I intend to make this a quick review of the two latest additions to my Viseart collection. I bought the blush duo during last year’s After-Christmas sale via Beautylish, but I’ve only had the mini Coy palette for two weeks.
Viseart Petites Shimmers Palette in Coy
I’ve wanted the full-size Coy since 2019, but because it consists of all shimmers and in pastel and light duochromatic shades that I wouldn’t wear often, I knew this would be a purely supplemental palette for me. Two years ago, I purchased my favorite individual eye shadows from Coy, Murasaki and Kamakura, as a compromise for being unable to justify spending $80 for a palette I would always feel like I had to pair with another palette in order to use it. So, I was thrilled when the brand finally released it in the Petites form!
I’ve reviewed Viseart’s shimmers in the past, and the list of their links can be found here, but these are a bit different because of how they’re thinner and more sheer. They have more pigment than toppers, but they seem to have been created for adding a veil of color over other shades. They can be built up to appear more opaque by spraying them and packing them on, which I tend to do since I’m not as into the watercolor eyeshadow look.
Viseart’s shimmers are famously intended for soft looks with their satin textures, muted colors, and low-sparkle level. So, whenever they deviate from that, my interest is piqued. These are still quite soft, with some shades tamer than others, but there’s extra glimmer to Pond (like an aqua blue mixed with seafoam green), Gin (duochrome cool silver-purple), Taiko (iridescent purple), Lotus (lavender with slight blue-purple shimmer), and Yamabuki (duochrome coral base with gold-green shimmer).
As I mentioned before, I already owned Murasaki (medium-dark purple with lighter purple shimmer) and Kamakura (medium green base with yellow/gold shimmer) as singles, but the other favorites I always wanted were Yamabuki, Midori (light yellow-green), and Lotus. Unfortunately for me, the base color on my eyes hardly shows in Yamabuki and all that can really be seen is the shimmery goldish green tinge. I wish it looked more like the color in the pan on my lids, so that was a disappointment. It’s essentially yet another highlighting type of shadow for me, as if Gin, Tokyo (light tan-beige), Taiko, and technically Midori and Lotus, weren’t enough. Midori has a stronger yellow tinge to it than green, which I wish was the reverse, but it’s still pretty. Lotus is the one that was exactly as I expected, which made me happy. However, it’s a shade I own plenty of in my collection, so I’m glad I didn’t buy it as a single. In fact, it was a good thing I didn’t buy any of the rest as singles because I think I’ll be reaching for these even less than I thought. I’m thrilled to finally have them all in a more affordable form, but if I’m being honest with myself, they don’t suit my particular eyeshadow style. That being said, I have no intentions of decluttering this palette anytime soon.
Regarding longevity, I’ve had no issues with these lasting other than the tiniest bit of creasing over MAC Paint Pot, but no issues over the Gerard Cosmetics Clean Canvas or Coloured Raine Paint Base primers.
The quality of this palette is good, so I do recommend it, but only for those that like toned down textures of eyeshadows and lightly colored shimmers that are bright in tone but don’t really “pop.” Those that like thin watercolor effect shimmers and like that they’re on the sheer side.
I did all these eye looks very quickly and wasn’t going for precision. Also, since the Isamaya Industrial 2.0 Collection just released, it’s only natural for it to be on my mind. The palette in that collection has some shades that remind me of these. This might be a tamer and easier to use alternative for those that don’t want to spend so much on that one. They are definitely not dupes, but I get spring vibes from both of them, which is ironic since they have seemingly opposite themes. One is a mix of mythology and nature, especially water themed, with “crystalline” finishes, while the other revolves around manufacturing and is a, “softer, subtler take on heavy metal.” To be fair, metals are a natural element too.
Viseart Blush Duo in Coquelicot
I like duos because of the ability to have essentially three shades in one: the first color, second color, and the third shade that results in combining them both. I’ve used this product less times than one would expect, considering I’ve owned it for over half a year. This is because of my preferences in blush finishes, shades, and texture. Plain matte blushes, the ones with no sheen whatsoever, have been the least favored type for me for at least a year now. I like soft matte, demi or semi mattes, and satins, but purely matte is a harder sell. However, it’s certainly not impossible for me to like them. Tarte and MAC are brands that come to mind that make mattes that aren’t flat. Thankfully, this one from Viseart doesn’t look flat, but also doesn’t look flattering either until it settles and combines with the oils in my skin. Knowing this, I try to help it along by prepping my dry skin with hydrating skincare before putting on my makeup, or at least applying a facial oil to my cheek area prior to adding foundation and then blush. This was the case in the demonstration photos with me wearing the blushes.
The texture of the powder is dry to the touch, but it at least doesn’t make my skin look drier, even without the extra skin prep. This makes it more successful than the reformulated Sephora Colorful Blushes I reviewed a few weeks ago. Since we’re on the topic of duos, if you’re looking for a fantastic quality blush duo in a soft matte finish, I highly recommend the Sephora ones discussed in that post too!
The blush shades from Viseart are colorful ones with no natural skin-flush colors in the line. Coquelicot has pretty colors. I don’t think I could have chosen a duo that suited my preference better than this one out of the six choices available, but I always end up mixing both shades together. When I wear the lightest one alone, I can built it up, but it’s a little more faint than I like. I instantly pine for something with more of a pop. Ironically, when I wear the darker one alone, it’s so pigmented, vibrant, and intense that I always feel like it’s too much and that I have to mix it with something else to tone it down. I used a light hand with it in my photo example below, though. In order to pick up less product, it makes sense to switch to my squirrel hair brushes, but most of those that I own are fully round and/or much bigger than those rectangular pans. It’s a little annoying searching through my limited options fitting that criteria for a brush shape that fits nicely and coats the bristles evenly without needing to dip into the blush multiple times or getting some of the lighter shade mixed in too.
While the perfect pairing is having these two together, I lose some of the benefits of having a blush duo when a single medium toned peachy-coral shade would suffice too. This is of course a “me” problem since plenty of other people can get enjoyment out of wearing each one by itself. I am happy though that Viseart’s blushes don’t contain the white base that can make a shade like the lighter one appear ashy on those with melanin-rich skin. It’s pigmented enough that I can still use it, though I have to spend a little time building it up. The second color takes time blending and applying slowly, as to not overdo it, which I easily can.
These blend decently and last all day without fading. I’ve grown to like them a little more than when I first got them, and part of that had to do with using the skin hydration trick and always wearing them mixed. At the non-sale $30 price for two blushes, I think it’s fair. I’ve paid that price for single blushes. It’s not my favorite formula, but I like it enough that it made me interested in the concept of Viseart’s new Fleurette Face Palettes. The option of combining a quad and blush duo in one magnetic/customizable package for $40 is a pretty great deal. The one I have my eye on for the blushes though, Bisous, looks quite similar to Coquelicot. When I contacted Beautylish customer service to ask if they are the same, the rep couldn’t confirm, but acknowledged they look similar enough that they might look the same on the skin even if they were technically different shades. Perhaps I should have contacted Viseart instead, but I need all the help I can get to remember I’m supposed to be on a low-buy and this answer gives me enough reason to pass on getting it.
So that’s everything for today! Thank you for reading!
Tarte is one of those brands that I’m interested in purchasing from, but I’m almost never willing to buy their products at full-price. And, frankly, one doesn’t need to because they have quite a few sales at 30% off or more throughout the year. Between my Black Friday purchases from last year, and the “Choose 4 for 50% off” deal from April, I have enough products to do part 2 of my original dedicated Tarte post.
Sweet Tarte Cravings Eyeshadow Palette
Considering how pretty the outer packaging is and how adorable the chocolate shaped eyeshadows are on the inside, it’s amazing that I was able to hold off on getting this palette until it was discounted. It’s so cute and has some fun textures and finishes.
These perform as well as any other Tarte palette, but it’s quite interesting how foiled and wet all five shimmers are. Tarte shimmers tend to be creamy, but these are much wetter to the touch than I expected, while still clearly being a powder product and not an actual cream. As for the mattes, or at least Truffle and Drizzle, they’re the standard buttery feeling mattes I’ve come to expect from the brand. Semi-Sweet and Ganache are semi-matte considering they have dark colored micro shimmer in there that I didn’t notice until about the fifth time I used the palette. They just look matte on my eyes. The texture of those is also a little drier than I’m used to.
Raspberry Swirl and other medium toned magenta shades tend to look red on my eyes instead of purple, and Semi-Sweet just looked brown instead of plum. So, I was a bit disappointed that I’m not getting the purple shades I wanted. It’s basically entirely a warm neutral palette for me. However, it’s pretty and good quality, so I’m happy with the palette. I get a little creasing from the shimmers, particularly in the inner portion of my eyes, but it’s acceptable for all-day wear.
Maneater Catitude Eyeshadow Palette
I was interested in the Maneater After Dark palette, but it’s quite large, and I tend to pass on those nowadays. This Maneater Catitude palette has the green and some neutrals I was interested in, so I bought it hoping it could be a more curated version of Maneater After Dark.
The mattes don’t feel like the others I’ve had from Tarte. Rather than creamy, they instead have a silky-slip feel to them. They are still pigmented and buildable, but not quite as easy to blend as the Amazonian Clay matte formula. Attraction, Smitten, and Infatuation are adequate quality. Instincts has the tendency to be patchy and is more time consuming to blend than the other mattes. The shimmers Sizzle and Spicy are foiled type of eyeshadows too, and smooth, though not wet like the ones in the Sweet Tarte Cravings palette.
I’ve liked the looks I have made with this palette, and I like the sparkle level in the shimmers, but because of the nearly flaky texture, I still spray my brush when I apply them because I feel they need a little help with adhesion. Doing that does lead to noticeable, but not terrible, creasing.
This palette is pretty good for the price, and even better at a discount, but it was most useful just to satisfy my curiosity. The quality wasn’t special enough to really be worth buying when I get more enjoyment out of my Dior Backstage Khaki Neutrals palette and Bobbi Brown Jadestone palette, even though those are twice the price.
Tartelette Juicy Amazonian Clay Palette
This was one of my Black Friday purchases, and getting the deal is the only way I’d have bought this palette because I have random moods when I want to rock pink eyeshadows, but they are few and far between. I really like the Amazonian Clay eyeshadow formula, as I discovered after getting the Tartiest Pro 2 Palette, so the quality didn’t disappoint. The mattes are creamy and blendable. The shimmers are shiny and smooth, though I like to help them along by applying them damp. I sometimes get issues with the shadows disappearing from the inner corner of my eyes from rubbing that spot, but otherwise, they usually have good longevity.
These are great for soft, girly, romantic looks and for neutral lovers. I knew this prior to purchasing. I just wanted more depth from Dream Chaser and Dusk. It’s the same issue as the Sweet Tarte palette’s magenta color pulling red instead. Dusk, on my eyes, isn’t the rich brown I expected. It’s more of a medium golden-bronze color. Euphoric is the only option for me to deepen up a look to the level I like. So, this isn’t perfect, but I like it. I might have regretted buying it at full price, but the 50% off made it palatable.
Maracuja Juicy Lip Balm (Travel Size) in Strawberry, Hibiscus, and Coconut
This balm comes in a plumping version as well, but I tend to avoid those types unless they’re very hyped up and described as a minty plumping product, since I like having a cooling sensation on my lips on occasion.
I think these give a decent amount of color payoff, but they do need to be applied thickly for it to show. The issue is that the formula feels almost too soft for the tube packaging. I think a doe foot applicator or some other type that could smooth out the color would have been better. The balm, when glided across the lips, comes off in thicker chunks of color. It looks terrible unless one rubs the lips together, which spreads the color evenly at the expensive of that action sheering it out.
To get the color to show in photos, I end up using my finger to spread it, add a second layer, then spread it with my finger again. Strawberry has more pigment than Coconut and Hibiscus, or at least Strawberry shows up more strongly over my natural lip color. The amount required to see my lips visibly tinted is a lot, so I started to just use them for nourishing lip purposes instead of a color product.
While it feels moisturizing and soft in the beginning of the day, eventually by the end (with retouches throughout the day since it doesn’t last after food), my lips dry out slightly. This happens to me with nearly every balm with color added to it. I just have excessively dry lips and so many things can exacerbate it. The upside and why I still use this from time to time is because a lot of other lip products dry my lips much earlier in the day. With this one from Tarte, if I just remove it by the evening time and switch to something more nourishing early in the night, I won’t have any of the negative consequences. I get to keep enjoying the slightly tinted and beautifully glossy look it gives.
To clarify, when I use the term “tinted” in this context, I mean visibly seeing a different hue on my lips instead of my natural lip color. I don’t mean tinted from a lip stain.
As I mentioned before, the texture is a bit strange to put in stick packaging since it’s such a soft melty consistency. It instantly made me think of the Makeup by Mario Plumping Lip Serums and MAC Glow Play Lip Balms. The difference is that the Tarte balm is thick, glossy, and creamy, whereas Makeup by Mario’s is thin, shiny, and oily. MAC’s is also wet and “oily” for lack of a better term. One more thing about the Tarte balm that others might not like is that it has some stickiness to it, but not enough to bother me.
Shape Tape Glow Bronzer in Deep Bronze
I bought this expecting to use it as a highlighter because Deep Bronze looks lighter and more golden in the product photos than it is in reality. I did not expect it to be so dark!
This means that I can use it as intended. Good job, Tarte! I’ve noticed the brand’s efforts to have more shade options for their products. There’s still some room to grow, after all, only two shades is still going to exclude a lot of people from being able to use them. Plus the brand still doesn’t have a traditional bronzer in a wearable shade for those with deep skin. However, I acknowledge the increased efforts as of late. That being said, I wish they’d be more transparent about what this product actually is and does, because it’s pretty much a contour.
The name Shape Tape implies that it’s a sculpting product, but the line started with concealers. Sure, technically it can lift the face if a brighter shade is used, but I believe most people are like me in viewing Shape Tape as a product to conceal unwanted things on the face, not as a highlighting and contouring product. There was a Shape Tape foundation, after all, which doesn’t fit the sculpting idea either. Although these “Glow Bronzers” are part of the Shape Tape line, they’re described on the website as, “radiant baked bronzing powders for a luminous glow.” So, I didn’t question it being anything more than a glowy bronzer. I was pleased when it turned out to be darker than I thought, but confused by how grey toned it looked in the compact. I own some products that look warmer in the light, but even in the light this has to be at a very specific angle to see a warmer tinge.
