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Kaleidos’ Latest Three Releases

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The absolute newest release from Kaleidos is the Sound of Winter Lip Clay Collection. I purchased a custom bundle so I could buy the Willow Wisp Tin with Golden Rosin from that set, Pink Himalayan and Tundra from the Polar Placid Vault, and Terra from the original Sand Castle Vault. I nearly forgot that I purchased Mahogany from the Flora Noir Vault as well in one of the November or December orders, so I will include demonstration photos of that too.
The release prior to that was of the Symphony Contour Trios. I purchased the option in Dark. There are five of them in total with one version darker than mine and three that are lighter. I’m impressed with these offerings considering how their first contour palettes weren’t very inclusive and only came in two options.
Then, the third newest release was their line of Epiphany Glow Melt-On Eyeliners. I purchased the one called Night of Creation.

I bought the face trio and multichrome eyeliner during Black Friday, but I didn’t receive it until late December. The newest Lip Clays were available for purchase mid December and did not arrive until early January, so I have spent less time with these Lip Clays, but they’re no different than the ones I’ve used throughout 2022.

Photos I take in this spot tend to wash out my skin, but I’m not posting these face-foward pictures for color accuracy. I just wanted to show examples of the Lip Clays on the face without being zoomed in so closely. Also, I frequently wear two different eyeshadow looks on testing days, so please excuse that.

I now own twelve Lip Clays. My opinions of them haven’t changed, and those who wish to see my reviews of the rest can find them here and here. I’m still impressed with how long wearing yet comfortable it is on the lips. It’s transfer resistant, as long as oil from food hasn’t broken it down, and it’s easy to touch up. I love the plush velvety texture, although it’s not as completely unique as I thought. I recently learned that Colourpop’s line of Lux Velvet Liquid Lipsticks are similar enough that I would recommend those as an alternative if Colourpop happens to be more accessible to someone than Kaleidos. The lip products have similar price points, though Colourpop tends to have deeper and more frequent discounts. Kaleidos makes unique shade options though for the more daring and color-loving makeup wearers.

The only new development about the Lip Clays I’ve experienced is that Wild Apple separated a bit. Unlike all the other Lip Clays that maintained their mousse-like texture, my version of Wild Apple was giving me fully liquid swatches until I stirred it in the tube and it mixed back with the rest of the lingering thick creamy product inside that I’m used to seeing. It’s even visible in the swatch photo above with all except Wild Apple having mostly dried down in spite of me waiting a few minutes for it to dry. Wild Apple was part of my oldest custom set that I purchased a little over a year ago. The other three Lip Clays that came with it haven’t changed. The smell is slightly more chemical-like, so it might be starting to turn early considering the 18 month period after opening date.

I’ve been using the Symphony Contour Trio quite a lot since it arrived. The powders feel super soft to the touch and remind me of the Hourglass Ambient Lighting and Laura Mercier Candleglow Perfecting powders, put more heavily pigmented. The fill shade is supposed to be the illuminator that, “delivers soft, from-within radiance with buttery smooth powder that expertly blurs skin textures and naturally brightens targeted areas.” I’m a bit confused that this is considered a glow product when I am unable to see any shimmer or sheen to the powder whatsoever. The only glow I get is from my foundation. The powder imparts a natural finish at best, which is why I feel so comfortable using it to set my under eyes. Kaleidos also sells the “fill” compacts separately and I was considering getting a lighter shade since this just sets things in place and doesn’t deliver on the brightening effect (possibly due to the color depth), but I’m not sure if the Tan version would be too light for me. Had this product been less of a setting powder and more of a finishing one with shimmer or a sheen like the Guerlain meteorites, I’d have been willing to give another shade a try. But I only need it for setting and am perfectly happy to have this one for that purpose. That also being said, kudos to Kaleidos for the fact that all my comparisons to this product are high end brands because that’s the quality level of this product and for a really great price!

The packaging is surprisingly weighty metal while also being sleek and easy to hold in the hand. I’m quite impressed with the design!

