MAC Skinfinish Colourstruck Blushes and Sunstruck Bronzers

Today’s post features the two makeup launches I’ve been the most excited about thus far in 2026!
Although I needed to Downsize My MAC Blush Collection, I have owned at least fifty different shades of their powder blushes within the past decade. My first MAC post, which covered nineteen of their blushes, currently has the highest amount of views on my blog. It’s thanks to that post, and the Follow-Up with an additional twelve shades, that I’ve been able to connect with many other people who love MAC’s blushes as much as I do! So, they have a special place in my heart.

I have to shout out NikkifromHR and TheMakeupPen as some of the bloggers I chat with about MAC!

When MAC started discontinuing shades from their “permanent” standard blush range in 2021, I knew it was only a matter of time before they revamped the line, but I had no clue it would take almost five years for that to happen! I also didn’t expect it would be three years before MAC relaunched the Sunstruck Bronzers.

MAC reused the model photos and swatch photos of the older Sunstruck Bronzers in the listings for the newer ones, in addition to them bearing the same shade names in the matte and radiant finishes. So, I don’t think there have been intentional changes to the bronzer colors.

Photo Credit: MAC Germany


Whether intentional or not, my version of Matte Rich Golden is slightly different. So, I will delve deeper into that in the bronzer review section.

The photos and videos I’ve seen, such as this one from lokalekatastrophe, have led me to believe some of the blush shades have been tweaked. Everyone’s version of Desert Rose looks lighter, for example on this reddit page. When I build up Raizin The Roof, I believe it can look pretty much like the original Raizin. However, Film Noir Buff is a muted brown-purple, unlike the original Film Noir that I believe had a reddish-purple tone, like in the YouTube short by CocoaSwatches.
I will do my best to share shade comparisons in the blush review section, but I don’t have access to my full collection anymore.

Skinfinish Colourstruck Blushes in Pony (radiant), Pink Flamingo (radiant), Thanks, It’s MAC (radiant), No Filter (radiant), Velvet Teddy (matte), Cheeky Chili (matte), Raizin the Roof (matte), and Film Noir Buff (matte)

MAC launched with 29 blushes in the Skinfinish Colourstruck line. I did not wish to repurchase shades I already own, so that narrowed down the list of blushes I wanted to buy. I created a table for anyone curious about which shades are completely new to MAC or might only exist in a different form, such as their lipsticks. My research was done to the best of my ability, but MAC has been around since before I was born, so I could have missed something.

Within the standard powder range, there used to be five categories: matte, sheertone, sheertone shimmer, satin, and frost. Now, there are just matte and radiant blushes.

It is said that the new matte version is intended to have a soft matte finish rather than flat. I’ve noticed that the Colourstruck mattes are smooth, but only softer than some of the older shades. The new blushes are a little less pigmented, apply the tiniest bit smoother (depending on which older shade it’s compared to), and leave some kickback, which may or might not be a significant amount depending on what kind of brush is used. Some of my older MAC blushes were hard-pressed and felt rough to the touch. Even without hard-pan, they became more difficult to pick up over time. However, some of my MAC blushes still feel silky and powdery to this day. I would be willing to buy replacements of my older blushes with a rough texture (such as Modern Mandarin and Frankly Scarlet), but none of my hard pressed ones got reformulated.

The radiant blushes are still nowhere near as glowy as the Extra Dimension Blushes. I would say the amount of shimmer is somewhere between the satin and sheertone shimmer level. When I’ve compared the swatches of the radiant blushes to the glowy blushes from other brands, MAC’s doesn’t look as shimmery. It’s only really when bright light is directly shining on my face that the sheen becomes obvious to see. I’ve complained about Gucci’s Glow Blush line not being glowy enough (review coming in perhaps 3 weeks), but I can say MAC’s Radiant Blushes are at least glowier than Gucci’s. Essentially, I view the Radiant line as satins, but it’s possible that the lighter shades could have more pearl in it, if MAC follows the trend in the past of having their frosty/highlighter-like blushes as mostly lighter colors. I would have to see those in person to know for sure.

Pony

I chose to show, in the photo above, how a single swipe of this blush looks prior to being smoothed out (like I did for the Colourstruck group swatch photo). For some reason, Pony picks up in chunks and has to be worked into my cheeks a bit to eventually appear as even looking as the rest of the blushes. By now, the top layer is completely flat, despite it being one of my least used blushes. The debossed “MAC” pattern still hasn’t worn away from any of the others!
I don’t know why this blush is so crumbly, but thankfully it only takes a little bit longer than the rest to blend in properly.

Over the past two years, I’ve been favoring nude/natural blush tones, but I suddenly found Pony very appealing. I can’t recall ever owning a blush this vibrantly pink before, though it does remind me a bit of MAC’s Sweets for My Sweet blush in the Extra Dimension finish.

Pink Flamingo

I still love corals, especially pink-coral over coral-orange, so this was another shade I couldn’t resist. Aside from the blushes I swatched above, Pink Flamingo also reminds me of Nars’ Orgasm X and MAC’s Cheeky Bits Extra Dimension Blush.

This shade and Pony look completely different in swatches, but they’re ultimately both pink blushes. They look similar on me, with the main difference being that Pink Flamingo is a bit lighter and warmer.
That being said, I’m still unable to choose between them, so I’m happy I bought both of them.

Thanks, It’s MAC

I had the hardest time deciding between Thanks, It’s MAC and No Filter. Essentially, this shade is a little more of a yellow-orange brown (as opposed to pink-brown) and it appears lighter than No Filter on my cheeks. I swatched it next to a lot of my warm brown blushes and was surprised how few dupes I could find, but Maiden’s Blush is quite close.
Thanks, It’s MAC reminds me of the Hushed Tone Extra Dimension Blush (that I stopped using in favor of Faux Sure). This is pigmented enough that I can easily see it in person, but it blends in a lot with my skin in photos.

I like this color, but I prefer Benefit’s Starlaa and Suqqu’s Kafuu (discontinued). It’s tied with YSL’s Nocturnal Nude (also discontinued). So, perhaps I could have skipped buying this one in hindsight, but I always feel compelled to buy a dark nude blush when I see one because of how uncommon it is to find one suitable for medium-dark skin.

