I thought this collection was cute, but I admittedly didn’t purchase it until it went on sale at the end of last year. Now, the products are being offered at an even greater discount at Sephora, so I wanted to post my review while there are still some items left to purchase for those who might be interested.

Disney Fantasia Face and Eye Palette

I hadn’t tried eyeshadows from One/Size prior to owning this palette, but I’m very interested in getting more if the brand comes out with palettes with my type of colors in them. The mattes are so soft and creamy, almost like a wet sensation on the fingers, despite being completely dry and a powder. The closest comparison I can think of is like Tarte Amazonian Clay matte eyeshadows, but even creamier. The matte eyeshadows in this palette are actually the most similar to the matte blushes from the Cheek Clapper trios that I love so much because of how pigmented they are while also being smoothing, blurring, and easy to blend. I’m no cosmetic chemist, but I’m guessing it’s the amount of silica and “cone” ingredients in the brand’s matte products that make them feel the way they do. It’s impressive that they managed to use dimethicone, for instance, in a matte without it sealing itself after being swatched a few times (as I noticed that pattern with certain matte powder products I own and back when I was attempting to make my own pressed eyeshadows), but I’ve observed that ingredient lists with dimethicone in a matte product tend to have kaolin clay, zea mays/corn starch, or some other oil-absorbing dry ingredient with it, so perhaps that’s why silica is paired with it. Perhaps there’s another contributing ingredient as well that I haven’t realized, but either way, I love the performance of these mattes. I have to say though that I noticed Broomstick darkens when wet. That’s why I have it swatched twice in the swatch photo above. With each swipe, to smooth out the swatch, it kept getting darker and darker in places. I don’t know if it was from oils on my finger or if my finger was slightly wet from a spot on my microfiber cloth I use to clean off my arm between swatches. So, I did the second swatch underneath when I knew for sure my finger was dry and after smoothing it just once, it still appeared like it wanted to darken on the edges. I have also observed Broomstick darken a little in my eye looks while on top of my creamier primers. I don’t mind this since it still works as a transition shade for me whether it stays true to color or deepens up, but this may be an issue for those wanting a light non-dramatic eyeshadow look. Then again, considering the intensity of the blushes and the inclusion of very sparkly transformer shadows, this palette isn’t for those wanting completely natural looks.

Ironically, the darkest matte called D Minor isn’t as deep on the eyes as it looks in swatches. It blends to a softer more subtle color (for me).

This collection going on sale at Sephora and the One/Size website since last December leads me to the conclusion that this hasn’t sold very well, and I can’t help but wonder if part of the issue is due to it trying to appeal to everyone. We have the very neutral eyeshadows that will give soft looks. Dream is a satin that looks like a pale iridescent pink at certain angles. We have pigmented but not intense mattes. Classical has small size shimmer for a refined look, while still being nice and shiny to the point where I don’t feel the need to dampen it on my lids, but the virtue of the color on my skin tone makes me want a little more impact when used in the inner corner. Anyway, the subtleties of those shades are countered by the highly reflective and glittery Oh Boy and Yensid shadows. Those are going to appeal to people like me who enjoy a more impactful look, but even Yensid could turn off some people due to the duochrome being like an iridescent pink with blue and purple shimmer. Those might be too wild of colors for a neutral wearer to ever want to use. I heard the transformer shades could be used as face highlighters as well, but that’s too outside of my comfort zone to try. Fun fact for those who don’t know: Yensid is Disney spelled backwards.
Then we have a matte blush called Symphony for those with light to tan skin tones that’s so pigmented it manages to still show up faintly on me. Then Orchestra is super dark and likely intended for medium to rich skin tones. Those that prefer matte blushes will likely not enjoy the intense shimmery golden orange, Intermission, with its metallic reflective shimmer that is not for the faint of heart. Lastly, we have the even more intense and deep blush, Finale. By having something for minimalist and bold makeup wearers, plus products for two very different skintone spectrums, there are going to be some products in this palette that people skip using altogether. Sure, the blushes can be built up or sheered out, and used on the eyes* like I did in the eye looks above, but not everyone wants to do that. I’d wager that the majority of makeup users don’t want a gigantic palette that they only use half the products and neglect the rest. Funny enough, this mixture of having a little bit of everything makes this palette actually work fairly well for me, but I’m certainly not in the majority.