When it comes to using the sculpting contour shade or the chisel brontour color, I get near airbrushed results when my base makeup is matte. When it’s on my typical slightly dewy or natural finish foundations, it can require a little more effort on my part because it may stick a tiny bit where I first lay the product down. Because the sculpt shade is a bit deep for me and I already have to use a controlled hand to have it blend into my skin, I have to be especially careful to apply a little at a time and with a brush that will disperse the product lightly while also aiding in the blend. With the chisel shade, I don’t have to worry about being as precise with it because the color match suits me better. In fact, when I use this trio, I often reach for the fill shade and chisel shade and skip trying to contour. The sculpt shade is cool-toned and deep, so it does have a sculpting effect, but I prefer to have a little more grey so I can actually create a faint shadow. So, if I’m in the mood to contour, I still reach for my Hindash Beautopsy palette instead.

Although not completely perfect, I like this a lot and foresee myself continuing to get use out it!

My review of this liner is a first and second impression, so please keep that in mind. I will update this post in the future if I discover anything that differs from what I experienced initially.

I love multichromes, so it’s only natural that I find multichrome eyeliners super appealing. However, I know how to turn eyeshadows into liners, so I’ve tried for the longest time to prevent myself from buying them for the convenience/ease of not having to scrape some off and mixing it with a liquid product (like MAC Fix+, isododecane from TKB Trading, Inglot Duraline, or Mehron Mixing Liquid) and applying carefully with a brush and then having to clean off the tools, etc.
So, I ultimately skipped getting the $28 Natasha Denona Chromium Liquid Eyeshadows, the $26 Danessa Myricks Twin Flames, and JD Glow MultiChrome Gel Liners for $18.50. It was also easier to pass since those are liquid products. I was a lot more tempted when I heard Sugar Drizzle had multichrome eyeliner crayons, but I don’t think they are sold individually and I’m always wary about purchasing from small indie brands for the first time. So, when I was already making that Black Friday order from Kaleidos, the $12.80 (regularly $16) was too good to pass up on. Around the same time, I got the Danessa Myricks Beauty Infinite Chrome Pencil in my Mystery Trendmood Box, so it’s only natural to want to compare them.

I chose Night of Creation because its the type that no matter what lighting situation it’s in, the angle, or whether it shows a visible shift or not, I would love it and use it in the same way. Kaleidos describes the colors as, “Ultramarine, Violet, and Dark Plum,” and I often use deep and vibrant blues and purples on my lower lash line as a pop of color to a neutral look or as a secondary color to an otherwise monochromatic eye. The other liner color options, for example Limelight, goes on the spectrum of blue, blue-green, green, and yellow-green in a look that I might not want any yellow because the warmth could clash with an otherwise cool tone look, for example. Of course the benefit to having a multichrome is to have a shift, but not if the shifting color might look off next to the tones of other eyeshadows I would be wearing. Night of Creation has all cool tone bold colors, which means it’s most likely to all look good or not at all. That makes it simpler to know when I want to incorporate it in a look or not.

Night of Creation applies so easily to my hand, but on my eyelids with my lines and texture, I had to go over the same spot for a full minute in order to get the opacity level shown all over my eyelid in the photo above, and at least ten times to just my upper lash line. This isn’t due to a lack of creaminess. The product is soft, but it’s as if I get a coating of the black base and have to keep rubbing over and over until the sparkle part with the actual pigment comes off. For this reason, I haven’t thought to use this in my waterline and don’t plan on it either. The product tip is very thick and not easy to apply precisely. I’m someone who loves doing a wing and had to switch holding the pencil from 180 to a 90 degree angle to try and get a thinner line using its side. I still had to sharpen up the edges with concealer in the examples above. Also, I can still see patches in the full lid example, so I don’t plan on using this pencil for that in the future and will stick to keeping it on the lower and/or upper lash line.

One advantage the Danessa Myricks pencil has over the one from Kaleidos is how thin it is, which makes it so much easier for me to use precisely. I know a big complaint from customers about it is how little product one gets in the Chrome Micropencils, but as someone who normally takes six months to use up a black eyeliner, even if it was in almost every eye look for those six months, a product like this one that I’m going to use a lot less frequently should last me ages. Kaleidos has 0.20 grams compared to Danessa’s 0.15 grams, so I’m fine with that difference. Some brands give a ton of product, but among the micro pencil category, the Hourglass 1.5MM Mechanical Gel Eye Liner is 0.06 grams and the Shiseido MicroLiner Ink Eyeliner is 0.08 grams, so those have even less for around the same price and they’re not multichromes.

They’re both beautiful on the eyes. Because they’re very different colors, I don’t think it would be fair of me to compare shifting ability and shine between them (dark vs light color and contrasting shifts vs similar color depths in shifts), but Tina compared several in her video here. She actually owns Charoite, which is most comparable to Night of Creation.