No Filter

I can see some shimmer particles in the pan, but this blush can pass for matte if I only apply a sheer layer.

Because it’s a little deeper, pink-brown, and easier to see on my cheeks than Thanks, It’s MAC, I prefer this color. I like to think of it as a toned down version of Faux Sure, which is my most used MAC Blush, and just one of the most used blushes in my entire makeup collection! There was no way I was going to pass on getting this shade!

Velvet Teddy

This blush looks so faint in the photos of MAC’s models, so I assumed it wouldn’t show up on me. However, it does, and this is literally my favorite color out of all 29!
The brand describes this as a deep beige. It looks more like a light pink on my cheeks and creates a youthful flush. It was extremely difficult to try and get color accurate photos where the blush can actually be seen. It’s very much visible in person.

In some photos I’ve seen, it looks warm. Some photos it looks cool-toned. On my skintone, it can look warm or neutral. As with most of MAC’s blushes, the undertone of one’s foundation can affect how strongly those tones will actually look. That’s how I’m able to wear some of MAC’s cooler toned blushes without it clashing. These blushes are great for combining into each other to customize the depth and tone. Now that MAC’s blushes are less pigmented than before, they’re even better suited for layering together.

Cheeky Chili

MAC describes this color as, “warm brick red,” which is basically orange mixed with brick red. I expected it to be redder and resemble Burnt Pepper, which remains discontinued, but thankfully there’s also enough brown to keep the color from venturing too far into vibrant territory. Cheeky Chili still pops on my skintone, but isn’t the kind of bold orange that I dislike.

Raizin The Roof

This blush is a great reminder of how tastes change over time. I rarely ever used the original Raizin because I thought it was too deep and bruise-looking on my skintone. I could never figure out why I didn’t like it considering it’s a reddish-brown blush and I typically like those kinds of colors. However, I started using and liking it again just before the Colourstruck Blushes launched. Perhaps if I had the Sonia G Soft Cheek Brush or Rephr Kōyō back then, my mind could have been changed sooner.

Raizin the Roof is described as a golden reddish brown, and it being slightly less red than Raizin is why it initially looks lighter when compared. However, if I build up extra layers, they look nearly identical on me.

I know some people are disappointed that Raizin The Roof isn’t as richly pigmented as Raizin. Raizin used to be one of the most recommended blushes for people with a deep skintone, so I’m sure it’s hard to see changes made to such an iconic color. Selfishly though, I can’t help but be happy because Raizin The Roof is easier for me to use. I really like this shade. It’s also a nice “blonzer” shade to add a toasty sunkissed look across the forehead or bridge of the nose instead of bronzer.

The difference between Cheeky Chili and Raizin The Roof is that Raizin the Roof isn’t as saturated. They both have red, orange, and brown, but Raizin The Roof leans redder. I actually like mixing the two together so that the end result has calmed down the orange from Cheeky Chili, but pops more than Raizin The Roof does by itself.

If I had to choose between them, I would skip Cheeky Chili and just stick with Raizin the Roof. I’m just not as interested in orange, as evidenced by the fact that I left nearly all of my orange blushes behind when I was moving.

Film Noir Buff

I never owned the original Film Noir because it seemed too deep for me and I assumed it would be too red for my liking. However, Film Noir Buff is practically a muted purple-brown! MAC describes it as a “rich warm chocolate,” but those models on their website look like they’re rocking contours. I was thrilled when I noticed it had the potential to be my replacement for the purple contour/blush shade in ABH’s Gradient Blush Kit from 2017. I don’t have a single other blush like this in my collection because of that slight bit of purple. The closest comparison I can think of is the previous version of Dior Rosy Glow Blush in the shade Mahogany. That one had a similar depth level of brown, but also had some red from the ph-adjusting pigment. The tone of red was on the cooler side, but not quite in the same way as Film Noir Buff.

I’m confused as to why they call it “warm” when it’s listed as cool on their social media diagrams. Although Film Noir Buff does have some red in it (as it’s needed to make purple), there’s still some grey to cool it down.

In the photos above, I’m wearing no contour on the left. On the right, I used Film Noir Buff very lightly as contour. On my face, it’s like a muted red, but the depth level enhances the sculpted look. It’s more like a brontour.

It looks very red in these photos on my cheeks, and kind of pretty, but in person it looks like dirt. I don’t like it alone as blush, but it pairs beautifully with Velvet Teddy if I keep Film Noir Buff towards the back and Velvet Teddy mainly on the apples of my cheeks. So, this color is excellent for blush draping/soft contouring.

Some additional things I want to mention about the blushes overall is that the packaging was updated to be flat. They can now be stored flush next to each other or balanced in a stack without that domed lid. It’s more convenient to handle now, but it also looks a lot more generic.

In 2020, MAC blushes used to cost $25 per compact. So, $34 is quite a jump for even less product! In Germany, the full retail price is €34, but I found them less than a week after launch for as low as €25-€29 depending on the shade and retailer. I still find that to be expensive, but it’s a price I was willing to accept. I got some truly incredible deals on my old MAC blushes, so maybe that’s the cosmic tradeoff.

The longevity of the blushes are just as good. They don’t contain parfum. Other than Pony, these are easy to blend and work with while I’m using my regular products and skincare. However, if I’m wearing a gripping primer, a dewy sunscreen that leaves a slightly tacky residue, or some other product that makes my face essentially sticky, then I try to powder my face before applying these blushes. If I don’t do that first, then the blushes adhere a little too well and require more effort to blend.

I find MAC’s blush quality, whether matte or radiant, to be quite good. I do have blushes from other brands that are glowier, more blurring, even more finely milled, creamier and softer to the touch, etc. What has always pushed MAC powder blushes into holy grail status for me has been the shade offerings. Having so many dark-skin friendly options, especially less saturated ones and the variety of nudes, is why I’ve always regarded them so highly. I might be able to get a few of my favorite colors from a single brand, but only MAC has this many! The only other brands that come close are Fwee (though tough luck if you only want powder formulas) and Hourglass (for those who are around my skintone or lighter).

I’m happy with these new blushes, and I recommend them, but they aren’t something anyone needs to run out and immediately purchase. These may just be special to those seeking particular colors that are hard to find in a specific tone or depth.