It’s only the box packaging that has writing on it stating that this product is a, “natural matte” and “cool toned powder.” Radiant and luminous, as described on the website, is definitely not the same thing as natural matte! In addition, the fact that it’s cool toned means it is very likely to have a contouring effect if it’s too many shades darker than someone’s natural skin tone, as is the case for me. There are people who specifically prefer cool toned bronzers, but the advertising gives no indication that this is what we’d be getting. Plus, most of the images of the product itself looks super shimmery, meanwhile only some of the model photos have it looking semi-matte. So, buyers please be aware that Deep Bronze is a sculpting bronzer or contour with a slight sheen. It’s not shimmery or glittery whatsoever. Below is an example of the shimmer level of the BareMinerals Blonzer (Kiss of Spice) and Kosas Sun Show Bronzer (Paradise) look like compared to the one from Tarte.
If I apply this lightly, I can see some of the red tones come through, but it always appears patchy. No matter what brush I use, or whether my base has been powder set or not, I end up needing to go back over the area with foundation, concealer, or to cover up the uneven spots with blush. If I use a normal amount of product, it looks more even, but it also creates a stronger contoured effect. So, what I tend to do more often is apply it like a contour and add a bronzer from another brand over the top of it. I’ve found a way to make it work and look pretty in my own eyes, but I don’t see myself reaching for this again. It’s just too much effort when I have a contour from Kaleidos that I like or the custom powder combination I can make from Hindash’s Beautopsy palette.
In the demonstration photos below, the sheer application looks quite grey, but grey/brown/red in the thicker layer. I didn’t realize until afterwards that my attempts to apply it, see it’s too patchy, remove it, try it again, and repeat the cycle with different brushes led to the final result looking darker/cooler. I believe it’s due to there not being enough time between my fourth or so re-application of foundation not being 100% dry before adding the sheer layer for the final time. I must have been feeling a little impatient by the fourth time since I wanted to demonstrate this product in the best possible light, knowing my words about it would be negative.
Another thing I can’t ignore is the closure of the packaging. Some genius thought it was a good idea to make the space to lift the lid practically flush with the bottom of the compact. A compact that already has holes on the bottom, making it awkward to place the fingers to grip. I have to literally stick my nail in the tiny space and hold my other nail in the side gap to pull it open. I rarely have trouble with packaging enough to need to mention it in a review, but this one is quite annoying.
These are examples of the space usually between the lid opening and bottom of the compacts. One of the easier ways to open the one from Tarte, if you have long nails, is gripping both sides of the gold portion and lifting both sides of the plastic lid with the other hand.
Expectations for a luminous bronzer aside, I recommend the evenly priced Huda Beauty GloWish Soft Radiance Bronzing Powder instead. It has a prettier sheen and blends right into the skin. Longevity isn’t an issue for either of these two produdcts. The GloWish comes in more shades, plus some of the colors are available in mini sizes too.
Blur Brush
I selected the Blur Brush because I’ve always wondered how it compares to The Buffer brush, a long time holy grail synthetic fiber foundation brush. They both have a ton of bristles packed together. I always thought The Buffer was dense, but the Blur Brush is on another level! It feels especially tighter packed because it has much shorter bristles. The Buffer brush has longer fibers, so there’s a little more room to bend and splay, so there’s more flexibility while buffing it. The Blur Brush is so dense that it takes more force to move the product across the face. The wide surface area keeps it moving quite evenly though, and the foundation remains mostly on the tips and doesn’t go far down the bristles, which means less product gets lost during the application. Because of that tightness, it’s also more intuitive to swipe the foundation as opposed to trying to buff it in.
I should also note that I’ve only used these brushes with liquid foundations. I haven’t used them with creams or powders. In theory, I think the blur brush might pick up and disperse too much powder if it’s a setting or finishing one. However, one might like it for maximizing the coverage of a powder foundation. Also, I can imagine a stiff cream product with this stiff brush might be uncomfortable. However, I don’t know for sure since I only ever intend to use this with liquids.
Because the excess foundation remains on the skin and doesn’t go further into the brush, it can look like product is sitting on top of the face if too much is accidentally pumped out. For that reason, the Buffer Brush is more helpful for me to use because it takes the excess off the face and also helps push the remaining product further into the skin for a more natural look. The Blur Brush is still quite useful, but it takes second place to The Buffer for me and my foundation needs.
Two other things I noticed is that wherever the brush touches the foundation first will leave the biggest pool of product on the brush. I can blend some of it out of the pool and onto the face, but that initial part is the only place foundation gathers, besides the tips. The other thing is that this feature of how tightly packed the fibers are makes it both harder and easier to clean. At least I don’t need to worry about opening the brush and soaping up what’s deeper, but it’s hard to get the product out of the places it did stick.
So far, I’m still pleased with my decision to give this brush a try.
That is everything for this post! Thank you for reading!
Once again, this post is a year late! It’s no longer relevant in terms of keeping up with last year’s low-buy, but I still intend to review the products that haven’t been discussed on this blog. I’m also including updates and links to the products I already reviewed.
Makeup by Mario Soft Sculpt Perfector in Dark
In May 2022, Mario released an Enhancer and Perfector. The Enhancer is essentially a tinted bronzer balm, and since I have several bronzers that are very subtle on me, I don’t feel I need something like that. Plus, I tend to dislike true balmy face products. The Perfector was marketed as a glowy setting powder, highlighter, and bronzer in one. Because of the multipurpose nature, I could only resist it for a few weeks before I caved and ordered it.
I find that the setting powder portion is too light and powdery looking to use alone on my skin. It’s also inconvenient having to use a small brush to try and pick up what’s supposed to be an all-over-the-face setting powder without getting some of the highlighter on the brush too. That accidental shimmer is why I wouldn’t want to set my under-eye concealer with it either, though it has a sheen to it anyway, even without the highlighter particles mixed in.
I’m also not the biggest fan of the way the highlighter looks by itself, as there isn’t much of a base color, but it’s borderline glittery. I discovered that mixing the setting powder and highlighter together balances those two issues out to create a pretty highlighting shade. Sometimes I even mix all three strips to form my cheekbone highlighter that has a sheen, less sparkles, and some color to it. This combination looks decent, but “decent” would put it at nearly the bottom of a highlighter collection ranking list if I made one. I just prefer much finer shimmer particles in my face products.
The best aspect of this Perfector is the matte bronzer. I tend to use that portion in the pan by itself, or to mix it with the setting powder (avoiding the shimmer highlight center strip) so I can give my face a more natural looking bronze glow. Over the past year, I’ve probably gotten less than 15 uses out of this product. The majority of those uses were for the bronzer alone. The quality of it is honestly the equivalent of the best of drugstore. By this I mean that it works well and looks great on camera, but there aren’t any extra bells and whistles. It’s not as airbrushed as the Charlotte Tilbury bronzer, as blendable as the Hermes, as soft to the touch as Huda’s Glowish bronzer, or have a pretty sheen on its own like the original Kosas ones. Still, it’s good enough that it’s not at the back of the drawer and still gets the occasional use.
I may not be using this Perfector as fully intended, but I can use it as a tailored highlighter, bronzer with a sheen, or plain matte bronzer. That’s a unique combination for me to have in one single compact. I could have done without purchasing it, and it’s not going to survive a declutter if I need to condense my collection for moving purposes. However, I don’t regret buying it. I’ve been able to make this work, but I don’t know if I necessarily recommend it unless someone really loves a glittery highlighter. One that will look much more textured and sparkly than the last face photo in this section where I demonstrated how it looks mixed/toned down.
Photos taken one year apart.
Rose Inc Cream Bronzer in Seychelles (Returned) and Capri
I ordered Seychelles during one of my bronzer purchasing sprees, but since that shade did not work out for me and it didn’t arrive until the first week of June (which is when I ordered Capri) I thought it would be better for me to list this as a June purchase. I had already been working on a Celebrity Makeup Brand post for months prior to the purchase, so my review for these bronzers and shade comparisons ended up there. Considering how long I’ve had it, I can update by saying it dried out way quicker than the expected period after opening. I would estimate it took somewhere between 6-8 months to happen. This had the makings of being in my top ten bronzers for the fantastic blendability, skin-like finish, it wearing well all day, and being pretty much sweat-proof and non-transferring. It’s still technically usable, but such a struggle to pick up that I don’t bother with it anymore. Considering the price, I can’t recommend it anymore if it requires needing to be replaced twice a year.
Rose Inc Skin Enhance Luminous Skin Tint Serum Foundation in 110
Of course, I also added this product to the review linked above dealing with Celebrity Makeup Brands. For those who like low coverage, lightweight formulas, and products that look dewy but dries down, I highly recommend checking out this one if you can get a close enough shade match. I ended up purchasing shade 100 instead (and selling 110) when I realized the depth was nearly the same, but 100’s undertone was better for me, even though a model with far lighter skin than mine is wearing it on the Rose Inc website.
Hakuhodo S110 Brush This brush is reviewed in my Fude 5 post.
Haus Labs By Lady Gaga Bio-Radiant Gel-Powder Highlighter in Fire Opal
This review wound up in that same Celebrity Brands post. I returned the product to Sephora. The only other Haus Labs product I’ve purchased from Sephora was the blush in Pomelo Peach. It didn’t look that pretty on me, so I gave it to a friend. I just don’t think this brand is meant for me.
Pat Mcgrath Duo Blushes and Divine Glow Highlighter in Divine Rose II, Cosmic Coral, Paradise Glow, and Bronze Mirage
My review for these can be found HERE. Of the three split pan blush duos, the one I use the most is Cosmic Coral, but I use a mix of Paradise Venus and Desert Orchid from the holiday Divine Blush and Glow Cheek Palette way more frequently than Cosmic Coral (and instead of the Paradise Glow Duo). As for the highlighter, I also eventually added Venus Nectar to my collection, but I barely use that shade or even Bronze Mirage. The Ultra Glow highlighter (Divine Rose) still reigns supreme.
MOB BEAUTYCustom 4-Pan Palette: highlighter, bronzer, blush, two eyeshadows
I did not have the happiest outcome with my attempts to make custom palettes out of products from the brand, but the review can be found HERE.
Chantecaille Perfect Blur Finishing Powder in Medium/Dark
In my powder declutter post from March 2021, I mentioned that I would sell my Chantecaille powder in order to help pay for a darker version if one came out. I did sell mine, but it took until June 2022 for me to get my hands on it for two reasons.
I hated the Flower Power packaging that the Med/Dark shade initially launched in and the standard silver packaging version wasn’t released until three to six months later.
I wanted to purchase this for a deeper discount than Chantecaille’s annual 30% off sale because my Dior Powder No-Powder was already doing more than my version of the Chantecaille powder (Light/Med) ever did. I did not want to spend above Dior Backstage prices for something that might not work as well, just to satisfy my curiosity.
Thanks to a sale at SpaceNK, and a promo code on top of that, I was able to purchase this darker shade for $33! Unfortunately, the darker color didn’t improve things enough to make this a powder I use very often. I can see the blurring effect, but it’s still not as good as the Dior Powder-No Powder (at least prior to Dior’s reformulation). The one benefit is that this doesn’t deposit a lot of color, so I can wear it anywhere on my face at any time. The Dior Powder-No-Powder has enough pigment that I have to switch between 4N and 5N at different times of the year, and there are even points when I’m too light for 5N and it deepens up on my face too much, versus when I’m too dark and get a slightly ashy sheen from 4N. There are pros and cons to the levels of translucency of powders.
I went on a little rant and also divulged history between myself and Chantecaille at the end of this New Makeup Releases post, for those interested.
Chanel Blush Lumière in Brun Roussi
I purchased this blush in swatched-only condition from Mercari. As much as I love it, I still never would have paid full price for it, so I’m glad I was able to get a deal. The color is beautiful! It’s a rich reddish-brown with slight golden shimmer. It’s a baked product (I think baked gelee), so I use my goat brushes and dense natural hair shapes to pick up the product. It blends seamlessly into the skin. I really enjoy the “standard” Chanel baked blush I have, but I love this formula even more because of how smooth it looks on the cheeks. I have zero complaints about the longevity, pigmentation, etc. My only issue is the retail price difference for the same type of packaging, but it’s technically a better deal at $47 for 4g versus $70 for 14g. At least, it was $70 when it launched, which was prior to the recent price hikes and this would likely be priced at $90 today. It’s still double the price for three times the product, but I still think it’s only worth that to the luxury lovers/collectors and not for the formula. However, it was so worth it to me for the discounted price!
Photos taken January 2023 vs June 2023 with different foundations worn (I believe the Rituel d Fille thorn oil made the difference in dewy skin levels as well).
I don’t use this blush as often as I wish, purely because I have such a large collection with many other blushes I love. In fact, I’ve been wearing the BareMinerals Blonzer in Kiss of Rose the most out of my glowy blushes for several months now, and it’s quite similar to Brun Roussi. The difference is Brun Roussi is darker and a satin-shimmer versus a shimmer-metallic.
The second closest dupe I have is the shade Piazza from Vieve, but Piazza has a matte (but not flat matte) finish. I hope these swatches have been helpful since Brun Roussi was limited edition and not available anymore, including unfortunately, some of those MAC comparisons.
LH Cosmetics Spectral Palette
I think the shipping cost will always play a factor in whether or not I make a purchase. I’ve wanted to try LH Cosmetics products when they were still going by Linda Halberg Cosmetics, but their prices as a new-to-me brand combined with their high shipping fees always kept me from making purchases, even during their sales. So, the only products I own from them thus far are from Mercari. That includes this palette, plus two quads someone depotted and left behind the colors I still wanted. Because of the states of those quads, I didn’t review them on this blog, and I’ve only used them less than a handful of times in the three years I’ve owned them.
Now that I know what to expect, it’s still the shipping cost that keeps me from exploring more. I can get cheaper shipping if I buy the brand’s products via Beauty Bay, but I’ve had one horrible delivery and customer service experience with Beauty Bay out of two orders, so I’m still wary about having things shipped over to the US by them.