These are also both waterproof. I do not recommend trying this on without a waterproof makeup remover or an oil of some kind to help break it down because these are truly waterproof, especially the one from Kaleidos. Most of the time when a product is waterproof I can still remove it from my skin with Bioderma, but neither of these budged at all when I made multiple passes over my swatches with Bioderma and my Makeup Eraser cloth. I then used regular hand soap and water, which only the tiniest bit of the Danessa Myricks came off at. I then used Dr. Bronner’s Pure-Castile Liquid Soap that contains oil in it and that removed about half of the Kaleidos and most of the Danessa Myricks. Ultimately, I still pulled out my Sephora Waterproof Eye Makeup Remover which did the trick but was still not a breeze to do like I expected. So these are no joke!
When I was using the Kaleidos liner on my actual lids, a piece of it broke off (during the attempt to cover the whole lid when I was rubbing the eye repeatedly and forcefully) and fell somewhere on my laminate wood floor. I couldn’t see where it was, so I assumed it rolled under the bed and I planned to deal with it later. What I did not realize was that it didn’t roll under the bed. I accidentally stepped on it when I got up, and since I was wearing socks I didn’t feel a thing. I started walking to my door and then realized I had a trail of probably fifteen spots of deep shimmery purple smudges into the laminate. I grabbed a paper towel and some water to start wiping it up, and when it wouldn’t budge I remembered in horror that it’s waterproof.

So, I had to use oil to remove the trail of liner smudges from across the floor, and then use soap and water to get the oil residue off the floor, and then dry it all up again so I wouldn’t accidentally slip and give myself a whole new set of problems.

The moral of the story is not to underestimate the waterproof power of these liners! Haha.

As for longevity on the eyes, they both live up to the claims of being smudgeproof, but because I get oily lids and I tend to rub my eyes, these had some spots that wore off by the end of the day. My upper lash line was fine, but the inner portion of both my lower lash lines had missing product. The Kaleidos held up better though than the Danessa Myricks one did. Those that get oily lids, but don’t rub their eyes, plus those that don’t have an oily-lid problem should have no trouble with longevity. And I should also mention that even though I have oily lids, removing the leftover liner was not an easy task.

UPDATE FEBRUARY 28, 2023: I ended up buying two additional Danessa Myricks liners and thought I should add swatches of them here since I will be unlikely to re-review them again.

Well, that’s everything I could think to mention! I hope you have a great week and thank you for checking out this post today!

-Lili ❤

Kaleidos Smokey Nostalgia Blush and Lip Clays

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From the Smokey Nostalgia collection, I purchased two of the four new lip clays and one of the five new blushes. There’s one more lip clay I purchased, which will be discussed later.

As an absolute blush fanatic, I was the most excited to try a blush from Kaleidos. The brand’s first attempt at blushes was a very non-inclusive release of two blush duos, so I was happy to see at least one deep skin friendly option this time. I will say that the Sanguine blush I purchased is not quite as deep as it appears on the website. This is why I’m not certain if the other shades are even lighter in person as well.

This shade is also difficult to capture accurately. It looks like a straightforward dark red in the pan, but I’d say it actually goes on the skin more like a deep rose shade. I was instantly reminded of MAC’s blush called Frankly Scarlet because of that reddish pink element.

The two blushes don’t look similar in the pan, but on my cheeks I can see that Sanguine is a bit more natural and red whereas Frankly Scarlet is a little more vibrant. I’m shocked to say this, but Sanguine is actually a tiny bit better! It isn’t often that I prefer another brand’s blush over MAC’s formula. The texture of the blush feels extremely soft, like velvet, and it’s both buildable and easy to blend. I honestly did not expect such good quality. Sanguine is pigmented, but I can make it as sheer or as intense as I want. I’ve done up to a nine hour wear test twice and it lasts on my cheek that whole time without fading if I apply a normal amount of blush. If I wear a light sheer layer, I can expect noticeable fading to start at 6-7 hours, but it was still clearly there by hour 9.
If I wasn’t confident that the other shades won’t work for me, I’d probably have placed another order to buy more. If additional shades are released in the future though, I could be tempted to get them.

One thing I can’t explain is that I swear there’s a faint rose-like scent, but fragrance isn’t listed on the packaging.

