Reviewing Coloured Raine After a Two Year Break

From 2018 until 2020, Coloured Raine used to be my number one favorite brand for non-multichrome eyeshadows. What made me take a long break from buying their palettes was them discontinuing their eyeshadows to go full vegan.
I’ve had issues with some vegan formulas blending away to nothing, or being too hard to blend, and being patchy. Some of the ones that did perform decently didn’t have an acceptable preservation method (tying in with the “clean beauty” anti-parabens movement), so I’d get hardly a year before the performance of the shadows changed and/or went bad.
So, I was already skeptical about whether or not Coloured Raine’s new vegan formula could measure up to their old one. When they released their Juicy Boost Collection in August 2020, the reviews I watched with the demos were terrible! That was enough for me to want to steer clear of their eyeshadows until their 2022 Memorial Day sale in May. I figured that should be enough time for the brand to fix whatever formula issues they had, so I decided to give them another chance.

The formulas, textures, and how the makeup performs turned out to be different depending on the collection. In today’s post, I’ll be sharing my observations and experiences with these products. Just keep reading to find out which items I loved and which ones I should have avoided!

Coloured Raine Cream Blushes in Spicy (Original), Stiletto Rose and Copper Rose (Botanical Collection)

The first thing to know about these blushes is that despite them all sharing the description of “cream blush,” the original four that launched, which includes Spicy, are completely different from the two blushes from the Botanical Collection. The ingredient lists are different, along with the textures and pigmentation. The container of the originals are larger than the Botanical Blushes too!

Spicy has a waxy consistency that’s so tacky it lifts up when touched. It’s thicker and more opaque. Picking up a little is still too much, so I put it on the back of my hand and warm up a small section first before applying it to my cheeks with that finger in tapping motions and then a final light sweep of the finger across the cheeks to ensure it’s fully smoothe. A little product comes off underneath, but it’s so pigmented that it will cover up the missing spot anyway. A brush will pick up way too much, but it’s still possible to use by putting it on the back of the hand or a makeup palette first (or even tapping the excess off on a towel) to get a lighter even layer across the bristles before applying it to the cheeks. I still prefer fingers because I have more control that way and can also warm up the product.

The Botanical Blushes have a higher concentration of slip agents (various silicones) that feel a little more gel-like, but still like a softer wax once the heat of a finger melts that top layer. I keep my finger on top of a spot for several seconds before I start to rub to pick up the blush onto my finger and tap it onto the cheeks. It looks like it will be just as pigmented as the original line of blushes, but when blended, it sheers out a fair amount. So, it takes a few light layers to build up to my satisfaction. This product also lifts what’s underneath, but it still looks fine to me as a veil of color. In the spots with discoloration that lifts, I put concealer back on top of the discolored spot and pack a little more blush on top, and those additional layers help it to stay.
I can use a brush with these, but it doesn’t pick up as much product without warmth.

These blushes remain creamy on the face. If I’m wearing something like the Rose Inc Luminous Foundation Serum, that wetter products tend to set well on top of, and apply the Botanical blushes in a thin layer with a brush, it can mostly set down. However, for the amount of pigmentation I want that isn’t just a flush, it’s going to remain creamy feeling on the skin unless I set it with powder. Spicy will absolutely not set on its own, plus easily transfers, so I only wear it powder-set. Setting all three of them with powder only temporarily makes them feel dry but at least does take down the creaminess enough that it won’t feel sticky or tacky. Powder-setting also makes the Botanical Blushes more transfer-resistant, but when it comes to Spicy it will definitely still transfer when touched, just a little less. Setting with powder has the final benefit of toning down the intensity level of Spicy, and even Stiletto Rose if I go overboard with that color.

These blushes will last all day, even without powder, as long as they aren’t touched. However, it’s just my preference to set them with powder, especially with a powder blush on top to add some nuance to the shades.

The photos above demonstrate the blushes with different foundations and at different times of the year. The middle three with the dark blue shirt were under the lighting conditions of my ring light. The others were with indoor lighting and some natural light coming in from behind the window blinds.

