Black Widow, and Mean Green are like my favorite types of greens in terms of color. Having them all in one palette is what drew me in. Gravity OG, Sour Diesel, and Space Queen are colors I also like, so despite all the questionable things said about this palette, it was just impossible for me to skip forever. I don’t have regrets getting it for 40% off during the sale, but this formula has to be babied a lot.

These mattes are not what I’ve come to expect from Melt. They’re so much stiffer and less easy to blend. I was quite disappointed in Sour Diesel since that murky green just looks murky brown on my eyes. I wanted more of that green tinge to show through. As for the shimmers, they are a wetter texture but they still don’t pick up that well and the consistency somehow isn’t enough to make them impactful on the eyes. I still have to dampen my brush when I apply them. On the positive side, they do look beautiful after that and I’m used to wetting my shadows anyway, so that isn’t a deal breaker for me. I’m just perplexed as to how they’re so creamy/wet yet still under-perform without help. I’ve also had a little bit of creasing with these too, which is something I’m not used to from Melt either. So, as beautiful as these tones are, I was a bit disappointed. I think if Melt reformulated this palette to what they’re currently using in the newer ones, this would have had the potential to be a favorite in my collection, and not just out of the palettes I’ve bought from the brand.

Bad Side Zodiac Mini Eyeshadow Palette in Earth

I bought this during the 40% off sale and before I noticed how similar it would be to all the other Melt palettes I have. I was just so focused on wanting this color story.

Now that I have a lot more experience using Melt’s shadows, I can say that the matte quality of Earth (I didn’t notice a difference with Air) is the tiniest bit lower than in She’s in Parties, Amor y Mariposas, Rust, and Gemini II, but only the tiniest bit. I still very much like them and find them to be quite good. It’s only really when layered on top of each other that they can look a little muddy.

I’m not sure if it’s just because the shimmers are yellows and oranges, which can blend in quite a bit with my skintone, but I felt the need to wet them for more impact. Over Critical is quite a harsh tone of yellow though on me, and wetting it made the consistency a little odd in terms of getting it to lay smoothly and not patchy, kind of like my troubles with the Blue Dream shade from the Smoke Sessions palette. Know-It-All and Materialistic, however, were creamier and easier to pick up and spread smoothly. I’ve noticed that I prefer Melt’s shimmer formula in their newer palettes rather than their older ones, but their mattes are what is special about their eyeshadows. That’s why even though I prefer palettes with more shimmers than mattes, it’s probably a good thing that Melt’s palettes tend to be the opposite.

Ultra Matte Gel Liner in Onyx and Cultura

The Melt Gel liners are fantastic, in my experience, so I purchased Cultura during the sale and received Onyx twice in mystery boxes. I like the waterproof nature to them (and how they still come off with a bit of Bioderma and a makeup wipe without needing a waterproof remover specifically). They dry quickly, don’t smudge, and last all day without the line cracking. I don’t mind using a jar eyeliner if it’s a colorful one, but I would honestly not get much use out of Onyx purely because I find liquid eyeliner pens to be so much easier to use for all my black eyeliner needs.

Allday Everyday Ultra Matte Eyeliner in 1987

I got this liner from the Mystery Bundle. It has been discontinued at Sephora, though it’s still available for sale on Melt’s website. Melt has a new range of eyeliners called “Slick Waterline Eye Pencils,” so my guess is they’re just trying to get rid of the remaining stock. I hope these aren’t too old.

This pencil’s color is dark enough for me, but I prefer ultra rich black liner shades similar to the depth of Onyx. It glides across the lash line easily. It needs a little time to fully set before it will be smudge-proof and water-proof, but that does happen if it’s fully dry. It’s even easier to remove than the Gel Liners, but is tough enough to not budge all day (not that I usually have problems with that unless it’s in my waterline). It’s a decent eyeliner, but I almost always create a wing and the point of this pencil isn’t sharp enough to create that easily. If I want one, I have to use an angled brush to sharpen the outer line or to use concealer. So, I honestly don’t think I’ll get much use out of this either, but I wanted to try it out anyway.