Skinfinish Sunstruck Bronzers in Matte Rich Golden and Radiant Deep Golden

For those who may not remember, these bronzers launched on the 17th of March in 2023, were pulled two days later, and then made their return a month after. I don’t think the brand ever explained why, and it’s not as though MAC could have reformulated them that quickly before they returned to store shelves. I have more details and theories about it in my original review, but essentially how I was even able to order them was because I could add them to my cart using the quick shop feature. I wasn’t able to add them though the usual means and had just assumed it was a website glitch. Shortly after, the product page was missing, and so I thought perhaps MAC accidentally launched the bronzers earlier than planned. They did not cancel my order, and that’s how I ended up with two stinky bronzers!
I don’t mean that figuratively either. They literally had a terrible odor (like the vomit flavored beanbozzled jelly beans). Since the smell came and went for a while, I was hopeful that the smell would just eventually disappear. Nine months later, the worst part of the stink faded enough for me to be willing to bring one to Germany with me, but my fear of there being something wrong with it (actually rancid, contaminated ingredient, etc.) made me unwilling to use it that often. It felt like I was taking a gamble every time I used it, and the only reason I didn’t throw my original Matte Rich Golden away is because that has been the only yellow-golden bronzer I’ve ever found that was dark enough to show up on my skin year-round. I own neutral bronzers, ones that lean pink, orange, and red. However, all other yellow-golden ones are either the same color as my face (so basically invisible on me) or too light.

Three years later, my old Matte Rich Golden is nearly odorless, but still not 100% free of the smell. So, it’s no surprise that I decided to repurchase it in order to stop worrying about whether or not there is something wrong with it. Unfortunately, the new one is a warmer than the original version. If I keep the application super sheer, it passes for golden, but it looks orange when I build it up. I’m a bit disappointed about that, even though MAC at least improved upon the formula. It no longer darkens like crazy when I swatch it or wear it on top of a dewy base. I don’t see any other performance differences though in terms of smoothness, blendability, and longevity. The old and new ones are equally great, but I still have even better ones in my collection (though at twice the price). If this bronzer leaned more yellow than orange, I’d have put it in regular rotation!

If you’re around my skintone and prefer yellow bronzers as well, I’ve had better luck finding some in cream formulas, but by now they’re discontinued. One that’s still available is the Charlotte Tilbury Beautiful Skin Sun-Kissed Glow Cream Bronzer in Tan, but that is more on the yellow-olive side than yellow-golden.

Matte Rich Golden

*How orange Sienne appears depends on what proportions of the three shades in its pan are used.

I have mixed feelings about this bronzer based on the shade. While I’m happy about the performance aspects that improved, and I acknowledge that the color isn’t overly orange, the shade of the new version isn’t as unique to my collection. This means I won’t be reaching for it over my top ranked bronzers. It also means that I don’t feel like this replaces the old version.

Radiant Deep Golden

I made brush swatches, since the 2023 version of the bronzer darkens when rubbed with my finger.

As for my original Rich Rosy, the depth level was correct, but I didn’t think the color suited me. The only reason I didn’t get Radiant Deep Golden sooner is because I assumed it would look like a highlighter and be unable to bronze me. Unfortunately, mine seems to be inconsistently mixed. Sometimes, the base color is visible underneath all that shimmer and actually bronzes me. At other times, it does look like a highlighter!

The amount of shimmer is less than the Too Faced Sun Bunny Blushing Bronzer and the 2nd version of baked bronzer from Kosas. I’ve considered using Radiant Deep Golden as a bronzer topper to add radiance to a matte bronzer. Unfortunately, it is so hard-pressed that I get annoyed every time I use it. The powder is so stiff and rough that it feels like I’m wiping dirt off a clay tile while trying to get product onto my finger to photograph swatches. The surface is so hard that it feels baked. My natural hair brushes are too soft to pick up much product, and even my dense synthetic brushes require a lot of force to practically dig into the pan.

Even after I stopped swatching this bronzer with my finger, it continued to get hard pan until I scraped off enough of the surface to flatten the top layer. Now, I no longer have hard-pan, but I still can’t use this bronzer with my natural hair brushes. The surface is too tough.

Another strange thing is that this doesn’t wipe off my finger the way a normal powder does on my Makeup Eraser cloth. It grips almost like dried paint! Normally, a few swipes across the dry cloth is enough to clean my fingers between swatches. The exception is when it’s a pressed pigment or dye that stains my fingers. I can’t explain why the consistency of the new Radiant Bronzer is so much worse than my old one. At most, I’ve heard others say theirs is hard-pressed too (such as Audrey Michelle), but so was the 2023 version. It doesn’t seem like anyone else’s is as messed up as my new one. There’s hard pressed, and then there’s this…

Just like eyeshadows that stain my fingers when swatching, I can use a little Bioderma with the cloth to completely and easily remove it. It’s just unusual that I would have to do that with a bronzer that isn’t technically staining (just clinging like there’s too much binder or something in the formula).
Radiant Deep Golden adheres to my face in a way that makes it a little challenging to blend out, but I can at least remove most of it with a dry cloth.

Considering my issue with the blush-half of the Too Faced Sun Bunny Blushing Bronzer and my issue with Tom Ford’s Soleil Bronzer specifically in the shade Panarea, I don’t think I simply got unlucky to have gotten a dud. Something is going on with these Estee Lauder bronzer reformulations!

The bronzers cost $35 in 2023, and are now just $36. That’s about €31 in Germany, but for some reason they are actually €47 ($55) here. I’m not sure why MAC hiked up the price so high for the bronzers, yet didn’t raise it as much for the blushes.
The matte bronzer formula is worth getting on sale, but I absolutely don’t recommend the radiant bronzers. I know some people are loving theirs, and my experience with this botched bronzer is not the norm. However, I still thought the 2023 matte bronzer was superior to the radiant ones back then. I suspect it would be the same for the 2026 bronzers, even if I had a “good” one.

If you’re darker than me with a golden undertone too, I recommend trying Antique Velvet as a bronzer. It has more warmth than Film Noir Buff, and the shimmer in the blushes are more refined than the shimmer in the Radiant Bronzers (or at least it’s more refined than my messed up bronzer).

That’s everything for this week’s post! Thank you so much for stopping by!

