We had a plethora of new launches in 2022. I found myself caving and buying a ton of them despite my low-buy efforts detailed in my Beauty Resolutions post. In fact, I felt as though I was constantly having to mention in my reviews that I had broken my low-buy over and over again, whereas I never spoke about all the times I actually did hold strong.
So, for a change of pace, I’d like to talk about some of the most hyped up products that were released this year and how I was able to talk myself out of buying them. My goal with this discussion is to point out the ways I tried to rationalize making a purchase that I knew I shouldn’t make, so that myself and anyone reading who is on a no-buy/low-buy/or just wants to consume less makeup can see the ways to counteract that kind of thinking and recognize the signs when the next exciting product inevitably catches everyone’s attention.
Disclaimer: This is an anti-haul, so it’s safe to say I am not being sponsored to talk about the products in this post. I put the retailer logos on the images as a way of showing whose websites those images were taken from to give them ownership credit. I also chose the websites based on where I would most likely have purchased the items myself based on where I’d have gotten the best deals on them.
There is only one link in this post that is affiliated, and that’s the Bisyodo brush near the bottom of this post. Non-highlighted links in bold blue font (Example) are regular standard non-affiliate links. Links marked in bold black font with a light blue background (Example) are affiliate links. Affiliate links allow me to get a commission if purchases are made directly using my link.
Charlotte Tilbury Pillow Talk Beautifying Face Palette
I’ve been wanting a face palette from Charlotte Tilbury for ages! The ideal palette for me would be the ones with a blush, bronzer, and highlighter. I even added a CT face palette to my exceptions list for my low-buy. So, when the Pillow Talk Face Palette in Medium/Deep was sneak peeked, I was instantly swept up by the hype and caught up in the excitement of having one intended to suit me. However, when I saw the swatches and the way the palette looked on the cheeks of purchasers of my skin tone and darker, I didn’t think the top two shades would work for me.
I have learned in the last year or so that just, “showing up on the skin,” doesn’t equate with being flattering. There is a reason that the majority of pastel eyeshadows don’t flatter me, and that’s because so many have a strong opaque white base to them. This gives the eyeshadows a chalky look on dark skin, the deeper the chalkier. This is the reason Clionadh Cosmetics came out with their Deep Iridescent line of multichromes with a tan base, because of how their original line of multichromes looked on those with dark skin (I had to blend them in super well to get the white to not show).
This issue crops up again with blushes. If the color is too light for someone, it can look chalky or ashy, but if a brand’s blush has too strong of a white base, it will also look chalky (like those Tom Ford Shade & Illuminate Blush Duos). So, even though I’ve worn blushes with the same depth as the lighter blush shade from Charlotte Tilbury, it wouldn’t be to my preference based on how it appeared on the cheeks of other ladies with deep skin. There are some people who like that effect because it gives a “soft appearance” the way pastels are soft muted colors, but it’s not how I want blush to appear on me. When I see that arm in the promo images, none look nice to me except that deep red/pink, though I think the deeper highlighter looked way prettier in the reviews on YouTube that I watched.
So, my brain wanted to rationalize the fact that I would at least enjoy the bottom half of the palette. I could get this for $60 from Selfridges versus $75 at US retailers. Charlotte’s single blushes and highlighters start at $40, so I would still be getting a savings on having two usable products, plus being able to mix them with the other two shades. However, I had to think about my preferences again. I have the hardest time reaching for face palettes that don’t have every product perfectly suited for me.
When I’m in a rush (which when I’m putting on makeup, I’m almost always in a rush), I think of a single favorite shade and then grab it. I don’t think about blush palettes or face palettes because they usually contain other products that didn’t work, which puts a mental note in the back of my mind that this product isn’t as great as I thought. So, when I’m going off instinct trying to quickly think of what I want to grab, I think of that single product that I have already made a mental note, “Yes, this one is perfect.” That’s what I grab instead. There are only two palettes in my entire collection that became a go-to: my custom palette of MAC blushes and the Hindash Beautopsy Palette. The custom palette works because I made sure every shade in there is a favorite. Beautopsy works because I can do nearly every makeup task with it.
