It’s my birthday! Because this has been the year of blush for me, I thought a high-end blush post would be fitting for today.

Wayne Goss Weightless Veil Blush Palette in Vivid Azalea

Wayne Goss released four blush duos, but this one was the most unique to my collection, so I chose this over Bright Poppy. The magenta shade is called “Shocking” and the white gold highlighter is called “Pearl.” In Wayne’s announcement video, he mentions that customers can utilize these duos in the traditional way, or even apply the highlighter directly onto the cheeks and blend the blush over it to create a unique shimmery blush shade.

I loved the way the highlighter-under-blush technique looked on other people in videos I’ve seen, but I think I prefer to just use them the traditional way. The highlighter formula is fantastic. The blush is pigmented. I cannot emphasize this enough. It is the most pigmented blush I have ever come across. I can use my softest squirrel brush to do one gentle tap into the blush and the minor amount of powder on my brush is still enough to be overkill. Just one dab! In order to get the pigmentation level you see in this photo, I had to do one single dip into the pan and then dab it once on the back of my hand before applying what was left on the brush to my face. Then I spent a fair amount of time blending. I can’t believe I’m saying this, but apparently there is such a thing as too much pigmentation, and my goodness this the prime example of that! Here is a photo from Instagram of what a single tap in the pan produces, even after plenty of blending.

This shade of blush can be splotchy if the brush isn’t coated evenly in that first dip, so even though you don’t want much on the brush, I advise still trying to pick up enough to cover all the bristles and then do a few extra dabs onto the back of your hand or a napkin to take some of the excess product off.

The blush duo costs $45. You’re getting a monster 19 grams of product, but I could use this blush regularly for the next five years and not even put a dent in it considering I use a maximum of one dab per use. Looking at this per gram, the duo is a decent price, but considering the cost only, this is more expensive than the $38 Natasha Denona Blush Duos, $38 CoverFx Monochromatic Duos, $30 ABH Blush Trio, etc. I personally would have been happy to see this priced around $35 for even half the amount of product. I can’t say it’s worth $45, or at least not this particular blush in the line. I bought this during the Beautylish Gift Card event, which is the main reason I’ve decided to keep it anyway. It’s still an interesting product and I especially like the highlighter.

I have one other item from Wayne’s line, but this is a blush post so I won’t go too much in-depth about it. It is a lip pencil in the shade Mauve. The price was $14, which I think is fair for what you get.

Patrick Ta Monochrome Moment Velvet Blush in She’s Seductive (mauve plum)

I saw plenty of reviews before buying this blush, so I knew ahead of time that this range was on the softer side and not super pigmented. This is the darkest blush in the line and as you can see in the swatch, it’s lighter than my skin tone, but I still like the way it looks. Something about the tone of it is very flattering to me. For the price though, I don’t know that I’d necessarily recommend it considering how many other nice buildable blushes there are of equal or better quality, yet for better prices.

Patrick Ta Major Beauty Headlines – Double-Take Crème & Powder Blush in Oh She’s Different (rich plum)

Similarly to the Wayne Goss Blush, I’ve heard that Patrick Ta says this blush can be worn the traditional way with the cream below and the powder on top, or his advised way of having the powder underneath and the cream on top to maintain the natural skin-like dewiness.

Perhaps I’m not using these in the correct proportions, but I don’t see much of a difference between using the powder on top or the cream on top. If anything, I still prefer having the powder on top because I feel I get more coverage that way. I feel comfortable using the powder alone, but the cream portion is even less pigmented than the Fenty cream blushes, so it takes a bit of building up. However, both are decent products. I like them, but if I ranked all my blushes, this would probably fall somewhere in the middle.

Charlotte Tilbury Cheek to Chic Blush in Walk of No Shame

I’ve heard of these swish-and-pop blushes before, but what enticed me to try one now, and in this particular shade, was the number of Youtubers saying how much more inclusive this shade was in the line. I was initially excited when I had it in person but was surprised when I swatched it and did not get the level of pigmentation I was expecting.

The outer “berry” ring is quite light on me, which I don’t mind, but mixing it with the inner “champagne” ring on my cheek lightens it up even more to the point of being a whisper of color with a whole lot of shine.

Both rings have shimmer, so that is unavoidable, but the champagne one is intentionally more shimmery. I’m glad I have it because it works as a subtle highlighter similar to the subtlety of Hourglass Ambient Powders and Guerlain Meteorites. As a blush product though, I only like using the outer ring, which presents a challenge as only my smallest blush brushes can pick up the color without touching much of the middle. This blush is also harder pressed which adds to the difficulty.
I’ve come to the conclusion that I like this blush, but I would have loved it if it was more pigmented. A few times I’ve actually used a mixture of both colors with the At Night blush from Hourglass on top to add more color without as much extra shimmer.

That’s all for today! Thank you so much for reading, liking, and/or commenting. It helps to keep me motivated to post consistently. I do this because I enjoy it, but it feels especially good to see the stats and know that my words are being seen.

-Lili

2 Comments on “Wayne Goss, Charlotte Tilbury, and Patrick Ta Blushes

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