To see these on the eyes, 1987 is in the two eye looks using the green shadows in the Gemini II section. Onyx are in the last two of the three eye looks in the Smoke Sessions sections. Cultura is the yellow liner in the Rust palette eye looks section.

That’s everything for today! Part 2 will probably take several more weeks to give me time to finalize my thoughts, but I have tried almost everything for that one so far and I have been taking photos for it already. Thank you for reading and I hope you’ll check back here again for more beauty content!

-Lili

Kaleidos’ Latest Three Releases

The absolute newest release from Kaleidos is the Sound of Winter Lip Clay Collection. I purchased a custom bundle so I could buy the Willow Wisp Tin with Golden Rosin from that set, Pink Himalayan and Tundra from the Polar Placid Vault, and Terra from the original Sand Castle Vault. I nearly forgot that I purchased Mahogany from the Flora Noir Vault as well in one of the November or December orders, so I will include demonstration photos of that too.
The release prior to that was of the Symphony Contour Trios. I purchased the option in Dark. There are five of them in total with one version darker than mine and three that are lighter. I’m impressed with these offerings considering how their first contour palettes weren’t very inclusive and only came in two options.
Then, the third newest release was their line of Epiphany Glow Melt-On Eyeliners. I purchased the one called Night of Creation.

I bought the face trio and multichrome eyeliner during Black Friday, but I didn’t receive it until late December. The newest Lip Clays were available for purchase mid December and did not arrive until early January, so I have spent less time with these Lip Clays, but they’re no different than the ones I’ve used throughout 2022.

Photos I take in this spot tend to wash out my skin, but I’m not posting these face-foward pictures for color accuracy. I just wanted to show examples of the Lip Clays on the face without being zoomed in so closely. Also, I frequently wear two different eyeshadow looks on testing days, so please excuse that.

I now own twelve Lip Clays. My opinions of them haven’t changed, and those who wish to see my reviews of the rest can find them here and here. I’m still impressed with how long wearing yet comfortable it is on the lips. It’s transfer resistant, as long as oil from food hasn’t broken it down, and it’s easy to touch up. I love the plush velvety texture, although it’s not as completely unique as I thought. I recently learned that Colourpop’s line of Lux Velvet Liquid Lipsticks are similar enough that I would recommend those as an alternative if Colourpop happens to be more accessible to someone than Kaleidos. The lip products have similar price points, though Colourpop tends to have deeper and more frequent discounts. Kaleidos makes unique shade options though for the more daring and color-loving makeup wearers.

The only new development about the Lip Clays I’ve experienced is that Wild Apple separated a bit. Unlike all the other Lip Clays that maintained their mousse-like texture, my version of Wild Apple was giving me fully liquid swatches until I stirred it in the tube and it mixed back with the rest of the lingering thick creamy product inside that I’m used to seeing. It’s even visible in the swatch photo above with all except Wild Apple having mostly dried down in spite of me waiting a few minutes for it to dry. Wild Apple was part of my oldest custom set that I purchased a little over a year ago. The other three Lip Clays that came with it haven’t changed. The smell is slightly more chemical-like, so it might be starting to turn early considering the 18 month period after opening date.

I’ve been using the Symphony Contour Trio quite a lot since it arrived. The powders feel super soft to the touch and remind me of the Hourglass Ambient Lighting and Laura Mercier Candleglow Perfecting powders, put more heavily pigmented. The fill shade is supposed to be the illuminator that, “delivers soft, from-within radiance with buttery smooth powder that expertly blurs skin textures and naturally brightens targeted areas.” I’m a bit confused that this is considered a glow product when I am unable to see any shimmer or sheen to the powder whatsoever. The only glow I get is from my foundation. The powder imparts a natural finish at best, which is why I feel so comfortable using it to set my under eyes. Kaleidos also sells the “fill” compacts separately and I was considering getting a lighter shade since this just sets things in place and doesn’t deliver on the brightening effect (possibly due to the color depth), but I’m not sure if the Tan version would be too light for me. Had this product been less of a setting powder and more of a finishing one with shimmer or a sheen like the Guerlain meteorites, I’d have been willing to give another shade a try. But I only need it for setting and am perfectly happy to have this one for that purpose. That also being said, kudos to Kaleidos for the fact that all my comparisons to this product are high end brands because that’s the quality level of this product and for a really great price!