Had I completed this review three months ago, I’d have said, “These blushes require a little more effort, but are nice enough that I may still reach for them from time to time.” However, I’ve been going through my cream and liquid blush collection a lot more lately, and in comparison, these rank so low on the list. They still aren’t bad products, but I have so many options that don’t pick up product underneath, don’t require warmth or having to baby the formula, or do any other extra steps. Plus, my other blushes are in far more interesting colors. I’ve realized that I don’t like standard crayola type of blush colors like a pure orange, pure red, or pure pink. I love reddish browns, terracottas, pinky-orange corals, pinkish-browns, etc. Those type of colors look more natural on me. I expected Spicy to be a reddish orange with some brown, but it’s actually a slightly yellow leaning orange that may as well just be “orange.” Copper Rose sounded like it would be a fun copper-pink, but most of its warmth just comes from being picked up and mixed with my foundation and concealer while being blended on my cheeks. It’s not a very unique pink by itself. Stiletto Rose is a very common rosy red, although it’s the prettiest to me of them all.
I always wore a combination of Stiletto Rose and Copper Rose (on the apples) together anyway, which is why I initially had a better impression of those blushes. However, if I view these as individual products, they’re not something I want in my collection anymore.

Coloured Raine Lip Liners in Pine (Secret Garden), The Bee’s Knees (Queen Bee), and Decadent (Botanical)

It was very difficult to tell the differences among the selection of lip liner shades on the website. I now realize it’s because the ones I wanted are so incredibly similar! Pine was the first one from Coloured Raine I tried and later bought a backup of because it’s the first shade I ever found that I can actually cover my full lip-line with and have it look normal. I have a very thick and pronounced lip line (Vermilion border) that is way lighter than my lips and surrounding mouth color. So, when I have used lip liners on my actual lip line (and not just the edge between the lip and lip line), it always emphasized that thickness and looked like I attempted to overline my lips because it sticks out, even when it’s still within the lines. The color is described as a “spiced brown” and I consider it like a caramel-pink-brown.

The Bee’s Knees is described as a “brick” color, but it looks more like a neutral brown to me on my arm. In fact, I looked at the website photos again comparing the other shade in the Queen Bee collection and The Buzz is supposed to be the neutral brown. I almost wondered if some got swapped in the manufacturing process because my lip pencil stick doesn’t have any red in it that I can see, like the ones below, and instead looks like the brown ones near it. However, on my actual lips I think I see some red tones after building up the color? Like maybe a splash? If so, it’s certainly not as red as I expected and less red than I’d expect from a brick color. When built up, it’s also darker than Pine. It’s pretty regardless.

The third and final lip liner shade is the darkest of the three and also the creamiest, which I find interesting since it’s the one that launched first. I’m guessing the brand decided to switch formulas after this collection, which is a very plausible theory based on a comparison of the ingredient lists. The other two glide across the lips nicely and aren’t too soft or too stiff, but I do prefer the feel of Decadent. This color is described as, “neutral brown with slightly cool undertones” and I can see that in the squiggle swatch. Also, the lip liners from the Botanical collection came with sharpeners at the bottom. The newer lip liners do not. Perhaps the brand didn’t feel it was necessary because of the formula differences.

I haven’t noticed any issues or differences with the longevity among them all. They suit my needs and because they’re all so similar in color, they all work for me and give me that ability to line my lips in a way that others I’ve tried haven’t. It’s very specific to me, but it’s a huge deal. In general, objectively, I still believe these are a nice comfortable long lasting product.

Coloured Raine Paint Base Eyeshadow Base in Wheat

I first tried this primer underneath the eyeshadows from the Coloured Raine Botanical Palette and was disappointed to see the shadows creased. After all, the eyeshadow primer is expected to work the best with the brand’s own eyeshadows, so that wasn’t a good sign for anything else I planned to use with it.
However, in using it with my well behaved and favorite eyeshadows, and then as an alternative primer for eyeshadows I was testing that didn’t perform as well with my MAC Paint Pot, I realized it actually wasn’t the fault of the Paint Base! I’ll get back to the Botanical Palette in the next section, but basically every palette I tried with the Paint Base performed better or at least equal to my other primers! It quickly became one of the primers I keep in rotation along with the Gerard Cosmetics Clean Canvas and MAC Paint Pot. In fact, I bought a backup of it during the brand’s Black Friday sale.

I really like the ABH eye primer, but it is quite drying. That one helps to combat the oils that produce on my eyelids, but that’s sometimes to the detriment of buildable type of eyeshadows being able to stick properly. This Coloured Raine primer is similar to the ABH primer, but is less drying, which makes it the better of both worlds between combating the oils but still ensuring the eyeshadows can adhere properly. It’s fantastic! Because I bought the shade Wheat, it matches the color of my eyelids better and isn’t so stark against my skin, but still helps the shadows to pop. As with most primers, a little goes a long way (though not as long as the ABH and Gerard Cosmetics ones which are even more pigmented and thicker in consistency). Wheat still provides a good amount of coverage over the discoloration on my eyelids.