-Lili

MAC, Pat Mcgrath, Hermes, Nars, Rare Beauty, and More 2023 Bronzers Reviewed

Not pictured, but will be reviewed, is the Hermès Bronzer and the bonus bronzers mentioned towards the end of this post.

In my Bronzer Ranking and Declutter post, I mentioned that I would review all the 2023 bronzer releases at least several months later because it wouldn’t be fair to compare them to the others without having tested them thoroughly. I believe I’ve spent enough time with them by now to review them properly, but I’m not ready to include them in an ultimate ranking list. Perhaps I’ll do that during summer 2024.

Included in this post are bronzers that launched, were reformulated/repackaged, or underwent a shade expansion this year.

In the demonstration photos (and whenever I review bronzers), I try to apply it nicely, but it still needs to be seen on camera, so I don’t blend it as much as I normally would. If I applied them as subtly as I would normally wear them in every day life, it would be difficult to see the difference between the bronzer and my natural skin tone. I wouldn’t normally apply bronzer in a way that lines can be seen, and would even apply a finishing powder on top to ensure it was seamlessly blended. Of course, I don’t use a finishing powder when the photos are for the blog since that would be an inaccurate representation of what the bronzer looks like on the skin. So, I always try to find a balance between blending it and ensuring it is visible.

*DISCLOSURE: Non-highlighted links in bold blue font (Example) are standard non-affiliate links. Links marked in bold black font with a light blue background (Example) are affiliate links. Affiliate links allow me to get a commission if purchases are made directly using my link. There is currently just one affiliate link in today’s post.

New Holy Grail?

Hermès Plein Air H Trio Healthy Glow Mineral Powder in 04 Sienne (refill)

Packaging is one of the biggest reasons I sometimes make luxury purchases, but in this instance, the rave reviews of the Hermes formula was convincing enough for me to buy it. I purchased mine through Selfridges because the refill was significantly lower priced on their website than in the US. The refill pan is not magnetic, so I had to put metal stickers on the bottom in order to store it in my empty magnetic palette. The packaging it came in is durable, but I knew I’d be more likely to get use out of it if I kept it in my Z-palette of face products that has a clear lid, rather than the forgettable unicarton. The pan size is wider than nearly every bronzer I own (I have a wide Makeup Revolution compact, but the Hermes pan is too tall in height). So, even if I wanted to depot a compact so I could put this in there, I can only do that with the bronzer compact from Charlotte Tilbury (though it would have gaps around it), or settle for my custom empty palettes.

Each bronzer contains three different colors. It’s unrealistic to use them separately without them mixing at least a little, but the placement of the brush in the pan will determine the depth of color. For example, swirling the brush in a circle around the rim of the pan will get more of that lightest shade. Swiping up and down on the left half or right half, avoiding the darker blocks in the center, would get more of the medium color. Trying to get an even mix of all three colors makes it too light to bronze me properly, so what I do is swipe my brush back and forth vertically between the two darkest rectangles, and that turns out to be the perfect bronzing shade for me. I built it up in the photo below to show the the maximum depth I can get from it. So, if you’re close to my skin tone, know that Sienne is on the subtler side though it still works. I chose not to get Colorado, which from what I’ve seen in photos and reviews is a little darker, but seems to be more red-toned.

I don’t get kick up in the pan and the product picks up easily even with my most delicate natural hair brushes. It’s the most natural looking finish from a standard powder (by standard I mean not baked gelee or cream to powder) bronzer that I own. It’s the smoothest and most refined. It contains shimmer particles that aren’t visible as sparkles on the face, but just enough to add a realistic skin-like look instead of being purely matte. I have no longevity issues. I have zero blending issues, no matter which foundation I use, and regardless if it’s powder-set or not and whether it’s matte or dewy. It’s pretty much perfection. I have to build it up a little, but it’s a low-effort task to complete that takes almost no time at all.

My favorite brushes to use with it have been ones that aren’t too dense but aren’t too airy either, and sweeping style brushes like the Sonia G Jumbo Bronzer and Eihodo RE8-3 Makie Blush Brush.

I still need time to see if this bronzer will eventually get hard-pan with extended repeated use or any other changes, but thus far, it is my #1 powder bronzer.
I should note that the difference in performance between this one and the Charlotte Tilbury powder bronzer, Victoria Beckham Bronzing Brick, and others that have crept their way higher on the list of “standard” powder formulas is so slim, it’s not going to be worth the price difference for the majority of people. To put it in different terms, if the Hermes bronzer scores a 9.8 out of 10, the Charlotte Tilbury scores 9.5 out of 10. At the US prices of $105 (or $67 refill) for Hermes versus $58 (or $41 refill) for CT, it seems simple to conclude Charlotte’s is the better deal. However, that’s really up to each individual to decide based on their own skin type and skin tone. I have no way of knowing how the Hermes bronzer will work on someone with a skin type other than dry. I know some people that don’t like the tones of the other bronzers in the line, and even find Sienne to be too orange based on their undertone. This purchase was worth it to me because of how well it suits me in every way, and I don’t have my perfect color in the CT powder formula specifically. Plus there are luxury lovers who might be perfectly content with paying premium prices for the designer name and the look of the packaging. I’m happy I bought the refill, but I understand why it wouldn’t sound worth it for everyone.

Almost a Three-way Tie: Pat Mcgrath, Nars, and MAC

These three bronzers are the reason this post took so long to complete. I had the hardest time deciding where I rated the formulas because they’re all blendable pigmented powdery mattes (ignoring the MAC radiant finish) that are long lasting and produce an airbrushed finish at similar price points. I felt compelled to review these three together, as they’re so similar, and I will point out the subtle differences along the way.

Pat Mcgrath Labs Skin Fetish: Divine Bronzers in Desert Glow, Bronze Divinity, and Burnished Honey

First, I have to apologize for the fact that I’ve worn the Pat Mcgrath bronzers plenty of times, and had these the longest out of all the new ones, yet I don’t have any photos wearing it that were taken with my main camera before it broke. I made a post on the home page about needing to switch to my cell phone camera now. I hope that this change will still be satisfactory to you.