The packaging is surprisingly weighty metal while also being sleek and easy to hold in the hand. I’m quite impressed with the design!

When it comes to using the sculpting contour shade or the chisel brontour color, I get near airbrushed results when my base makeup is matte. When it’s on my typical slightly dewy or natural finish foundations, it can require a little more effort on my part because it may stick a tiny bit where I first lay the product down. Because the sculpt shade is a bit deep for me and I already have to use a controlled hand to have it blend into my skin, I have to be especially careful to apply a little at a time and with a brush that will disperse the product lightly while also aiding in the blend. With the chisel shade, I don’t have to worry about being as precise with it because the color match suits me better. In fact, when I use this trio, I often reach for the fill shade and chisel shade and skip trying to contour. The sculpt shade is cool-toned and deep, so it does have a sculpting effect, but I prefer to have a little more grey so I can actually create a faint shadow. So, if I’m in the mood to contour, I still reach for my Hindash Beautopsy palette instead.

Although not completely perfect, I like this a lot and foresee myself continuing to get use out it!

My review of this liner is a first and second impression, so please keep that in mind. I will update this post in the future if I discover anything that differs from what I experienced initially.

I love multichromes, so it’s only natural that I find multichrome eyeliners super appealing. However, I know how to turn eyeshadows into liners, so I’ve tried for the longest time to prevent myself from buying them for the convenience/ease of not having to scrape some off and mixing it with a liquid product (like MAC Fix+, isododecane from TKB Trading, Inglot Duraline, or Mehron Mixing Liquid) and applying carefully with a brush and then having to clean off the tools, etc.
So, I ultimately skipped getting the $28 Natasha Denona Chromium Liquid Eyeshadows, the $26 Danessa Myricks Twin Flames, and JD Glow MultiChrome Gel Liners for $18.50. It was also easier to pass since those are liquid products. I was a lot more tempted when I heard Sugar Drizzle had multichrome eyeliner crayons, but I don’t think they are sold individually and I’m always wary about purchasing from small indie brands for the first time. So, when I was already making that Black Friday order from Kaleidos, the $12.80 (regularly $16) was too good to pass up on. Around the same time, I got the Danessa Myricks Beauty Infinite Chrome Pencil in my Mystery Trendmood Box, so it’s only natural to want to compare them.

I chose Night of Creation because its the type that no matter what lighting situation it’s in, the angle, or whether it shows a visible shift or not, I would love it and use it in the same way. Kaleidos describes the colors as, “Ultramarine, Violet, and Dark Plum,” and I often use deep and vibrant blues and purples on my lower lash line as a pop of color to a neutral look or as a secondary color to an otherwise monochromatic eye. The other liner color options, for example Limelight, goes on the spectrum of blue, blue-green, green, and yellow-green in a look that I might not want any yellow because the warmth could clash with an otherwise cool tone look, for example. Of course the benefit to having a multichrome is to have a shift, but not if the shifting color might look off next to the tones of other eyeshadows I would be wearing. Night of Creation has all cool tone bold colors, which means it’s most likely to all look good or not at all. That makes it simpler to know when I want to incorporate it in a look or not.