It’s interesting that the brand touts the squalane and sodium hyaluronate because I would have expected that to not go well with oily prone lids and would produce too much moisture for me, but it works somehow! The Paint Base sets on my lids to a natural finish. Perhaps those ingredients are what keeps it from being as drying as the ABH one.

When I’m working with an eyeshadow formula that’s not very creamy with a rougher texture, this primer can take a little longer to blend the shadows on it, but it’s a minor difference in time. That’s the extent of the negatives I’ve found in using this primer throughout the year, which made it an almost entirely positive experience.

Coloured Raine Botanical Eyeshadow Palette

I mentioned in the Eye Base review section that despite it being from the same brand, the Coloured Raine eye primer and this palette worked fine, except that it could not keep the shimmers from retreating from the deep line I have on my lid/crease. I have since used this palette with all my tried and true primers, and none of them stop this from happening. The best results I get though is if I set the primer with powder first. Then I’m much less prone to movement and creasing, but it’s not foolproof.

Cream Gerbera barely shows despite packing it on. I don’t mind, as I’d prefer a shade that light to be subtle rather than stark. Iberis and Leonidas have a decent amount of pigment and all three are decently blendable, but that’s a little bit of a letdown in itself because I remember how rich in color and buttery feeling Coloured Raine’s mattes used to be before they got rid of their single shadows. These are fine but not particularly special. The same goes for the shimmers. They are pretty and shimmery enough for my taste, but the formula is so much thinner, less smooth, way less impactful, less pigmented, and not vibrant like their single shadows once were. I mean, Coloured Raine shimmers used to be S-tier. Being “just fine” is going to be hugely disappointing by comparison. The quality of this palette reminds me of Colourpop, which is mostly good, but it’s not even like the best of Colourpop’s formulas.

These types of colors and this overall color story is a lot softer compared to what the brand used to release. I commend them going outside of their comfort zones. However, it isn’t just the color selection and lack of color saturation that makes it slightly underwhelming for me. There are so many brands that make satin shadows and have palettes with soft colors that still somehow look elegant and beautiful on the eyes. The literal texture of the eyeshadows themselves are so soft and buildable. These shadows don’t have those same qualities. They aren’t made the same way.

I also thought it was quite strange that the colors I expected based on how they looked in the pan did not look the same on my skin. Iberis was much more red than plum. Leonidas was a truer orange instead of terracotta. Rose Gold also had a stronger red tone, like a burgundy, when I was expecting a shimmering plum. The colors are still pretty, but when other eyeshadows like from Oden’s Eye and Sydney Grace give me a visceral excited reaction to using their palettes, I don’t see why I would want to reach for this one that doesn’t spark joy. It’s a new year. Being a decent, nice, workable palette isn’t enough. On the bright side, this isn’t one of Coloured Raine’s newest palettes and I believe they’ve continued to work on their formulas since the next palette is one that I actually will be keeping in my collection.

I forgot to mention in the last look that a tiny spot of Primavera is in the center of the lower lash line too.

Coloured Raine Queen Bee Palette

Unlike the Botanical Eyeshadow Palette, this one does not have “Eyeshadow” in the name, which is because it contains pressed pigments. Considering my experience with the previous palette, I was so nervous that the bump up in intensity with the mattes would mean the shadows would perform worse, but that’s not the case. Honeycomb is actually very soft and smooth feeling. I absolutely love this color of orange. Beehave and Pollen in Love are a little rougher to the touch, but they pack on the lids well and blend fairly well. I’ve had a little trouble building Bee-Witched on the other shadows at times, but it just takes a little more effort to get the definition I want without overdoing it or having it look unblended. It’s definitely not my favorite black matte, but it’s workable.
Using Honeycomb and Beehave together in the same eye look can be a bit tricky because I get a lot more pigment from Beehave right off the bat and it can easily overshadow/overpower Honeycomb, so I have to be careful with its placement.

The two shimmers look like they would have the same texture, but they’re definitely not the same formula. Unbeelievable is a chunkier and flakier shimmer that gives me a lot of fallout. It’s a foil shadow, but even applying it damp doesn’t give me the smoothness I want. I don’t enjoy that shadow at all and won’t be using it again when I open this palette. It’s a shame because the color is so pretty.
On the other hand, Mind Your Beesness is an almost glowing green-gold duochrome with more slip to it so that it glides easier across the lids. Because the binding solution is better, I get less fallout with this one. Honeycomb, Mind Your Beesness, and Pollen in Love are the colors that make this palette memorable and make me excited whenever I use it. This is the one that gives me hope for even better palettes in Coloured Raine’s future.