Regarding the Spectral palette, the “shimmer” formula feels thin, soft, and smooth like satins, and reminds me a bit of the shimmer-satin formula of some of the shades from the Melt She’s in Parties palette. Without any help, they build up to a super thin yet opaque layer. However, they easily wipe away and don’t stay on my eyes unless I dampen my brush to apply them or use a glitter glue. This seems to be intentional based on the description of this palette being meant to, “give you a soft touch of color to a natural makeup look or create vibrant eye-catching looks.” By being so thin, it allows people who don’t want a lot of pigment to create soft eye looks despite how colorful they are. These shimmers have trouble sticking to my eyes with eye primers I tried them with a year ago, but because these shadows can be used wet or dry, it’s a bit expected that those like me who want full opacity can just spray the shimmers and they work exactly how I want. The glitters stick better to the eyes, but need help to avoid fallout. Abstract is a duochrome, which helps to compliment all the shades in this palette, and I have very little trouble using it. Illusion is not my type of shade as I prefer warmer shimmers for highlighting specific sections around the eyes, and it just doesn’t look right in the inner corner of my eyes, so I use it as a topper shadow for extra sparkle. Preferences aside, this shade gave me major fallout and it’s very gritty to the touch, unlike all the other shadows in the palette. So, those are additional reasons I try to avoid using this shade and really don’t like it.
I’m a big fan of the “muted” nature of Eerie, Phantom, and Unknown because they give me a pastel affect without the ashy white cast that makes the majority of true pastel shadows look awful on my eyes. Occult, Phantom, and Unknown are easy to build up and blend easily with each other. Eerie takes more packing on than the others, but using the right primer can help. All the shadows performed well with the MAC Paint Pot, excluding Eerie (which took more effort and the final result was just okay), but I had an easier time using that shadow over my Coloured Raine Eye Base. These all perform well (minus the fallout issue with Illusion and to some degree Abstract) on my Gerard Clean Canvas eye base.
My eye looks using this palette tend to be similar even though there is a variety of colors within it, so I view this as a supplemental palette. This is the kind of whimsical color story I want to reach for during Spring, so I expect I won’t get much use out of it again until next year.
Anastasia Beverly Hills Cream Bronzer in Terracotta
My original review for this is here, though I mentioned that I thought all my blending issues might be solved if I had a better shade for me. Eventually, ABH added three more to the line: Warm Tan, Terracotta, and Deep Tan. Terracotta and Deep Tan are similar depths and listed as being suited for tan to deep skin tones with the former having “warm red undertones” and the latter with “neutral” undertones. At the time, I owned a lot of deep bronzers that leaned neutral or cool and were so deep that they looked like contours on me. So, I chose Terracotta to guarantee I’d have something warm, even though red leaning bronzers aren’t my preference as much currently.
I find it quite interesting that it pulls a little olive on my skin, but the moment I pair it with blush, I think the tone looks perfect for me. I like the color and because the depth is right, I barely have to do any blending. This eliminates the issue I had with the other color in trying to build up the product slowly but it getting patchy as parts of it were setting at different times. Most of the time I use the Patrick Ta Contour Brush with it, which makes things all the faster. It even made it into my top 10 out of around 35 ranked.
Colourpop Pressed Powder Blush in Toffee Cake
I love this tone of blush, but it’s highly pigmented and I have to use the lightest hand to get a restrained flush of color to my cheeks. There’s a little bit of gold shimmer in it that I didn’t appreciate as much when I initially bought it, but I like it a bit more now.
This was a limited edition blush, but Colourpop’s new permanent range of blushes includes the color “Icing on Top,” which appears in website photos to look similar.
Longevity is rarely an issue with Colourpop. This lasts all day. It’s not the smoothest or most effortless to apply blush in my collection, but Colourpop blushes are quite good for the price. I still don’t know that I would have purchased it again if I could rewind time, but I still use it on occasion.
Pixi x Hello Kitty Glow Tonic
This is is such a classic product. I tried a sample of it once a long time ago and didn’t notice it having any effect on my skin other than making it have a slight tingle. When I saw this adorable packaging for the product, I thought it would be a good opportunity to test it for an extended period of time to see if the brightening results would be apparent this time. Worst case scenario, I could reuse this bottle. It has a stopper inside, but it’s removable.
I still haven’t seen any benefits. The hero ingredient is the glycolic acid. My skin responds quite well to AHA’s, but my favorite products pair glycolic acid with lactic acid at the very least, plus at a minimum of 7% concentration. While I admittedly haven’t used it consistently or very much over the past year, it might just be the case that it’s too weak for me at this point in my skincare journey. There’s also the issue of it smelling nice, but in addition to some natural sources like hexylene glycol, it also contains fragrance and dyes which I prefer to be absent in my skincare. There’s no alcohol in the Glow Tonic, and it doesn’t feel drying like some toners of the past that used primarily witch hazel instead of just a splash of it, in addition to Pixi adding skin conditioning ingredients (aloe leaf juice, glycerin, urea, etc.). So, I can’t attest to this product’s effectiveness, but it might be a decent starter for someone not used to AHAs who wants to get into it. Of course, one would have to be okay with having fragrance in their skincare. It’s a light herbal scent that isn’t offensive to the nose at least. If fragrance isn’t okay, I recommend for someone to consider from The Ordinary their Glycolic Acid 7% Exfoliating Toning Solution. It has no dyes, alcohol, or fragrance and contains similar beneficial ingredients I liked in the Glow Tonic, though it’s 7% instead of 5%, so proceed with caution.
CDJapan Haul – All of these have finally been reviewed in my Fude Collection 5 update post.
That’s everything! Of course, all the previous monthly check-ins can be found HERE. Thank you for reading!
-Lili ❤
*DISCLOSURE: To those who chose to use my affiliate link to shop from CDJapan, thank you so much! The commission from that was used to pay for a portion of one of the brushes in the Fude 5 post. Otherwise, all other products discussed today were purchased by me with my own money. Links appearing like this (Example) are standard links. Links appearing like this (Example) are affiliate links. There are no affiliate links in the body of this post.
It’s officially one year since this monthly haul/low-buy series post should have been published. There are products I bought that should have been reviewed by now and are still relevant in my makeup collection. So, continuing with the series on and off as much as I can is something I wish to do. That brings us to our discussion for today! The photo above shows the products I bought this time last year that I will dive into, and add links to the reviews I did manage to post already.
Tom Ford Eyeshadow Quad in African Violet
I bought this from the Cosmetic Company Store website (Estee Lauder Brand Outlet), and the other Tom Ford quads I own were purchased from people who said they also bought it from a CCO. Of course, I have no way of verifying the validity of that, but I think they are legitimate based on how they look compared to the one I purchased last May.
I was planning to do a dedicated Tom Ford post, but scrapped the idea because I’m no longer enamored by the brand. The eyeshadow quality is nice, and in some cases extremely nice, but I would never say they’re worth full price. I remember a time when they used to be $80, but now they’re up to at least $90. I can’t even bring myself to pay the lower Selfridges price despite their quality being admittedly better than Guerlain’s and I’ve spent more on a Guerlain quad than these at under $40 each. But, it’s actually not the price that is the problem as much as the lack of shades. At least with a Pat Mcgrath product, which has formulas I like, I can pay a similar price and have many more color options with it.
The African Violet palette specifically appealed to me because it’s one of the most colorful available from Tom Ford. However, it’s not as smooth, shiny, or blendable as the Wet/Dry formula everyone raves about. The eyeshadows are long lasting, have decent color payoff, and don’t give me trouble with fallout or kickup, but there’s absolutely nothing special about them beyond their performance being good. I can name a ton of brands with well performing eyeshadows in palettes that cost less than half the price with at least double the shade options.
The other quads I own are Photosynthesex and Honeymoon (one shade in Honeymoon fell out and off the plastic grid, so I pressed it back into a spare eyeshadow pan and turned that empty well into a custom magnetic one so that I could continuously swap out any other brand’s eyeshadow that fits).
The quality of Photosynthesex is about the same as African Violet, but it contains a beautiful duochrome and I like the color story way more, so I get more use out of it. Honeymoon is the famed Wet/Dry formula which surpasses the others. It’s more special because of the shiny finish, the minimal effort needed to blend, the refined shimmer that don’t cause issues of creasing, and being flattering on textured eye areas. However, I still feel it’s worth half the retail price at the most. I understand the brand name and luxury packaging bumps up the price, but the sturdy yet basic plastic packaging doesn’t feel as special anymore considering the fun limited edition compact colors they release every so often. I believe the eyeshadows are a pricier formula than some others out there (even within the Estee Lauder owned brands), but I feel the markup is still too high. This is why I don’t foresee myself purchasing any additional Tom Ford quads unless I get it for a price that reflects what I think it’s worth and is in the preferred wet/dry finish. I’ve heard rave reviews about the newer cream formula, but I have not tried those. It’s typically the older quads that end up at the CCS/CCOs.
In addition, Tom Ford quads are incredibly repetitive in color stories and often contain similar shades that don’t look distinctly different enough on dark skin within the same quartet, let alone among the whole line. They’re also extremely neutral leaning. Give me some Wet/Dry greens and skip the brow bone shades, and they might just get another eyeshadow purchase out of me!
So, essentially what it comes down to is me thinking the eyeshadow quality from Tom Ford is good at the lowest and wonderful at best. I have no judgements to those who are fans of the quads. I get the appeal, even though I’m not their target customer. When it comes to luxury, everyone has their own ideas of what makes a product worth it to them versus something else. For me, having some Tom Ford highlighters was worth the splurge instead. I’ll have to review those at some point!
Haus Labs Casa Gaga Blush in Amarone – This was the first of the many blushes I ended up buying from the original Haus Labs collection before they rebranded away from Amazon. A review for it can be found HERE.
Charlotte Tilbury Pillow Talk Highlighter in Dream Light, Push Up Lashes mini mascara, and Beautiful Skin Sun-Kissed Glow Bronzer in 3 Tan – These items, plus newer releases from Charlotte Tilbury, have been reviewed HERE.
Nars Laguna Cream Bronzer in Laguna 04
I’ve discussed this product a bit in my other cream bronzer reviews, but I’ll pretend like I haven’t. Essentially, this bronzer is quite emollient, blends nicely, has a strong but pleasant beachy scent, and has the benefit of not forming a weird top layer after repeated use. The downside for me is purely the color. I don’t mind a red toned bronzer as long as it isn’t too red. This has the misfortune of being a little more red on my face than I want, plus being a deeper shade that will probably work better in the summer, but is a bit dark for me now. For those who don’t mind the cons that I listed, I do think it’s a nice quality cream bronzer, but it’s admittedly not in my top favorites. I prefer the Charlotte Tilbury one (even though it’s more expensive) and the one from Anastasia Beverly Hills.
Nars Bronzer Powder in Punta Cana
The photo below was taken in the time frame when I was at my lightest for the year, so this bronzer looks a bit deep in the picture, but normally this is a subtle, but not too subtle bronzer match for me. The depth and undertone (mix of red leaning base color plus gold shimmer) combines to a shade I like. However, despite the shimmer particles being barely noticeable in the pan, they reflect powerfully under daylight lights to the point where all you see is shine and it doesn’t even look like I’m wearing bronzer. For the longest time, I thought this shade was too light for me because of where I normally sit when I apply it and view myself in the mirror. I kept trying it every few months and when I could suddenly see it, I assumed it was because I was in my winter shade. It wasn’t until I happened to look in a different position and angle during one of the wear tests that I figured out what was happening. Once I made this discovery and could properly see how it looked on my skin in various situations, I started to enjoy this bronzer a lot more. It’s ironic that now that I like it, it’s no longer available!
Nars discontinued their shimmery and matte Bronzing Powder lines in favor of the new, for 2023, Laguna Talc-Free Bronzing Powder. I purchased shades 5 and 6 of the new one recently and have yet to review them on this blog. I can say from a first impression standpoint that I slightly prefer the new ones. The original that I have looks quite pretty on the skin, but it wasn’t seamless blending. It stuck to the skin in places sometimes, but just the tiniest bit. I’m really nitpicking at this point because it’s still easy to blend, just not perfect. I still consider it a good bronzer. Oddly enough, I have more building up to do with the new bronzers because they’re slightly less pigmented. However, they haven’t stuck yet, are smoother gliding across the skin, and an airbrush effect can be achieved with them. It’s not as airbrushed as the Charlotte Tilbury powder one, but enough to at least make me think of it.
For those who already own the older bronzers, I don’t feel it’s worth getting the new ones if you’re satisfied with what you have, and especially if you already have the matte version. It’s not different enough from the previous formula, unless you’re the type of person trying to avoid talc in products. Since the new line contains no shimmers from what I can see, I’m going to continue using Punta Cana when I want a glowy bronzer. It was the darkest in the shimmer range and the base color is similar to Laguna 6, but the shimmer makes it appear a little lighter. That difference makes me feel like it still has a place in my collection. For those who don’t have a shade in the older range, this new one might have an option. Nars now offers minis in 5 of the 9 colors, so that helps in terms of being able to try one without breaking the bank.
Oh, and if you’re my shade twin, I recommend going with Laguna 06. I prefer mixing 05 and 06 together for the perfect color, but I can’t use Laguna 05 by itself because it’s practically my winter skin tone.
Sigma Beauty Bronzer in Deep and Highlighter in Golden Hour
I’ve tried the bronzer so many times and I really do not like it. It’s so hard to blend, and try to fix after it goes on patchy, and it ends up looking like a contour if I blend it in too much because it goes too deep. It looks gorgeously warm when unblended, but it seems like there’s some grey in the base color. It’s still workable, but other than forcing myself to keep using it on top of various foundations (it looks better on top of matte ones) and switching to different brushes, I just don’t want to use it again. In fact, I had to rescue it from the declutter pile when I forgot I was supposed to keep it until I had time to post this review.
As for the highlighter, I was much more pleased with that one. I like the depth and tone of the gold. I like the smooth look to it on the skin. It’s shimmery, but not overly so. It looks even better on top of dewy skin. It’s not in my top favorites considering I do have others that supersede the shine level/reflectivity, smoothness, and refinement of particle size. However, I still use it from time to time and think it’s a fairly nice product. I don’t recommend paying full price for it though. I think I got mine for 25% or 30% off and that’s about the maximum I would pay.