The final point I had to remember was the motivating reason for wanting a Charlotte Tilbury Face Palette in the first place. I like a lot of Charlotte’s products and my dream palette from her would be something I could do most of my face with and not ever have to purchase additional palettes because I’d have my perfect one. Had I bought the Pillow Talk Face Palette with only blushes and highlighters, I would absolutely want to purchase another one if Charlotte came out with a version that had at least a highlighter, blush, and bronzer with all three suitable for me. So, then what would happen to the Pillow Talk Face Palette? I’d completely abandon it in favor of the better one. It makes no sense to buy something that is kind of what a want when I should just wait to get something that is everything I want. It’s a lesson that has a hard time sticking with me when I’m really drawn in to a pretty shade or I’m in a retail therapy type of mood or I don’t want to feel like I’m missing out on the biggest/hottest product of the year. But chances are high that the same palette I foresee as being perfect for me in the future will have plenty of other people hyping it up and buying that one too. So, I won’t be missing out if I just wait for a better one.
I don’t want another Hourglass situation where I keep buying the holiday palettes when only some of them work for me and the others don’t, so before I know it, I’ve ended up owning four of them. That’s why I depotted mine to create a version I’d finally get use out of by having it conveniently in one place!
I really agonized over getting this face palette, but eventually the hype died down. I saw it end up in several “2022 Beauty Favorites” videos, but I hardly saw it being used after the first few months of it launching. I have my doubts on how long it will continue to be talked about starting next year, and especially because the brand is bound to release another one of these in 2023 and the old will be forgotten.
Gucci Luminous Matte Beauty Blush (Blush de Beauté Cheeks and Eyes Powder)
Packaging tends to be my kryptonite, but I’m thrilled to say I don’t find the packaging of these appealing. I love stars, but I prefer dynamic intricate patterns like some examples I found via a Google Search.
What had me second, third, and quadruple guessing my decision to pass on this launch is the fact that the formula was said to be comparable to my favorite blushes! People were saying these were guaranteed to be on a lot of end of the year favorites lists because they were said to be incredibly soft, smooth to the touch, and “blend like a dream.” Plus, I could get it from Selfridges for $41 each instead of $49 at US retailers.
Initially, what stopped me from buying one was my uncertainty about the shade range. I wanted a medium pink or coral, but I doubted if any besides the deepest shade, Warm Berry, would work for me. Even when I saw the blushes applied to the cheeks of those around my skintone, sometimes Radiant Pink would look better or too cool toned for my preference, and on some people Bright Coral looked better or it didn’t show up enough on the skin. The safest bet would be Warm Berry, but I have so many shades of that similar color. It’s gorgeous, but when I have Rose Latte from Fenty, Paradise Venus from Pat Mcgrath, Yoiurushi from Suqqu, and a few others that I love and want to use up, it wouldn’t make sense to get Warm Berry when I still don’t have a holy grail formula for peach, coral, or medium pink blushes.
The next step in my thought process was to take a chance on buying Bright Coral anyway. What helped me to resist was the fact that I had already gone through the same anti-haul process with the holiday blushes from Dior. I saw enough reviews to feel confident that Cosmic Coral could work for me. However, I still preferred the tone of the Fall 2021 Blush that I missed out on called Coral Flight. So, I felt very silly buying a blush now that I knew still didn’t compare to a blush I wanted before and had talked myself out of. It would have felt like I was settling for something worse, and I didn’t think I would be able to appreciate Cosmic Coral if I was viewing it as the consolation prize. Then, Galactic Red was again too similar to blushes I own in abundance and looked as though it contained silver sparkles, which I really don’t like in a blush. The fact that Cosmic Coral and Galactic Red looked so similar to Bright Coral and Warm Berry, and I already had the strength to turn down that launch, helped me be able to turn down the Gucci one as well.