I don’t have the PML Foundation, but based on their concealers I owned (MD22-24, with 23 being the correct depth), I should be shade 23 or 24 in the foundation. Thanks to the last minute shade suggestions added to the website before launch, I knew Bronze Divinity (MD22-27) was supposed to be my shade. Yet, I couldn’t stop myself from getting Desert Glow (M15 to MD22) and Burnished Honey (MD25-30). I should have stuck with my suggested one, but it’s hard to control myself when it comes to this brand. I’m at least glad I saved some money buying the 006 Duo and then getting Desert Glow later with a 25% off code.

Desert Glow was a little easier to see in spring, but this deep into summer, it’s very difficult to detect since it’s so close to my skin tone now. As for Burnished Honey, it’s still a bit deep and also more of a reddish-orange compared to the more solidly orange Bronze Divinity. Bronze Divinity can be built up more intensely and Burnished Honey can be applied more sheer than depicted in the photos below, so it’s really the undertone that makes a difference between them and why I prefer Bronze Divinity.

That being said, this is an extra warm line of eight bronzers. I love an orange leaning bronzer, but these are some of the strongest orange tones I have in my collection. Those that are the type that prefer cool toned or neutral bronzers might want to look elsewhere unless there’s a shade expansion for the range.

Desert Glow is the only one currently in the line with the pearl shimmer particles, compared to the rest that are semi-matte. Even in the summer, this shade is still useful to me to amp up the glow of Bronze Divinity when used on top of it. This is shown in the photo below where I have Bronze Divinity on the perimeter of my face from my forehead to under the cheek bones, but the cheek bone area is toned down in color from putting Desert Glow on top in that spot.

I’ve always thought the shimmer looked beautiful and refined on the skin, but at certain angles it looks like I used a highlighter as bronzer in photos captured with my cell phone. I’m a bit less happy knowing this now.

Regarding the formula, those that love Pat Mcgrath’s blushes will love this one since it feels pretty much the same, though perhaps slightly drier to the touch. The look on the skin, texture, finish, and performance are identical.

Sometimes I prefer the Nars bronzer over this one because the Nars powder feels softer, not just to the touch with my finger, but even when applied with the same brush it has a smoother glide across the face making it a slightly more pleasurable experience. Sometimes I prefer the one from Pat Mcgrath because I can apply Bronze Divinity in practically two swipes and not have to do more than a few additional swipes for blending because it’s a good tone match and the amount of pigment I want is achieved with such minimal effort.

Nars Laguna Talc-Free Bronzing Powders in Laguna 05 (full-size) and 06 (mini)

This is a buildable formula, and not what I’d call sheer, but it is the sheerest of the three powder ones I’m comparing. This could be a great thing for those who are heavy handed with bronzer. Laguna 6 is the best suited of the nine options for me and looks deep and red in the pan, but because it’s such a lightweight powder, I have to build it up more than the lighter colored Bronze Divinity from PML. Laguna 5 is too close to my skin’s depth and undertone to create a bronzed look on its own. So, on a day that I’m feeling lazier, I use Laguna 6, but I love the tone I get from mixing 5 and 6 together. It’s just more effort and therefore sometimes I can’t be bothered.

For those curious how the new formulation compares to the previous ones from Nars, I have that review here, along with the Laguna Cream bronzer.

As mentioned in that review, I believe the new formula by Nars is just the tiniest bit better than their old one. Because the talc-free version only comes in a matte finish, I’m still holding onto my original one that contains shimmer.

MAC Sunstruck Bronzers in Matte Rich Golden and Radiant Rich Rosy

These perform so well! They give slightly less color payoff than the ones from Pat Mcgrath, but still more than the bronzers from Nars. I love Rich Golden because it’s a deep golden yellow tone, which is not a common bronzer shade in my collection. I have an easier time finding olive than a dark yellow-brown. It’s only this year that I’ve made discoveries of any deep enough to work for me. Previously, my only options were orange, red, neutral brown (and I tried to stay away from cool toned ones). I also have a few more rosy options, though Rich Rosy is closer to orange-red than pink on me.

The difference between the matte and radiant formulas is similar to matte versus satin eyeshadows. Rich Golden has a thinner consistency that’s less compact in the pan, but not so powdery as to have kickup. Rich Rosy has some slip to it and seems to have more adhesion/binding properties. This makes the radiant formula take a little more effort to buff out. I prefer MAC’s matte bronzer compared to Nars for the color and near identical finish/performance. I prefer MAC’s radiant bronzer over the Kosas baked bronzers in the new yellow packaging, though I’m not a big fan of the tone of Rich Rosy. However, there is one gigantic flaw that drops this lower on the rankings and why I can’t recommend it. They stink.

I don’t remember the exact timeline, but essentially MAC released these bronzers online on March 19th. Then a few days later they were abruptly removed from all websites for about a month or so, but my order was still delivered. There was speculation that it was because there was something wrong with them, and some people said it was due to the smell either from having gone racid fast, contamination, or a harmful ingredient. However, if those were true, I don’t think they would have been made available again so quickly (unless it was batch specific and they identified which ones to not sell). I was in Germany when mine were delivered, so I had to wait until mid May to come home and smell them for myself. The first time I opened the compacts, I detected a faint smell in one, but it wasn’t that bad. Every time after that, I either could smell one or both very strongly, but then the smell would dissipate and had me wondering if I imagined things. Now, it’s at the point where the smell is quicker to identify but it does disappear in the air after the container has been opened for a while, but it reminds me of the Beanboozled Vomit flavored Jelly Bean. I wish I had an explanation as to how the smell comes and goes (sometimes the smell even temporarily transfers to my brushes), or what is causing it. At least the smell doesn’t linger from the powders when used on my face, but the mystery bothers me. Kosas bronzers have a frying oil smell due to the use of “clean” ingredients. MAC thus far hasn’t jumped on the clean beauty train for cosmetics, so I don’t know what their excuse is and I haven’t seen any official explanations for it online, nor them even addressing the fact that it was temporarily pulled from the website including all the various retailers of MAC products.

I’m still trying to decide what to do with mine. I’m very torn between liking the formulas, but being concerned about the smell. I would love to at least keep the packaging, since I like reusing them and swapping them with different products inside. However, I did see a comment online about it possibly being the components that smell and not the products, so that wouldn’t be the best solution.