Black liner was also added to the upper lash line of the last look.

The eyeshadow primer and lip liners are absolute wins for Coloured Raine. The blushes aren’t the best and I have mixed views on the palettes. Considering what I paid, it was worth it to me to give them a chance and figure out how I feel about what the brand produced in 2022. At this point in time, I have hope for them in 2023 and I am truly rooting for them. However, the competition among indie and mainstream brands alike is the toughest it’s ever been. I recognize that they’ve lowered their price point, but I’d rather spend more for better quality. For me to continue purchasing from them, their products have to be truly special or incredibly appealing to my tastes. I look forward to seeing what they’ll release this year and I hope others will still give them a try. I heard positive reviews about their Rebellious Nudes palette, so I feel they’re on the right track. Here’s hoping!

Thank you for reading and Happy New Year!


INDIE BRAND SPOTLIGHT: Coloured Raine Review

My first Coloured Raine purchase was in November 2017. For two years, their eyeshadow formula was in a league of its own at the top. I even preferred it over my expensive Viseart, Natasha Denona, and Pat Mcgrath shadows! This year, I took a deeper dive into other indie brands’ makeup. Although I no longer know which brand can claim the #1 spot in my collection, Coloured Raine is still tied at the top. Their gorgeous forest green shade, Forbidden, is my all-time favorite eyeshadow (not counting duochromes or multichromes). I purchased nearly all their eyeshadows, and I even have a few duplicates, because I love them so much! However, rather than trying to complete my collection, this post motivated me to pull a Marie Kondo on all my single/depotted shadows and just keep the ones I love.

Because the quality of Coloured Raine shadows are so consistent across the board, there isn’t much to say about them except that they’re highly pigmented and blendable with the smoothest creamy texture. This is the case among all types: mattes, shimmers, metallics, etc.

I will make note of any shades that stand out for negative or especially positive reasons. I will also be discussing more than just eyeshadows. This review will include comments on a few blush/highlighter duos, sponges, and empty magnetic palettes.


There was a time when I purchased Coloured Raine shadows to make quads as Christmas gifts. Your Majesty (which I somehow had three backups in my collection) and Malibu from this set of swatches were among them. I should note that I did take Super Star out of my collection since it was so similar to Rosé. I parted with Nightingale as it is too common of a color. Paradise Isle looks like a more sparkly version of Unexpected, yet I couldn’t part with either shade. I was also surprised to discover the Blue Magic shade I’ve purchased for others, I didn’t have in my own collection. I kept seeing Opulence and assumed it was Blue Magic. In the pan, Opulence has a purple tinge that doesn’t translate to the eye, as the purple disappears once it’s rubbed onto the skin. Since I’m just left with bright blue on my skin, I wonder if I’m still missing out by not having the Blue Magic shade. It looks like it might just be a darker version. If I get it in the future, I will update this post as usual.
I also have to comment that Legacy is such a cool shade! It’s whitish-pink in the pan but pinkish purple on the eye, making it a nice topper shade. As with other iridescent shades, I wouldn’t use this on its own, except for the inner corner or as an interesting brow highlight.  

I have enough dark greens, so I removed Grandeur from my collection. Noblewoman won over Passion. And even though Smoke Screen was the only black shade with gold shimmer in my collection, I rarely use any form of black other than matte, so I took that out as well. I would like to reiterate that this had nothing to do with an issue of the formula. I was so tempted to keep them all, but I needed room to add Safari Raine and the upcoming Juicy Boost collection. I could have used another empty magnetic palette (I have so many) but I don’t think I need over 100 eyeshadows from any single brand.

I got rid of all the white shades in this set. I’ve never had use for a white eyeshadow, and I prefer using highlighters to highlight under the brow or to use a cream shade to blend out shadows. Choosing between the dark brown shades was surprisingly difficult, so I only removed Chocolate since it looks like the kind of brown I have the most repeated in my collection.

I got rid of Snitch and Torch for the same reason as Chocolate in the previous round of swatches. I noticed that the palette with the most shades I decided not to keep was from Smoke Show. Prior to getting the Safari Raine palette during the last restock, Smoke Show was the last palette I added to my collection as it had the least appealing color story for me. The shade I wanted most, Showtime, I didn’t keep either as it couldn’t compete with those stunning Vivid green pigments.