What makes me feel secure in my decision is thinking about how hyped up the Hermes blushes were last year, yet I’ve only seen them talked about less than a handful of times this year. I also really enjoyed the performance and the Hermes blush was a precious thing to me. I even wanted more shades, but ran into the same issue as many of these luxury blush collections where there’s only one clear shade that will work for those with dark skin and the rest are iffy. And despite me liking it in 2021, even more exciting blush formulas and shades have been released this year that I prefer to use over that one. It stands to reason that the Gucci blushes would have ended up the same way if I caved and bought them.
Natasha Denona Retro Glam Eyeshadow Palette
This particular photo isn’t the most flattering picture I’ve seen of this palette, but it helps to illustrate the point I try to remind myself about, which is to consider my personal tastes before buying something. I love greens, and that’s all I could initially think about when I first saw this palette. Evergreen, Oz, Jazzy, Sage, and Belle were the shades calling to me the most. But, as I mentioned before, I’m extremely selective when it comes to pastels, and this palette has a ton of them.
Unlike the Charlotte Tilbury Pillow Talk Face Palette, opinions from the dark skin ladies and gents were split on this one. Quite a few said too many shades looked ashy on them or that the deepest shades in the palette were just mid-tone on the lids and lacked the ability to create depth. One of the biggest issues for me was the redundancy. YouTubers across the skin tone spectrum said that quite a few of the shadows looked too similar to one another when applied to the eye and not just the way they look in the pan, especially Jazzy and Maxi plus Marlin and Oz. If those with light skin tones had trouble building depth and feeling the color story was repetitive, there was just no way I’d have better success.
Ultimately, when I really thought hard about it, there were so many other green palettes that I loved and bought. Did I really need another after purchasing the Anastasia Beverly Hills Nouveau Palette, Nars Climax Eyeshadow Palette, and Bobbi Brown Jadestone Eye Shadow Palette? Considering my struggle to make pink and green go together when I bought the Colourpop x Tinkerbell Sprinkle A Little Magic Eyeshadow Palette, I had no business even considering buying the Retro Glam. In the end, even my love of the Cream Powder shadows wasn’t strong enough to outweigh the serious reasons why buying a palette with so few shades I actually liked would have been a bad idea.
Isamaya Industrial Colour Pigment Eyeshadow Palette
I saw this palette sneak peeked before knowing the price. The aesthetic was so cool to me and my immense interest in the greens and browns made me want this palette badly. However, once I discovered the price, I just couldn’t justify it. I’ve never paid full price for a Natasha Denona $129 palette or Pat Mcgrath large mothership palette, and those brands have been around long enough to prove their worth. Even with the $95 Selfridge price instead of $115, I couldn’t bite the bullet on a brand new makeup company where I had zero clue how good their shadows were. Knowing Isamaya was professionally connected to Byredo didn’t help, considering the fact that I hadn’t tried their shadows myself either and reviews were mixed between people saying it was or wasn’t worth the price tag. So, the price alone deterred me. However, at one point I could have gotten it for $80.50 using a 30% off discount code I found via the Google Shopping tab. Suddenly, the excitement at the possibility of owning it returned once I knew it was a little more attainable. I tried to reason with myself about how it was only a few dollars more than the Hindash palettes or that Guerlain and Tom Ford charge more than that at full price for only 4 eyeshadows versus 14 from Isamaya. I had it added to my cart and ready to go, but just before I checked out, I vaguely remembered the Hannah Louise Poston video on the brand and how that had helped to stop me from feeling like I missed out the first time I initially thought I wouldn’t be able to get my hands on the palette. I watched it again as a refresher, but I was suddenly reminded of the deeply troubling formula and performance issues she mentions in her video. For anyone having issues resisting this palette, I recommend giving it a watch because it thoroughly cured me.