BPerfect Polar Vortex Highlighter in 32F
I haven’t reviewed this elsewhere, but I am unable to do so here either because Beauty Bay shipped this product in a box without bubble wrap or padding of any kind. The only shipping protection was literally one piece of paper, as seen in the photo below the demolished baked highlighter (two if the invoice paper counts). Every bit of it was covered in highlighter from the single open flap of the unicarton to the outside of the compact and all inside the box, above the plastic mirror protector, etc. I tried to re-press it into a spare empty highlighter pan from my DIY days, but because I used a liquid and didn’t dry-press it, it changed the texture completely. When I tried out the broken highlighter prior to pressing it back, it was insanely glittery (which is not my preference). The pressed version still has very visible particles on my face and is texture enhancing, even when I apply it on top of dewy skin to help melt it better onto the top of my cheekbones. So, I don’t feel it would be fair to consider this a review in this altered form, and it’s not something I want to keep anyway.
Suqqu Melting Powder Highlighter in 101 Kagerou (Limited Edition) and Melting Powder Blush in 06 Yuubae. My review for these two can be found HERE. I’ve purchased several more items from Suqqu and had I known I would enjoy them so much, the Suqqu blushes would have been on my exceptions list for last year’s low-buy. I did manage to stop myself from purchasing every blush shade I wanted, so that counts for something, haha.
Urban Decay Mini Naked Your Way Eyeshadow Palette in Foxy
Once more, my strange aversion to using long rectangular shaped eyeshadow pans is in full effect with this palette. I’ve been able to create a few beautiful looks, but I stopped reaching for it shortly after the excitement of it being new wore off. I was drawn in by the greens, but these are lighter than I typically go for and cooler toned. I prefer the mini gold from Natasha Denona, Dior Backstage Khaki Neutrals, and ABH Nouveau palettes because they have some deeper options as well. Funky Town provides some depth, but I can’t get too dramatic with it on my skin tone.
The quality of these shades is a bit different for Urban Decay since adopting a vegan formula. I didn’t have issues blending the mattes, but they feel a little stiffer and are not as creamy to the touch. I guess all that really matters is how they perform, which is satisfactory enough for me. Foxy tends to disappear off my eyes though. If I want it to show up, I have to build it up a ton. Get Down is closer to a satin, whereas Hot Stuff and Disco are the true shimmers. The shimmers are impactful enough for me to use without feeling the need to wet my brush, but I get a lot of fallout under my eyes with Disco, so I tend to just dampen all of them. I sometimes even use glitter glue because I also have trouble periodically with the shimmers lasting on my eyes in the inner corner (my trouble spot because I tend to rub my eyes there). The shimmers are dryer than I recall from Urban Decay’s formula, and this probably adds to the issue with the inner corner, but it’s more important to me that the shimmers don’t crease on my eyes. So, I’m satisfied with them.
Overall, this is a nice palette. It’s not the most enjoyable experience in terms of textures, but the performance is there. It’s a small travel-friendly size, which I like. For the way I like to do makeup, I get about three different looks from this palette, which I find is a decent amount for so few shades. I think this should really be in the $27 range, so I recommend waiting for a sale to try it out (I got mine discounted having purchased it from someone who got it in PR). Unlike all my other rectangular pan Urban Decay palettes that I declutter due to lack of use, I’m actually going to keep this one.
ViseartHaul:Viseart Grande Pro 1x, Petits Fours in Peridot, and Bijouxette ÉTENDU Palettes – These items and more from the brand have been reviewed already HERE.
Violet Voss Olive You and Wild Dahlia Palette
I purchased these two from a Boxycharm sale and did absolutely nothing with them for a full year. Since I own so many palettes in the Olive You Forever color story, I’m going to give it to my sister and not even swatch it so it can stay in new-ish condition. So, I don’t have a review for that one.
As for Wild Dahlia, so much time passed that I didn’t realize until I was doing swatches that it contained a beautiful duochrome! This palette offers quite an interesting shade selection. The mattes blend easily, are pigmented, and smooth. The shimmers are buttery, yet not the kind that causes an issue with creasing. I am so impressed! I do own one other mini Violet Voss palette that I depotted in the hopes that it would make me use the shadows more (and it had the opposite effect), so now I’m remembering how nice the quality was and I feel I’ve really been missing out on this experience!
The shimmers are decently impactful on their own, and applying them damp increases it slightly, but not enough to feel like it makes much difference. I also like that I had no issues with fallout either. I can easily recommend this one! The quality is fantastic. The shimmers are shinier in the Urban Decay Foxy palette, but I prefer the colors and tones of the shimmers in Wild Dahlia, plus the softness, blend, and color options of the mattes in this one too.
Melt Cosmetics Haul: Amor y Mariposas Pressed Pigment Palette, Monarca Blush Palette, and Gel Liners in Colibri and Estrella. My review for these items can be found HERE, and since I got such an amazing deal on it, I have no regrets! Even though I don’t use these a ton, I still very much love them.
Benefit Cosmetics Wanderful World Silky-Soft Powder Blush in Crystah, Terra, and Java Crystah and Terra are in the shimmer formula and Java is the matte formula. I did not purchase anything in the satin formula because I was waiting for the delayed shade, Starlaa, to be released. I planned to review these blushes right away, but I had no idea it would take four months for that one to come out! In any case, I’ve been wanting mid-tone and deeper blush options from Benefit for so long that I just went overboard without thinking it through. My Beauty Resolutions were completely forgotten, or perhaps ignored, for this release. The review of them and even more shades can be found HERE.
Benefit Cosmetics Pore MINImizer Squad Primer Set
Aside from the fantastic price this was listed at via Asos, part of my motivation for buying this set was that I finished up a mini sample of the Hydrate primer and loved it enough to want another, but not a full-size, in addition to being curious about the Lite primer after Angelica Nyqvist raved about it so often, and I had no other setting sprays left in my collection.
I recall trying the original POREfessional primer many years ago, and liking the way it felt on my skin, but it left a cast that lightened the look of my foundation. I was nervous the Lite version would do the same, but it did not. The texture is very strange. It feels dry and chalky when it comes out, though it’s in a form soft enough to be rubbed in completely and smoothly. It’s less gel-like than typical silicone primers. It blurs my skin when I put it on, but with foundation on top of it, I don’t see the blurring effects anymore. Also, if rubbed into the skin excessively, it can pill up. I don’t consider myself as having that great of an issue with the size of my pores, so I only really require that my primer help my foundation look smooth on top of it and perhaps increase the longevity. I think my makeup looks nice initially when I put it on, but I don’t think it helps past midday. Sephora lists this as being, “Best for Oily, Combo, Normal Skin,” so it’s not surprising that it’s not the best fit for me.
The Hydrate primer, as I mentioned already, is one that I loved. The color and consistency actually reminds me of the Glamglow Thirstymud Hydrating Mask. It feels soothing on my skin because of that added hydration. It’s easy to apply. I don’t know if it extends the wear of my makeup, but so far there haven’t been any foundations I’ve worn with it that I disliked. This one is actually best for, “Dry, Combo, Normal Skin,” and although I don’t notice any blurring at any point, I think it improves the finish of my foundation.
The Super Setter I’ve only used a few times. It has a nice sprayer. Most of it sprays lightly and evenly, but with every spritz I can feel some spots that are heavier, yet when I check the mirror there are never any visible droplets on my skin. This is great news because I’ve had that issue with a few setting sprays in the past. This spray doesn’t make my skin feel tight, nor cooling, or change the look of my makeup in any way. I honestly don’t notice any effect it’s having on my face, even with longevity. So, I won’t be repurchasing it.
Alamar Cosmetics
The two Disney collab products are sold out and discontinued. I strongly regret not posting this in time or in a separate review. I just could not make up my mind about them and kept forgetting the details of my wear tests when I kept trying them with several months gap between uses over the past year. The other highlighter is still available on the website.
Alamar Cosmetics x Disney Encanto CollectionBlush and Highlighter in Hermosa Rosa and Flex Alert
The Encanto Blush is in the brand’s Colorete Powder Blush formula. Hermosa Rosa is a stunning shade. On bare skin it has issues with longevity. There was one instance that I applied a sheer layer and it faded within 20 minutes. I then built up the color heavily and it continued to fade, but I was left with a reasonable amount of blush on my cheeks by the end of the day. Over foundation, this isn’t as much of a problem, but I still need to put at least a medium amount of blush for it to last. Trying to keep it looking sheer doesn’t work for me. Aside from that, it’s so smooth looking on the skin and even in color and opacity. It blends well. I like this blush so much that I’ve considered purchasing more from the brand numerous times, but they’re all in palettes and I’m not drawn to the shades available. However, I continue to check the brand website a few times a year to see if they have additional shades I might like as much as this one.
The Encanto Highlighter is in the Sun Soaked Highlighter formula. This is the trickiest one for me to pinpoint how I feel about it because it depends on the time of year. When I’m at my darkest, this highlighter looks terrible on me because the color looks more stark against my skin and each individual particle is that much more apparent on my skin tone which makes it look excessively shimmery. When I’m lighter, I put my blush a bit higher on my cheekbones so the highlighter, when going on top of it, looks more natural. The pink tones with the gold shift match well over the coral color. It’s still borderline glittery looking, but it somehow just works. At least, it works on top of the Hermosa Rosa blush. I haven’t liked how it looks on top of other blushes. Color aside, it looks fairly smooth and lasts all day. And even though there is a lot of shimmer, it’s at about medium intensity because it doesn’t have the strongest reflect. I would recommend this only to someone who doesn’t mind a shimmery highlight while also not expecting it to be blinding.
Alamar Cosmetics Sun Soaked Highlighter in La Playa
I love a gold highlighter, but this one looks extra yellow next to certain blushes, so I’m not sure if this is the best color for me, even though it’s the right depth. This is one of those wet look type of highlighters and it’s less shimmery than Flex Alert, which I like. It has a semi-wet feel to it with some slip, similar to the Charlotte Tilbury Glow Glide Face Architect Highlighter formula, except that sometimes that smooth buttery texture adheres too strongly to one spot in a patch/clump. I have to go over it repeatedly to try and smooth it out when it happens. Essentially, this applies better with a more resilient bristle brush. It needs to be strong enough to move the product around evenly as it goes on the skin since it’s harder to blend out once it’s stuck. But once that initial layer is down, the highlighter can be built up stronger and more intensely. I included two photos above to show how it can be applied lightly on a natural finish foundation and a pink toned blush, or built up intensely especially on top of dewy foundation and an orange blush.
Despite how long I’ve had this highlighter, my praise of it goes up or down depending on the circumstances. On paper, this should be my ideal highlighter because of the way it looks like it melted into my skin (when having a shimmer clump isn’t an issue), it being more glowy than glittery, and it being a medium gold. However, because the formula isn’t perfect, it’s not on the list of my favorite highlighters. However, it’s still nice and I do like it…70% of the time.
Oden’s Eye Solmåne II Collection: Sunlight Love Blushers in W102 Peach Gleam, W103 Sienne Lustre and B103 Orange Sunny as well as the Gel Liner Pencils in 002 Orange and 012 Golden Brown. The review for all of my Oden’s eye purchases can be found HERE. Liners were not allowed in my low-buy, but I was curious, did not own these colors, and wanted to hit the free shipping minimum which would have nearly cost the same amount. The blushes from Oden’s Eye are still in my top favorites, but I don’t use them as often as I anticipated because I have so many other favorite blushes that I need to spread the love among. Plus, I’m still using the original Oden’s Eye blushes, so when I want to reach for one, I split the choices between the new ones and old ones.
Colourpop x Winnie the Pooh Super Shock Cheeks in 100 Aker Wood and Mind Over Matter – They were reviewed HERE.
Sonia G Master Face Brush – This brush was reviewed in Fude 4. I saved $20 on it because of credit carried over from the Beautylish Gift Card sale. It would have been worth it despite my low-buy if I ended up loving the brush, but it was just okay.
CDJapan, Fude Japan, and Hakuhodo USA Haul: This month was the last time I could get Hakuhodo brushes before the price increase (up to 30% in most cases), so I placed Fude Japan and Hakuhodo USA orders for that. From CDJapan, I bought Eihodo outlet brushes, the Chikuhodo PS-2, and Mizuho brushes MB123 and MB125. The Mizuho brushes and Hakuhodo ones can be found in Fude 5. The rest are in Fude 4.
Coloured Raine Haul: Botanical Eyeshadow Palette, Cream Blushes in Copper Rose, Stiletto Rose, and Spicy and Eyeshadow Base in Wheat – These were reviewed HERE.
The Alamar products were the last ones that needed reviewing for the month of May from 2022! I hope this has been helpful and especially from a different perspective all this time later after hype for the products have died down. Thank you for reading!
When I was scrolling through the Douglas Retailer website for brands that offered deep skin options in Europe besides the mega parent brands and sub brands from L’Oréal and Estée Lauder, I came across this one and remembered even seeing a few of their items on the French Parfumdo website as well. My curiosity grew. I learned that Mesauda (or Mesauda Milano) is an Italian beauty brand founded in 2007 and mainly spearheaded by Victor Buaron, along with his two brothers who also work in the company. Although Mesauda doesn’t have the best gradient of a shade range, it’s certainly better than the other ten or so brands I hadn’t heard of on the Douglas website that didn’t make anything darker than for medium skin tones. And in some cases, the range from Mesauda is still better than the brands I did recognize. This effort to be inclusive is what got me to take the plunge and make a purchase.
The Ordering Process
Technically, I made multiple purchases via Douglas and the brand’s website directly. I was able to get free shipping via Douglas, but that came with zero packaging protection. There’s no bubble wrap, tissue paper, or padding of any kind. The box itself is sturdy, but the items inside are able to slide around and into each other. Thankfully, I haven’t received any broken items from Douglas.
From the brand’s website, shipping from Italy to Germany starts at a little over 8 euros, which isn’t too bad a price considering you get 20% off your first order if you subscribe to their emails. Unfortunately, shipping outside of the European Union is super expensive. In my first order, I had no issues other than paying via Paypal requiring me to submit the information twice in order for it to go through. I would log into my account, fill in everything, click submit payment (via paypal), get redirected to my paypal to accept everything, get redirected back to the Mesauda website checkout page with everything blank again, relog in, repeat all the same steps, and then it would let me check out! It wasn’t a time-out feature from lingering on the page too long either. This happened even when trying to check out one minute after logging in. This is tedious, but not that bad as long as the orders go through.
The problem arose when I was making a second order and my cart total qualified me for free shipping automatically if I was within Italy*. But because I was shipping to Germany, it kept giving me an error message about needing to select a different shipping option, even though there was no second option to select. So, I actually had to remove items from my cart for it to give me the paid shipping option. Not a great move from a business standpoint if the customer is forced to buy less products to make the purchase go through!