Side Note: I’ve always wondered if Coloured Raine is the reason Colourpop had to discontinue selling their Smoke Show palette and rename it Blowing Smoke. Coloured Raine’s palette came first and the name is trademarked. Even though the color story between the palettes is different, I believe one of the stipulations of a trademark breech is if it would cause confusion. Since they both have ‘Colour’ in their names, to have the same palette name on top of that seems like sufficient grounds to me! 

I purchased the shade Chameleon with my Safari Raine order, so I’m including it here as well. It’s a purple iridescent shade that I don’t think looks that nice on its own. When used as just an inner corner highlight, it had an interesting darker purple glow, but it’s not the texture or pigmentation that I’m looking for. The swatches for this shade I intentionally built up to see what’s the maximum pigmentation I could get when certain spots refused to deposit color, and I was still not happy with the results. I would rather reach for an iridescent from other brands over this one. It’s one of the few shades in their entire collection that I wouldn’t recommend. The one application I’ve found to be somewhat useful for this is adding a lighter pearly finish when topped on other shades. I recommend just skipping this one.

The Celebration palette had the second most eyeshadows I decided not to keep, having decluttered 5 out of 13, which is still a decent amount to have kept. Raise a Glass, Flammable, and Misty Nights were removed. As a purple eyeshadow lover, I would love having a lot more purple shimmers from Coloured Raine. The Power palette definitely satisfied some of my purple eyeshadow needs, but I will always want more, even though I have plenty of purples from other brands. Here is a comparison of CR’s Power Palette to CP’s As You Like It palette.

And here are some eyeshadow looks!


CR had one final restock of this palette, so I have it in my collection now! They’re also selling the shades individually, which is appealing since I planned to depot the shadows anyway. However, at $6.99 each, that would cost $62.91 to get them all when the palette is just $29. I have no issues with Coloured Raine charging them at their standard eyeshadow price. I just made the most cost-effective decision and I’m glad they kept the original Palette price instead of raising it due to the hype that Jackie Aina played a part in restarting.

Although I’ve only had time to use this twice, I would say that the quality is on par with the other shadows. The only shade I had a little trouble getting to show on my skin was Congo Basin (even after trying with the ABH primer which I use to make shadows really stand out). Even to the touch, it felt a little grittier than the others. It reminded me of the texture of the Snitch from the Power palette that I didn’t like. Purples of that shade do tend to have that texture, but I’ve never had a green eyeshadow feel like this. Regardless, I did manage to get it to show a little.

Because the palettes were so sought after, I felt bad about completely getting rid of mine after depotting it. So, I turned it into a magnetic palette. I removed the shadows from the palette, colored the wells with black marker (I didn’t want to wait for black paint to dry) just to make it look more aesthetically pleasing. You can cut around the magnet to fit the size of the wells (keeping the sticker on the back) and place the pan inside to make sure the magnet isn’t too thick. Although I had thinner magnets and magnetic sheets, I wanted to use up my thicker ones, so I used them anyway. It made the pans stick out from the top a little, but the lid still closes, which is most important. I stuck all the magnets in the wells and that’s it! When depotting, I always clean off the glue (this time using Parian spirits) and place a sticker label on the bottom so I can remember the shade name and palette it came from.

The Blush/Highlighter Duos

I have 2 out of the 4 Blush and Highlight Duos from the Power Collection. I didn’t buy the one called Prove My Loyalty because it has an icy white highlighter best suited for pale-light skin tones and a dark red matte best suited for dark-deep skintones. Anyone can wear any makeup they want, but the pairing of those two was…an interesting choice in my opinion. I’m not sure how many people can find use for both of those together. I also didn’t purchase My Day One because both the highlighter and blush looked like they might be too dark for me.

I purchased Damage Control first. Here are some old photos with it.

I like the blush portion. It’s very pigmented, so it requires a light hand or very fluffy brush with it. The highlight shade is beautiful, but too glittery for my taste. I prefer finer shimmer particles in my highlighters.  

The other duo I purchased is named Call The Shots. The blush has a little more warmth to it, which suits me a bit better, although the color difference between this blush and the previous one isn’t that obvious when I use a sheer application. This highlighter has more of that shimmer finish I prefer, but I typically don’t reach for this shade. I love golds. Lately, I have been more interested in blush toppers, which this color is great for, meaning it won’t go to waste. I just know I won’t use it as often as I should.

These duos are fine, but don’t really ‘wow’ me. Although I don’t think $25 is too much considering what you’re getting, if you can snag them for 50% off (as they’ve been on sale multiple times) then I’d be more likely to say they’re worth checking out at that discounted price. 