The quality of the Cloud Lab Lip Clays in this collection are the same as I’ve experienced in the past. I really wanted the Smokey Nostalgia tin, plus at least three lip products, so I opted for the Custom Lip Bundle and reserved the fourth lippie as a gift for a friend. A small part of me wishes I actually used that fourth spot for the Mahogany shade instead of Cognac because that’s one that I originally wanted as a mixing shade to deepen looks or make some less colorful.

Mixing these together isn’t as seamless as I expected. I kept seeing Kaleidos ads on YouTube mixing one of the pink-red shades (I think Cactus Flower) with Agave to create a gorgeous purple lip. They did something else with Mahogany, so I expected them to essentially mix like paint, but my attempts haven’t yielded results as dramatic as that. Also, some influencer videos showed Cognac as being a lot closer to brown than it is, so I figured (possibly incorrectly) that Cognac would be better than Mahogany for what I needed.

Despite so many options, and similarly toned ones at that, I still haven’t found my perfect shade in this formula, nor been able to find the best combo for myself either. I will continue to keep my eye out though because it’s the only liquid lipstick I’ve liked in a really long time. The unbelievable lasting power and water resistance without feeling like my lips are drying out are worth that effort to find.

Lastly, I just wanted to add that I’m shocked that Bare isn’t as pale as I expected. If it was the tiniest bit darker, it would have been perfect to wear on its own.

That’s all for today!

-Lili ❤

INDIE BRAND SPOTLIGHT: Kaleidos Makeup Review

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Kaleidos Space Age Highlighters

The Space Age line of highlighters from Kaleidos is known for having non-traditional shifty duo-chromatic shades like blue, bright red, green, etc. They even recently released a multichrome highlighter. As much fun as it would be to have colors like that in my collection, I’m not bold enough to rock shades like those regularly enough to get my money’s worth out of them. Instead, I chose to buy the two most traditional types of highlight colors: Solar Sailor, “a sleek and radiant satin gold,” and Ray Rider, “a velvety champagne sheen with a trace of peach.” Ray Rider was repromoted/reformulated during the launch of the Make Your Escape Collection. Although I don’t have the original shade to compare, according to Angelica Nyqvist, the new one is slightly lighter and smoother with a more translucent base. This change happened in June. As of November 2020, Ray Rider’s packaging was updated. However, it is not listed on the website as being a different from the original, unlike the shade Mars Melter which was reformulated with new packaging and is being sold as “Mars Melter” and “Mars Melter Original.”

The swatches are on bare skin. In the Solar Sailor photo I applied it under the brow arch and on the center of the lid. In both photos I have the highlighters on the cheekbones applied on top of a mixture of Love and Joy blushes from Rare Beauty.

These highlighters look glittery, which I usually despise, but because they blend a bit into the skin, they become a little more wearable. I used the tiniest amount of highlighter in these pictures, so a regular application would look much more intense!
Ray Rider’s particles are a bit smaller, which I like more, but I prefer the actual shade of Solar Sailor on me. Because they are right on that line of glitter level that I like, I doubt I will wear them regularly, but they won’t be completely neglected in my collection.

The Futurism Eyeshadow Palettes

Futurism I: Sci-Fi Green

This was my first Kaleidos palette, but I purchased it from a third-party. I know I’m fortunate to have such low shipping fees as a US consumer, but having to pay for shipping still bugs me. I only wanted to try one palette to see if the eyeshadow formula was worth the hype and didn’t want to spend $8 in shipping to find out. The other three palettes, however, were purchased directly from Kaleidos.

Swatches over a light layer of MAC Paint Pot.

I do think these palettes are worth the hype. That black shade is incredibly rich and dark. Sometimes yellow shadows don’t stay true to color on my eyes, but I don’t have that issue with Radioactive. The shimmers have a wonderful slip to them and the mattes are pigmented and blendable. My only complaint is that although you can see the shade differences in the swatch, my forearm is lighter than my eyelids. On my dark lids, the two matte greens look almost the same. Glamora appears more yellow than green on my eyes, which makes it harder to distinguish from Nuclear.

Futurism II: Cyber Bronze

Swatches over a light layer of MAC Paint Pot.