Byredo Purple Echo Eyeshadow Palette
Another video saved me from disaster, and that was by Lexi Jong. However, I still give myself credit for holding off on buying it for as long as I did prior to watching her video. What made it appealing in the first place is that absolutely stunning packaging! My goodness, how I yearned to buy it for the packaging alone! I’d have just assumed it was out of my price range until I saw the note in the pre-launch post on IG that it would be available for $58 from Selfridges when their palettes are normally $75 at US retailers. Interestingly enough, Purple Echo isn’t currently available online in the US, other than purchasing it from the Selfridge US website. It is listed as a Limited Edition palette, and when I saw the brand’s own swatches, there was a brief moment that I wondered if it was limited edition because the quality was bad. I quickly dismissed that musing.
Swatches don’t tell the whole story, just like the case with Viseart and their poor swatches but much better quality. There’s no way a big luxury brand would release a terribly formulated palette for that high a price tag, right? Well, from the few videos I’ve seen (and not just from Lexi), this palette is atrocious! They get hard-pan. Some shadows don’t want to stick to the eyes while others don’t even want to be picked up with a brush or fingers. To be honest, these tones of purples aren’t even the kinds of purples that I like. The power of the packaging was the most at play with this one, but I just could not bring myself to spend that much on what would end up being a glorified paper weight. In addition, I have a weird aversion to using palettes with long thin rectangular pans. I could hardly use my Urban Decay Naked Palettes for that reason, and this one would have been the same even if the eyeshadows were good. Anyone else have a quirk like that too?
NARS Rising Star Cheek Palette
Nars releases cheek palettes annually, sometimes even multiple times a year, and often times with repromoted shades. This makes them having a limited edition palette that much easier to resist when you know that even if you skip one, they’ll just come out with another one that could possibly be even more to your taste. When it comes to this color story, I was in love with the way it looked in the promo photos, but how it looks in person is completely different! The shades are much lighter, vibrant, and cool-tone. The two on the bottom left turned out to be far less likely to work for my skin tone, and the top right blush shade is literally a hot pinky purple shade I despise.
So, had I purchased this immediately when it released, I would have been disappointed. Especially because I saw several videos where one of the blushes popped out of the palette. One such example is in the video by Morgan Turner. It’s one of the things that drive me nuts about baked products on a plastic mesh because so many pop out on me after a few uses or during shipping. It’s so much rarer that I have a product pop out of a metal pan, unlike plastic mesh.
Also, the same way I wasn’t impressed by the simple star pattern of the Gucci blushes, I don’t find this packaging to be appealing either.
The ultimate reason to skip this palette came down to how seldom I reach for blush and face palettes, and more specifically, how infrequently I reach for my two other Nars cheek palettes. One is now on my “retirement shelf” because it’s so old and probably went four years untouched before I remembered I had it. The other, I lost after reviewing it and only recently found it again. I told myself that I need to prove to myself that I’ll actually use one of the Nars cheek palettes before I’ll be allowed to buy another one. However, that pact doesn’t pertain to this holiday launch. This one is fully being skipped, but I might potentially buy another in the future if all shades in it are the types of colors I wear.
Tom Ford Eye Color Crème Eyeshadow Quad in 38 Velours Kaki
I could have sworn I very briefly saw this available at Selfridges for $68 instead of $90, but it was taken off the website after a few days and has not returned to the Selfridges US site since. However, this wasn’t much of a factor in skipping this quad because the Tom Ford palettes that don’t sell well or are overstocked end up at the Cosmetics Company Store (aka CCO or CCS) for a significant discount, and I can expect at some point this will be more affordable.
The real reason I decided to talk myself out of getting this forever are the shade choices. I love greens, but the two deepest ones on the bottom half look so similar on the eyes. That gives even more limitation on the different types of looks one could do with these few of shades. In addition, I have to admit that something like the Dior Backstage Khaki Neutrals palette with their greener greens and extended shade variety makes me far happier than this one likely would. When a brand produces tons of palette that are uninteresting to me, I sometimes get swept up in the excitement when one finally catches my eye, and I tend to ignore the fact that it has colors I don’t want in there as well, which makes it less worth the price to buy. My curiosity with a formula I haven’t tried from the brand, in this case the creamier ones, is another enticing aspect. This is the first time I’ve been interested in a color combination in this finish from Tom Ford. However, it would be much more satisfying if I waited for my perfect quad. With so few shade options, every one should be something you like if you’re going to buy it, out of pure principle.