The final thing I wanted to mention is that when I saw the packaging photos online, I hoped it was going to look like the Snowball Holiday 2017 packaging for the Whisper of Gilt highlighter. I see now that it’s a different pattern. Considering both bronzer finishes come in identical packaging, it would have been nice if they added a shiny varnish at least to the radiant ones.

Liquids Drops and Cream Sticks

Armani Luminous Silk Glow Liquid Bronzer Drops in 110

To recap the preview of info I mentioned about this bronzer already in the Armani Beauty post, I don’t think shade 110 will work that well for anyone who wears darker than Armani’s foundation shade 10 or 11. It barely shows on me once I blend it in.
Sometimes this will randomly have a grey tone on my skin. I thought it was because I’d gotten darker, but I now am fairly certain it’s from the sunscreen in there if I forget to shake the bottle well enough before use. I also tend to pick up the excess product on the bore of the bottle with my Patrick Ta Contour Brush, which could have been improperly mixed if I pick it up from that spot instead of using the dropper.

The photos in the rose print shirt were taken May 18th and the black shirt photo was taken July 25th.

This product sheers out a lot when blended, so I have to essentially pack it on for it to still show by the time I’m finished applying blush and highlighter. It looks quite beautiful on the skin and sinks right in like an oil, but it has dimethicone and other “cones” that account for that slip and it being so easily spreadable.
I expected a more glowy/dewy finish, but I think the brand was relying on some of the glow to come from the tiny gold micro shimmer. While the shimmer succeeds giving a pretty golden color to the face, it’s hard to see the shimmer unless you’re really close up to the skin. The sparkles are very obvious in direct light, so I’d rather it just not be there at all.

This formula lasts on my skin for a good portion of the day in most cases, and it dries down, but it isn’t transfer-proof. If I touch it, I see a lot of shimmer on my finger and a little bit of the base color. Setting it with powder changes nothing.

According to retail websites, this product “can be used all over the face for added warmth,” or mixed into moisturizer, sunscreen, or primer for a glowy base. I figured if it can be mixed into products and used all over the face, then surely it can be mixed into foundation. It looked so pretty at first, but then I looked closer and noticed all the tiny random sparkle particles all over my face. So, that was an absolute no-go. In the up close picture, there’s one right near the center of the underside of my nose, in the cheek area in and next to my pores (though camouflaged a little by the light illuminating my skin there), and a few diagonally between my nose and the deep smile line by my mouth.

I thought perhaps it would be possible to mix it into a foundation that’s too light in order to deepen it up slightly, but there’s so little pigment in this, that although it looked like it darkens at first, the moment it dries down, it basically returns to the same color it was originally, just slightly more warm-olive in tone. I tried to do this with a few other foundations and it didn’t matter. They all barely changed in color, even though I used a much bigger portion of bronzer than the single pump of foundation.

As a bronzer, I like this for minimal makeup days. For any other use, it just doesn’t work for me. Because it’s not very successful in living up to all the claims, and considering the price, this isn’t the Armani product I recommend to others.

Rare Beauty Warm Wishes Effortless Bronzer Stick in Full of Life

This is one of the most hyped up bronzers, but I usually hate stick products since they’re a firmer texture and tend to dry out faster than pot creams. It was a little easier to ignore the hype since the closest depth match for me was True Warmth, which looked way too red for my liking. After they extended the range and I saw Full of Life looking a lot more neutral by comparison and described as “deep bronze with golden undertones,” I bought it without hesitation. Imagine my surprise when I saw how warm this one was too! However, when I blend it out, it somehow matches me so well and I can easily get it to look even more natural and subtle when I use less than the amount pictured below. Unlike many stick products I’ve used in the past, this one isn’t stiff and practically melts as I glide it along my face. I typically draw a stroke that’s the length of my ear and blend that out dragging it slightly lower under my cheekbone. I also draw from the center of my forehead to about where my brow tail is and blend the rest of it out and connect it to the rest by the ear. I add a little more after blending if needed and it doesn’t disturb my makeup underneath. If I want it to last on my skin, I have to apply it a little more generously since my skin likes to absorb some of it. It makes me very happy though that even though the formula feels creamy, it fully sets on my skin and I don’t get an imprint on my finger when I touch it. This looks so natural, and I finish bronzing so quickly, that I now understand the hype. It’s well deserved. If my year late low-buy series has taught me anything though, it’s that cream products could take six or more months to start behaving differently, like a film forming on top or it drying out. So, I am curious to see if this continues to perform well as time goes on.

Milk Makeup Matte Bronzer Cream Stick in Blitzed

After unscrewing the cap, be careful removing the plastic dome off the stick portion. I saw a lot of creators break theirs in their videos, so I was trying to be careful removing mine, but a chunk still broke off since it was stuck too tightly to the plastic.

I had a feeling Blitzed would be too deep for me, but I wasn’t sure if Blaze would be too light. I can get Blitzed to work if I blend it out very well, and the amount used in the photo is about what I use per side, though maybe a little less in the cheekbone portion to start off with. It can easily get out of hand if I’m not careful.

This bronzer is the perfect example of the type of stick products I don’t like since it’s stiff, doesn’t blend as easily as traditional creams, and can be a little patchy looking at times. I like that it’s more of a neutral color by comparison to my shade from Rare Beauty, but I’m just not a fan of this formula.

Also, it’s a bit funny that I avoided buying this bronzer when the full-size used to be 1 oz / 28 g because I knew I’d never use it up and didn’t want it to go to waste. Then, they came out with minis that I believe were either $18 or $20 for 0.19 oz / 5.7g but they did not have my shade. Then when Blaze was available as a mini, I still felt the price per grams were so bad by comparison that I wanted to wait for a sale. Instead, I got the surprise that Milk decided to make the previous mini-size the new full-size, yet they did not adjust the price. It’s now $24 for 0.19 ounces. I don’t mind having less product, but to pass the cost onto the customer and not adjust the price accordingly for getting less product isn’t very cool in my books. Especially since Blitzed was released this year and only ever released in this tinier size.
I waited years for a better price, so I figured I may as well keep waiting. Then there eventually came an opportune time to get it during a SpaceNK sale.