*According to the shipping page, free shipping within Italy starts at 30 Euros and free shipping to Germany is supposed to start at 60 Euros. My guess is either this information is outdated and Germans aren’t supposed to get free shipping at any minimum which led to the error, or it’s supposed to be free after 60 Euros but it switches automatically to Italy’s free standard shipping option instead of the free international one. And since they likely use different post services depending on the location, the lack of coding to switch to the courier they use for Germany (DPD) could cause the inability to check out.
Then, in that same second ordering attempt, I tried to use my reward points which gave 15 euros off my order via a one-time-use code. The problem was that because the Paypal option makes you have to check out twice, the order failing to process in round 1 made the website register as if that code had already been used. So, when I tried to check out the second time in round 2, it said the code had been used the maximum number of times! I essentially had to email customer service (they replied within 24 hours and thankfully in English) and they gave me a new code, so I checked out in round 1 without the new code, waited til it took me back to the cleared page to relog and resubmit everything and put the code in round 2 of checking out, and then it completed the order! So, in the future, if I want to make use of the reward program I will have to hope the paypal error continues so I know to only include the promo code after the first “complete order” entry fails. Otherwise, if it actually goes through, I will have checked out without my code being applied!
I let them know about all of this including screenshots and a screen recording, but it wasn’t addressed in the email response other than giving me that new one-time-use code and telling me to let them know if it worked, so I’m not sure if it was understood.
Another thing to note is that I do not getting shipping confirmation emails from them, even though it says that’s something that is supposed to happen. Instead, I get an email from the shipping carrier the day before the order is due to be delivered.
So, one one hand, Douglas is the less expensive way to go, but they don’t have all the newest products and one has to pray the parcel delivery person won’t toss the package around like they do in the US.
When I access Douglas via Google Chrome, there’s an option to translate some of the page from German to English, but it makes the page buggy and not load sometimes, which is another factor in the ordering process. Douglas also has a point system, but I don’t have enough to see what it does. I believe it accounts for essentially 10% off one’s order at different point intervals. On the other hand, the official Mesauda website is much more English-friendly and has an option to select English at the bottom of the page that’s built into the site, but sometimes it doesn’t translate everything when loaded and it still shows Italian here and there. The official site also has the benefit of the reward program, but the downside is the potential issues checking out. As I’ve only contacted customer service with Mesauda, I don’t know how Douglas customer service compares. Also, I get the shipping confirmation via Douglas, but no additional emails letting me know when it’s about to be delivered.
Onto the reviews!
Bronze Venus Bronzer in Caramel Macchiato and Rich Mahogany
In the photo above, Caramel Macchiato is on the top left and right with Rich Mahogany on the bottom left and right. The left half of the picture shows how they look in the pan, while the right half shows a more accurate representation of how the colors will look on the skin. I took these photos in the same spot but slightly different angles and the amount of light I got from the window was able to show these drastic differences in the way they look. I believe I accurately captured all swatches though.
Caramel Macchiato
Caramel Macchiato is a warm golden-leaning bronzer shade. This is closer to my skin tone than most of the bronzers in my collection, but thanks to the buildable formula, I can make it very apparent if I want. Between the two deepest bronzer options, I think this one fits me better. However, the other shade shows up more on my skin because it’s less of a match with my undertone.
Rich Mahogany
Rich Mahogany is a medium-dark neutral brown with just a touch of red. This was actually the first of the two shades I purchased, and even though I preferred the color of Caramel Macchiato in the product images, I really didn’t expect that one to work for me. I didn’t even know if Rich Mahogany was going to be deep enough based on how it looked on the arm swatch of the darker model because I’m used to brands manipulating photos when their range doesn’t go very deep. *cough* Hourglass *cough*
I’m happy to report that Rich Mahogany could work for someone a shade or two darker than me, though it will be on the subtler side. The greater difference between Caramel Macchiato and Rich Mahogany is the undertone more than depth.
Six shades of bronzer is a nice amount, although I’m not sure if they go light enough on the spectrum either. It appears that they have the medium-tan range adequately covered.
Photo from the Mesauda Website
I very much like this formula of bronzer. Beyond being buildable, it has the benefit of the soft and buttery feeling texture that reminds me of the way the Huda Glowish Bronzer feels, but in a lighter consistency that’s more powdery in the way it gets picked up by a brush, while still applying to the skin in a beautiful natural sheen that mimics the look of a baked gelee formula. The brand cites coconut oil and Polynesian Tiare flowers as the sources of the “moisturizing boost with smoothing and antioxidant properties,” that is given to the skin. I believe that combination is how Monoi oil is produced, which I thought I would mention for those who like that oil in products, though Monoi isn’t specifically listed in the ingredients and it’s just coconut oil and the Tiara flowers separately. The emollient nature of this product is supposed to also aid in the adhesion to the skin, which I can attest to this bronzer lasting on me all day without fading. The downside is that I sometimes get the issue that in spots that have more moisture than others, I get a little bit of sticking of a patch that’s darker than the rest. I can mostly blend it out to look even with the rest of my bronzer, but sometimes it’s so stubborn in a sticking spot that I have to wipe it off or cover it back up with foundation, then apply powder, then redo the bronzer application in that spot. If I always powdered prior to bronzer, this might not be an issue. However, because I often skip powdering my whole face, I was able to notice this. And although I prefer to build up quickly a subtler shade like Caramel Macchiato with a brush like the Sonia G Smooth Buffer, I had the sticking issue a little more often with that brush. When I use a brush that doesn’t load on as much product, like the Sonia G Jumbo Bronzer brush, I haven’t had that problem.
To those averse to fragrance, this does contain some. The brand calls it a “floral/fruity” scent, but I just smell slightly soapy flowers. It actually reminds me of the smell of Dior powders, but not as strong.
Please click the photos to enlarge them if needed, and use the arrows to go through the slide before clicking ‘x’ in the slide to return to the post. As I mentioned before, the depths are about the same and the tone is the main difference between the two shades. They’re also on the subtle side now and if I get darker this summer, they might not show up anymore.
This bronzer doesn’t have holy grail status, but I could see myself putting this among the top 20 on a ranking list. Despite having it for over a month, I still feel I need more time with it to see if my interest in using it continues to grow over time or if it’ll be overshadowed by the others I own. For anyone interested in bronzers I purchased prior to 2023 and where I’d rank those, I have a post on that topic here.
Lust For Shine Highlighter in Guilty Treasure
Mesauda has several different forms of highlighter: liquid, baked, gel-powder, and cream-powder. Since my favorites tend to be gel-powder, I naturally chose to order this Lust For Shine formula. The texture is thinner and drier than I expected. The shimmer looks fairly smooth on the skin with its small particle size, while still being reflective. I consider the highlight intensity level to be a buildable medium, though it stands out even more on my skin tone because Guilty Treasure is on the lighter side of workable for me. I only brought highlighters with the same depth as my skin tone on the trip because I thought I would only want my highlight to look subtle, but I ended up still missing having that extra “pop” in my makeup looks. So, I bought this lighter shade out of fear that Deep Attraction might be my skin tone or deeper, which would have defeated the purpose of trying to buy a shade that differed from what I had with me. What helps Guilty Treasure to work on my skin tone is how sheer the formula is in allowing my skin tone to show through, which minimizes the cast I could have gotten if it had a base color as light as the shimmer. I apply my other highlighters first, and then add this one in strategic places for a spotlight effect. It can be blended out to a super natural shine for those who like the most subtle of highlighters, or layered up to the medium I mentioned, if one doesn’t blend it out too much. This highlighter doesn’t adhere to my skin as strongly. It will stay on most of the day, as long as I don’t touch my face more than a few times. There were some days during testing that it didn’t last more than a few hours and I realized I must have rubbed it off while sitting with my cheek rested on my hand or when I took a nap. A lot of highlighters don’t last through me napping, so that’s not too surprising. It’s just that this highlighter is easier to accidentally wipe away than others, and I have accidentally overblended it a few times already and needed to apply more. This can happen no matter which highlighter brush I use (goat, squirrel, synthetic-natural mix, fan brush, flat top, candle-shape, etc.). Also, if it’s one of my more natural days when I skip foundation, this highlighter definitely only sticks to my face for a short time. To help it adhere more strongly, I’ve tried spraying my brush to slightly dampen it the way I do with a lot of my shimmery eyeshadows. This added moisture helps increase the shine level and better melt it into the skin, but the effects are only temporary. The best way to make this last longer is to have products underneath that remain at least a little wet or emollient like a dewy foundation or cream highlight.
This formula is fairly nice and it’s easier to pick up product with the Mesauda highlighter than the Nabla one, but I’d still recommend the Skin Glazing highlighters (and it’s one euro cheaper) because of the gorgeous glass skin effect it has on the skin. I love when highlighters have a somewhat wet look to them (which gel-highlighters tend to do), but I only get a slight wet effect using the Mesauda one if all other products with it are fully dry. I still like it more than most standard powder formula highlighters, but it doesn’t make the top of my favorites list. I’m still glad I tried it because the curiosity would have gnawed at me.
Also, unlike the bronzers, this is fragrance free.
Photo from the Mesauda Website
At First Blush in French Kiss, Obsessed, and Lovebite
I wanted Obsessed and French Kiss from the beginning, but I didn’t expect the blushes to actually look as vivid in person as they are depicted in the swatches, and especially for the lightest shades available. So, I bought Lovebite to be on the safe side and realized quickly that although the blushes do look lighter on the skin than in the pan, they are still quite pigmented despite their thin texture (which seems to be a theme with Mesauda powder products). Another consistent feature is the soft and silky feeling to the touch of them.
There is visible shimmer in the pan, but it’s very fine and just adds a satin soft sheen to the cheeks. The brand boasts ingredients like, “rose hip with its emollient and soothing action and Ginko biloba with its antioxidant properties,” but it appears corn oil is a more prominent feature based on the order of the ingredients on the list. The emollient factor was considered a good thing in the bronzers, though it had that sticking to wetness issue. With the blushes, I don’t have any issues like that. Granted, it does fade a little as the day goes on, but I still consider it a decently lasting blush formula.
Also, just like the highlighter, these are fragrance free.
French Kiss
I would describe this color as a peachy-pink-brown, and on the lighter side of medium in terms of depth. It definitely shows up on me (though it’s harder to see on camera), and does not look ashy, but if it was just a little bit darker it would be perfect for me. I wear it on its own, but it makes for a nice mixing shade if I want to tone down a brighter blush to turn it a little more neutral without making my cheeks darker.
Obsessed
This is a warm medium toned peachy-pink blush. I expected this to be my favorite of the three, but it flips back and forth between first and second place. I like that it shows up on me easier than French Kiss because it’s a little darker, but I think the brown in the other one compliments my skin tone slightly more. However, since it’s a warm leaning pink it’s still complimentary. I use it on its own, but I also like mixing it with French Kiss.
Lovebite
I have to be careful using this one because it’s such a vibrant reddish-pink shade, and pigmented to boot. I tap my brush once into the pan and work that amount of product from my brush onto one single cheek until it’s blended to be less intense. Then I repeat the process on the other cheek.
I find it interesting that my camera is able to pick up the shimmer particles quite a bit. I never noticed them as much in my lighting situations back in Germany, though the intensity of light (even natural light) is quite different from there compared to Florida.
Photo from the Mesauda Website
Blush & Glow in Koralline
I think Mesauda is dropping the “Milano” part of their name because it’s not listed that way on the brand website; only on Douglas. In addition, the only packaging I could see with “Mesauda Milano” on it was this Blush & Glow product in circle packaging. This product is discounted everywhere at a price around 4 euros with only a few of the shade options available at various places, so I am guessing it’s being discontinued or will return in new packaging to match the black squares of the others.
Koralline is quite similar to Lovebite, but with more pink in it than red. I was hoping this would either be light enough to use as a highlighter or deep enough to wear as a full-on blush. I like the base color, but the pearls unfortunately create a cast on my skin tone in certain lighting situations that makes it look ashy, even though it’s absolutely deep enough of a blush shade for me (or would be without the pearl pigments). This has happened to me before with some highlighters that have a base color deep enough for my skin, but the shimmer itself is too dark or too light and that makes it unflattering on my skin tone. I had issues with pearl pigments in my Hourglass vs Guerlain post as well, and even some of MAC’s Mineralize Blushes, which is why it’s the only blush formula from MAC that I’m very picky about. It’s a bit funny that the day I took the photo, it happened to show on my camera the prettiest it’s ever looked!
The blush otherwise looks quite pretty on the skin, is smooth, contains “Jojoba oil with emollient and moisturizing action,” has decent longevity, and does remind me quite a lot of the MAC Mineralize Blush formula. However, because of that pearl (or the combination of the pearls with the “holographic pigments”), and the way it reflects in light, I planned to declutter it. However, seeing how it looks on camera, I will reconsider it.
Gold N-Roses Eyeshadow Palette
Photo from the Mesauda website (above) versus how it looks in person (below).
The online photos on the website don’t do this palette justice. The colors are much prettier in person and I was thrilled to see it contains a duochrome called Oh Wow. These eyeshadows are thin, yet give good color payoff, while being in tones that are on the softer side. For instance, instead of an intense red, we have Felicia which is a deep pink-red. Rather than a vibrant purple, Victoria is more of a muted magenta. This makes the palette perfect for someone who likes neutrals, but also enjoys dabbling in “wearable” colors or having festive options for specific outings/occasions.
The mattes take noticeably longer to blend than I’m used to, but not so long that I would call them “bad.” They just require a bit of effort. I recommend using a brush with bristles thicker than squirrel (like goat or synthetic) with them. Most of these are opaque, but Perception is extremely patchy. From the first time I swiped it on my fingers, I could see spots where my skin was showing through, and this wasn’t the case for any other shadow in the palette.
I understand that some brands prefer to make their black shadows buildable, but it gives a smoky worn out look when I use it since it doesn’t build to be entirely opaque. I like smokier looks, but not necessarily on the grungy editorial side. This shade is still usable, but I’d prefer to reach for another palette’s black eyeshadow.
As for the shimmers, I prefer using them wet to aid in the shiny look and ability to layer them up for average intensity.