Urban Decay Wild Greens Eyeshadow Palette and Urban Decay Naked x Robin Eisenberg Eyeshadow Palette
Oh, how I really wanted that Wild Greens palette! It was released early enough in the year when we weren’t as bombarded with green palettes. Several things made me hesitate on buying it: knowing it will highly likely go on sale for half price if I wait long enough, the abundance of green palettes I already own, the lack of a deep matte greens in this palette, and the darkest shade not being as deep as it looks in the pan and therefore lacking the ability to create the depth on the eyes that I want. The Robin Eisenberg collab palette was so exciting and colorful for an Urban Decay Naked palette, so I was instantly drawn in and planned to buy it when it would be inevitably 50% off. However, the more I looked at it, the more I realized it was only exciting because it was part of the Naked series. Had this color story been put in a different palette form for Urban Decay, it wouldn’t have been as intriguing to me. Plus, I am still in a phase of not being interested in blue eyeshadows, and this palette has so many of them. I also still have that hangup of the long thin rectangular eyeshadow pans and my aversion to wanting to use them.
So, for the same reasons I’ve talked myself out of the other palettes, I was able to apply it to this situation. As of right now, both palettes are indeed on sale for 50% off at Ulta, Sephora, and other US retailers. In fact, I had the option to get the Wild Greens Palette for only $17 via Amazon! However, waiting so long for a sale gave me time to think it over and carefully consider my options. I realized I liked the color stories of other palettes more than this one. Also, the quality of Urban Decay eyeshadows isn’t what it used to be. The Foxy palette that I did end up getting this year is nice enough, but isn’t stellar. I would much rather use the money I’m not spending on these to go towards a different makeup item that will bring me much more excitement to own.
Danessa Myricks Beauty Lightwork Vol. IV: Transcendence Palette – Illuminating Eye & Face Pigments
This was perhaps the most difficult eyeshadow palette to anti-haul this year. My love of multichromes is endless and I like the Danessa Myricks brand. I know how expensive these types of eyeshadows can be, so the whopping $125 price tag isn’t as ridiculous as it sounds, especially considering the price of PML palettes where usually only 1 or 2 “special” shades from her 10 pan mothership palettes are a true multichrome and for the same palette price.
The issue is that I already own more multichromes than a normal person should, and several shades are near dupes to each other when compared to my multichromes from other brands. So, I’m really not missing out. I shades I own are close enough to these.
Image credit to LBD Beauty on YouTube in her video reviewing the palette.
All of the shades above are from Clionadh, with the exception of Paradise, which is an actual shade from the Lightwork IV palette. I got it as a sample in a Trendmood box and only used it once because I rarely enjoy the “scattered effect” type of look in any form of makeup. Surprisingly, I had an easier time getting the shadow on my eyes than getting it to apply smoothly on my arm (perhaps because my eyelids are oily, but my skin is dry elsewhere), but I hate the actual large flakes within this. So, I know I would enjoy the Velvet chromes, but the larger pans in the middle of the palette would go virtually unused in my collection.
I don’t just want to cut down on my purchases because of money. I want to feel like I’m getting enough usage out of the products I buy and if I buy something that I have one or several duplicates of, it will prevent me from making a dent in any of them. I like having my makeup in clean condition by wiping off the surface of the compact or palette, wiping around the rims of the pans, and picking up the product in different sections of the pans with my brush so it gets used up in a more even fashion. However, I don’t want them to actually look untouched. By purchasing less, the chances are much higher that I get to spend adequate time with at least my top favorite products.
When I want multichromes, that’s what having my Clionadh collection was for…and my Devinah shadows…and my Terra Moons. I also have them scattered among several mainstream palettes. When is enough going to be enough? I hope that time is now.