*I don’t know if the blushes are deemed “safe to use in the immediate eye area” or not, so I’m not advising anyone to do what I did without conducting their own research and determining its safety for one’s self. I’m just posing a hypothetical. Blushes can generally be viewed as multi-purpose.

This palette has extra touches that could make it appealing, such as the beautiful Collector style book cover with actual Disney designs (and not just Disney-inspired drawings). The mirror lifts up to show a cute paper cut-out that reminds me of the Urban Decay Alice in Wonderland palette days. I love book style packaging, but we’re moving away from bulk these days as Pat Mcgrath Labs must have learned after the sales of the Bridgerton Blushing Delights Face Palette. Even if the size and shape makes sense for the collab, the majority prefers pretty yet sleek packaging.

I love using round cheek brushes, but in order to get Orchestra to apply sheer and even, I needed to switch to a sweeping style brush instead and apply it in one direction rather than circular buffing.

Going back to the blushes, Patrick Starrr mentions in the launch video that they are the Cheek Clapper formulas from the Trios, but the matte blushes don’t feel the same to me. They’re not as smooth and definitely feel more like a typical powder. They’re not bad, but they’re not something I’d grab to wear if they weren’t already in the palette when I want to use the eyeshadows.
The shimmery blushes I doubt I will use beyond this review. I forgot to powder my cheekbone after reapplying the Becca Under Eye Brightener (which is a sticky product) and Intermission immediately stuck to the spot, so I’d caution against wearing the shimmer ones on a dewy base. Making sure it goes on top of a powder layer first helped apply Finale more evenly, but the type of shimmer in these are not my style and are barely better than the blush shades within the Coloured Raine Glowlighters line that I despised. The color of Finale is too deep for my preference anyway. I can use Intermission as a highlighter if I’m feeling up for having it look quite apparently orange-gold. The base color is darker in Intermission than the one in the Freaky Peach Cheek Clapper Trio that I feel more comfortable using as a highlighter instead.

As seen in the photo, the shimmer formulas are very different. In the Cheek Clapper Trio, it’s a thinner sheerer powder with ultra fine shimmer that’s closer to a satin. The other one is chunky, wetter, and although it has pretty small shimmer particles as well, it’s more visible on top of the deeper orange base color. The one improvement in favor of Intermission is that the drier formula from Freaky Peach had a harder time sticking to my face and lasting on my cheekbones as a highlighter. Intermission having a wetter bind improved the longevity.

Disney Fantasia ​Bit of Magic Highlighter

If this isn’t the first review of mine you’re reading, then you know I typically prefer a subtle highlighter (or a beaming one that looks smooth and/or wet on the skin), so I’m going to just put it out there that I knew this was going to be glittery before I bought it and I still bought it anyway because of the sale and the cute gimmick of the highlighter having a different pattern depending on how it is held. That being said, Disney makes me think of sparkles and glitter, so it fitting the theme is something I’m happy about, even though that also means I’m not likely to reach for it. It’s a weird contradiction, I know.

This is semi-transparent, but there’s just enough pink-champagne hue (and mix of gold and pearl sparkles) that make it borderline able to work but also a bit on the light side for me. The depth of base color helps the situation for me, but that very thing could make it too dark for quite the range of people.

I noticed that it does blend better into the skin if it’s on top of something dewy. I’ve used three different brushes with this highlighter: the Chikuhodo Zen ZE-5, the Too Faced Diamond Light Highlighting Brush, and the Rephr 36. The Rephr brush is the most dense of the lot and worked the best for getting more than just a sparkle layer of highlighter.

There isn’t anything much else to add. Either the color will work or it won’t and either the potential buyer likes the glittery look or doesn’t. The packaging and trick with the imprint is about as special as it gets. Without that, I would say it’s a middle of the road highlighter.