Because of the way the plastic packaging feels, the shape of the pans, and the layout, this palette reminds me of Tarte and Persona palettes. However, I prefer the formulas from those two over this one and would prefer to pay the $4-$8 increased price for that quality. Because this palette hasn’t been in my possession for all that long, it still feels exciting to have, but I honestly don’t foresee myself reaching for it more than a few times after this review. I like this, but I can’t recommend it over similarly priced palettes on the market.
BARE HARMONY 3.0 Palette in 205 Hidden Green
My experience with this particular palette has additional positives and negatives over the Gold N’Roses palette. For starters, I bought it because I forgot to bring a deep shimmer or satin brown shade on the trip with me. Plus, I’m a sucker for pretty green eyeshadows and I was so intrigued by the look of Moss. It’s a combination of various green and gold/bronze shimmer, but it doesn’t have that true duochromatic effect. There’s no shift, but it’s undeniably still pretty.
I like that the pigmentation level is cranked up for these mattes, while still being just as thin. However, they require even more work than my other palette for blending. I don’t know if it’s necessarily worth that trade-off since blending time is more tedious to me than being able to get strong color payoff the tiniest bit quicker. As for the shimmers, they are wetter, creamier, and shinier than in the Gold N’Roses palette. My only issue was with Precious, because I had trouble picking up that shade on my brush without it either dispersing everywhere on my eyes in a low pigment scattered effect (because the particles aren’t bound together as much as the other shimmers) or coming up in a giant chunk if I pressed too hard into the pan. Essentially, I had to resort to spraying my brush every time I used it in order to get it to stick on my eyes in the area I wanted with minimal mess.
So, even though this palette is trickier to use, the color story is more my speed and how much more dramatic I can make my looks is why I think I might actually reach for this palette a bit more than Gold N’Roses. I have so many gorgeous palettes now in the green, brown, yellow, and gold color scheme that once the “new” feeling fades, I wouldn’t be surprised if I stop using it after another month or two and go back to using my favorites. As for whether or not I recommend Hidden Green, even though the Natasha Denona Mini Gold Palette is a few dollars more expensive and contains much less product, I believe that’s way more worth the purchase than this one. I don’t regret buying this one though because it was needed while I was overseas and I enjoyed it while my eyeshadow options were limited.
“The Skin” Foundation. Photo from the Mesauda Website.
I was very curious about this product, but I don’t have a good shade in this line. I’d be somewhere in the 73 or 74 range, but I’d need a color that didn’t have that strong of an orange tone. I cannot speak to how these shades look in person, but it appears that the light to medium range is well covered and much closer in depth between shades. There are huge gaps though from C70 and onward, plus C75 and W80 don’t look like real skin tones. They look like corrector colors on the darker end. It’s not enough for brands to have dark shades in their line. They have to be colors that actually match people, or else it seems like they didn’t invest as much time and effort in the creation of those colors and they are just there for show to look more inclusive than they are.
ConcealerPhoto from the Mesauda Website
I didn’t try the concealer for the same reason of being unable to find a color that would work for me. W90 is too light and too pink, but C95 is too dark. The range is missing quite a few tan to rich options, but this line does a better job looking like real tones (except the peach one P01 still looks like a corrector).
Face PowderPhoto from the Mesauda Website
Talk about a shade jump! The difference between 107 and 108 is staggering! Once more, I did not have a good color match. If this was the translucent type of powder, more people could perhaps be able to pull off using the last two. However, the website states, “The formula is rich in micronised mineral pigments for improved coverage and even application all over the face.” This talk of coverage leads me to believe it’s the pigmented kind of powder that could be used to boost the coverage of foundation. In this case, the range is definitely limited for those who aren’t fair to medium.
As decent of a job as the brand has done with the products I reviewed today, there are certainly areas that could be improved if they wanted to fill out their current range as their brand grows. I wish them the best and hope that this happens. I’ll be keeping my eye out on what they’re up to when I return to Europe toward the end of this year because they make some nice products of interest to me.
“At some point in the future, I plan on doing a follow-up post featuring any additional shades I purchased, along with the closest shade comparisons to multichromes among Clionadh and from other brands, and examples of how I’ve worked each shadow into completed eye looks.”
That was my intention after my first Expansion post, but since many things happened between now and then (such as Hurricane Ian, having spinal fusion surgery, and being overseas for a few more weeks) I decided I’ll show the various photos, eye looks, and swatches that I currently have. It was getting confusing keeping track of my files on three different devices dated weeks and months apart. In my next Clionadh update post, I will have those comparisons plus missing eye and arm swatches and completed eye looks.
I’m also adding photos of the newest circle pan eyeshadows I’ve purchased as well! Plus, I finally got the other multichrome highlighter from the Dragonfruit Collection. The most I’m missing* are arm swatches of Quest, Auric, and Chalice. I at least have eye swatches of the latter two and video clips of all three.
*UPDATE: Here are the missing arm swatches in various lighting situations!
Earth Vibrant Multichromes
I now own 8 of 12 in the Earth Vibrant category, and this is still one of my favorite and most used lines within the Stained Glass Collection. The combination of beauty and subtlety is what makes these so enamoring.
Electric Multichromes
We’re now at 5 of 12 Electric Multichromes, but I believe I have all the ones in this category that appeal to me and aren’t too similar to other Clionadh shades.
Vibrant Multichrome
I own 2 of the 4 newly expanded Vibrant Multichromes, but 7 of the 12 total. These haven’t ended up being my most used category, but when I have a very specific eye look in mind, these end up being just what I want, filling that void of brightness or uniqueness.
Hybrid Multichromes
I chose to buy Chalice from the original collection because I don’t have as many yellows and golds from Clionadh and I wanted to see how different this one would be from the few I own from them. The answer is, “not very,” as it doesn’t have an easily discernible shift which makes it like a smoother version of the glitter multichromes. This addition, combined with Queen’s Banquet, put me at 8 of the 11. That is pretty wild considering the Hybrid formula is among my least favorite of the Stained Glass lines. That isn’t to say that they’re bad by any means. I just typically like more color impact, stronger shifts, or both. So, it’s a bit funny that I ended up with so many.
Jewelled Multichrome
I now own 12 of the 20, though this category didn’t get expanded last year. It was just a matter of seeing more photos of Forge in a different light that prompted me to get it, even though it’s supposed to be similar to Pat Mcgrath’s Sextraterrestrial shade from Divine Rose II, which I don’t even use that often anymore despite how pretty it is. I didn’t get a chance to compare them yet though, so that will be added to the list for next time.
Dimentional Multichrome
I believe there are just two of these in the line so far, and it was released after the big expansion last year.
This category is supposed to be a brighter, more glittery version of the Jewelled multichromes. By using a grey base instead of a dark one, I can see how this line might be more appealing to those who felt the Jewelled ones were too intense, but that intensity is what I love about them. I can see the increase in sparkle, but there are other lines from Clionadh if I want a glittery multichrome versus a smooth metallic looking one. So, I don’t think this is a category I’ll be exploring as much (since I prefer the Jewelled ones), but I’m happy to have been able to try one.
Arm Swatches
Deep Iridescent Multichromes
Despite missing arm swatches of Auric, I own 8 of 12. This isn’t surprising considering this is my second favorite line from Clionadh. I would love to own them all, but I don’t think I would get as much use out of the missing four shades, though I’m still tempted by Lapis Lazuli.
Also, I’m not sure if I’ve shown this before, but Clionadh has been including brand stickers in orders and I’ve saved them to stick onto custom palettes, such as the Viseart Empty SlimPro Palettes which Clionadh Stained Glass shadows fit perfectly into. I place stickers on the front and underside of the lid.
Stocking Stuffer Shadow Trio in Tree Skirt, Timber, and Tinsel
This was the brand’s holiday release for 2022. It even came with a tiny Christmas stocking to go with it.
Additional Individual Circle Pan Eyeshadows and the Pitaya Fruitlighter
Caribou always appealed to me, but there was a time period when I wasn’t as interested in buying the neutral colors from Clionadh, though that has clearly changed by now. So, I finally bought that one. Centaur is a new eyeshadow released in 2023, and I’m not usually interested in taupe shades, but this one looked so pretty that I felt compelled to order it.
With this purchase of Pitaya, I now have both Dragonfruit Collection Fruitlighters that I use as eyeshadows.
That’s all I have for today! I apologize for this being quite disorganized and unfinished, but I wanted to be sure I finally got out at least something after all these months owning these additional Clionadh products.
Also, for anyone wondering if I’m going to purchase Clionadh’s upcoming Deep Sea Treasures palette the brand showed as a sneak peek of the cover art on Instagram…I’m not sure if I will. Without seeing the color story yet, I assume there will be a lot of blues, which is not my preference. As much as I love the brand, if the palette consists of too much of a shade I don’t wear a lot (such as the reds and pinks in the Dragonfruit palette), then I skip it and save that money towards a different new product release.
So, it’s probably likely there will be a lot of blues, and if so, I will probably pass on this one.
Thank you for visiting!
-Lili ❤
UPDATE: June 27, 2024 Here is a requested swatch comparison photo from top to bottom of Quest, Statue Garden, and Stencil in various lighting situations.
In my Failed Low-Buy post, I mentioned that between Black Friday and holiday sales, there were 24 eyeshadow palettes I hadn’t even swatched. Although I’ve made several palette reviews since then, I still had so many untouched palettes. So, just before I left for my trip, I wanted to at least swatch some of them to help get the ball rolling.
Huda Beauty Em(power)ed Palette
Although I still haven’t used this palette, I wanted to say that Manifest It is that strange gel formula that Huda added to the Naughty palette, but the pigment is in cream form instead of the circular balls. In order to swatch that shadow accurately in this palette filled with all different eyeshadow textures, I had to take a cosmetic spatula and basically recombine the clear hard waxy gel and pigment together to get an even coating of color. Initially I pressed my finger into it, but then a giant chunk came out of the palette, and I figured I would need to fully mix it to get it to even adhere back to the pan without falling out.
Also, when I first saw this palette, I was so excited because I misread the cover and thought Huda was partnering with the (RED) charity, which puts (RED) on their products and I even used to have a shirt with EMPOWE(RED) on it. It was something I used to support when Bono was the face of it back in my high school days and early college days, having bought several merch items with it. Then I realized it was (Power) being singled out in the word and had nothing to do with it. I was disappointed, but still wanted the palette for all its textures, being a neutral color story that actually appealed to me, and to finally have my first of Huda’s larger size palettes and see if the quality is really that much better than the smaller ones as some people have said.
Lethal Cosmetics Evergreen Palette
I prefer to get individual eyeshadows of the exact shades I want from Lethal Cosmetics, but the amount of singles I wanted from Evergreen would have cost more than the full palette. Plus, with the Black Friday discount, I was able to get even more of a deal.
Lethal Cosmetics Eyeshadow Singles in Runic, Symmetry, Lithophyte, Volant, Parsec, and Nox
These were the singles that made more sense to buy individually. I also haven’t worn them yet, but I’m pleased with this selection. They weren’t intended to be a cohesive color story, but it’s a happy accident!
In addition to the palette, I also bought the adorable strawberry sponge, which I have not used yet either.
I intended to review the Glamlite Happy Hour Collection, but I had such a difficult time dealing with the intense creasing (some of the worst I’d ever experienced) that I was too turned off by the palettes to review them. I stayed away from the palettes that came after, that is, until this one from Strawberry Shortcake. The shades (including those gorgeous Duochromes) were too pretty to resist and I used a code during the launch to make it even less of a risk if it didn’t turn out the way I hoped. We shall see how it goes with this one in the future!
Beauty Bay Dark Fantasy Palette
I’ve heard good things about this formula, so I waited until they had a color story that spoke to me to buy one. They certainly swatch beautifully! I’m hopeful that I’ll like it!
Buxom x Ash K Holm Palette
This is the exception to the palettes purchased during Black Friday 2022, but this palette was from November 2021, and I only used it once back in April 2022. I put one eye look on each eye twice, and never felt inspired to use it again. I like the color story, and as silly as it is, the shade being called Scorpio made me want to like this palette even more. However, the quality was just “fine.” It certainly wasn’t bad, but it wasn’t spectacular either. I barely tried anything from Buxom, which is why I bought this palette in the first place. However, I’ve been debating so long whether or not to even keep this palette because I want more than just okay eyeshadows in my collection now.
That’s everything for today. Thank you for viewing!
Joining the Legendary Diversa line from Oden’s Eye, the Perfect World Collection is their new round of Influencer collabs. Makeup Just for Fun and Lauren Mae Beauty are two of the three YouTubers they worked with that I’m subscribed to, but it was only Amanda’s palette that I felt would add something to my collection. I was one of the early purchasers, so I was able to get the faux silk ribbon that came with it.
At the time that I’m writing this, Flora Story is the only one that sold out. It’s being restocked for one final time on March 23rd, so I wanted to make sure I included my first impression thoughts in this Swatchfest post. I also included two eye looks for this palette, as well as Solmane II, which is another palette the brand continues to restock. Cat’s Breath is still available, but I suspect it will be discontinued once sold out, just like the other items in the Freja Collection.
My previous reviews of other Oden’s Eye products can be found listed with links on this page here.
Oden’s Eye + Makeup Just For Fun Flora Story Palette
It’s interesting that the multichrome, Dawn, looks yellow and pink in the arm swatches when it’s purely orange on my eyes. In fact, this multichrome reminds me of Pink Chameleon from the Norn’s palette and Double-Sided from the Hela palette. I love being able to get multichromes from Oden’s Eye at an affordable price, but they tend to look a bit similar to one another.
These mattes are mostly easy to use, but they feel slightly thinner than I’m used to from the brand. They still give decent color payoff despite being soft muted colors, with the exception of Sage that ended up looking quite similar to Clover on my eyes, even though they look completely different in swatches. The issue is that I had a harder time building up Sage to something deep enough for my outer corner. Without being able to build it up more opaquely, there wasn’t as much distinction from Clover which was used first. Perhaps I would have gotten more color payoff if I used Sage first.
I used Orchid first in my second eye look, but I was disappointed that this turned out to be one of those types of purples that have a magenta tinge that when blended out gives me two different tones of purple and makes it look improperly blended or patchy on my eyes no matter how much I build it up. I still managed to create a look that I thought was beautiful, but I covered up some of the patchiness by throwing the shimmer on top. There might be a trick to using purples like these that I just haven’t discovered yet, and I only played with this palette for one day, so perhaps another primer could have also helped the situation.