Bisyodo Grand Series G-P-01 Powder Brush
Bisyodo is one of my favorite Fude brands, but I only have their goat hair brushes. Then, for what I believe is the first time, Bisyodo released their line of Gray Squirrel brushes in the new Grand Series with their pretty gold ferrules and gorgeous ebony wood. Of course I wanted one of them, but this series is even more expensive the the Chikuhodo Z series, which I consider the crème de la crème of gray squirrel brushes where they give the best quality for the most reasonable prices, and anything more expensive is either due to the price of upgraded/pricier materials, more bristles, or paying for the brand name. In this case, the (possibly plated gold) ferrule and ebony wood differ from Chikuhodo, but isn’t worth the price difference in my eyes, especially with the comparable shapes or comparable functions of the brushes from Bisyodo having less hair than the Chikuhodo Z alternatives. But I’m getting ahead of myself.
After looking through the whole series, the one brush I felt might be worth saving up for was the G-P-01 because it has a round ferrule and brush head (which is my preferred shape in a face brush) and isn’t quite as drastic of a price jump, unlike the smaller brushes in the line. In addition, I don’t have a brush in this shape from Bisyodo, but I have similar goat hair versions from Bisyodo to the highlight and blush brushes. That’s how I ended up with only this brush on my wishlist since it came out in July ’22.
I just couldn’t bring myself to blindly buy it, so I waited for a video and Alicia Archer came through. The collage below are images from her video.
The brush doesn’t match my preference with it being so easily splayed like that, so it’s not dense enough for my liking and I can’t help but feel like they skimped out on the amount of hairs. It doesn’t look uniformly bundled as it looks like it’s staggered up in parts to the section that tapers around. One section in particular looks choppy and not perfectly round, as if someone took a pair of scissors to the side of it. I’m sure the hair itself is ridiculously soft, since that other brush in the photo compared to it has hair that looks so fragile at the base and I can see that stray hair that’s coming out of the top.
If this was an inexpensive brush, the way the hair looks would be fine, but if I actually paid for one that looked like that, I’d be disappointed. Alicia was sent the brush set by Fude Beauty, and I would think that the absolute best would be sent in PR, so that makes me a little afraid that if I tried to buy it at any retailer it may look better or even worse than that one. That’s quite the gamble. These brushes are handmade, so not every one of them will be identical, but I decided that it would be best for me to anti-haul this particular line. I made this decision when the exchange rate between USD and YEN was much more favorable to dollars and the brush was as low as $139 or $142. Now that it’s back up to $158, It’s absolutely a skip. Part of me wonders if I missed my chance on getting it for as low as it was ever going to be, but I have plenty of beautifully crafted gray squirrel brushes from other brands in my collection, including outlet brushes that only have tiny cosmetic flaws but are otherwise perfect. I also considered just saving up my own points I earn through purchases, along with the points I get when others have so kindly used my links when purchasing from CDJapan, but I couldn’t bring myself to use those points on something I may not like. I’d rather spend it on something I know for certain I will cherish.
So, these are the reasons I ultimately decided to skip this one. And I can guarantee there will be other opportunities to buy different and equally beautiful brushes from Bisyodo in the future. I can be a fan of them (at least with their goat hair brushes) without needing to own everything they make.
In the event that someone would still like to purchase this brush or any other item that’s available at CDJapan using my affiliate link, it can be done by clicking HERE, and if so, thank you for monetarily supporting this blog!