Night of Creation applies so easily to my hand, but on my eyelids with my lines and texture, I had to go over the same spot for a full minute in order to get the opacity level shown all over my eyelid in the photo above, and at least ten times to just my upper lash line. This isn’t due to a lack of creaminess. The product is soft, but it’s as if I get a coating of the black base and have to keep rubbing over and over until the sparkle part with the actual pigment comes off. For this reason, I haven’t thought to use this in my waterline and don’t plan on it either. The product tip is very thick and not easy to apply precisely. I’m someone who loves doing a wing and had to switch holding the pencil from 180 to a 90 degree angle to try and get a thinner line using its side. I still had to sharpen up the edges with concealer in the examples above. Also, I can still see patches in the full lid example, so I don’t plan on using this pencil for that in the future and will stick to keeping it on the lower and/or upper lash line.

One advantage the Danessa Myricks pencil has over the one from Kaleidos is how thin it is, which makes it so much easier for me to use precisely. I know a big complaint from customers about it is how little product one gets in the Chrome Micropencils, but as someone who normally takes six months to use up a black eyeliner, even if it was in almost every eye look for those six months, a product like this one that I’m going to use a lot less frequently should last me ages. Kaleidos has 0.20 grams compared to Danessa’s 0.15 grams, so I’m fine with that difference. Some brands give a ton of product, but among the micro pencil category, the Hourglass 1.5MM Mechanical Gel Eye Liner is 0.06 grams and the Shiseido MicroLiner Ink Eyeliner is 0.08 grams, so those have even less for around the same price and they’re not multichromes.

They’re both beautiful on the eyes. Because they’re very different colors, I don’t think it would be fair of me to compare shifting ability and shine between them (dark vs light color and contrasting shifts vs similar color depths in shifts), but Tina compared several in her video here. She actually owns Charoite, which is most comparable to Night of Creation.

These are also both waterproof. I do not recommend trying this on without a waterproof makeup remover or an oil of some kind to help break it down because these are truly waterproof, especially the one from Kaleidos. Most of the time when a product is waterproof I can still remove it from my skin with Bioderma, but neither of these budged at all when I made multiple passes over my swatches with Bioderma and my Makeup Eraser cloth. I then used regular hand soap and water, which only the tiniest bit of the Danessa Myricks came off at. I then used Dr. Bronner’s Pure-Castile Liquid Soap that contains oil in it and that removed about half of the Kaleidos and most of the Danessa Myricks. Ultimately, I still pulled out my Sephora Waterproof Eye Makeup Remover which did the trick but was still not a breeze to do like I expected. So these are no joke!
When I was using the Kaleidos liner on my actual lids, a piece of it broke off (during the attempt to cover the whole lid when I was rubbing the eye repeatedly and forcefully) and fell somewhere on my laminate wood floor. I couldn’t see where it was, so I assumed it rolled under the bed and I planned to deal with it later. What I did not realize was that it didn’t roll under the bed. I accidentally stepped on it when I got up, and since I was wearing socks I didn’t feel a thing. I started walking to my door and then realized I had a trail of probably fifteen spots of deep shimmery purple smudges into the laminate. I grabbed a paper towel and some water to start wiping it up, and when it wouldn’t budge I remembered in horror that it’s waterproof.

So, I had to use oil to remove the trail of liner smudges from across the floor, and then use soap and water to get the oil residue off the floor, and then dry it all up again so I wouldn’t accidentally slip and give myself a whole new set of problems.

The moral of the story is not to underestimate the waterproof power of these liners! Haha.

As for longevity on the eyes, they both live up to the claims of being smudgeproof, but because I get oily lids and I tend to rub my eyes, these had some spots that wore off by the end of the day. My upper lash line was fine, but the inner portion of both my lower lash lines had missing product. The Kaleidos held up better though than the Danessa Myricks one did. Those that get oily lids, but don’t rub their eyes, plus those that don’t have an oily-lid problem should have no trouble with longevity. And I should also mention that even though I have oily lids, removing the leftover liner was not an easy task.

UPDATE FEBRUARY 28, 2023: I ended up buying two additional Danessa Myricks liners and thought I should add swatches of them here since I will be unlikely to re-review them again.

Well, that’s everything I could think to mention! I hope you have a great week and thank you for checking out this post today!

-Lili