This was like THE bronzer stick before Rare Beauty came along. This was people’s holy grail bronzer for years, but considering the texture and the way it blends, I don’t see why. It has slightly more lasting power since the thicker and less emollient consistency keeps it from sliding off or moving, the way other cream bronzers can, though I don’t have this problem with Rare Beauty either.

The Better Butter Bronzer?

Westman Atelier Beauty Butter Powder Bronzer in Beau Soleil

Even though I purchased this during a Credo Beauty sale, it’s still the most expensive single bronzer in my collection (since the Hermes Bronzer was only the refill). I heard great things about the formula, but I was never interested until they added this deeper shade to the line.

The bronzer is small, but its packaging is so heavy! Between the weighted metal, shiny gold surface, and the dust pouch it came with, it feels very luxurious. I also like the cute heart pattern with the “W A” representing the brand’s initials on the product surface.

Beau Soleil is definitely not as deep or neutral as it looks in photos. It’s also not heavily pigmented, so I still have to build it up. I like the color, but it’s unfortunate that they don’t have a rich shade available for those with skin tones darker than mine. In fact, it’s a little difficult to see in my photos, but it’s at least present (still subtle) in person. I believe the original two bronzers launched over two years ago. I’m glad we got this one this year, but I hope there will be another shade expansion sooner than that.

The photo on the right was digitally adjusted to improve the color accuracy.

The texture is buttery, as the name implies, and smooth. Of course, because of the name I couldn’t help but think about the famous Physician’s Formula Butter Bronzer. I disliked that one immensely because it was overly shimmery for my taste, which is a shame since it had a nice texture. The Westman Atelier bronzer is actually matte. It has a sheen that isn’t in a shimmery way, but in a moisturized way. The best way I can describe the look is like when the skin’s natural oils show the tiniest sign of coming through a powdered face. It isn’t to the level of being glowy or shiny, but resembles slightly moisturized skin. Another way to describe it is the look of skin after spraying one’s face with MAC Fix+ once it dries back down. The bronzer looks great when I use my medium density brushes, but if I try to use something that’s lightly packed it can look uneven. Due to the nature of it having this texture, the pigment packs more heavily in some places if the brush bristles aren’t strong enough to move it smoothly across the skin efficiently enough. But all it takes is more time buffing, a slightly denser brush, or a more resilient bristle to smooth it out.

This product is up there with some of my more enjoyable bronzers like Nars, Mented, and Pat Mcgrath. I definitely think it’s good, but the bigger selling point is the packaging. If this bronzer was in MAC packaging instead, I’d have said this is way overpriced. However, I bought this specifically during a time when I wanted something that was undeniably in the luxury category with a formula that was at least “good.” So, I’m satisfied with what I got.

Reformulated or Just Repackaged?

Kosas Sun Show Baked Bronzer in Escape and Paradise

The original Kosas bronzer was in my top 3 favorite formulas for many years, only recently dropping slightly lower because the shade became too dark for my liking, it had a smell that couldn’t be ignored, and the reputation keeps growing about the brand’s products going bad quickly (which made me question whether mine was still safe to use). Until recently, this bronzer was my #1 favorite in the shimmer finish category.

The brand posted on the product page, “new packaging…same formula,” but I believe there is something off about the shimmer. Every time I’ve compared the new ones to my old one, the new ones look like there’s way more shimmer and reflects more strongly. Escape and Paradise look borderline metallic in direct light. Perhaps it’s just something to do with the shimmer color with Deep and its orange base tone compared to the golden tone of Escape or the red tone of Paradise, but the bottom line is that I don’t like the finish of the new ones at all compared to the old one. It’s too much for me. It sounds wild to say considering I’m in my glowy cheek era for blushes, but I’m not usually a fan of metallic blushes either.

One of the other unfortunate things is that I’ve been wishing for Kosas to expand the line and make something slightly lighter than Deep, which was previously their darkest one. I was thrilled to see they added an even darker bronzer called Tropic and hoped that meant Paradise would be slightly lighter than Deep, but it’s slightly darker instead and in a less flattering undertone for me. Escape is less than a half shade darker than me and basically worked to add a golden glow, but not actually bronze me. However, it does seem to have gotten a little more orange several months after purchasing. My solution in the beginning was mixing the two new shades together, so I can’t say that didn’t effect the color Escape turned into now. Even though I have a workable color, the shine is a bit offputting. I spend quite a bit of time buffing the product in to try and get some of that shimmer off my face. At this point, I don’t know if I kept them because I genuinely liked them enough to not be worth returning, or if it’s the nostalgia and my desire to find a worthy replacement for Deep. It’s such a shame because the formula of the original truly is fantastic, beautiful, and I couldn’t recommend it enough to those who could get past the frying oil smell. The new ones don’t smell of it as strongly, but I can definitely still detect it. Perhaps it’s the Meadowfoam Seed Oil and/or Hydrogenated Vegetable Oil which are listed as the second and third ingredients.

So, after all this, Deep is still the best shade for me, but I can’t trust using it anymore because it’s so old and the brand doesn’t seem to like preservatives. So, I will make do with the two new ones for now. This could be something to take a chance on for those that love a super glowy bronzer, baked formulas, and “clean” makeup. It performs the same as the old one, which was so blendable and smooth. However, my personal disappointment keeps me from being able to recommend it.

BONUS REVIEWS

When it comes to the Vieve and Victoria Beckham duos, I forgot to include them in my previous bronzer ranking because they were in my face palette drawer and I also hadn’t decided which one I liked more. So, even though they aren’t 2023 releases, I thought I should try to include them in the bonus section. Also, kudos to both brands for making their duos refillable/replacable.

Vieve Modern Bronzer Duo in Deep

The left powder is intended to add warmth, while the right powder is for sculpting. The latter is a bit too deep, so I use the lighter shade in the duo almost exclusively. That one is my kind of color, though a little bit strong on the orange tone. The performance and texture reminds me of Charlotte’s bronzer, but not quite to that level of looking airbrushed. This is a buildable formula that I was surprised to see described as “satin” on the website, but I can agree it has a natural finish. I’m very pleased with this duo, but longevity is the only issue. If I’m wearing a dewy foundation or my skin has been properly primed and moisturized, the bronzer lasts. Sometimes it sticks a little too well and requires more blending time. Conversely, if my skin is on the dry side, it doesn’t cling to my skin as well and will come off in spots at some point in the day. This normally isn’t a problem for me except on minimal makeup days where I tend to skip a lot more steps in my routine.