Disney Fantasia Point Made Waterproof Liquid Eyeliner Pen

The Disney eyeliner is the same as the standard One/Size eyeliner in the color Bodacious Black, just with slight tweaks to the packaging. When the original was first released, I didn’t pay too much attention to the reviews, but I remembered hearing that it was easy to control, dispensed a nice rich black color, but it had some kind of packaging design flaw. At the time that I bought the Disney one, I completely forgot about the design issue and only remembered the positives. The photos above and below demonstrate my experience that I can get a really thin, controlled, crisp line or at times too much comes out at once and it gets very thick. Contrary to what I had heard, it’s not immediately easy. If I do shorter strokes, I can create the line how I want, but if I rush it or try to do too long of a line in one go, I end up making it too thick. Overall though, I think I’d have liked this even more than my holy grail Stila Stay All Day Waterproof Liquid Eye Liner if it wasn’t for the leaking issue with the One/Size liner when too much product is at the tip and it doesn’t go back down in the tube so it gets all over the pen. I tried to resolve this by storing it tip side up, but I don’t know what the long term performance will be like, especially with the other issue of the cap. There’s no snap closure. A small touch can make the lid lift back up, which is highly likely going to make it dry up faster if I’m not careful. When I originally had it in my makeup bag, I saw a thin line where the lid hadn’t come off completely, but it was still not shut all the way. And there have also been times that after I used it, I put the cap back on and was about to put it to the side and realized it wasn’t closed all the way because just pressing it down instinctively isn’t enough. You have to look at it every single time you press down to make sure it’s actually closed because it isn’t going to make a snapping sound that a lot of pens and markers have to indicate that it’s closed. For that reason, I wouldn’t repurchase the original either unless it was put in a different component.

As I mentioned before, I can’t remember much about the original launch, but I’m not sure if the brand decided not to make the lids snap close in order to be easier for those with difficulties with their hands? The way that the pen also has a very smooth top and bottom but a rougher plastic portion where I would naturally grip the pen (and would be easier to avoid slipping) was intentional and called a “comfort grip handle,” so I’m not sure if the cap is for hand mobility too. In that case, I would understand this feature, but that would also make this not something intended for me.

I have photos wearing the eyeliner in the first two eye looks in the palette review section.

Disney Fantasia Ultimate Mickey Puff

I’ve never been the powder-puff using type, but I always said that if I were to buy one, I would prefer for it to be thick and feel puffy and soft, which the One/Size puffs in the standard and Disney shapes check off all those boxes. The original one is a bit more practical for those who like that thick edge to be able to create a sharp line for baking certain areas, like under the cheekbones, but the Disney one has the advantage of technically being three puffs in one. So, I’ve used the bigger one (bent to avoid having the sponge ears get in the way) for applying powder foundation and setting powder. I’ve used one ear for blush and one ear for attempting to dab away shine at the end of the day. Regarding the oil, it didn’t do very much because my dry skin usually just produces enough to mix with my foundation and appear glowy, but not actually seep onto anything or actually feel oily. It’s mostly the work of my dewy foundations and mica in them, so there isn’t much that can actually be absorbed in the puff. So, I’m not the best person to test out that aspect. As for applying powder foundation quickly, it was nice for that. For getting an even but light layer, I prefer my brushes (and paid good money to ensure that those are my best tools for powder), but if I want more coverage, this puff is certainly handy for that.

Another way I’ve noticed I can get use out of the puff is almost like an eraser. If I carry my contour or bronzer too low down, I just use part of the puff (folded again to create an edge) to go over the spot with the bare puff or powder foundation to make it a little more crisp and cover up the mistake.
Because I pretty much never use sponges or puffs that come with products, I have no idea how to treat them. Do I just toss them after they get too dirty? Do I wash them by hand with soap and water? If I do need to clean it, how frequently should I do that? Also, I don’t want this floating around my train case or makeup bag, so I’ve been putting it back in the plastic pouch after each use. Powder puffs for something like a translucent powder wouldn’t look too messy, but with my products, that’s another story!

As silly as it sounds because makeup puffs have been around for ages, I’ll have to do some research on them!

Other than the Cheek Clappers and travel size minis of the Ultimate Blurring Setting Powders, I hadn’t tried anything else from One/Size until now. My interest in the brand continues to grow, though my favorite thing is still those Cheek Clapper Blush Trios. I didn’t need this collection. I have friends that are true Disney fanatics, so I know my very general liking of Disney is super low in comparison. However, even someone like me can see how much thought went into the collection and I can respect the brand for attempting to combine high quality makeup with the collectible factor, even though it’s not the most practical of packaging. I liked my items enough to be happy with my purchases. I would just love it if One/Size changed their eyeliner components because that’s one factor that made what would have been a holy grail product become something I wouldn’t purchase again. For big time Disney fans and those who were interested in these items from the time they launched, I’d say it might be worth checking out while it’s on sale and still available.

Thank you for reading!

-Lili ❤