I don’t know why I keep buying sponges when I’m 90% more likely to use a brush to apply my foundation and concealer. If I don’t use a brush, I use the Blendiful from Tati Beauty because I can get my products on and blended in half the time.

In any case, the only traditional beauty sponges I have used so far are from Beautyblender, Real Techniques, and Coloured Raine. The Real Techniques sponge is nice, but the one from Coloured Raine easily surpasses it. I cannot decide which I like more, though, between BB and CR because they both are better at different things.

Softest: When it comes to the softest sponge, Beautyblender wins. The Coloured Raine sponge feels a bit dense when dry but softens up after it is damp. It swells to the largest size among the three sponges. The Real Techniques sponge is a lot harder and remains a bit hard even after being wet.  

Precision: The pointy tip of the CR sponge fits perfectly in the crevices around my eyes when applying concealer. It easily wins, followed by the RT flat edge and finally the BB which has no flat edge and the tip is still a bit rounded, which impacts the precision. That being said, I don’t often use a sponge with my concealer, as I want the most coverage under my eyes and a sponge does sheer things a bit. So, this benefit isn’t the most useful in my everyday life. However, when I was on vacation last year and wanted to bring minimal brushes and wanted a backup sponge, I took the CR sponge instead of a BB.

Smoothest Foundation Application: A nice blended look can be achieved with all the sponges, but the BB does it the fastest, followed by the CR one.

Easiest to Clean: The BB and RT sponges take about the same time. They work well with the Beautyblender solid soap. The CR sponge is the hardest to clean and doesn’t work as well with the BB Solid. I have better results when I use my regular makeup removing face wash on it. It’s possible that I perceive it as being more difficult to clean because I’m using the yellow one, which is probably easier to see stains. I won’t know until I start using my orange (or green if I can find that one) CR sponge in the future.

Most Durable: The CR sponge definitely lasts the longest and hasn’t torn on me yet. My RT sponges start to get tears in them after the first 3-5 uses thanks to my long nails when I’m washing them. My BB sponges tear on me between 1-3 uses. I don’t know if there has been any changes to the beautyblender because the first two I ever had years ago had to be thrown out before it ever tore. But now my beautyblenders don’t last as long.

Prices: RT = $5-$6. CR = $6. BB = $20.

Side note: BB sells silicone (or silicone-like) cases to put sponges in to let dry and keep away from dust and other particles. You can find adorable dupes for 50-75% cheaper on sites like Amazon and Ebay. I have the official one along with the dupes and although the official one is thicker/sturdier with more breathable holes, there isn’t that much of a difference. My kitty ones get the job done and they even have ridges on the bottom that lets them stand upright, unlike the official one.


I have the Book of Shades (which holds 72 standard size eyeshadows), four of the 96 pan Power palettes, and one purple 96 pan palette. The collector in me still wants the pink one I don’t have.

On my previous trip, I made use of one large z-palette, but I missed having an even wider variety. That’s why I bought the Book of Shades. I wanted it for times I plan to travel for longer than a week.

The Book of Shades fits comfortably at the bottom of my makeup train case and is a safer way to house my shadows than carrying multiple palettes separately. It’s heavy but that’s the tradeoff for being so sturdy and keeping the eyeshadows secure.

There are 3 pages (each page holding 25 pans) and each page has removable plastic sheets that you can write the shade names on with a dry erase/washable marker. Or perhaps in permanent marker if you don’t intend to swap them out. I’m not sure. I don’t have a need for the sheets since my shadows are all labeled on the bottoms of the pans, but it’s a nice addition. There’s also a mirror on the other side of the cover.

I’ve talked about the 96 pan palettes multiple times on my blog. I can’t take it traveling, but I prefer having these over the book of shades because of the freedom of being able to place any sized eyeshadow pan I want in them, it holds more shadows, and I can see everything at once. It’s harder for me to figure out what shades I want to use when I have to flip back and forth between pages. That’s why I also prefer this over the smaller sized flat empty magnetic palettes. The last photo is what my palette looks like now.

That’s all I have for today’s post! I tried to keep it short after my massive Japanese brush review. Although I enjoy making large comprehensive posts (for ease of keeping everything in one place), it means they end up being incredibly long. That’s why I decided to wait until I could at least include Safari Raine in the review, though not long enough to wait for the Juicy Boost collection. At the time that I’m writing this, we haven’t seen anything yet besides the outer packaging.

Thank you for reading!

– Lili