As for the shimmers, some felt chunkier and wetter than others. Best Buds felt and performed the most like a typical Oden’s Eye shadow, but I was suprised that Misty was not very easy to smooth onto my lids. Despite being thick, it still had some spots I could see my skin beneath. Magnolia was thinner in consistency and didn’t have as opaque of a base either. It also gave me quite a bit of fallout. In using these shimmers, I suddenly remembered the complaints I’d heard about there being too much mineral oil or dimethicone in some of Oden’s Eye’s new single eyeshadows (inconsistently across the range). I’m wondering if they started increasing the amount of it in their formulas with these newer palettes from Christmas last year and onward. How wet it feels and the consistency doesn’t necessarily dictate how it will perform though because Lush was a little thick and wet, but did go on more opaque than the other shimmers.
It could be the case that these shimmers perform exactly the way Amanda intended. I think she prefers building up her shadows and likes color, but not too intense. For that reason, I wouldn’t want to judge this palette as any sign of the direction of Oden’s Eye. I just wanted to compare it to other palettes in the past so one can have an idea of what to expect.
The eyeliner in the Green look is from Melt Cosmetics.
Even though this isn’t my favorite formula, I still like the palette and the shades and it’s not too hard to come up with a pretty look with a little bit of effort. It’s not so much effort as to make me not want to reach for it though, nor consider it bad in any way. It’s very nice, just not on the level of amazing. I can appreciate though that the colorful nature of it, while still being in softer tones, makes it stand out among past palettes from the brand. I was right in thinking it would be something different from the kinds of palettes and color stories I usually get. Plus, the added wetness led to only the tiniest amount of creasing. The amount I consider negligible.
I bought both the Christmas Eve and Merry Christmas Palettes from Oden’s Eye and received two free ornament keychains with my purchase. I was very easily drawn to the Merry Christmas palette because of the greens and how on theme that color scheme is, but the Christmas Eve palette wouldn’t leave my mind. There was something so intriguing about the non-blue shades. I’m still in anti-blue mode, but I can feel that start to dissipate for now. At the time, I still felt it was worth getting the palette for all the other colors. That turned out to be a great decision because it was even more gorgeous in person and Oden’s Eye did not end up restocking these two despite the pleas from customers who I still see three months later asking for a restock on social media.
Christmas Eve Palette
Merry Christmas Palette
I’ve used these holiday palettes every so often since getting them, but mostly in combination with eyeshadows from other brands. That’s why I don’t have many photos of those instances (used on non-testing days). The hype is real on these! I love the shades. I love the performance. The shimmers are so bright and reflective. The mattes are still on the thin side, but blend and build beautifully. I think there are some similarities between these shades and past palettes, but I like having them in one place. I admittedly have only used half of the eyeshadows in both palettes, but so far so good! If other palettes hadn’t taken priority (ones actually available to purchase), I would have used these way more already. I wanted so badly to bring at least the Merry Christmas palette on the trip with me, but I didn’t have room.
Although the brand hasn’t said anything about restocking them, I think it would be smart if they waited until this coming Christmas to bring them back. As much as the demand is for them now, they are still holiday themed palettes, and it would make more sense to return during the actual holidays. As long as they keep the same formula (which does have some chunkier and wetter shimmers like in the Flora Story palette, but they’re at least fully opaque), I would recommend getting one or both.
Solmane II Palette
I only used this palette once so far, just before I left for my trip. In the eye look using the entire bottom row, I had a easy time applying everything until I got to Black Hole. Normally, I tend to love the black eyeshadows from Oden’s Eye (Colourful Black from the Norn’s palette is still one of my favorites to this day, plus I like Complete from the Hela palette), but this one was tougher to blend. I tried to build it carefully and slowly. I could still make it work, but it’s definitely not effortless.
Galaxy was also not the easiest to use either, similar to Orchid from the Flora story palette. However, I was in a rush doing that eye look, so I’m going to give that one another shot in the future. Meteor is more like a topper shadow, but still pretty. I could have used it on its own and been happy with the look, but it also worked to intensify the shine level on top of Hallucinations.
For being nearly pastels, I was impressed with how Soft Cloud and Dream looked on my eyes (more so Soft Cloud because of the opacity). Pastels aren’t the most flattering on me, from my perspective, but I’m interested to see how else I can incorporate these shades in future looks. They look and perform similarly to shades I own from Lethal Cosmetics.
I definitely need to use this palette more before I make up my mind about how I feel. Sometimes it only takes one instance to know, but not this time.
Cat’s Breath Palette
I don’t have any opinions on Cat’s Breath because I haven’t used it on my eyes yet. I just wanted to share the swatches. This palette and Solmane II are the ones I bought during Black Friday because I was attracted to some of the shades, but not all, and I didn’t think buying them at full price would be a good idea for me. Honestly, I wanted Cat’s Breath for the packaging artwork. I mean, how cute is it?
I hope this was helpful, even though it wasn’t a full-on review. As I mentioned in the beginning, I know the restock for Flora Story is coming in a few days, Solmane II was just restocked recently as well, plus a few of the Oden’s Eye singles. This will probably be when a lot of new purchases will be made, but I also wanted to remind the shoppers out there who love a good bargain (like I do) that Oden’s Eye usually has a decent sale during Easter, or at least they usually have some kind of deal like Mystery Boxes. That could mean wanting products from launches two weeks apart with shipping to consider. It would be a risk to wait if you want the Flora Story palette, but I wanted to at least give that reminder about Easter.
For those who may be wondering, I do consider myself a big fan of Oden’s Eye products, but I won’t be buying the individual shadows unless they make some announcement about they having a “new and improved formula,” after the major creasing and fading issues I’ve seen on Instagram. The fact that I’m on another low-buy this year is what saved me from potentially being in the same boat. I’m also disappointed about the lack of transparency about it and them not addressing it despite how many months have passed. Plus, I’ve heard customer service complaints have been ignored, which in my experience had always been good in the past. So, I’m not sure what to make of that situation. I think it’s important that I at least mention it because I don’t want anyone to make purchases without knowing potential issues that may arise with certain products or customer service.
Once again, Melt Cosmetics made mystery boxes available starting on Black Friday with a smaller $25 option and larger $75 box. They repeated these price options for the December versions, and the large December box is still available at this time. Everyone gets the same items in each specific box, so I watched quite a few videos on YouTube so I could know in advance what I’d be getting. Sure, it took the mystery element out of it, but I was able to guarantee the value would be worth it for me.
There are plenty of other items from the Mystery boxes that I am not going to feature because they are products I’ve already reviewed, I can’t wear because they don’t show up on my skin, I don’t like because of the color, or I’d feel uncomfortable trying out due to the suspicious smell (most of the Amor y Mariposas Collection lip liners).
The products I selected for the photo above are the ones I decided to keep for myself from the mystery bundles, in addition to a few extras I added to my cart during the 40% off sale that was simultaneously happening on the website (mystery boxes excluded). However, tackling them all in one giant post was too overwhelming, so I’m splitting this into two parts. Part 1 will cover all the eye products and Part 2 will come at a later date covering the face and Mariposas items.
Gemini II Palette
Sweetheart, Gemelas, Matheo, and Almond Eyes are my favorite shades from this palette. I don’t know what it is about pinks and greens that is such a struggle for me to think of ways to use them together, but that’s ultimately why I didn’t buy this palette at launch. I do like these two color families when used separately, so I continued to be tempted by them. As time went on and I saw the repackaged version of Gemini with Gemini II being used by others more and more, I reconsidered getting them until I began seeing photos online of some sort of growths appearing in various people’s palettes just two months after they bought them. Melt has notoriously had issues with their eyeshadow formulas in the palette versions (as opposed to their stacks), which is why I’ve never been willing to risk getting them at full price in case it happens to mine as well. It had been at least a year since I heard of any major issues, so I was just beginning to let go of my fear until I saw that. However, my two oldest Melt Palettes that I started using Spring/Summer 2022 (Amor y Mariposas and She’s in Parties) are still in perfect condition. So, that’s why I keep taking partial chances because I love their formula.
The mattes in this palette are exactly what I expect them to be from Melt: very pigmented, opaque grungy tones, and easy to blend. Matheo is a real shimmer with its brownish-green color and green sparkles but it’s a bit on the thin side and needs to be built up. Shmood is more of a metallic-satin. Shmood instantly reminded me of the She’s in Parties shadow from the She’s in Parties palette, but that one is a slight purple leaning red whereas Shmood is a warmer red with an orange shift on the eyes. I’m not used to owning such a matte-heavy palette, but I don’t have a single bad thing to say about the performance of any of these shadows. For my personal taste, I didn’t need both Bela and Lady Like since Bela is basically a brow bone shade without being impactful enough for me as an inner corner brightening color and Lady Like only faintly shows up and is the kind of color I just include for the transition shade to blend into, but no quality complaints. Everything is long lasting. The shimmer and satin don’t crease on me. They’re great! I just hope the quality doesn’t diminish over time.
I used the Allday Everyday Ultra Matte Eyeliner in 1987 in both of the green eye looks in this section.
As much as I enjoy this palette and am very pleased with it so far, my inability to use it to its fullest (the color choices and my skill level with color theory) is why I’m glad I was able to get it in a mystery bundle for technically a better savings value with the other items combined.
Rust Palette
Once again, I’m impressed by the mattes. Pigmented, soft, and blendable are the best words to describe them. Rott² is so intense that I have to be careful with that shade, but it can be sheered out if the tiniest amount is applied and heavily buffed. Other than Rott², the other mattes are easy to use. I’m also impressed with Erode considering tons of yellow mattes from other brands don’t show up very well on me because the amount of yellow tone I have to my skin blends in too much with the shadow color. Yellows also tend to disappear off my eye area because they are usually made to be a thinner or more powdery consistency (possibly too much titanium dioxide or another white base powder throwing off the dry base to binder ratio) that dusts off and doesn’t stick for long on me. So whenever I find a yellow matte eyeshadow that actually lasts, is a flattering and easily visible shade that’s also easy to blend, I always take notice.
This palette contains three metallics, but they’re only satisfactorily reflective for my tastes if applied wet. The end result is still on the low-sparkle side compared to the types of shimmers I typically wear, but I’m occasionally in the mood for something on the more subtle side, so I don’t mind. However, in doing swatches and building them up so much on my eyes with my fingers, both Tarnish and Ravage are starting to form a seal on the top layer of those shadows. It’s possible this could also be happening from double-dipping with my partly damp brush to get more intensity out of the shadows, but I think it’s moreso due to oils from my fingers. Redux hasn’t given me any issues yet, but it also has a more traditional shimmer texture to it than the other two metallics. I think it’s a little looser packed than the others, which could explain why it’s easier for me to pick up and why it hasn’t hard-panned.
It’s a shame that Tarnish and Ravage are the troublesome shadows because those are the two colors I like the most along with Erode, Rubbish (the tone of yellow I love to use as a transition shadow), and Rust (a nice warm brown). However, because I enjoy nearly all the mattes, plus the colors of these two metallics, I still very much like this palette overall. It’s not a very inspiring palette for me, but it has the go-to type of shades I like and use. If Pat Mcgrath can charge $65 for an all matte 6-pan palette, then I guess it’s not really my place to say the Rust palette isn’t worth full price considering Melt’s matte quality, but I personally recommend getting Rust on sale if possible.
Smoke Sessions
I’ve wanted this palette for years, but this is the one I heard the absolute most complaints about in terms of formula stability issues. I’ve heard of the shimmers randomly expanding in the pans and exploding out of them (then people pressing them back and it happening again), and I’ve seen the most growths and things appearing in these. From the moment I felt the shimmers, I understood how this may be possible considering how much wetter they are than all other Melt shimmers/satins/metallics that I’ve felt before. When I first got the palette, I opened it just to check that no shades were broken before setting the palette aside. When it actually came time that I was ready to use it about a month later, Blue Dream was cracked in the upper portion of the shadow. I have no idea if it’s just because the shimmers are more softly pressed or if it’s because mine was in the process of a reaction. I’m more inclined to give the benefit of the doubt and say it’s just soft and somehow broke in my handling the palette (even though I never dropped it). I pressed the shadow back with my finger (no wetting agent added) but the consistency of Blue Dream is so loose that it keeps picking up in strange chunks. I took a photo of it below. In order to use this shadow without getting fallout everywhere (plus have it look opaque), I have to apply it with a dampened brush. The binding ability appears to be weird in that one. I will of course update if I notice anything else, but we’ve passed the two month mark and nothing else has changed now. Hopefully there won’t be any additional developments.
Grand Daddy, Black Widow, and Mean Green are like my favorite types of greens in terms of color. Having them all in one palette is what drew me in. Gravity OG, Sour Diesel, and Space Queen are colors I also like, so despite all the questionable things said about this palette, it was just impossible for me to skip forever. I don’t have regrets getting it for 40% off during the sale, but this formula has to be babied a lot.
These mattes are not what I’ve come to expect from Melt. They’re so much stiffer and less easy to blend. I was quite disappointed in Sour Diesel since that murky green just looks murky brown on my eyes. I wanted more of that green tinge to show through. As for the shimmers, they are a wetter texture but they still don’t pick up that well and the consistency somehow isn’t enough to make them impactful on the eyes. I still have to dampen my brush when I apply them. On the positive side, they do look beautiful after that and I’m used to wetting my shadows anyway, so that isn’t a deal breaker for me. I’m just perplexed as to how they’re so creamy/wet yet still under-perform without help. I’ve also had a little bit of creasing with these too, which is something I’m not used to from Melt either. So, as beautiful as these tones are, I was a bit disappointed. I think if Melt reformulated this palette to what they’re currently using in the newer ones, this would have had the potential to be a favorite in my collection, and not just out of the palettes I’ve bought from the brand.
Bad Side Zodiac Mini Eyeshadow Palette in Earth
I bought this during the 40% off sale and before I noticed how similar it would be to all the other Melt palettes I have. I was just so focused on wanting this color story.
Now that I have a lot more experience using Melt’s shadows, I can say that the matte quality of Earth (I didn’t notice a difference with Air) is the tiniest bit lower than in She’s in Parties, Amor y Mariposas, Rust, and Gemini II, but only the tiniest bit. I still very much like them and find them to be quite good. It’s only really when layered on top of each other that they can look a little muddy.