I’d have to double-check my single shadows collection, but I do believe plasma is the best silver eyeshadow I own (though I don’t have that many silvers in my collection). It is shockingly brilliant and intense without even being applied wet or on glitter glue. Droid is my favorite shade out of all the palettes to use from the brow to the crease. Y2K and Carbon look a bit more subtle on my eyes because they’re closer to my natural crease and lid shades. I can still see them in person, but they aren’t as distinct on my camera. Quantum is an uncommon shade among my collection and I was pleasantly surprised how much I liked it. Infared looks intense in swatches but for some reason, that shade of red doesn’t have the same vibrancy on my eyes. If you like shades like Infared, I highly recommend Salvatore, Blazed, or Homicide from Devinah Cosmetics. In my opinion, theirs are the best.

Futurism III: Astro-Pink

Swatches over a light layer of MAC Paint Pot.

This is my favorite of the four palettes I purchased! That blue-to-purple duochrome shade, Neptune, is gorgeous! The fuchsia shade, Nebula, isn’t a unique color but it is so incredibly smooth, pigmented, and easy to blend. It’s possibly the best-formulated version of that shade I have. Lightyear is just as brilliant as plasma, but with a light pinkish purple tone to it. It just looks silver on my eyes though. Cosmos is one of those sequin shades that usually drive me nuts (matte with a dash of glitter…just pick one shadow type!) but the glitter is so sparce that it’s mostly matte and I can use it as though it’s a plain matte, which is why I like it. And that shade is so pigmented and buttery smooth that I can easily use it as a powder liner. I’m not as impressed with Stardust and Lunar, purely because they don’t show up enough on my eyes, but they do give a rose-toned tinge under the brow and crease that pleases me to see in person, even if I know no one else will notice.

One interesting thing I noticed with the shimmers is that Nyx Glitter Primer, my tried and true product to enhance the impact of shadows on my eyes, doesn’t make much of a difference in terms of bringing out the pigments and sparkle. I still use it on the duochrome shades, but on the regular shimmers, in order to intensify the look, I dampen the brush with some MAC Fix+ spray. And even after that, I pack more shadow on top with my finger.

Futurism VI: Lunar Lavender

Swatches over a light layer of MAC Paint Pot.

I don’t enjoy being critical. I love gushing about good makeup, but I have to talk about issues that arise while using them. This palette gave me flashbacks to the Nomad Cosmetics Harajuku Tokyo palette that was a nightmare to use.

The top photo shows the patchy issues with MAC Paint Pot when trying to blend. The bottom two photos show how they look better on top of the Nars eye primer but despite that one being a wetter base, it still didn’t stick properly to the eyes and were blending away.

Unlike that formula, which worked better with a wet white base, I find these mattes work better on a dry white base. Because these shadows have more pigment than the Nomad Tokyo mattes, they are still usable and visible on the lids. This formula isn’t as bad as that one, but I don’t have the patience to try and make them work with continued use in the future. Even the two duochromes, though they work the same as the other Kaleidos duochromes, reminded me of the Nomad duochromes in terms of how they feel to the touch. But there’s no comparison in terms of performance and overall look. Kaleidos still wins on that front.

My improved eye looks using this palette when combined with a little of the Anastasia Beverly Hills eye primer.

Here are additional eye looks using shades from any of the 4 palettes.

Futurism V and VI are part of the new Fresh Fantasy collection, so I don’t know if there has been a tweak in the formula. As beautiful as the duochromes are, I cannot recommend anyone spend $24 to get just those two shades. $6-$8 CAD duochromes from Clionadh Cosmetics are still more intense, sparkly, and shifty than these.

I have since decided to depot these and put them all together (excluding the Lunar Lavender mattes) in one large custom magnetic palette. I know I wouldn’t get as much use out of them if I kept them all in their separate smaller palettes.

For anyone interested in ordering from Kaleidos, I recommend checking out the bundle section on their website. That’s how I was able to get any three palettes I wanted (excluding the limited edition Futurism IV) for $59 instead of $72. There is free shipping at $70, so I only needed to add one more item to my cart. There are also affiliate codes that can be found from different YouTubers, but the codes don’t work on the bundle.

Also, you can expect a long wait once your order is placed. I completed my order on September 9th and it arrived October 13th.
24 of those days were in transit as it was shipped directly from their factory/manufacturer in China. It roughly took a week to travel from Shanghai to LA, a week to clear customs, and another week from Compton to my address.

I believe I covered everything. If you have any questions, feel free to leave a comment.
Thank you for reading!

-Lili ❤