Sonia G Niji Pro and The Hinoki Set
Sonia G is another one of my favorite brush brands (Chikuhodo, Sonia G, and Bisyodo are the top three). Every launch of hers is tempting, even if it’s for brushes that aren’t my usual style. When it comes to the Hinoki Set, I loved the detail of the cranes on the handles and I really wanted the uniquely shaped smaller brush. The larger brush head was not as unique, but was a shape I enjoyed. I just had to think about my preferences and remember that I tend to not like the undyed goat hair from Sonia G. Yes, the bristles are super soft, but the way they splay out after being washed and their tendency to be wispier than their dyed counterparts is what I don’t like about them. To me, it’s as if the dyed hairs are thicker, but I don’t know if it’s a coating or perhaps if the thicker hairs are selected intentionally to withstand the dye process. Or maybe she intentionally chooses undyed hair brushes to be the airier brushes. I don’t know for sure, but I remember how I ended up giving my Lotus Cheek to my friend because I preferred the denseness of the regular Cheek Pro (so much that I have a backup of the Cheek Pro too after the Lotus Cheek didn’t have the same performance benefits). Had the Hinoki brushes been available individually, I might have purchased the smaller one. However, it’s my rule that I shouldn’t buy full sets of brushes if I don’t like nearly all of them, unless I intend to sell the ones I won’t use. I did that once with the Lotus Set prior to them being available individually and I don’t want to have to do that again. These brushes are not just tools; they are like art to me.
The rationale for keeping sets bundled is that it’s a way to keep the cost lower (the way eyeshadow palettes are cheaper per shadow than a brand’s singles cost individually) or that these more intricate designs are intended for collectors, which implies people having the finances to afford more extravagant and luxurious brushes. Granted, there are plenty who fall into that category. However, there are some who are like me and consider themselves fans enough to be a Fude Collector that will skip out on buying other things (like jewelry, designer clothes and shoes and accessories, etc) in order to fund that collection. It would be nice to have the option to solely buy the ones we can love and use without being stuck with additional ones that aren’t going to get any love. I think it’s okay to own a collector piece and have it on display for its beauty and not for use, like art, but it’s another thing to own a collector item and not appreciate it enough to want to display it and not want to use it either, so it just sits in the back of a drawer or in a box serving no purpose. That feels wasteful considering all the time and effort by the artisans to create it and the ever growing limited resource of that animal hair. It would be a shame to have something I don’t want, when it could have been purchased by someone else who would have actually cherished it if only they had the option to buy it as a single too. After all, the Hinoki set is limited edition and for each person who buys the two without loving them both, that potentially takes away from someone else’s ability to own it.
No judgements to those who have. It’s just what keeps me from doing it too.
Regarding the Niji Pro, the salt and pepper look of the hair is beautiful! There is something so pleasing about it. I like this type of shape for bronzer and contour, but I thought it looked a bit too large. I had already sold my Lotus Base. I owned the Scott Barnes #65 Flawless Face Brush and the Patrick Ta Contour Brush. Just because this is a gorgeous mix of dyed and undyed Saikoho goat hair and would be a more luxurious addition to my collection, doesn’t mean I need to own it. I can admire it from afar is what I told myself. It was hard, but I’m glad I did, because eventually Sonia released the Jumbo Bronzer brush which, based on the descriptions, is even more suited to me than the Niji Pro! The Niji Pro is denser for a heavier application and stronger buffing power. The Jumbo Bronzer brush has a good amount of density while still giving an airy result due to the flexible and longer hair. When I want something more precise or to use with a more subtle product that requires packing, I have my Patrick Ta Contour Brush for that. However, with use of my powder bronzers that are a little deep and need a lighter application combined with good blending ability, the Jumbo Bronzer is everything I wanted. So, I was rewarded for waiting for my ideal brush rather than settling for one that sounded nice, but wasn’t filling any voids in my collection.
There are a few more items I considered adding to this list, but truth be told, I might cave on those if the price is right. There are also some new launches that I’m planning to anti-haul, like the Colourpop Sage the Day palette (which is too similar to The Child palette plus I swore off buying CP Palettes because I never use them), but it’s too soon after the launch to feel like I successfully got that one out of my system. I have held strong to what I wrote in that post though and haven’t purchased another one since. I also haven’t used a single one of my CP palettes since that post either, further reinforcing the point that I made the right decision to stop buying them.
That’s all I’ve got for this week’s post. I wish you a very happy holiday! Thank you for reading.