I also have to note that I’m impressed with the packaging. It’s a lightweight plastic, but it still looks like an upgrade compared to the cardboard blush compacts. The extra bits of gold color on the back side and around the edges of the duo really help to elevate the packaging. However, I’m guessing the reason the blush compacts aren’t plastic is because they’re not refillable, unlike the powder bronzers.

In the photo with both sides listed, I started to rub away the lighter one before I thought about how I could probably leave it there for comparison purposes. So, I labeled it mainly to indicate that what’s lingering is the Vieve bronzer on the left side of the duo and I did not apply the right one to both spots. The demonstration under the cheekbone was applied with the amount picked from a single tap into the powder with a brush and blended out a lot, which still looked dramatic enough to feel it wasn’t necessary to apply it to my forehead too.

A month or so ago, Vieve released cream bronzers. I’m curious about them, but I recently put myself on a cream product no-buy, so I guess I won’t be finding out what they’re like for a very long time.

Victoria Beckham Matte Bronzing Brick in 05

I couldn’t figure out whether I should get 04 or 05, but I’m glad I chose the darkest one because this isn’t as deep as I anticipated. The lighter shade is a bit subtle for me and the darker one is a bit too red (even though that’s supposed to be the sculpting shade). So, once again, I end up mixing them both together to create a golden-orange color. And it ends up looking quite similar to the lighter shade from Vieve’s Deep duo.

Full disclosure is that I bought this from a third party seller in new/unused condition, so technically I can’t verify the authenticity of the product. I strongly believe it is authentic though based on how weighty the packaging is, the product performance, and all labeling including the box it came in, all compared to photos I’ve seen online. I am super impressed with the compact and it being as lux as I’ve heard described by others. This bronzer is similar to Vieve’s but the powder feels a little more fine, and it also gives me no issues blending or with longevity regardless of the condition of my skin. It’s the closest comparison I’ve found to Charlotte Tilbury’s powder bronzer with how airbrushed it looks on the face, the way it gets picked up with my brushes, and the texture of the powder. My one complaint is that certain spots look like hard-pan is starting to form. I assume it’s from the increased frequency that I’m using oil based products as primer. So, I wonder if people with oily skin will have a problem with hard-pan after extended use.

Dior Forever Natural Bronzer in 07 and 08

I put this in the bonus section because I got these from a third party seller and had no intention of reviewing them until I realized how high they ranked among my collection, and that I should share this information. Even though these aren’t new, a few shades from the line were re-released in new limited edition packaging this year. I preferred the look of the original quilt pattern ones and it occurred to me that Dior might reformulate them as they have for nearly everything else that’s a permanent product. So, I tried to get them while I had the chance, even though I was still uncertain if 07 was going to be too light and 08 too dark. As expected, 07 is so close to my skin tone that I could literally (and have a few times) use this as an all-over face powder. It matches my undertone so well, it’s a shame there isn’t an in-between shade that’s this color but just a shade or two deeper. As for 08, it’s darker than I prefer, but I just have to use it sparingly. It’s also a neutral color, which I don’t mind if I want to look like I got darker from the sun, but I don’t look bronzed without that warm undertone. It has a slight sculpting effect, so I like to use it almost the same way as Nars, but in reverse because 07 isn’t pigmented enough to lighten up 08 if 08 is underneath. I apply a liberal layer of 07 first and then a sheer amount of 08 so that I get the benefits of slightly deepening what I laid already down. This creates a pretty shading effect on the face.

This bronzer reminds me of the Nars ones, but even softer. I really like it, but not enough to pay full price. If I couldn’t have gotten it elsewhere and had to choose between Nars and Dior, I would feel Nars is more worth the price. The Dior bronzer comes in what I consider to be a cuter compact, but I’d rather pay a little more and just get Charlotte’s bronzer instead.

This photo was adjusted to improve color accuracy.

RANKING AMONG THE BRONZERS IN THIS POST

  1. Hermès Plein Air Mineral Powder
  2. Victoria Beckham Matte Bronzing Brick
  3. Rare Beauty Bronzer Stick
  4. Vieve Modern Bronzer Duo
  5. Dior Forever Natural Bronzer
  6. Westman Atelier Butter Powder Bronzer
  7. Nars Laguna Talc-Free Bronzing Powders
  8. Pat Mcgrath Divine Powder Bronzers
  9. MAC Sunstruck Bronzer (Matte)
  10. Armani Luminous Silk Bronzer Drops
  11. MAC Sunstruck Bronzer (Radiant)
  12. Kosas Baked Bronzer (Yellow Packaging)
  13. Milk Makeup Matte Bronzer Stick

Although I feel it’s too soon for me to rank these with the rest of my collection, I can at least say with certainty that my first three here would make the top 10, knocking Nabla, Mented, and Covergirl lower. Four through eight here could potentially knock those three even lower.

It’s easy to say the Hermes is my top “standard” powder formula, GloWish is the top with a sheen (performs like a baked gelee but I have no idea what it technically is), and Charlotte makes my top cream formula. However, deciding between the three where they rank is too difficult to say with full confidence. The one from Victoria Beckham comes just after Charlotte’s Powder bronzer, (so basically fifth place). I mentioned in last week’s post that Colourpop’s bronzer would drop lower since it started to perform differently at the one year mark of opening it. I still don’t know what place that put’s Colourpop now, but I know that ABH’s cream bronzer moved above it. Between ABH and the Rare Beauty Stick, I cannot make a decision without seeing how Rare Beauty performs in the long term of at least one year too.

So, that is everything! While it’s true I technically have more bronzers in my collection if one counts my face palettes too, I just don’t use the bronzers in there enough for it to be fair to include them. The only ones I can think of that could significantly shake up this list is the Hourglass Ambient Lighting Finishing Powder I use as bronzer (Transcendent Light) and the Captivate bronzer from Sephora’s Microsmooth Multi-Tasking Baked Face Palette. Those two would be somewhere between 15-25, but that’s as far as I could narrow it down.

Thank you for reading! Again, apologies for needing to switch now to my cell phone camera. I’m still trying to figure out the settings, color, and lighting.

-Lili