I’m not sure if it’s just because the shimmers are yellows and oranges, which can blend in quite a bit with my skintone, but I felt the need to wet them for more impact. Over Critical is quite a harsh tone of yellow though on me, and wetting it made the consistency a little odd in terms of getting it to lay smoothly and not patchy, kind of like my troubles with the Blue Dream shade from the Smoke Sessions palette. Know-It-All and Materialistic, however, were creamier and easier to pick up and spread smoothly. I’ve noticed that I prefer Melt’s shimmer formula in their newer palettes rather than their older ones, but their mattes are what is special about their eyeshadows. That’s why even though I prefer palettes with more shimmers than mattes, it’s probably a good thing that Melt’s palettes tend to be the opposite.
Ultra Matte Gel Liner in Onyx and Cultura
The Melt Gel liners are fantastic, in my experience, so I purchased Cultura during the sale and received Onyx twice in mystery boxes. I like the waterproof nature to them (and how they still come off with a bit of Bioderma and a makeup wipe without needing a waterproof remover specifically). They dry quickly, don’t smudge, and last all day without the line cracking. I don’t mind using a jar eyeliner if it’s a colorful one, but I would honestly not get much use out of Onyx purely because I find liquid eyeliner pens to be so much easier to use for all my black eyeliner needs.
Allday Everyday Ultra Matte Eyeliner in 1987
I got this liner from the Mystery Bundle. It has been discontinued at Sephora, though it’s still available for sale on Melt’s website. Melt has a new range of eyeliners called “Slick Waterline Eye Pencils,” so my guess is they’re just trying to get rid of the remaining stock. I hope these aren’t too old.
This pencil’s color is dark enough for me, but I prefer ultra rich black liner shades similar to the depth of Onyx. It glides across the lash line easily. It needs a little time to fully set before it will be smudge-proof and water-proof, but that does happen if it’s fully dry. It’s even easier to remove than the Gel Liners, but is tough enough to not budge all day (not that I usually have problems with that unless it’s in my waterline). It’s a decent eyeliner, but I almost always create a wing and the point of this pencil isn’t sharp enough to create that easily. If I want one, I have to use an angled brush to sharpen the outer line or to use concealer. So, I honestly don’t think I’ll get much use out of this either, but I wanted to try it out anyway.
To see these on the eyes, 1987 is in the two eye looks using the green shadows in the Gemini II section. Onyx are in the last two of the three eye looks in the Smoke Sessions sections. Cultura is the yellow liner in the Rust palette eye looks section.
That’s everything for today! Part 2 will probably take several more weeks to give me time to finalize my thoughts, but I have tried almost everything for that one so far and I have been taking photos for it already. Thank you for reading and I hope you’ll check back here again for more beauty content!
This review is technically eight months in the making since the bronzer, Pillow Talk Highlighter, and mascara were supposed to be part of last year’s “May Purchases Reviewed” post that I still have yet to complete. In fact, so much time has passed that I fully used up and decluttered the travel size mini of the mascara, and had to rely on a sample size version to complete this review. The advantage of this situation is that I have very solidified options on most of the products we’ll be diving into today. But, let’s start with the newest product that I’m the most excited to talk about first!
Charlotte Tilbury Hollywood Glow Glide Face Architect Highlighter in Sunset Glow and Bronze Glow
Even though Sunset Glow is my better shade match, the blended out swatch shows that it’s close to my skin tone. If it was the tiniest bit darker, I might not have liked it as much as I do.
This was supposed to be an early 2023 release, but 6 of the 7 shades were available via Selfridges for $38 on December 30, 2022. I knew Sunset Glow was the shade I really wanted the most, but it started off as a CT website exclusive for a week or so before it came to Selfridges, and I had already ordered Bronze Glow. As of this moment, Sunset Glow is still not available at Sephora, SpaceNK, Nordstrom, Bloomingdales, Saks Fifth Avenue, or Beautylish. I spotted it on the Feelunique website, so it seems the best chance to get this particular shade (if you live in the US) is from UK based places that have a US site too.
One of the first things I noticed when I got the product in my hands was how much it rattled when I held it and used it, to the point where the pan starts spinning in the compact when I try to do swatches. It’s not loose and it doesn’t fall out when held upside down. It’s just a matter of it being magnetic and not glued down. I don’t know if the ridges/raised elements on the bottom of the pan is the cause for the actual sound from it not laying evenly or if it’s due to having a weaker magnet inside the compact. It’s a minor flaw that I don’t mind because it makes it that much easier to transfer this pan into a different compact if Charlotte Tilbury comes out with something in the future with a pretty design on it. I like this outer packaging design more than the basic logo, but it’s not as cute as some of the past lunar new year compacts for instance, so I’d love to transfer this into prettier packaging some day because I really like this highlighter!
I created a chart using the images from the Charlotte Tilbury website to make it easier to see the color recommendations. Since Sunset Glow is the harder to find shade, I put that one in the middle, though it’s supposed to be in the 5th position.
According to the brand, these shades are “flawless on everyone,” but certain colors look especially pretty on certain skin tones. Bronze Glow is supposed to be the deepest color, but the shimmer looked light enough to work for me based on the brand’s swatches and examples on models. I was right in that regard, but the darker tone does keep it from looking as nice on me as it could. The point of a highlighter is to draw attention to a particular area of the face and bring that forward. Bronze Glow looks flatter and duller compared to Sunset Glow because the base isn’t light enough to create that lifted illusion. It still draws attention due to the sparkle color, but it’s not as pretty as when it’s both shimmery and lighter in depth, but not so light as to leave a pale stripe on the face. For this reason, I recommend taking the depth of one’s skin tone into account when choosing a shade despite the brand’s insistence on a universal aspect to them. As I learned, certain models are demonstrating one specific highlighter color for a reason and I found that choosing the shade closest to the model that looked like me resulted in the highlighter looking its smoothest. The “wrong” one drew a little more attention to texture.
Judging this based on Sunset Glow alone, these highlighters are super smooth. It feels slightly damp to the touch, but it is dry on the face. Part of what’s supposed to make this line of highlighters different from the rest is that it’s supposed to have a finish that looks like it’s melting into the skin like liquid highlighters would, while benefiting from the ease of use as a powder product. It looks beautiful all day and doesn’t lose its reflectivity like some lower quality shimmer in highlighters can do. This is by far my favorite highlighter from the brand and I believe it could be in the top ten ranking among all the ones I own.
Charlotte Tilbury Pillow Talk Highlighter in Dream Light
This may come as a surprise, but I wasn’t impressed with this product initially. It’s possible that I just had a sour taste in my mouth from my first one arriving broken. When this one arrived, I was disappointed to see the random larger glitter specks particularly within the dark reddish bronze strip (#2) and champagne colored strip (#4). Part of the theoretical benefit I saw to owning this highlighter was the ability to have four different highlighter colors within one product and be able to customize the shades by mixing two or more together, but the ones on the left and right sides of the pan are so small and thin that a select few brushes allow me to pick up the single color I choose. It turns out that the only shade I feel I can pull off wearing by itself is the deep golden one (#3). For getting just that, I tend to use my discontinued Wayne Goss #15 fan brush.
When I want a stronger intensity level of highlighter, I add the tiniest bit of the light gold (#1) on the very highest point/spot on my cheekbones. Besides the random larger sparkles, my biggest reasons for not preferring Stripe #2 is that it’s too red and dark, and Stripe #4 because it’s too light. Mixing all four shades creates a beautiful middle-ground color that I like, but I don’t wear it that way because of the increased number of random larger glitter specks. Of course, the more I use this and the more the shades kick up into one another, it’s becoming increasingly more difficult to not get larger particle size shimmer in #1 and #3. So, it’s something I’m just trying to embrace.
Because this is another relatively smooth highlighter, I do like it. However, if I had to choose between the Pillow Talk highlighter and the new Glow Glide Face Architect ones, I prefer the latter because of the extra smoothness and glow it provides without looking so powdery. They are the same price, and the Pillow Talk highlighter gives more variety, but four pretty highlighter colors don’t compare to one near-perfect shade.
Charlotte Tilbury Beautiful Skin Sun-Kissed Glow Bronzer in 3 Tan
I love this bronzer, but it had me going crazy for a bit! I included multiple photos because no matter what background or lighting I use, the color doesn’t look consistent. To my own eyes, when I wear this on my face, it sometimes looks more olive, or neutral, or warm-yellow, or warm-orange. I still can’t give a definitive answer as to what undertone this bronzer in Tan has! When I first started using it, there were times I thought the shade was strange and then other times it was absolute perfection! I’ve been using it on and off since June 2022 and I haven’t figured out the witchcraft that makes it look so different sometimes, but it’s one of my top three favorite cream bronzers now. It blends effortlessly on my face and sets without needing to powder it. The longevity is fantastic. One of the things I’m super impressed by is the fact that the texture has remained creamy for all these months without a film or discolored layer forming on the surface, and hasn’t partly dried out, like some other cream products of mine have done. It’s a pleasure to use every time! Factoring my powder bronzers into the equation, this product has a ton of competition for claiming a spot in my top five favorites, but this might just be number one among the cream bronzers. I have three others that come to mind, but I haven’t spent enough time with them to say for sure yet which is the best of the best. Perhaps 2023 will be the year I finally do a yearly favorites post again to declare the winner.
In order to enjoy the pretty swirl pattern for longer, I mostly put my brush in the same spot (top right of the compact). It looks barely used, for that reason, from the top down perspective, but I’ve created a decent dip into the pan when taking into account how little product is needed.
Below, I’ve included a photo (taken in June) of another bronzer I bought that same month and love: the Nars Laguna Bronzing Cream in Laguna 04. It’s darker and more red toned than the Charlotte Tilbury cream bronzer, which is why I prefer Charlotte’s over it. Plus, the Nars bronzer is heavily scented.
There are so many reviews of this product by now, so perhaps it doesn’t need to be said, but the cream products are darker than the powder counterparts. For example, the powder version of Tan is lighter than this cream version of Tan. The powder version of Deep is lighter than the cream version of Deep. So, despite there only being four shade options, this helps to round out Charlotte’s overall bronzer line if you don’t mind using cream versus powder. I always wanted a “Dark Tan” or “3.5” bronzer shade in the powder line, but cream Tan is filling that void for me.
The price of this is ridiculously expensive, but it was worth it to me. It’s like if the Danessa Myricks Power Bronzer Cream and Anastasia Beverly Hills Cream Bronzer had a baby and that baby acquired magical powers.
Charlotte Tilbury Hypnotising Pop Shots in Sunlit Diamond and Cosmic Rocks
I rarely reach for single eyeshadow products, unless they’re in a custom magnetic palette, so I try not to purchase things like this. However, that packaging was pretty, and having a multichrome eyeshadow in a beautiful compact that I could reuse (if I wanted to re-press a different eyeshadow into there) was extremely appealing. So, I purchased Cosmic Rocks. The only reason I ended up with Sunlit Diamond is because the brand sent me that on accident instead of the Sunset Glow highlighter. So, they allowed me to keep it and sent me a second package with my correct item inside. Sunlit Diamond is a beautiful color, so I’m happy to have it, even though I wouldn’t have bought it myself. It’s not due to the product being bad. These eyeshadows are pigmented and sparkly and stay pretty well bound together when picked up, which means I can avoid making a mess when applying them and I don’t have to dampen them to apply them either. However, I did apply the inner halves wet in the eye looks below to see if there would be a dramatic difference and there was not. I don’t get much fallout during application, but I can get a bit of it as the day goes on. I still haven’t tried these with glitter glue, but perhaps that could prevent some of that fallout throughout the day.
Also, I get the tiniest bit of movement where the shadow doesn’t want to stay in the deepest line of my crease, but it could be the primer I’ve used with this. It’s such a minor amount for me, but I thought I would mention that anyway for those who might have deeper lines on the eyes than mine. Admittedly, since I’m not much of a single shadow wearer, I’ve tested this product the least of everything else (only four times).
As far as multichromes go, Cosmic Rocks certainly can’t compete with Clionadh in terms of intensity, but I’m not certain if that was even the brand’s goal considering their typical clientele. It doesn’t have nearly as dark of a base as the others, so I’m guessing Cosmic Rocks is meant to be a more approachable way to wear a colorful shadow and a multichrome without intimidating neutral lovers too much.
Even without being as deep as Clionadh’s Jewelled multichromes, Cosmic Rocks is still pretty dramatic on my eyes, so I’m still pleased with it. However, considering the full $34 price of the Pop Shots (I bought Cosmic Rocks from Selfridges for $25), I wouldn’t recommend if for those who love really full on multichromes. Granted, it does come in a lovely lightweight compact, so perhaps the upcharge is understandable considering it houses a multichrome eyeshadow. As much as I like Sunlit Diamond, I personally find the full price to be astronomical for a more traditional eyeshadow.
Charlotte Tilbury Push Up Lashes Mini Mascara
Right off the bat, I have to say that my experience with the sample was different from the travel size. I’m not sure if that has to do with the travel size having more product in the tube and being able to fully coat the brush or if there’s a slight difference between the two applicator brushes. All I know is that I liked the travel size enough to where I considered buying a full size, but I would never have been interested in this mascara if it was based on the sample alone, because with the sample I couldn’t build as much volume as I wanted without doing at least two coats. Unfortunately, I used up the travel size many months ago, so I cannot remember which eye looks I’ve taken in the past that I was wearing this mascara. I only have photos of this mascara using the sample size (which is in the pop shots section above).
Based on the travel size, I like that I can create a defined fanned out look with the wand. I get a decent amount of length and volume, although my lashes don’t get quite as long or full as my favorite mascaras can provide. I like that the brush is fairly skinny, so I have an easier time coating my lower lashes. I don’t get any clumping, smudging, or flaking with this either.
I considered repurchasing the travel size again specifically for my lower lashes, but after using the MAC Extended Play Lash, I decided against it because I prefer the applicator on that one and it’s slightly cheaper than the Push Up Mascara from Charlotte Tilbury. Plus, my top favorite mascaras do a good enough job with both top and bottom lashes and I just have to be a little more careful and deliberate when applying mascara to my lower lashes.
I’ve sometimes experienced a difference between the full size tube and travel size of mascaras (if for instance one is wetter or one gets too much or too little product on the applicator), so I don’t know if I would notice yet another difference if I had the full-size. But, based on the travel size, this is a nice mascara, but I don’t see myself repurchasing it.
That concludes this Charlotte Tilbury update post!
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